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Al Azhar Zahir al Jabri, a 22-year-old Chemical Engineering student from the University of Technology and Applied Sciences in Muscat, has developed a ‘Smart Medical Glove’ to assist patients suffering from hemiplegia – a condition that causes paralysis on one side of the body.
Inspired by the memory of his late mother, who suffered from hemiplegia, Jabri embarked on this project in early 2021.
“After my mother’s passing, I wanted to do something for those people affected by hemiplegia, and so I started working on this project. It has now reached an advanced stage, and I hope to complete it early next year and introduce the glove for permanent use,” he said.
The Smart Medical Glove has been developed for individuals with hemiplegia, muscular dystrophy, the elderly, and children.
“The glove aids in rehabilitating the affected hand through pre-programmed specialised movements stored in the device. It also connects to a mobile application that allows patients to communicate with doctors worldwide and displays health sensor readings,” Jabri explained.
The glove includes simple daily movements that help patients perform certain activities independently.
“I faced several challenges, primarily because I’m not an expert in rehabilitation science. However, through consultations with specialists, I was able to identify the essential movements and ensure their accuracy,” he added.
In 2022, Jabri secured a patent for his invention from the Ministry of Commerce, Industry, and Investment Promotion. He believes the project represents a valuable economic resource for Oman.
“Projects like these are vital for keeping up with Oman’s ongoing development and vision.”
Jabri recently represented Oman at the TEXPO exhibition in Malaysia, where he reached the final stages. He also collaborated with Khoula Hospital, which provided specialised consultations for the project and will continue to support its success.
“My family has been my primary supporter, and Khoula Hospital’s expertise has been invaluable. I hope my project will soon see the light of day and become available in the market for the benefit of those who need it,” he concluded.
The governing board voted unanimously to reelect Vice Chairman Munir bin Mahmoud Eldesouki at the body’s 12th annual meeting.
The Kingdom has retained its leadership position in the Global Research Council, the Saudi Press Agency reported on Wednesday.
The governing board voted unanimously to reelect Vice Chairman Munir bin Mahmoud Eldesouki at the body’s 12th annual meeting in Interlaken, Switzerland this week.
The reelection to this position, for the second time since the body’s establishment in 2012, confirms the council’s confidence in Saudi Arabia, the SPA reported.
The council highlighted Saudi Arabia’s efforts in promoting research, development and innovation in the Middle East North Africa region, the report added.
The council comprises heads of research institutions that fund projects globally.
source/contents: arabnews.com (headline edited)
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The governing board voted unanimously to reelect Vice Chairman Munir bin Mahmoud Eldesouki at the body’s 12th annual meeting. (SPA)
The award-winning international correspondent talks frontline reporting, wearing the hijab on television, and how her personal connection to the Middle East makes her a better storyteller
In Autumn 2019, when Turkey launched its incursion into northern Syria, 23-year-old Nada Bashir packed her camera and flew to northern Iraq to cover the story. At the time she was a freelance producer for CNN in London “pretty fed up of constantly being on the Downing Street shift and covering Brexit. I knew I wanted to be in the Middle East but wasn’t perhaps experienced enough,” she says. “So I decided to just go by myself… I felt very passionate about what was happening and I knew I wanted to be a part of it.”
It was a bold decision – both her first solo story and first solo trip to a hostile environment – but the risk paid off. Just five years later, she is an award-winning international correspondent who has reported from the frontlines of the conflict in Yemen and the devastating 2023 earthquake in Turkey.
Now 28, Nada is speaking from her home in West London. She flew in yesterday from Cyprus where she was covering aid ships heading to Gaza, and she will likely be dispatched again imminently although she doesn’t know when or where. She’ll pack a book and headphones but otherwise, “it’s all tech gear, medical kit and body armour”.
Unpredictable as this career may be, it is one that she has dreamt of since she was a teenager, watching the Arab Spring unfold: “We were all glued to the TV, seeing what was happening across the Middle East and back home. That was the moment for me when I was like, ‘actually this is what I want to do’.”
Back home is Libya from where Nada’s family originate, although her parents – her father was an aircraft engineer and her mother is a nursery teacher – left before she was born. “My dad was a pro-democracy activist,” she says. “He spent more than 30 years essentially in exile…It was something that we were all aware of, something that we talked about a lot.” It meant that growing up in Brighton, on England’s south coast, “the news was constantly on” but Nada never considered that she might one day be on screen herself. The middle of five siblings, she was “very shy” at school: “I vividly remember being forced to do a presentation, feeling like I was about to faint and going red in the face. I never ever would have pictured myself doing this.”
But after becoming involved in student TV while studying Politics and East European Studies at University College London, securing the internship at CNN and impressing her editors with her story from northern Iraq, an on camera career beckoned. “I spent so much of my childhood consuming news about what was happening at home and a lot of it coming from Western networks. There were a lot of things where you watched it and felt like the story of your people, your region, wasn’t being told fairly, properly or accurately,” she says. “Still there are times when I watch coverage and it’s frustrating because there’s a real lack of understanding around some of the cultural dynamics.
Being Arab isn’t essential to reporting on the Middle East, she says, but it does break down barriers: “Just being able to speak to people in their language, understanding their culture… Having that connection has made me a better storyteller.” The stories she tells are often difficult ones and they stay with her – the elderly Syrian refugee who lost his family in the Turkish earthquake, the 11-year-old Moroccan girl who guided her around a makeshift burial ground after the earthquake there last September, the Palestinian teenager detained without charge in the West Bank. Reporting on the war in Gaza has been particularly poignant: “Talking about the Palestinian cause is something that no Arab person hasn’t done. That is part of our cultural identity in a sense. That history is interlinked with all of the Middle East.”
Within the first week of war breaking out, Nada was in Jordan and Oman covering anti-war protests. Since then she has reported from Lebanon and Egypt but it is her time in the occupied West Bank – her first visit there – that has been most affecting. “That was a part of the story that we felt was being completely overlooked,” she says. “It’s not a new story. Palestinians in the West Bank have been marginalised, treated as second class citizens for decades”. She describes this reporting as “the most challenging” of her career to date, finding her objectivity over such a “polarising” story called into question. “There are so many assumptions about where your personal views might lie because of your cultural or religious background,” she says. “I am a visibly Muslim woman. My name is Arab. It’s very clear where I’m from…But with a story like this, it’s very difficult not to feel like your journalism is being undermined by assumptions of where you might stand.”
Many of those assumptions come from the fact that Nada wears the hijab. When she first started at CNN, she was “apprehensive at first – working for an American network and what that might mean in terms of how I fitted into that. Thankfully it’s never been an issue.” Being on air though, “has been slightly different”. Most difficult was reporting from London on the anti-regime protests in Iran. “For me, it’s a personal choice. You should have the freedom to choose whether you wear it…Covering the story was very important to me but I had a lot of backlash because a lot of people couldn’t understand how I could cover that, as somebody who chooses to wear the hijab, given that many women there were risking their lives and being persecuted for choosing not to.” On the flip side, she has also received “so many” messages from young hijab-wearing women who also aspire to be journalists: “I know that feeling because I felt like whenever I saw somebody wearing a hijab on TV.”
Today she feels like that when she sees the wider Arab diaspora experience represented, like in American comedy-drama, Ramy: “You feel the connection to it… It’s a blend of cultures and that is something that we identify with.” And when so much of her own work focuses on amplifying the voices of those suffering great hardship, she is grateful that there is increasingly space to celebrate the Arab world. “It’s sad because I think growing up, the only thing you’d really hear about the Middle East was war or conflict or political issues,” she says. “And there’s so much more to the region. There’s so much history, so much culture, so many people doing incredible things in different industries. It’s nice to see those aspects being showcased now, in magazines, in TV, in film, in music. To see that actually there’s a different side to the region, which has always been there. It just hasn’t really been given the platform.”
What Nada truly hopes is that when things improve in the Middle East, she will be there to report on it: “I can only hope that at some point there will be a positive change and I will get to cover that as well.” For now though, she has her bags packed, ready to head wherever the story takes her next: “It’s extraordinary; it’s a privilege and I wouldn’t change it for the world”.
Images Supplied / From Harper’s Bazaar Arabia’s May 2024 Issue
Talal Omar, Guinness World Records’ Middle East & North Africa (MENA) Regional Director, announced that Egypt’s Silo Foods Industries company has been named by the Guinness World Records as the world’s largest distributor of school meals in less than a year – from September 2021 until June 2022 – with 600,426,453 meals.
His announcement came during the inauguration of the second stage of the Silo Foods Industries city in Sadat City in Menofiya governorate, which was attended by President Abdel Fattah El Sisi on Thursday.
Silo Foods, an affiliate of the National Service Projects Organisation (NSPO) of the Armed Forces, is the first food industries city in the Middle East.
Omar said Silo Foods company fulfilled key criteria of the Guinness World Records and provided the evidence required for official documentation.
Afterwards, Omar awarded the Guinness World Record certificate to Chairman of Silo Foods company General Taimour Abul Magd.
“The Brink of Dreams” received the L’Œil d’or (the Golden Eye Award) for Best Documentary Film at the 77th Cannes Film Festival.
Directed by Nada Riyadh and Ayman El Amir, “The Brink of Dreams” marks the first Egyptian film ever to win this award at the festival.
It is noteworthy that 22 documentary films were nominated for the award in all the festival’s categories and programs, including films by salient directors such as Oliver Stone, Ron Howard, and Claire Simon.
“The Brink of Dreams” landed its premiere during the official competition of the Critics’ Week that was attended by the film’s cast and crew including directors Nada Riyadh and Ayman El Amir alongside the girls of Panorama El Barsha Troupe. The film received a wide audience acclaim after its premiere, in addition to critics’ who wrote about the film in Le Monde, Variety, and Screen Daily.
“The Brink of Dreams” is directed by Nada Riyadh and Ayman El Amir and produced by Felucca Films. The film stars Panorama El Barsha troupe; Magda Masoud, Haidi Sameh, Monika Youssef, Marina Samir, Myriam Nassar, Lydia Haroun, and the founder of the troupe, Youstina Samir.
The events of “The Brink of Dreams” take place in a remote village in southern Egypt, in which a group of girls rebel by forming an all-female street theatre troupe. They dream of becoming actresses, dancers, and singers, challenging their families and villagers with their unexpected performances. Shot over four years, The Brink of Dreams follows them from childhood to womanhood, facing the most crucial choices of their lives.
The most recent work of directors Nada Riyadh and Ayman El Amir includes the short fiction “Fakh” (The Trap), which premiered at the 2019 Cannes Film Festival and received a special mention at the Cairo International Film Festival (CIFF) in the same year. Their feature-length documentary Happily Ever After premiered at the International Documentary Film Festival Amsterdam in 2016, one of the most important documentary film festivals around the world.
“The Brink of Dreams” is produced by Felucca Films and its crew including; line producer Mohamed Khaled, assistant directors Hamees El Balshy and Doha Hamdy, DOPs Dina El Zeneiny, Ahmed Ismael, and Ayman El Amir, sound recording by Mostafa Shaaban, Sameh Nabil, Osama Goubail, and Shadwa Ali, music by Ahmad El Sawy, and editors Veronique Lagoarde-Segot, Ahmed Magdy Morsy, Ayman El Amir and Nada Riyadh. The PR in Egypt and the Middle East is handled by Carrots (Marwa El Sawy). Nada Hossam is the actresses’s stylist, in collaboration with Mystic, La blanca, Cache, Indira, and Rana Ghazy Jewellery.
The Red Devils clinched the title following a thrilling final match against rivals Manchester City that saw the team win 2-1.
Morocco international and Manchester United midfielder Sofyan Amrabat became today the first Moroccan to have won the English FA Cup title.
Manchester United clinched the title following a thrilling 2-1 win in a highly anticipated final match against rivals Manchester City.
The Red Devils scored two goals in the 33rd and 39th minutes through Garnacho and Meino.
Doku scored a goal for City in the final minutes of the game, but a comeback was ultimately prevented as Amrabat’s teammates put on a solid display of resilience to shut down City’s attacking initiatives.
This FA Cup win comes after Amrabat had a less-than-optimal season with Man United. Amidst speculation and criticism surrounding his underwhelming performances with the English club, there have been reports that the player may return to Italian club Fiorentina.
While fans hoped to see their solid Moroccan defensive midfielder rediscover his stellar 2022 World Cup level, Amrabat has constantly struggled to make a significant impact on the field for Manchester United.
Joining the club on loan from Fiorentina in September last year, Amrabat’s transfer followed a remarkable showing at the 2022 World Cup, where his performance caught the attention of most elite football clubs.
However, the transition to the Premier League has proven challenging for the Atlas Lion, who has openly acknowledged the difficulties he has faced in Manchester and hinted at his determination to put this underwhelming episode behind him by next season.
Saudi fashion star Nojoud Al-Rumaihi turned heads this week at the 77th Cannes Film Festival, wearing a blush ensemble by Saudi designer Mohammed Ashi, founder of Paris-based label Ashi Studio.
The pink two-piece set from the designer’s 8PM collection featured a strapless corset-style top with simple yet intricate embroidery, and a criss-cross back.
The skirt had a mermaid silhouette with a train that trailed on the red carpet. To complete the ensemble, the set included fluffy, feathered detached sleeves.
The fashion icon, with her makeup done by Dior Beauty, styled her brunette locks in a short retro bob. She accessorized with Marli jewelry.
Al-Rumaihi attended the premiere of the highly-anticipated movie “The Apprentice,” directed by Ali Abbasi.
As Donald Trump’s hush money trial entered its sixth week in New York, an origin story for the Republican presidential candidate depicted a critical portrayal of the former president in the 1980s.
“The Apprentice” stars Sebastian Stan as Trump. The central relationship of the movie is between Trump and Roy Cohn (Jeremy Strong), the defense attorney who was chief counsel to Joseph McCarthy’s 1950s Senate investigations.
Cohn is depicted as a longtime mentor to Trump, coaching him in the ruthlessness of New York City politics and business. Early on, Cohn aided the Trump Organization when it was being sued by the US government for racial discrimination in housing.
According to AP, “The Apprentice” is a potentially explosive big-screen drama in the midst of the US presidential election. The film is for sale in Cannes, so does not yet have a release date.
Al-Rumaihi was not the only Saudi celebrity in Cannes this week.
Actress Maria Bahrawi attended The Red Sea International Film Foundation Industry Networking Event which took place on Sunday, at which she donned a long-sleeved dress adorned with white florals, featuring pastel hues of purple, yellow, and orange, elegantly cinched at the waist.
She also graced the celebration of “Norah,” a film in which she stars, hosted by Film AlUla during the festival. For the occasion, she opted for a black jumpsuit with a white cape attached to the sleeve, sourced from Dubai-based Etoile La Boutique.
source/content: arabnews.com (headline edited)
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CANNES, FRANCE – MAY 20: Nojoud Alrumaihi attends the “The Apprentice” Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals on May 20, 2024 in Cannes, France. (Photo by Kristy Sparow/Getty Images)
The events are expected to gather more than 4,000 participants, including 250 speakers and 200 notable media figures.
Under the directives of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE, and Ruler of Dubai, Her Excellency Mona Ghanem Al Marri, Vice Chairperson and Managing Director of the Dubai Media Council, and President of the Dubai Press Club, has announced the launch of the Arab Media Summit. This new initiative will serve as the umbrella for key media events organised by the Dubai Press Club (DPC), creating a unified platform for events and activities focused on knowledge exchange and dialogue in the media industry.
The 22nd Arab Media Forum, set to be held from 28 – 29 May, and the second Arab Youth Media Forum, scheduled for 27 May, will be organised under the Arab Media Summit umbrella. Additionally, the 23rd Arab Media Award and the fourth Arab Social Media Influencers Award, to be held during the upcoming Arab Media Forum, will form part of this summit.
Her Excellency Mona Ghanem Al Marri emphasized that the Arab Media Summit will serve as a prestigious platform for exchanging ideas, insights, expertise, and experiences. This will help the media industry contribute to realising the aspirations of the people in the region. The Summit aims to bring together media professionals to discuss the sector’s transformations and challenges, ensuring that Arab media fulfills its role as a key partner in sustainable development.
At a press conference, the organising committee of the 22nd Arab Media Forum, chaired by Her Excellency Mona Ghanem Al Marri, revealed the forum’s agenda. As the premier platform in the Arab world for discussing the future of the region’s evolving media landscape, this year’s forum will feature participation from prominent politicians, media industry leaders, editors-in-chief, distinguished writers, thinkers, influencers, and content creators from the UAE, the Arab world, and the region. The forum will include discussions focused on analysing the key political, economic, social, technological, and cultural developments driving media transformation and the sector’s role in these changes.
An expanded agenda has been developed to discuss significant media issues, the positive impact, and potential challenges from the shifting economic and social landscape both in the region and globally. The Arab Media Forum will feature several closed sessions with experts and specialists to discuss various topics directly impacting the media sector, aiming to generate ideas and suggestions to enhance Arab media’s capacity to fulfill its mission effectively.
The second Arab Youth Media Forum will be dedicated to empowering the next generation of media professionals and influencers in the region. Notable speakers include His Highness Sheikh Nasser bin Hamad Al Khalifa, Representative of His Majesty the King for Humanitarian Work and Youth Affairs and National Security Adviser, and His Excellency Dr Sultan AlNeyadi, UAE Minister of State for Youth, in a main session titled ‘Aspirations of the Youth’.
Her Excellency also highlighted the inclusion of more young media talent in the next Board of Directors of the Arab Media Award, marking the end of the current board’s term. The new board will focus on evolving the award to keep pace with regional and global media advancements.
Key sessions at the 22nd Arab Media Forum include ‘Future of Yemen’ with His Excellency Ahmed Awad bin Mubarak, Prime Minister of Yemen, sharing his vision for peace in Yemen and the media’s role in promoting dialogue. His Excellency Jasem Albudaiwi, Secretary General of the Gulf Cooperation Council, will speak on ‘Charting the GCC’s Future,’ discussing media integration in the GCC. His Excellency Dr Anwar bin Mohammed Gargash will engage in a conversation covering regional challenges. His Excellency Omar Sultan Al Olama will speak on ‘Tech Updates in Media,’ exploring technology’s role in advancing media excellence.
Other notable sessions include ‘Palestine Through the Lens of Arab Media,’ discussing media coverage of the Palestinian cause amid the ongoing conflict in Gaza, and ‘Impact of US Elections on the Region,’ analyzing the ramifications of the US elections on the region.
Global industry leaders like Pavel Durov, Founder of Telegram and VKontakte, will participate in discussions. The forum will also highlight success stories of Arab women in global media organisations, with sessions featuring Caroline Faraj and Samia Nakhoul. Dan Murphy will lead a session on regional peace and stability, and Rani Raad will discuss media investment trends.
The forum will address the growth of streaming platforms, the complex world of disinformation and AI in media, and feature renowned media figures like Bassem Youssef.
Shaima Al Suwaidi, Director of Brand Dubai, highlighted the involvement of Brand Dubai’s ‘Proudly from Dubai’ network, showcasing innovative AI-driven media applications.
The prestigious Arab Media Award will honour outstanding achievements in regional media, and the Arab Social Media Influencers Summit Award will recognise the contributions of digital influencers. The Arab Youth Media Forum will feature masterclasses by leading global digital platforms, offering young media professionals valuable opportunities to hone their skills.
The 22nd Arab Media Forum will also celebrate renowned Arab authors and their literary contributions, reflecting the forum’s commitment to supporting the Arab creative and literary world.
The Algerian Academy of the Arabic Language (AALA) has announced the launch of the constitutive session of its National Prize for Arabic Language Sciences for the year 2024, aiming to encourage studies and research into Arabic language sciences and contribute to its dissemination, according to a press release from the Academy.
Saudi Space Agency awards 10 winners in arts, botany, engineering.
The Saudi Space Agency wrapped up its Space Madak competition on Tuesday by awarding 10 winning contestants prizes for their arts, botany and engineering projects.
Hailing from seven Arab countries, the winners were revealed at a ceremony hosted by the agency at the Communications, Space and Technology Commission headquarters in Riyadh.
The event marked the first anniversary of Saudi Arabia’s “Journey to Space” mission and was attended by the agency’s CEO Mohammed Al-Tamimi, officials, experts, and ambassadors from the winning students’ countries.
The competition, engaging ambitious Arab students, showcased their enthusiasm for space exploration and skills development.
The panel of judges comprised scientists, experts and space enthusiasts.
Following rigorous evaluation rounds, the top 10 contenders were chosen for their exceptional contributions.
In the arts category, winners included Yamen Al-Zaabi from Jordan, Preeti Sami from Egypt, Jawaher Farhan from Bahrain, Rafqa Mansour from Lebanon, and Aline Al-Issa from Saudi Arabia.
Sadan Al-Dosari from Saudi Arabia, Hooriya Basheikh from Morocco, and Fatima Al-Khabouriah from Oman won in the botany category.
Engineering-category winners were Abdulrahman Qattan from Saudi Arabia and Yara Reda from Syria.
The ceremony celebrated the winners and acknowledged the creative endeavors of more than 50 finalists, chosen from a pool of 80,000 submissions vying for prizes totaling SR500,000 ($133,320).
The winning projects will be showcased on the International Space Station, offering an opportunity to advance research, development, and innovation in space exploration while enriching Arab contributions in this field.
The competition represents a significant milestone in the Saudi Space Agency’s mission to support research, development, and innovation within the domain of space exploration.
With a focus on nurturing creative thinking among Arab students, the initiative aims to ignite curiosity about space and inspire breakthroughs in this burgeoning field.
The space mission, carried out by astronauts Rayyanah Barnawi and Ali Al-Qarni, included 14 pioneering scientific experiments.
According to a press release issued by the agency, the mission was a part of the “Saudi Toward Space” program, aligning with the Kingdom’s focus on research, development and innovation driven by Crown Prince Mohammed bin Salman.
Al-Tamimi praised the achievements of the SSA-HSF1, or Saudi Space Agency-Human Space Flight 1, mission. This was a major milestone in the Kingdom’s journey toward leadership in the space sector.
He said there were 14 research experiments conducted in microgravity, yielding valuable contributions to research, development and innovation.
Al-Tamimi said the mission helped foster national expertise and enhance cooperation with leading international institutions.
He added that the agency remained committed to supporting innovative projects.
source/content: arabnews.com (headline edited)
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Above, Saudi astronaut Rayyanah Barnawi, the first Arab woman to orbit Earth. (SPA)13
