Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
Moroccan-Spanish model Sarah Loinaz was crowned Miss Universe Spain 2021 at the Los Olivos Beach Resort in Costa Adeje, Tenerife, Canary Islands, on October 16.
The gala was hosted by Sofia del Prado, the former crowned Miss Universe Spain in 2017, and finalist of Miss Universe 2017.
Sarah Loinaz will compete at the Miss Universe 2021 pageant, which will be held in Israel, in December 2021.
The Moroccan-Spanish model made her runway debut for a fashion show for VIDDA in April 2019 in Las Palmas, Spain.
In 2017, she represented Spain at the Miss Universe Spain 2017 competition where she placed second behind model Sofia del Prado.
The CineGouna projects awarded cash and other prizes this year were 13 projects in development, 6 films in post-production, in addition to one guest film in post-production.
The CineGouna SpringBoard jury included Mohamed Soueid, the Lebanese producer and film critic; Nina Lath Gupta, former CEO of the NFDC; and Ismaël Ferroukhi, the Moroccan director and screenwriter.
The jury gave a special mention to Abo Zabaal 1989 (Egypt) by Bassam Mortada for its ability to create a home for memories and surpassing the filmmaker’s own understanding of his life’s events, which were portrayed from the perspectives of his parents.
A Quarter to Thursday in Algiers (France) by Sofia Djama won the Best Project in Development award with a cash prize of $15,000; a CineGouna Platform certificate; and US $2,000 worth of in-kind services from Clackett.
They Planted Strange Trees (Palestine) by Hind Shoufani won the Best Film in Post-Production award with a CineGouna Platform certificate; a cash prize of $15,000; and The Indie Deer’s cash grant of $10,000.
Fifty Meters (Egypt) by Yomna Khattab won multiple cash prizes: a $10,000 full film promotion package from The Cell Post Production; a $10,000 cash grant from Trend VFX; a $10,000 from Synergy Films; a US $15,000 cash grant for script development from Mariam Naoum and Sard Writing Room; a $5,000 worth of post-production services from BEE Media Productions; a $10,000 from Cult; a $1,000 for locations services from Clackett; and a $7,000 Master’s Degree US scholarship from Gemini Africa.
This project also won a chance from Arab Cinema Center to participate in Rotterdam Film Lab.
Haysh Maysh: False Drama (Morocco) by Hicham Lasri won $30,000 as a minimum guarantee on film distribution from MAD Solutions and Ergo Media Ventures as well as a $5,000 cash grant from Malmö Arab Film Festival.
Aisha Can’t Fly Away Anymore (Egypt) by Morad Mostafa won a $5,000 cash grant from Gemini Africa as well as EGP 50,000 from The Cell Post Production, and was selected for IEFTA’s Global Film Expression initiative.
Women of My Life (Iraq, Switzerland) by Zahraa Ghandour won a $10,000 cash grant from Maqam Production Films and was also selected for IEFTA’s Global Film Expression initiative.
Searching for Woody (Egypt) by Sara Shazli won a $5,000 cash grant from BEE Media Productions in addition to $2000 worth of services from Clackett.
The $50,000 cash grant per sale from OSN prize went to A Song for Summer and Winter (Syria, Denmark, Germany, United States) by Talal Derki and Ali Wajeeh. The film also won $10,000 worth of a full DCP package from The Cell Post Production.
Hanging Gardens (Iraq, United Kingdom, Palestine) by Ahmed Yassin Al Daradji won a $30,000 worth of services and color-grading package from Mercury Visual Solutions, while Hyphen (Lebanon) by Reine Razzouk won a $10,000 cash grant from Clackett.
Happy Lovers (France, Morocco) by Hicham Lasri won a $10,000 cash grant from Rotana, while Arab Radio and Television Network (ART) gave its $10,000 cash grant to SINK (Jordan, Sweden, Canada, France) by Zain Duraie.
My Father’s Scent (Egypt) by Mohamed Siam won a $10,000 cash grant from New Black, while The Blind Ferryman – Al Baseer (Iraq, Switzerland) by Ali Al-Fatlawi won a $5,000 worth of post-production services by Hecat Studio.
