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The National Museum has issued a special edition titled ‘Collection in Marine Science.’
The issue documents the greatness of Omani navigator Ahmed bin Majid Al Saadi, reviving his marine prowess and navigational creativity.
The collection documents the origin of the manuscript titled “Kitab al-Fawa’id fi ‘Ilm al-Bahr wa al-Qawa’id” (Collection of Manuscripts of Benefits in the Science of the Sea and Rules, as well as the abbreviation container in the origins of marine science and Arajiz), which has been on loan from Al Assad National Library in the Syrian Arab Republic to the National Museum since 2019.
In the opening speech of the publication, Jamal Hassan al Moosawi, Secretary General of the National Museum, said, “The display of the original manuscript ‘Collection in the Science of the Seas’ by the author Ahmed bin Majid al Saadi at the National Museum is an affirmation of the Omani identity of this unique scientific and historical personality.
This display comes in the context of the existing cooperation between the National Museum and the Ministry of Culture of the Syrian Arab Republic as part of the cultural diplomacy pursued by the National Museum.”
The winners of the third National Cultural Awards were honored in a ceremony held in Riyadh on Saturday. The event was a night dedicated to celebrating cultural creativity and promising ambition.
Minister of Culture Prince Badr bin Abdullah bin Farhan presented the awards to the winners in the presence of Minister of Education Yousef Al-Benyan and Minister of Media Salman Al-Dossary. The ceremony was also attended by a distinguished group of intellectuals, writers and media figures.
The National Cultural Awards, an annual initiative by the Ministry of Culture, aims to recognize and showcase the talents of individuals within the country.
The awards also serve to promote their cultural products both locally and internationally, while providing financial and moral support to encourage their continued growth and success.
The winners were nominated for awards in 16 different categories, covering a range of areas including literature, music, architecture and design, nonprofits and film.
Prince Badr said: “We are happy to honor innovators in our beloved capital,” adding that the initiative aims to “shed light on talents, celebrate achievements, honor innovators and encourage cultural production.”
He said: “The newly launched business owner award for this year reflects the cultural system’s appreciation for the contributions of supporters of cultural activity across all cultural sectors, and acknowledges their vital role as an integral part of the efforts made by the cultural system entities.”
Prince Badr added: “The international cultural excellence award celebrates international cultural personalities and institutions contributing to enriching the contemporary international cultural landscape, in addition to celebrating the significant efforts in the field of international cultural exchange on a global level.”
He concluded by congratulating the winners of the National Cultural Awards for this year, urging them to continue their efforts and wishing everyone a future filled with arts and culture.
Author Abu Abdulrahman Al-Dhaheri received the cultural pioneer award for his extensive contributions to literature and culture. He has produced a diverse collection of publications in languages, literature, philosophy, art, Shariah sciences and history.
Businessman Abdulrahman bin Mahfouz won the business owner award for supporting cultural activity. The International Alliance for the Protection of Heritage in Conflict Areas received the international cultural excellence award.
In addition, Lubna Al-Khamis, a Saudi journalist, won the youth cultural award. The cultural institutions award was given to the Saudi Research and Media Group in the private sector and the Abdulrahman Al-Sudairy Cultural Center in the nonprofit sector.
The ceremony also recognized winners in other cultural sectors. Mohammed Ibrahim Yaacoub, a poet, received the literature award, and Adab Publishing won the publishing award.
Maha Al-Faleh was honored with the translation award, and Charmaleena Jewellery received the fashion award. Dr. Abdullah Al-Masri, a historian, won the national heritage award, and Bateel International was recognized with the culinary arts award.
Artist Manal Al-Dowayan was given the visual arts award, and the Riyadh Band received the theater and performing arts award.
Abdulrahman Mohammed won the music award, while Ibrahim Al-Hsawi won the film award. Kholoud Attar was recognized with the architecture and design award.
source/content: arabnews.com (headline edited)
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/Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan with the winners of the third National Cultural Awards in Riyadh. (SPA)
The Singaporean Prime Minister, Lee Hsien Loong, presented His Excellency the Prime Minister and Minister of Foreign Affairs, Mohammed bin Abdulrahman bin Jassim Al Thani, with a flower during the ceremony naming the famous flower after him, showcasing the strong collaboration between the State of Qatar and the Republic of Singapore.
H.E. the Prime Minister and Minister of Foreign Affairs, Mohammed bin Abdulrahman bin Jassim Al Thani, was honored at the 8th meeting of the high-level joint committee in Singapore.
The Minister of Islamic Affairs, Call and Guidance, Sheikh Dr Abdullatif bin Abdulaziz Al Al-Sheikh has approved the results and names of the winners in the 43rd edition of King Abdulaziz International Competition for Memorization, Recitation and Interpretation of the Holy Qur’an.
The competition, held at the Grand Mosque, witnessed the participation of 166 contestants representing 117 countries, competing in all five categories of the competition, with the total prize amount for this edition reaching SAR4,000,000.
In the first category, Ayoub bin Abdulaziz Al-Wahibi from the Kingdom of Saudi Arabia secured first place and received a prize of SAR500,000. Saad bin Saadi Sleim from Algeria came in second place, earning SAR450,000, while Abu Al-Hasan Hassan Najm from Chad achieved the third position, receiving a prize of SAR400,000.
In the second category, Ammar bin Salem Al-Shahri from the Kingdom of Saudi Arabia claimed the first position and was awarded a prize of SAR300,000. Mohammed bin Adnan Al-Omari from Bahrain secured second place, receiving a prize of SAR275,000. The third position went to Abdulaziz bin Malik Atli from Syria, who received a prize of SAR250,000.
In the third category, the winners include Mohammed bin Ibrahim Mohammed from Somalia, who clinched first place and received a prize of SAR200,000. Second place went to Shuaib bin Mohammed Hassan from Sweden, who was awarded SAR190,000 while Faisal Ahmed from Bangladesh secured the third position, earning SAR180,000 Saudi Riyals, and Mohammed Mufid Al-Azza from Indonesia claimed the fourth spot and received SAR170,000. Siraj Al-Din Muammar Kandi from Libya rounded off the top five, receiving a prize of SAR160,000.
Regarding the fourth category, the winners are as follows: Mohammed Ghai from Senegal secured the top position, earning a prize of SAR150,000. Hatem Abdulhamid Falah from Libya claimed the second spot, receiving an award of SAR140,000 and Yassin Abdulrahman from Uganda achieved the third position, with a prize of SAR130,000. Mashfiqur Rahman from Bangladesh attained the fourth position and was granted SAR120,000 while rounding off the top five, Abdulkader Yousef Mohammed from Somalia received a prize of SAR110,000.
As for the fifth category, Elias Abdou from the country of Larionion secured the first position, earning a prize of SAR65,000 while the second place went to Ibrahim Shahbandari from India who was awarded SAR60,000. Marwan bin Shalal from the Netherlands achieved the third position, receiving SAR55,000 and Mustafa Sinnanovic from Bosnia and Herzegovina attained the fourth position and received SAR50,000. Lastly, Hassib Amrullah from North Macedonia took fifth place, earning a prize of SAR45,000.
The work, of which only 30 copies were made, contains paintings drawn by David Roberts in Andalusia in 1832-1833.
King Abdulaziz Public Library in Riyadh has unveiled a 190-year-old book by British artist David Roberts.
The work, of which only 30 copies were made, contains paintings drawn by Roberts in Andalusia in 1832-1833 depicting a number of famous landmarks he visited in Spain.
Roberts used natural colors in the book’s 26 lithograph-printed and hand-colored paintings.
Most of the painting are devoted to Arab-Islamic monuments and palaces in Andalusia, as the book offers splendid and beautiful images of Granada and the Alhambra Palace and the fine details of Islamic architectural inscriptions.
The leather-bound book’s pages are between 38 an 53 cm in size, whereas the spine bears a gilded title and decorations with words printed in black. The covers have geometric drawings, in addition to gilded and polished edges.
The Library acquired the book in 1997 when it obtained it from the library of King Don Carlos I of Portugal.
David Roberts, who lived between 1796 and 1864, was considered one of the most prominent British painters in the 19th century and was one of the few who worked in this art form during his time.
His style of painting was easy to recognize as lithography was the only method during that time to produce accurate, true-to-life images.
Roberts was a scene painter at the Theater Royal in Edinburgh, and produced a group of oil paintings that included scenes from England, Scotland, France, and Belgium.
He toured Egypt and Syria and published a six-volume book, three of which were drawings in Egypt, and three were paintings in Syria, Lebanon, Palestine, and Jordan.
source/content: arabnews.com (headline edited)
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The Library acquired the book in 1997 when it obtained it from the library of King Don Carlos I of Portugal. (SPA)
Egypt’s Grand Mosque in the New Administrative Capital
According to the explanation, Egypt’s Grand Mosque obtained three international certificates from the Guinness World Records.
The first was for the largest pulpit in the world with a height of 16.6 meters, handcrafted from the finest types of wood.
The second and third were for the main chandelier of the mosque, being the heaviest chandelier in the world of 50 tons, and it being the largest chandelier with a diameter of 22 meters and four levels.
Egypt’s Islamic Cultural Center in the New Administrative Capital
Egypt’s Islamic Cultural Center in the New Administrative Capital is a great achievement and one of the most important projects established in the New Administrative Capital.
The Islamic Cultural Center was established in the new capital on an area of 15,000 square meters. It has a large place for services, as well as a group of spacious and multi-storey garages, with a capacity of about 4,000 cars.
Last week’s Arabian Flavour Festival in the Dutch capital celebrated Arab culture, cuisine, crafts
‘It’s all about sharing love, identity and culture,’ organizer tells Arab News
The first edition of the Arabian Flavour Festival took place in Amsterdam last Saturday.
In an intimate outdoor setting, the festival celebrated the diversity and richness of Arab culture, cuisine and crafts.
Organizer Shadow, originally from Syria, said his aim is to create a platform for promoting both international and Middle Eastern artists, for people to mingle and to share their cultures through storytelling and arts.
Set in the idyllic Tolhuis garden, a cultural and culinary meeting place in Amsterdam, the one-day event welcomed over 1,000 visitors from different backgrounds.
Organized by The Shadow Projects, the festival featured two stages with performances by dancers, singers and poets, along with a dabke workshop, pop-up food and merchandise, all within an Arabian atmosphere.
“It’s called Arabian Flavour because there’s a flavor of Arabic culture, but at the same time it’s an opportunity for people to integrate,” Shadow told Arab News.
“There’s always a performance other than Arabic to let people understand that this isn’t an Arabic party (but) just an Arabian Flavour.”
The idea started after Shadow starred in the documentary “The Story Won’t Die” about Syrian artists in Europe and America, from award-winning filmmaker David Henry Gerso.
In 2021, because of Shadow’s efforts, the documentary was showcased at the International Documentary Film Festival Amsterdam, whereafter the concept gained more and more traction.
Initially, it began as a gathering showcasing talents at home, but expanded to various stages throughout Amsterdam, and now the Arabian Flavour Festival is the biggest such festival in Europe, according to Shadow.
The organization places significant emphasis on diversity and inclusion. “If you’re an Arabic singer who isn’t well known, you don’t have work anymore if you move to Europe,” he said, adding that Bottom of Form the festival is open to whoever wants to perform.
The organizers state: “It is magical to see people who share their passion, and it is most important that they express themselves authentically.”
Among the performers was DJ Maherrie, a Syrian DJ who amazed the audience with a fusion of Middle Eastern melodies and modern European rhythms to raise awareness of his heritage.
Dutch singer-songwriter Maxine Zain shared her hopes of inspiring people with her heartfelt songs, and specifically highlighted her enjoyment in seeing traditional Arabic music connecting well with the artistry of Dutch artists like herself.
Pauline Koning, a passionate self-taught Dutch musician and belly dancer, made an impact with her performance of her own song “Kefaya Ghyab.”
In her music, she blends Arabic, Western, and Yemeni musical elements, drawing inspiration from her nostalgic love for Umm Kulthum, and praises the language’s poetic nature and rich emotional vocabulary.
The Arab tradition of belly dancing, Koning said, “represents a powerful symbol of empowerment for all women, not only embodying archetypes but also having the power to transfer certain emotions.”
Shadow earned his name for his ability to bring subcultures from the shadow into the light, and the event lived up to this name as confirmed by visitors’ reviews. “I’m very curious about Arab culture. It’s a refreshing perspective opposite Dutch traditions,” said one visitor.
Another visitor attended the festival as an opportunity to connect with language partners and practice Arabic.
Three friends from Yemen were interested to meet Dutch people and exchange stories about their respective cultures.
Aside from the Arabian Flavour Festival, they also host monthly Arabian Flavour Nights. “The dream is to, in the next year or so, organize a three-day festival,” but in the end “it’s all about sharing love, identity and culture,” Shadow said.
All the projects are funded by the Amsterdam Fund for the Arts.
source/content: arabnews.com (headline edited)
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The first edition of the Arabian Flavour Festival took place in Amsterdam last Saturday. (Instagram/@theshadow.amsterdam)
Algerian period drama The Last Queen and Iraqi film Hanging Gardens were among those recognised.
Films from Palestine, Lebanon, Jordan, Iraq, Morocco, Tunisia and Egypt were among the top winners of this year’s Amman International Film Festival.
The Black Iris Awards ceremony was held on Tuesday at the Royal Film Commission in Amman. The event marked the conclusion of the fourth run of the festival. This year, the festival screened 56 films from 19 countries, including feature narratives, documentaries and short works. The films all marked their Jordanian premiere, with some making their worldwide or regional debut.
Hafreiat by Spanish filmmaker Alex Sarda was the winner of the Black Iris Audience Award for best foreign film. The documentary revolves around a Spanish archeological mission in northern Jordan where local workers excavate the land, working long hours for minute wages. At the centre of the story is Abo Dya, a Palestinian-Jordanian, working tirelessly to provide for his family, hoping to better their lives despite the criminal record that undermines his ambitions.
The Palestinian film Lyd, directed by Rami Younis and Sarah Ema Friedland, was named winner of two awards, including the Jury Award for best Arab feature documentary and the Fipresci Award, held in conjunction with the International Federation of Film Critics.
The film puts a spotlight on Lyd. A city with a 5,000-year history, Lyd was once a Palestinian capital and in the early 20th century was a thriving metropolis. Lyd highlights this rich history while also highlighting the bloodier aspects of its past, namely the massacres and expulsion of Palestinians by Israeli forces in 1948, after which the state of Israel was created and the city became known as Lod.
The documentary interviews survivors of the Nakba, Palestinians living in Lyd, as well as those in exile. The film juxtaposes the real-life footage with animation that treads into sci-fi territory, imagining what Lyd could have been like if not for the bloody events of the Nakba.
The Jury Award for Arab short film was given to two films – Hamza: A Ghost Chasing Me by Palestinian director Ward Kayyaland Trinou by Tunisian filmmaker Nejib Kthiri. The Black Iris for best Arab short, meanwhile, was granted to My Girlfriend by Egyptian filmmaker Kawthar Younis.
The Special Mention prize for first-time documentary editor was awarded to Zakaria Jaber, director and editor of Anxious in Beirut. The documentary explores the trauma endured by denizens of the Lebanese capital in a film that aims to find a semblance of coherence within the tumultuous effects that have gripped Beirut.
Fragments from Heavenby Moroccan filmmaker Adnane Baraka was named winner of the Black Iris Award for best Arab feature documentary. The film follows a group of Amazigh nomads in Morocco as they search for bits of a Martian meteorite that landed in the desert in 2013, hoping it would better their lives.
The Special Mention prize for first-time lead actor/actress was awarded to two talents. Lebanese actress Marilyn Naaman was awarded for her lead role in Mother Valley. The film, set in the Lebanese mountains in the mid-20th century, follows a young wife as she faces the pressures of patriarchal society.
Egyptian actress Rana Khattab was also awarded for her role in the film Rat Hole. The feature, directed by Egyptian filmmaker Mohamed El Samman, follows a telemarketer working for a non-profit organisation trying to convince people to donate to various causes. The film pulls the curtain on the darker side of the Egyptian non-governmental organisations that scam people on the pretence of charity donations.
The Special Mention prize for first-time scriptwriter was awarded to Algerian filmmaker Adila Bendimerad, the director of the period drama The Last Queen. Bendimerad wrote the script for the acclaimed film with Algerian director Damien Ounouri.
The Iraqi film Hanging Gardenswon the Jury Award for Arab feature narrative. Directed by Ahmed Yassin Al Daradji, the film revolves around a 12-year-old boy who scavenges a landfill for sellable metal and plastic. He comes across a human-size doll, presumably brought and left behind by US soldiers. The boy names the doll Salwa and decides to keep and care for it; bathing it and trying to keep it from prying eyes. Soon, however, his secret is revealed, and he is in the crossfire of those who want to take Salwa for themselves, those who seek to commercialise from it, as well as those who want to obliterate it.
Finally, the Black Iris prize for best Arab feature was awarded to Ashkal. Directed by Youssef Chebbi, the crime thriller is set in Tunis and follows two police officers as they try to unravel the mystery behind a series of self-immolation cases.
.When you hear of Al-Andalus, you might think of Andalusia. And yet, from 711 to 1492, until the famous Fall of Granada, the Future Andalusia was only a small part of this vast Arab territory, whose influence can be seen everywhere in Spain. Let us take a tour.
Al-Andalus, a long series of powerful people
In the early 8th century, the Iberian Peninsula belonged to the Visigoth Empire, when the commanders of the Umayyad Caliphate (with a territory extending from the Arabian Peninsula to the Maghreb) set out to conquer the lands on the other side of the Mediterranean.
The Umayyad dynasty ruled in Al-Andalus (what would become Spain) for more than 300 years. It was suceeded by Taifas (independent kingdoms). The Abbasids, then the Almoravids, rose to power. In 1147, it was the Almohads who took over the empire. This proved to be a prosperous period, with great scholars, such as Averroes, a doctor, lawyer, and advisor to the Caliph. These scholars helped to make Al-Andalus a grand dominion. But the Christian reconquest gained ground. From 1238 to 1492, the Reconquista blazed on, and soon only the Emirate of Granada remained in southern Spain, the last vestige of the great Muslim empire.
From the north to the south of Spain, the Arab-Andalusian influence can be seen everywhere
One after the other, Cordoba, Seville and Granada became the capitals of the kingdom of Al-Andalus during the Middle Ages. Arab culture has permeated everything from traditional Andalusian music to the names of localities, and the Spanish language. But the most visible influence can of course be seen directly in the architecture of buildings and streets. Numerous vestiges, sometimes intact, sometimes remodelled, remain in the cities’ maze of streets, and this period of Spanish history has left prodigious monuments of Arab origin and fabulous examples of Islamic art. Many of these monuments bear a unique blend of cultural influences as they were renovated or repurposed over the centuries.
The most beautiful Arab monuments in Spain
The Arab Baths of Ronda, a magnificent ruin site
The hammam tradition was a cornerstone of Arab culture for centuries. From the 13th to the 15th century, several such baths were built in Spain. The baths of Ronda, in Andalusia, are one of the best examples, with their three magnificent barrel-vaulted rooms and visible heating and water circulation systems. The Guadalevín river, which often floods, has prevented these baths from being used, but excavations have been carried out, and now you can visit and admire some of the best-preserved Arab bathhouses in the country.
pix: P. Escudero / hemis.fr
Baños Árabes C. Molino de Alarcón 29400 Ronda Málaga +34 951 15 42 97 turismoderonda.es
The Alhambra of Granada, an extraordinary castle
On the Sabika hill, opposite the Albaicín district, stands the Alhambra of Granada, a majestic conglomeration of several buildings built in the early 12th century. The grandeur of the last Nasrid rulers is at its peak. Not to mention the sublime, breathtaking view over the plain of Granada!
The Mosque-Cathedral of Cordoba, from Islam to Christianity
Another Muslim building, the Cordoba mosque is a symbol of Arab influence at its most grandiose. From the 8th century to 29 June 1236, the building served as a mosque, before becoming a church again following the Reconquista. Representative of the art of the Umayyads of Cordoba, it is a monumental structure, and it covers over 1.5 hectares. The building is a splendid example of Islamic architecture: the “forest of columns” in the main hall – 1,300 marble, jasper and granite columns – highlights the gargantuan size of the place.
The Mudejar art of Aragon, in the north of Spain, has been declared part of UNESCO’s World Heritage, and the Aljaferia in Zaragoza is one of its most flamboyant masterpieces. When it was built in the second half of the 11th century, this palace clearly displayed the magnificence of the Taifa of Zaragoza. It served as a residence, a fortified enclosure and a barracks. It currently houses the Parliament of Aragon. The palace’s interior decoration is gorgeous, with a series of delicate, refined arches.
pix: kasto80 / Getty Images Plus
Palacio de la Aljafería Calle de los Diputados 50003 Zaragoza +34 976 28 96 83 www.turismodearagon.com
The Seville Giralda, a perfect example of mixed construction
The architectural marriage of the Giralda, the bell tower of the Cathedral of Our Lady of the See in Seville, is immediately evident. The lower parts were built in the 12th century, when the city was the capital of the Arab-Andalusian empire, under the rule of the Almohads. Four centuries later the upper floor was added, and the mosque’s minaret became a bell tower. It is now an unspoken rule that no building should be higher than this symbol of Seville.
pix: marinzolich / Getty Images Plus
Catedral de Santa María de la Sede de Sevilla – Giralda Av. de la Constitución 41004 Sevilla +34 902 09 96 92 www.catedraldesevilla.es
Innovation Design Studio, an award-winning architecture and design firm, has designed more than 400 projects in Egypt, Saudi Arabia, and Oman over the past 10 years. The company was recently awarded the A’ Design Golden Award for its design of a business district in Egypt.
Mahmoud Farouk, chief of design and co-founder of Innovation Design Studio, said the company started in 2014 with one project worth $4m. In 2023, the company is working on a project worth $400m.
Farouk added, “Our work encompasses the local market to include key regional projects in Oman and Saudi Arabia with an envisioned global expansion plan.”
Alaa Abdel Hameed, CEO and co-founder of Innovation Design Studio said the company is committed to using local materials and products.
“We believe that designers play a crucial role in directing developers’ projects towards more reliance on materials localization,” Abdel Hameed said. “This is in line with the Egyptian government’s direction of limiting importation and preserving foreign currency.”
Abdel Hameed also praised the efforts of Egyptian manufacturers in developing solutions and products that meet international standards.
“The local producers are becoming the preferred option and partner for developers and designers,” he said.
