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Saudi Arabia’s record-breaking hanging prayer room offers spectacular Kaaba views.’
Saudi Arabia has set a new world record with the opening of the highest hanging prayer room, as recognised by Guinness World Records.
Situated at a breathtaking 483 meters above sea level, this architectural marvel offers unparalleled views of the Kaaba and other significant religious landmarks in Mecca.
Nestled within the bridge connecting the two towers of the Address Jabal Omar Mecca Hotel, the prayer room is not just a feat of engineering but also a testament to architectural ingenuity and creative prowess.
Using the latest technology and specially designed equipment, the 650-tonne steel bridge was initially assembled at 312 meters above ground before being elevated to its final position, linking the hotel’s twin towers across floors 36, 37, and 38.
The hall, which can accommodate up to 520 worshippers in a spacious 550 square meter area, blends traditional Arabic designs with modern luxury. Arabic calligraphy adorns its interiors, enhancing the room’s sanctity with the names of Allah and reflecting the rich Islamic heritage.
Worshippers in this prayer hall are treated to a spiritual experience filled with peace and tranquility. During Fajr prayers, they can witness the sunrise over Mecca, while the sunset bathes the chapel in warm.
source/content: gulfnews.com (headline edited)
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It was initially assembled at 312 meters above ground before being elevated to its final position, linking the hotel’s twin towers across floors 36, 37, and 38. / Image Credit: Courtesy of X/@ThamerAlbugami
Plant virologist Dr Safaa Kumari discovered seeds that could safeguard food security in the region – and risked her life to rescue them from Aleppo.
The call came as she sat in her hotel room. “They gave us 10 minutes to pack up and leave,” Dr Safaa Kumari was told down a crackling phone line. Armed fighters had just seized her house in Aleppo and her family were on the run.
Kumari was in Addis Ababa, Ethiopia, preparing to present a conference. She immediately began organising a sprint back to Syria. Hidden in her sister’s house was a small but very valuable bundle that she was prepared to risk her life to recover.
Kumari is a plant virologist. Her work focuses on a quiet yet devastating development crisis. Climate-fuelled virus epidemics affecting fava beans, lentils and chickpeas are spreading from Syria to Ethiopia, gradually destroying the livelihoods of low-income populations. Known as “poor man’s meat”, these pulses are vital for both income generation and food security in many parts of the world.
Finding a cure was urgent, Kumari explains. Hopeless farmers were seeing increasing levels of infected crops turning yellow and black. The cause? “Climate change provides aphids with the right temperatures to breed exponentially and spread the epidemics,” she says.
For 10 years, Kumari worked to find a solution. Finally, she discovered a bean variety naturally resistant to one of the viruses: the fava bean necrotic yellow virus (FBNYV). “When I found those resistant seeds, I felt there was something important in them,” says Kumari from her lab in Lebanon where she now works. Only the fighting in Syria had moved. “I had left them at my sister’s in central Aleppo to protect them from the fighting,” she says.
Determined not to let a war get in the way of her work “for the world’s poor”, Kumari felt it her duty to rescue the seeds in Aleppo. “I was thinking: how am I going to get those seeds out of Syria?
“I had to go through Damascus, and then drive all the way to Aleppo. There was fighting and bombings everywhere.” After two days’ driving along dangerous roads, seeds in hand, Kumari made it to Lebanon, where she now works as a researcher at Icarda (International Center for Agricultural Research in the Dry Areas) in the Bekaa valley, close to the Syrian border. Hassan Machlab, Icarda’s country manager says: “Many of the Syrian scientists we welcomed here have suffered. It is tough.”
But bringing the seeds to safety was only the beginning. Kumari needed to turn them into a sustainable solution.
As crop production collapsed in the region, producers started to rely heavily on insecticides. “Most farmers go to the field and spray it without safety material – masks and appropriate jacket,” she says. “Some are dying, others are getting sick or developing pregnancy issues.”
At first, the sample failed. “So we crossed them with another variety that had a better yield and obtained something that is both resistant and productive,” says Kumari. “When we release it, it will be environment-friendly and provide farmers with a good yield, more cheaply and without insecticide.”
Kumari now plans to distribute her super-seeds free to farmers. She has already turned down an offer from a large company for the virus detection technology.
“They wanted to buy our product and then sell it to the farmers, but we refused,” says Kumari. “Ours is free. It’s our responsibility to provide our solutions to people everywhere,” she says.
But, as for many Syrian refugees, the war is never far from her thoughts, “Something she won’t tell you is that it wasn’t easy for her,” says Machlab. “She was working on all this and she didn’t have a clear mind as her family were in Aleppo and her house was destroyed.”
Kumari adds: “Last week I saw my family in Turkey. I have five sisters and three brothers, scattered in Germany, Turkey, Syria. The last time we met was in Aleppo in 2012. When I came back someone told me ‘Safaa, you’re looking great today!’ Of course, I had just spent time with my family again!” she says, laughing.
But she adds: “It’s not easy for me, it’s not easy for a woman to work on agriculture (research). It’s not easy, but it’s OK.
“When I’m working, I’m not thinking I am a Syrian or a woman though. But I do feel I sometimes receive funding [from westerners] because I’m a woman,” she says. “Perhaps!”
Dr Safaa Kumari’s seeds are resistant to the climate-fuelled viruses that have destroyed crops of pulses in Syria. Photograph: Courtesy of Arab Society for Plant Protection
Renowned artist who died in Beirut this week spent 2 decades studying and working in Rome, and had his work showcased across the world.
The veteran Lebanese master Hussein Madi, renowned for his vibrant paintings, has died in Beirut. Often called the “Lebanese Picasso,” Madi crafted his own visual language, peppered with bird motifs, curvy women, and geometrical symmetry, that made his bold oeuvre look instantly recognizable amongst Arab art enthusiasts.
Fellow artists and gallerists took to social media to offer their condolences. On Instagram, the Lebanese artist Abed Al-Kadiri posted some old snapshots of Madi in his studio and wrote. “Today at his burial ceremony Madi joined his flock of birds, flying alone, united with himself, just as he always lived.”
Maliha Tabari, founder of Dubai’s Tabari Artspace, said that Madi was the first artist she worked with in 2003, which proved to be an invaluable experience. “I’ll never forget the afternoons that would turn to evenings spent on his balcony in Beirut, delving into intense discussions of form explained by him through the curve of a pomegranate or a bird’s wing,” Tabari posted. “We lost not only a key figure from our region’s art journey, but also a father figure.”
Madi, who was also a sculptor, printmaker, educator and press illustrator, was born in the southern Lebanese town of Shebaa in 1938. While his parents reportedly did not approve of his artistic pursuits, it was his encouraging grandfather that saw potential in Madi. He left his parents’ home at the tender age of 19. He reportedly supported himself financially by submitting caricatures to newspapers in Lebanon and Iraq.
In the early 1960s, Madi was a student at the Lebanese Academy of Fine Arts. He later went on to have an international education, by traveling to the exciting art capital of Rome, in 1963, where he enrolled at the Accademia di Belle Arti.
He would spend nearly the next two decades of his life in Rome, before returning for good to Lebanon in 1986, while the civil war was still happening. “I bitterly regret not having remained in Rome because of all the frustrations I endured since my return to Beirut. In fact, civil war drastically affected the course of my life,” Madi once said.
In Lebanon, Madi devoted himself to his canvas, showcasing his work in several art galleries in Beirut. For 10 years, starting in 1982, Madi was also president of the Lebanese Art Association.
Madi’s paintings offer a visually appealing melange of thick lines, repetitive patterns, angular shapes, natural scenes, and bright colors. There is an element of spontaneity, presented in an orderly fashion. His images are also populated with figures, holding a book, a musical instrument — or simply reclining. “Despite all the mishaps, I was deeply happy. My work celebrated life,” he said.
Over the years, Madi’s artworks have been featured in auction sales at Christie’s and Sotheby’s. His works have also been acquired by regional and international art institutions including the Barjeel Art Foundation (Sharjah), Dalloul Art Foundation (Beirut), Mathaf: Arab Museum of Modern Art (Doha), Jordan National Gallery of Fine Arts (Amman), British Museum (London) and Institut du Monde Arabe (Paris).
source/content: arabnews.com (headline edited)
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Renowned artist Hussein Madi who died in Beirut this week spent 2 decades studying and working in Rome, and had his work showcased across the world. (Instagram)
Invention scans for threats and informs driver on display or mobile
Boost for Saudi Arabia’s Ceer Motors, fledgling electric car industry, says lead developer
King Saud University in Riyadh has been granted a patent in the US for software that protects the computer systems of electric cars when linking to charging stations.
The invention is named the Motor Vehicle Cyber Inspection System. After conducting an inspection, the system notifies the driver of the cybersecurity status on a smart display or mobile device. The system can scan for malware, ransomware, backdoors, data leakage, and software vulnerabilities.
Announcing the receipt of the patent, the KSU media center said Thursday the team that achieved this success was led by Prof. Muhammad Khurram Khan and included Dr. Wazir Khan.
“This breakthrough patent achievement highlights KSU’s dedication to pioneering research and technological advancements, solidifying its position at the forefront of innovation in automotive cybersecurity,” it said.
The approval was granted by the US Patent and Trademark Office on Jan. 16, and the application was submitted in March 2023.
Khan, who led the team, told Arab News: “The granting of this US patent to the KSU represents a momentous achievement in the realm of cybersecurity, particularly for the burgeoning automotive sector in Saudi Arabia under Vision 2030. The invention holds substantial significance for the local automotive industry, particularly for entities like Ceer Motors and the Electric Vehicle Infrastructure Company.”
“Saudi Vision 2030 emphasizes the importance of developing a skilled and knowledgeable workforce to meet the demands of a diversified economy. Therefore, the development and implementation of advanced technologies, as reflected in the patent, contribute to job creation and skill development,” he added.
Khan further said: “Integrating patented technology into vehicles and charging stations would offer a considerable competitive advantage. It would not only enhance the cybersecurity resilience of automotive products but also position local manufacturers at the forefront of technological innovation and economic diversification efforts while the Saudi automotive industry is taking off.”
He added that the “patent aligns with the national goals of technological innovation and localization. By implementing this technology locally, companies could contribute to building indigenous capabilities, fostering economic growth, and creating high-value jobs in the technology and automotive sectors.”
Under the Vision 2030 initiative, Saudi Arabia is actively diversifying its economy, with a particular emphasis on the automotive sector. This commitment is exemplified by the establishment of Ceer Motors, the Kingdom’s inaugural EV brand, dedicated to manufacturing local electric vehicles.
Moreover, a recent development includes the launch of the Electric Vehicle Infrastructure Co., or EVIQ, a strategic initiative to bolster EV adoption. The firm aims to facilitate this transition by establishing a nationwide network of 1,000 charging stations consisting of 5,000 chargers by 2030.
Cloud computing to add $181 bn to UAE’s economy by 2033.
The UAE has been chosen to lead the Cloud Computing Working Group within the World Bank, a testament to its remarkable progress in advanced technology and digitization. Recognized as a global pioneer in digital transformation and the successful implementation of cloud computing best practices, the UAE assumes this role to support both government entities and private sector companies in their transition to cloud computing systems. By prioritizing the utilization of cutting-edge data protection and cybersecurity solutions, the UAE reaffirms its commitment to facilitating the seamless adoption of cloud technology while ensuring utmost security for all stakeholders.
Sheikh Hamdan congratulates Dr. AlBlooshi
Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai and chairman of the Executive Council, extended his congratulations to Dr. Bushra AlBlooshi from the Dubai Electronic Security Center (DESC) on being appointed as the leader of the Cloud Computing division within the World Bank Group.
In addition, Sheikh Hamdan posted the message on X (formerly Twitter) and said, “Congratulations to Dr Bushra AlBlooshi of the Dubai Electronic Security Center (DESC) on being appointed by the World Bank as the head of the World Bank Group for Cloud Computing, comprising of 27 countries, organisations, and major international technology firms.”
He added, “We are immensely proud of the continuous achievements of Emirati talent. With their expertise and accomplishments, they further strengthen the UAE’s international stature and role in advancing global sustainable digital development.
According to her profile on the World Economic Forum (WEF), Dr. AlBlooshi possesses more than 17 years of expertise in digital transformation, cybersecurity, and strategy management. She is recognized as an author and a prominent speaker in the areas of cybersecurity and digital transformation, demonstrating her extensive experience in the field.
Significance of cloud adoption for GDP growth
A report commissioned by Amazon Web Services (AWS) revealed in May that the widespread adoption of cloud technology among the public is projected to contribute an estimated $181 billion in economic value to the UAE over the next decade. This figure represents approximately 2.5 percent of the UAE’s economy. The paper further highlighted that a mere 1 percent increase in cloud adoption by organizations in the UAE would result in an average gross domestic product (GDP) growth of 0.21 percent or $854.7 million. This growth rate is three times higher than the regional average for the Middle East and North Africa, making it the highest in the region.
Dr. Bushra AlBlooshi of the Dubai Electronic Security Center (DESC) appointed by the World Bank as the head of the World Bank Group for Cloud Computing, comprising of 27 countries, organisations, and major international technology firms.
Rajaa Cherkaoui El Moursli was part of the research team that made the groundbreaking discovery of the Higgs Boson particle.
Moroccan prominent nuclear physicist Rajaa Cherkaoui El Moursli was featured this year on the list of Forbes 50 Over 50 for the Middle East and Africa (MENA) in recognition of her outstanding scientific contributions.
El Moursli’s research has helped prove the existence of the Higgs Boson, which is the particle responsible for the creation of mass.
“While her almost 30-year-long career in science has been filled with achievements, it’s a career that would not have existed had she not convinced her father to let her seek out a graduate degree in France in the early 1980s,” Forbes wrote. This was a time when Moroccan women were “expected to leave home to marry and not pursue a vocation.”
After earning her Ph.D in Nuclear Physics from the University of Joseph Fourier in Grenoble, France, El Moursli returned to Morocco in 1982. There, she joined the Faculty of Sciences at the University Mohammed V in Rabat.
Early in her career, she took the helm as the head of the Laboratory of Nuclear Physics in Rabat. El Moursli’s research focuses on the applications of nuclear physics, medical physics, and high-energy physics.
A pivotal moment in her career occurred in 1996 when she became an integral part of Morocco’s participation in the international ATLAS collaboration at the European Organization for Nuclear Research (CERN). The event marked her entry into one of the world’s most prestigious scientific research centers, located in Geneva.
El Moursli’s contributions have extended beyond the laboratory giving her membership with international organizations such ATLAS, KM3NET, and ANTARES.
Within these roles, she has been vital in creating and implementing master’s degree programs at her university, notably creating Morocco’s first master’s program in medical physics. Currently, over thirty graduates from her program hold crucial positions as radio physicists in Moroccan hospitals.
Throughout her career, she has supervised numerous doctoral and master’s students and has played a crucial role in building and strengthening academic programs.
In 2015, she became the first Moroccan to receive the L’Oreal-UNESCO award for Women in Science, representing Africa and the Arab States.
El Moursli served as VP of Research, Innovation, Cooperation, and Partnership at Mohammed V University. She also chaired the competition program “My Thesis in 180 Seconds.”
Her accolades include being a fellow of the World Academy of Sciences (TWAS) and serving on the “For Women in Science” international jury.
In 2017, she was honored by the Organization of Islamic Cooperation for her outstanding contributions to science and technology in the Islamic world.
Now in 2024, El Moursli continues to play a pivotal role in shaping the global scientific landscape and showcasing Moroccan achievements to the world.
Event will cement the Kingdom’s efforts to promote cultural communication and exchange, scientific and social development.
Saudi Arabia, represented by its National Commission for Education, Culture and Science, is hosting the 44th session of the executive council of the Islamic World Educational, Scientific and Cultural Organization in Jeddah from Jan. 16 to Jan. 18.
ICESCO media department told Arab News: “The proceedings of the executive council of the 44th Islamic Educational, Scientific and Cultural Organization will kick off in Jeddah, Saudi Arabia on Tuesday (Jan. 16, 2024) with the participation of 54 member states. The event will run until Thursday.”
As the representative of the Kingdom, the NCECS said that hosting the event comes as part of the support provided to the education, culture and science sectors. It is also indicated the Kingdom’s role in driving forward educational, cultural and scientific development, both regionally and globally, it said.
Among the items on the executive council agenda are future strategies and action plans. The organization’s budget will also be discussed.
The council’s final recommendations will be handed over and included in a report to be endorsed by the ICESCO’s biannual general conference, the organization’s policy governing body event.
Prince Badr bin Abdullah bin Farhan, minister of culture and chairman of the NCECS, said: “The event will cement the Kingdom’s efforts aiming at creating spheres of cultural communication and exchange as well as scientific and social development. These sectors are considered to be cornerstones for developed human societies.”
As a prominent member of ICESCO, it is the strategy of the Kingdom to pursue all avenues supporting the organization’s goals in the best interests of the Muslim world.
Operating under the Organization of Islamic Cooperation, ICESCO is an intergovernmental organization specializing in the development of education, science and culture. Established in 1982 with its headquarters in Rabat, Morocco, ISESCO acts in line with the OIC’s general strategy aimed at achieving sustainable development in these sectors across all Muslim states.
Under the patronage of H.H. Dr. Sheikh Sultan bin Muhammad Al Qasimi, Supreme Council Member and Ruler of Sharjah, Sharjah Centre for Islamic Economics (SCIE) at the university organised a ceremony to honour the winners of the Al Qasimia University Award for Islamic Economics Research, held in the university theatre, in the presence of the President of the University, members of the Board of Trustees, the University Rector, deans of colleges, and members of the Academic, and administrative bodies and students.
Professor Jamal Salem Al Tarifi, President of Al Qasimia University, honoured the award winners and congratulated them on the quality of research presented in Islamic economics studies.
Professor Dr. Awad Al Khalaf, Acting Chancellor of the University, expressed his highest thanks and gratitude to the Ruler of Sharjah, and founder of the University, for His Highness’s generous patronage of the award, as this sponsorship adds value to one of the most important scientific activities that contribute to the renaissance of the economic sector, and the dissemination of the principles and values of Islamic economics, according to scientific foundations, and qualitative scientific research taking into consideration the real need of building a solid economy that achieves UAE development.
The list of researchers included honouring Dr. Badr Al Zaman Khamqani, from the Republic of Algeria, winner in the field of economics, in his research entitled: “A proposed strategy to accelerate the pace of digital transformation in Islamic banks.” Dr. Ahmed Abdel Rahman Ahmed Al Majali, from the Hashemite Kingdom of Jordan, won in the field of law, in his research entitled: “blockchain technology compatibility with Islamic financial transactions.” Professor Dr. Aisha Muniza, from the Maldives, won in the field of economics, in her research entitled: “Development of a digital Islamic social stock exchange”.
Dr. Yasser Al Hosani, SCIE Director, announced the launch of the fourth edition of the award under the title “Smart Islamic Financial Engineering”.
An Iraqi artist celebrated his culture and history by recreating a mythical beast in a whopping piece of art that took him a whole year to complete, according to Guinness World Records.
The Iraqi young artist, Ali Al-Rawi, created a work of art depicting the ancient Assyrian winged bull by wrapping copper wires around nails attached to wooden boards to create the largest wire art, measuring 203.76 square meters.
The Assyrian winged bull, known as ‘The Lamassu,’ is a mythological hybrid composed of the head of a human, the body of a bull, and the wings of a bird.
This giant artwork extends over the space of approximately 15 car parking spaces, and it took a whole year to complete.
Around 89 thousand nails and 250 kilograms of pure copper formed into wires of 35,714 meters were used on the surface of 18 wooden planks.
Al-Rawi works as a physician assistant in the city of Ramadi in the Iraqi western governorate of Anbar. His artistic talent grew from scribbling on a school bench to now creating epic pieces of art with wires.
Al-Rawi was inspired after seeing a German artist using that technique in 2016.
After a long search online, he couldn’t find anything to teach him how to do it, so he practiced until he mastered the technique on his own.
“I drew a sail at the beginning. But after that, it took me a lot of experimenting to select the usable materials,” Al-Rawi explained.
“I decided on copper wires and one-inch nails with small heads in order not to affect the shape of the work, to make sure the monuments insulate heat, moisture and scratching, as wood is also coated with three materials to serve this purpose,” Al-Rawi added.
Al-Rawi worked hard over the course of a year and had to cover the board’s entire dimensions with wires of different colors to meet the requirements of breaking the world record.
Al-Rawi moved the entire artwork to several different locations in Iraq to carry out the final measurements and filming.
source/content: iraqinews.com (headline edited)
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The Iraqi artist Ali Al-Rawi holding Guinness World Records certificate. Photo: Guinness World Records
The Egyptian architect turned photographer walks us through his award-winning photographs in Dubai.
Renowned Egyptian architectural photographer Nour El Refai was announced as the winner of Architecture Masterprize 2023 Photography Award in the ‘Healthcare-Exterior’ category for his work on Thukher Club, a seniors social club in Al Wasl, Dubai which was designed by Naga Architects. This is the second year in a row that El Refai wins the prestigious award, after his shots of Museum of the Future won the ‘Cultural-Interior’ category in 2022.
Capturing the organic architecture and layout of Thukher Club, the brilliance of El Refai’s photographs rest in their nuanced approaches. From meticulous compositions and dramatic perspectives to calm lighting and consistent tones, his work helped translate Naga Architects’s design and concept.
Over the past decade, El Refai has steadily grown into a benchmark in architectural photography within the MENA region. Whether it’s stunning summer houses or cultural centres, his work is helping document the design upheaval taking over the region. In Al Wasl, he delivers a masterclass in the relationship between architecture and lighting.
Light rain set the tone to the first day of photographing Thukher Club. “Clouds felt dramatic. For Naga Architects, it made sense to opt for a clear sky to define the architecture,” El Refai tells SceneHome. “I adjusted the composition based on the natural sky and clouds to balance the architecture without overshadowing it.”
A key parameter of El Refai’s work on Thukher Club was our yellow dwarf star. “The sun’s movement helped define the masses. I visited early in the day and imagined the shape of shadows against them,” he recalls. After almost completing his work, El Refai revisited Thukher Club at noon, which required a new set of permissions since it was during a peak time, when crowds of people would pass through. “When the sun’s perpendicular there’s contrast between the masses and the foreground. Human elements add a sense of scale. It shows you how the masses overlap, that’s why I needed the sun to be high. Had it been low, both surfaces would’ve been white and lacked shade.”
The exterior masses of Thukher Club featured irregular and organic forms. Its main entrance, covered by undulating architecture, was photographed from two different angles; one emphasises its curves before sunset and the other has a wider view that establishes context. “Lines guide me in terms of where to stand and look, and lenses provide the freedom to shift in direction,” El Refai says. Both perspectives guided him and how shifts were illustrated in the former entrance image.
“I exaggerated the curve by getting closer to the building with an acute angle. I wasn’t photographing elevations but accentuating them,” he says, referring to the dramatic perspective where the building appears in motion towards its vanishing point. On the far right side of the same image, Thukher Club’s logo (which is the abstracted layout of the buildings) appears from within the club. To get this shot, El Refai kept adjusting the frame until it felt right.
Every architectural project presents unique challenges to photographers. Once they’ve become confident in their process and tools, only then will they be able to showcase it in the best light possible. That’s something El Refai learned from practice. “Practice makes you understand that you don’t have to be perfect,” he says. “You understand the parameters of perfection but more importantly you’re able to tell when it’s enough, how to have vision and imagine situations in advance.”
In Al Wasl, El Refai predicted that night shots would be challenging because lamp posts close to the building switched between too many colours. A full day was spent solving the issue and as a result, instead of having 10 colours switching during twilight, there were only three. This was an example of the importance of preparing in advance and understanding the project.
From inside, Thukher Club was composed of three main spaces with skylights providing natural light. An all-white interior provoked nuanced approaches by El Refai, which conveyed the desired level of brightness intended by the design, highlighted the importance of toning and how subtle changes in composition make all the difference. In one of the shots, El Refai pictures a space flanked by a corridor, followed up by a closer shot that places viewers within the seating area.
“I tried to show different levels without appearing too overlapped,” El Refai says. “The oddity of photographing a 3D space into a 2D plane is that people don’t experience space in 2D, so when you add it on a page the masses blend together, and you have to figure out the point from which you’re photographing and the lens you’re using in order to ease the composition.”
Once the composition is settled, the rest of the process includes lighting, editing and adjusting the layers and tones. “Consistency of tones is crucial. Depending on camera measuring, sunlight and timings, tones are always changing but they need to remain consistent,” El Refai adds. Between day and night, there are naturally changes in tones but in both sets of images the tones of each need to remain consistent.
“Most of the work is in the composition and the rest is timing,” El Refai continues. “It’s all about enjoying the process. I roam around the project to get a feel for the spaces and the relationships between them.” To be able to get these shots, El Refai schedules the entire day and determines how much time each perspective will have, the window of opportunity so to speak.
presentation. “Transitioning from day to night needs to be seamless, unless designers request to emphasise different moods of the same space,” he says. “I prefer telling the story of the project as an experience, walking from one space to another. Visual storytelling is of paramount importance, I don’t deliver an album without ordering it. It may not be the same order of photography because that depends on context, presenting the images is a different story. The order depends on the story that I want people to feel.”
When asked for advice for upcoming photographers, El Refai says, “Research the designer and the design to understand the project. If you receive plans or renders, use them to envision the space. On the ground, there will be some changes but when you imagine the project’s architecture you can interpret it properly through images.”
If El Refai’s insights are an indication of anything, it’s that preparing for a shoot is equally as important as the shoot itself. Whether it’s the scheduling or communication, proper briefing and communication, when a photographer understands the context, they find the freedom to explore nuanced angles. With time, as demonstrated by El Refai’s serial award-winning approach, there will be less photos and more keepers.
