The Abu Dhabi Arabic Language Centre (ALC) launched a series of music books at Frankfurt Book Fair 2022.
Consisting of a number of publications, the series is a notable addition to the ALC’s roster of publications and focusses on Emirati and Arab singing and music.
It includes biographies of artists Eid Al-Faraj and Ibrahim Jumaa written by author Ibrahim Al-Hashemi, a book on Umm Kulthum’s reasons for selecting the poems she sang, alongside a variety of other titles, including educational books.
The launch ceremony was attended by Dr. Ali bin Tamim, Chairman of the ALC, and Saeed Hamdan Al Tunaiji, Acting Executive Director of the ALC and Director of the Abu Dhabi International Book Fair (ADIBF), along with media representatives and book enthusiasts.
“The Abu Dhabi Arabic Language Centre continues to drive the advancement of the Arabic language and enrich the Arabic library with original titles in an effort to encourage creativity and support authors,” said Al Tunaiji. “The series of music books we have launched is a means to shed renewed light on music and singing in the region. For the first time, the series presents biographies of musical pioneers in the UAE, in addition to documenting traditional performing arts and exploring new perspectives on Arabic singing by experts.”
The series includes two books from the ‘Pioneers Among Us’ initiative, where poet and writer Ibrahim Al-Hashemi documents the life of Eid Al-Faraj, a singer, composer, and poet. The first biography of its kind for this artist, it chronicles Al-Faraj’s journey from birth through childhood, education, and various stages of his career until the present time, illustrated by a collection of photographs.
In the second book, Ibrahim Jumaa: The Etheric Melody of the Sea, Al-Hashemi presents the life and achievements of a pioneer of music and composition in the UAE, and documents the songs and poems he wrote, composed, and presented at festivals and special occasions. The publication features photographs from Jumaa’s life, showcasing the awards and honours he received during his career.
“This music book collection completes the book series we previously launched at the Abu Dhabi Arabic Language Centre,” added Al Tunaiji. “These works, wherein Emirati authors document the lives and professional careers of UAE musical pioneers, will greatly enrich the regional cultural scene and promote more in-depth research into the UAE’s musical heritage. The series offers a new perspective on Arab musical heritage, which is sure to spark new dialogue around it.”
The collection includes Dr. Hamad bin Sarai’s book Wahhabi Art: Kinetic and Verbal Performance from Emirati Folklore, which consists of field research documenting a form of folk performance art closely related to the agricultural environment, through interviews with people who practice the art form.
Meanwhile, the Encyclopaedia of Sung Poems, compiled by researcher Dr. Hammad Al Khatri, includes poems sung in the UAE, which are usually closer to popular taste and extend deep into the history of the community. The poems address phenomena and symbols from the surrounding environment and embody authentic Emirati vocabulary that expresses the culture of the people.
In the book Folk Songs for Children and Women in the United Arab Emirates, Dr. Fatima Al Mazrouei tries to remedy the lack of documentation of traditional folk songs, especially in the emirate of Abu Dhabi, where she collected many songs for her book which were never previously featured in published songbooks. The author also sought to collect children’s songs – often referred to as ‘Al-Ragousat’ in Abu Dhabi – in addition to songs about names, especially girls’ names.
Writing about the connection between Umm Kulthum and Arabic poetry, Dr. Ahmed Youssef Ali’s book Umm Kulthum: Poetry and Singing chronicles the legendary singer’s efforts to elevate Arabic song by performing the works of some of the greatest poets of her time and before. Umm Kulthum had a modest upbringing, only receiving religious education and being taught traditional culture, but her exceptional taste allowed her to select the poetic texts that would best serve her songs, sometimes rearranging the verses for the greatest effect.
Egyptian composer and researcher Hassan Zaki Shehata sheds light on four composers whose works have achieved tremendous success and fame in his book Rhythms of Light: A Musical Biography of Four of the Geniuses of Oriental Melody, where he analyses the works of Ahmed Sedqi, Abdel Azim Abdel Haq, Mahmoud Al Sharif, and Ali Ismail.
The collection also presents two books by composer and music researcher Muhammad Saeed Hegab. ‘The Flute: A Morsel of Cane with a Scent of Legends traces the history of the flute in an attempt to separate reality from the myths that were associated with the instrument in ancient times. The author lists the various forms of the flute and the phonetic differences between them, highlights the importance of the flute in different cultures, and explains how the instrument is manufactured and played. Meanwhile, Hegab’s The World of Bowed Instruments traces the history of string-based, bow-using instruments back to their beginnings and explores the evolution of the various families of bowed instruments. The book focusses on the instruments’ use in the musical traditions of the Arab region and similar traditions in neighbouring cultures, offering an overview of how they are made and played.
In Iraqi Musical Heritage and Civilisational Communication, Dr. Muhammad Hussein Kamer, a professor of sciences and musical theory and an expert in the al-gouza and Iraqi maqam instruments, explores the subjects of cultural communication, the connection between modern and traditional music, music education, and music learning in schools. The author discusses traditional Iraqi music, focussing on the al-gouza instrument, and offers detailed studies on the Iraqi maqam, its history, types, and characteristics.
Music researcher Bassam Abdel-Sattar’s educational book The Qanun Instrument includes an introduction to the oriental instrument and its components, highlights its role in the traditional school of music, details its musical range. The publication includes lessons and technical exercises for playing the instrument, as well as a practical guide directed at musicians who play the qanun or are looking to learn it.
The collection also features The Medium in the Rules and Theories of Arabic Music, a theoretical and applied study of the rules and theories of Arabic music, written by Egyptian author Ahmed Youssef Al-Taweel, Professor and Vice Dean of the Higher Institute of Arabic Music at the Academy of Arts.
The History of Music in Arabia and Andalusia, written by Julian Ribera and translated by Hussein Hassan, is being reprinted. The book highlights the role of the Muslims of Andalusia in preserving music and passing it down to later generations, where its legacy inspired numerous European musicians.
source/content: wam.ae (headline edited)
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ABU DHABI, UNITED ARAB EMIRATES (U.A.E)