Category: Arts, Culture & Entertainment

Dr. Sara Faris Abdullah Philby, granddaughter of iconic explorer Abdullah Philby, recounts his influence on her life and pursuits

Some of the specimens he has gathered are held in the British Museum in London,” Sara told Arab News.

As the granddaughter of the renowned explorer Abdullah Philby, Dr. Sara Faris Abdullah Philby’s decision to pursue her medical education in Saudi Arabia echoes the pioneering spirit that defined her grandfather’s historic exploration of the Arabian Peninsula.

In honoring her family’s heritage, Sara follows in the footsteps of Sheikh Abdullah Philby, whose multifaceted contributions continue to inspire generations.

“My grandfather led a truly remarkable life,” Sara told Arab News. “From his legendary expeditions to his conversion to Islam, his influence extends far beyond our family.”

She said he has had a profound impact on her life: “Simply contemplating his image fills me with warmth and optimism. My grandfather, Abdullah, possessed a rare combination of traits — uniqueness, dedication, and punctuality — that set him apart. As an explorer and writer, he navigated uncharted territories with grace and determination, leaving an indelible mark on history.”

Who was Abdullah Philby?

Harry St. John Bridger Philby, an explorer and Arabist, received his education at Westminster School and Trinity College, Cambridge. After joining the Indian Civil Service, where he mastered several languages including Urdu, Punjabi, Baluchi, Persian, and Arabic, Philby was recruited to Basra in Mesopotamia (modern Iraq) in 1915 by Percy Cox. His service in Baghdad and Basra eventually led to a mission to meet Ibn Saud in Riyadh, a journey across Arabia for which he was awarded the Royal Geographical Society Founders Medal.

HIGHLIGHTS

• Harry St. John Bridger Philby, or Sheikh Abdullah, left behind a legacy as one of the greatest Arabian explorers.

• Over three decades, he embarked on extraordinary journeys, notably crossing the Empty Quarter in 1932, a feat that tested the limits of endurance.

• His granddaughter Dr. Sara Philby pursued her education in Alfaisal University in Riyadh. • After completing a bachelor’s degree in medicine and another in surgery, she was drawn to the intricate world of embryology.

From their first encounter, Philby was captivated by the magnetic personality of Ibn Saud, and the two formed a friendship that lasted 36 years. Despite his involvement in business and writing, Philby’s true passion lay in exploration. Over three decades, he embarked on extraordinary journeys, notably crossing the Empty Quarter in 1932, a feat that tested the limits of endurance.

Traveling by camel and later by Land Rover, Philby meticulously documented his expeditions, recording place names, temperatures, compass bearings, and more. His scholarly contributions earned him high honors from academic societies worldwide.

“He lived to witness a golden chapter in his life, marked by numerous creations of detailed maps, priceless books including unmatched details of his journeys, and contributions to several fields such as history, politics, and wildlife. Some of the specimens he has gathered are held in the British Museum in London,” Sara told Arab News.

As a trusted advisor to Ibn Saud, Philby’s insights and candid opinions were valued by the monarch. His conversion to Islam in 1930 further strengthened their bond, and Philby was bestowed the name Sheikh Abdullah.

In 1960, at the age of 75, Philby died during a visit to Beirut, leaving behind a legacy as one of the greatest Arabian explorers. He was buried in the Muslim graveyard at El-Bouchara, with his son Kim’s inscription on his grave marking his profound impact on exploration and scholarship.

For me, honoring my grandfather’s legacy is not merely a goal but a life purpose.

Dr. Sara Faris abdullah Philby, Alfaisal University graduate

“(He) left behind a spectacular life story and a loving family, led by my beloved uncle Khaled Philby and my beloved father Faris Philby, who would adore him for the rest of time,” Sara said.

His involvement in Arabia during World War I, his close relationship with Ibn Saud, and his pivotal role in the Arab Revolt and the creation of Saudi Arabia highlight his enduring influence on the region’s history and culture.

Sara explained that her grandfather’s legacy continues to influence her approach in life and her career in medicine: “His interests in exploration and travel might differ from my academic interests in medicine and clinical embryology. However, that doesn’t diminish his huge impact on my educational decisions.

“With his legacy as a beacon, I am motivated to continuously push myself to new heights, embracing challenges and opportunities for growth along the way,” she added. “His love for history, the desert, maps, and wildlife will forever capture my heart, despite my academic pathway heading somewhere different.”

Sara pursued her education in Alfaisal University in Riyadh. After completing a bachelor’s degree in medicine and another in surgery, she was drawn to the intricate world of embryology.

“My interest in this field stemmed from a personal fascination with reading books on embryology and reproductive sciences,” she noted. “Moreover, I was deeply inspired by the noble goals of this discipline, particularly in addressing infertility and assisting couples in starting families according to God’s will.”

Sara’s religious and cultural background plays a pivotal role in shaping her career aspirations. “As a Muslim, my faith serves as a guiding light,” she affirms. “Islam’s teachings emphasize compassion and kindness, influencing my academic pursuits. The profound references to embryology in the Holy Qur’an have deepened my interest in this field.

“The Holy Qur’an beautifully elucidates the stages of human embryonic development in multiple verses,” she noted. “This further solidified my conviction to pursue a career in clinical embryology and reproductive biology.”

Following her passion, this year Sara graduated from Alfaisal University with a master’s degree in biomedical sciences, specializing in clinical embryology and reproductive biology, achieving first honors.

Speaking about the enriching experience at the university, she said: “Alfaisal University has been an integral part of my life for many educationally fruitful years … I am hopeful for its continued success and prosperity in the future.”

Her journey through academia had its own challenges: “The rigorous demands of the field required unwavering commitment and patience. However, these experiences have shaped me into the person I am today, instilling in me a sense of resilience and determination.

“Embrace the journey, stay true to yourself, and remain dedicated to your goals,” she advises aspiring professionals. “Believe in your abilities and seize the opportunities that come your way.”

Balancing personal aspirations with her family’s legacy is a central theme for Sara. “I place great importance on aligning my personal aspirations with the expectations associated with my family’s legacy,” she explains. “By staying true to myself and honoring my family’s heritage, I find harmony in pursuing my goals.”

As she navigates the complexities of academia and embarks on her own path of exploration, Sara remains steadfast in her commitment to honoring the rich heritage passed down to her by her grandfather.

“For me, honoring my grandfather’s legacy is not merely a goal but a life purpose,” Sara said.

source/content: arabnews.com (headline edited)

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The British renowned explorer Abdullah Philby, or Philby of Arabia. / In honoring her family’s heritage, Sara Philby follows in the footsteps of Sheikh Abdullah Philby, whose multifaceted contributions continue to inspire generations. Supplied/AN photo by Abdulrhman Bin Shalhoub)

Dr. Sara Faris Abdullah Philby, Alfaisal University graduate

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BRITISH / SAUDI ARABIAN

SHARJAH, U.A.E: Arab Leader Sheikh Dr Sultan bin Mohammad Al Qassimi Develops Rich Historical Work on France in Arabic to Educate the Region on Their Invaluable Contributions to Western Civilisation

Sharjah Ruler collected 8,000 rare titles documenting French cultural history.

His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi, Member of the UAE Supreme Council and Ruler of Sharjah, is a leading Arab scholar and historian who has made contributions to documenting France’s cultural history from an Arab perspective.

The historian has been recently conferred the title of The Legion of Honour, with the rank of Commander – one of the highest national honours in the Republic of France in recognition of his efforts to strengthen cooperation relations between the French Republic and Sharjah in a variety of fields, particularly culture. The honour was granted to the Sharjah Ruler by His Excellency Emmanuel Macron, the French President, and presented by Nicolas Niemtchinow, Ambassador of the French Republic to the UAE.

His Highness is currently developing the chapters of a comprehensive work, the first of which is titled ‘The Century of Lights.’ Set in the 18th century – the chapter focuses on the era that established the foundations of Western society and examines the pivotal role played by Denis Diderot, the founder of the Encyclopédie, in collaboration with D’Alembert, as well as the contributions of liberal philosophers of that century such as Jean-Jacques Rousseau and Voltaire.

The Arab historian navigates the remainder of the 18th and 19th centuries in the following two chapters, before penning the fourth chapter titled, ‘Controversial Issues on Globalisation and Cultural Exception’ detailing everything that had happened in relation to globalisation and France’s role in it.

“France, at the helm of the European Union, began vigorously defending the idea of cultural exception; it has prevailed. From my end, I will publish this book in Arabic to introduce all Arabs to French culture,” His Highness said.

“In 2003, the French Republic conferred the ‘Order of the French Republic for Arts and Letters,’ with the rank of ‘Knight Commander’ upon me. I saw this honour as a mandate to continue cultural giving, and I discussed the Republic of France’s pioneering role in intellectual enlightenment and civilised communication, as well as its contributions to the cultural field, translation, and literature, and the spread of the concepts of freedom and justice,” His Highness added.

From that day forward, the Ruler of Sharjah initiated the acquisition of available written records that document the cultural history of the French Republic, using the titles of books in the Egyptian Scientific Institute in Cairo. “I collected nearly 8,000 rare titles in French and decided to establish a scientific institute for those books in Sharjah, similar to the French and Egyptian Institute,” His Highness added, saying he donated his entire collection to the institute in Egypt after it was turned to ashes by a violent fire in December 2011.

source/content: businesswire.com / AETOSWire (headline edited)

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His Highness Ruler of Sharjah while receiving the title of The Legion of Honour, with the rank of Commander (Photo: AETOSWire)

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SHARJAH, UNITED ARAB EMIRATES (U.A.E)

SAUDI ARABIA : World’s Largest Grand Arabic Opera opens in Riyadh

The opera was produced by the Saudi Theater and Performing Arts Commission.

 “Zarqa Al-Yamama,” the world’s first and largest grand opera in Arabic, made its debut at the King Fahad Cultural Center in Riyadh, taking the audience on a lyrical journey through one of the best-known folkloric tales in the Arabian Peninsula.


The opera was produced by the Saudi Theater and Performing Arts Commission, and will run until May 4, telling the story of the central character’s attempts to warn her Jadis tribe of an imminent invasion.

source/content: arabnews.com (headline edited)

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ـ “Zarqa Al-Yamama,” the world’s first and largest grand opera in Arabic, made its debut at the King Fahad Cultural Center in Riyadh. (SPA)9

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SAUDI ARABIA

MOROCCAN Ilyas Hajri Wins World Quran Recitation Prize (Hafiz Category), BAHRAIN’s Mohamed Sameer Mohamed Mujahid (Tajweed Category) & YEMEN’s Ahmed Mohamed Saleh Ahmed ( Junior Reciter) , in 4th edition of ‘Bahrain Online Quran Recitation 2014

Moroccan reciters performed well at the competition and demonstrated exceptional talent and proficiency in Quranic recitation.

Moroccan Ilyas Hajri has clinched the title of World Quran Reader in the Hafiz category at the fourth edition of the Bahrain Online Quran Recitation Competition. 

The Moroccan Quran reciter won the prize for his exceptional proficiency in reciting the Holy Quran.

This win adds to a string of previous successes, as Hajri has consistently shown excellence in Quranic recitation competitions. Last year, he won first place in the International Quran memorization competition in Astana, Kazakhstan.

In addition to Hajri, Moroccan Yassine El Kazzini secured the second position in the same category. 

Meanwhile, Moroccans Abdelbasset Ourach and Mustapha Zahid claimed third places in the categories of memorized recitation (Tajweed) and melodious recitation (Murattal) respectively.

The finals of the competition were conducted in-person in Bahrain’s capital city Manama, where the top performers competed to secure their positions in various categories of Quranic recitation.

The competition brought together over 5,000 participants from 74 countries. 

Meanwhile, Mohamed Sameer Mohamed Mujahid from Bahrain was crowned the World Quran Reciter in the Tajweed category, while Ahmed Mohamed Saleh Ahmed from Yemen secured the same title in the category of junior reciters.

Organizers of the competition highlighted its mission to promote and celebrate the recitation and memorization of the Holy Quran.

It also aims to serve the Quranic tradition by providing a platform for individuals of all ages and nationalities to showcase their skills and proficiency in reciting the Quran.

Moroccans have built a strong reputation for their excellence in Quran recitation competitions, consistently shining on the global stage.

Last month, Moroccan Elias Al-Mahiawi won first place at the 20th International Quran Competition in Tanzania.

source/content: moroccoworldnews.com (headline edited)

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BAHRAIN / MOROCCO / YEMEN

ARAB FESTIVAL: 03rd Hollywood Arab Film Festival: Showcasing Arab cinema in Los Angeles, April 2024

The third annual Hollywood Arab Film Festival began this week, bringing the best of 2024’s Arab cinema to Los Angeles and giving fans a chance to see the films in theaters as well as introducing a new audience to the Arab world’s top talent.

The event, which runs until April 21, was attended by a number of celebrity guests including Egyptian producer and screenwriter Mohamed Hefzy, Tunisian actor Dhaffer L’Abidine, renowned Egyptian star Elham Shahin and Egyptian producer Tarek El-Ganainy.

At the event, Hefty said: “Arab cinema really needs a platform to tell our stories and to show who we are, our identity, our hopes and dreams, our pains, and all the different social topics that are tackled in some of the films that are being presented are maybe more relevant today than ever. So I think it’s a great opportunity to have this dialogue.”

Hefzy’s film “Hajjan” was showing at the event. It is a Saudi Arabia-based film directed by Egyptian filmmaker Abu Bakr Shawky.

“Hajjan is a film about a young boy who got a very special connection to his camel, who has a brother who was a camel jockey and races,” Hefzy said. “And, one day when something really unexpected happens to his brother, and shatters his world, it forces him to step into his brother’s shoes and become a camel jockey, and so starts racing himself.”

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Hefzy’s Film Clinic.

“It was a film made in Saudi Arabia with Saudi talents and actors with an Egyptian director, but with the Saudi co-writer and Saudi actors and shot mostly in Saudi Arabia,” Hefzy said. “So I think it’s, it was a great experience, and learned a lot about Saudi Arabia, learned a lot about the culture.”

The festival featured cinema from various Arab countries, presenting films from 16 different nations. Marlin Soliman, strategic planning director of HAFF, highlighted the inclusion of six feature films, ten short films and six student films.

Spanning five days, HAFF offered its audience a vibrant experience, including a red-carpet affair, panel discussions on filmmaking and diversity in Hollywood, and, of course, screenings of high-profile films.

The festival also saw several filmmakers singing the praises of Saudi Arabia’s expanding film industry.

L’Abidine, the writer and director of “To My Son,” said: “I’m thrilled to be back again with my second feature film ‘To My Son,’ a Saudi film… I think there is a great evolution of Saudi cinema that’s been happening in the last few years.”

source/content: arabnews.com (headline edited)

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ARAB

OMAN : Winners of 10th Sultan Qaboos Award for  Culture, Arts and Literature announced

Delegated by His Majesty Sultan Haitham bin Tarik, Shaikh Abdulmalik bin Abdullah al Khalili, Chairman of the State Council handed over the 9th version of Sultan Qaboos Awards for Culture, Arts and Literature to the winners at Al Wahat Club.

This edition is allocated for Omanis in areas of Omani heritage (culture category), theatre teams (arts category), and article (literature category).

The Award’s handing over ceremony included a speech for the Sultan Qaboos Higher Centre for Culture and Science delivered by Habib bin Mohammed al Riyami, chairman of the centre during which he reviewed the march of the awards since its inception. He also congratulated the winners.

Harith bin Mohammed al Batashi won the first place in the culture category for his investigation conducted on the book of Sheikh Said bin Khalfan Al Khalili. Al Dann Theatre Team won the first place in the theatre teams category whereas the writer Dr Muna Hibras al Sulaimi won the the first place in the literature category.

During the event, fields of the 10th edition of the awards which will be dedicated for Omanis, as well as Arabs were unveiled. They include media and communication (culture category), cinema production (arts category), and novel (literature category).

source/content: muscatdaily.com (headline edited)

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OMAN

ARABIAN ART : Al Sadu: An enduring age-old Arabian Art and Cultural Importance listed in UNESCO

Far from being a forgotten tradition, Al Sadu is a centuries-old practice that is perpetuated and reinvented in Arabia.

Historically, Al Sadu met the needs of nomadic life. Women used available resources – sheep’s wool, goat’s and camel’s hair – to create robust textiles, essential for survival in arid environments. Their method, based on rudimentary floor looms, produced tight, durable fabrics characterized by geometric patterns that reflected the environment and culture of their creators.

Al Sadu production begins with shearing the wool and collecting the hair, followed by thorough cleaning to remove impurities. The yarns are then dyed with bright colors derived from local plants and spices, such as henna, turmeric, saffron, aloe and indigo. Weaving is done on traditional looms made from palm or jujube wood.

It also has significant cultural importance, recognised by UNESCO.  Kuwaiti Sadu was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity in 2020, in collaboration with Saudi Arabia.  

Keeping the art alive

Once the preserve of nomadic tribes, this time-honored art is now being revitalized by young designers. In Kuwait , for example, with the aim of perpetuating this heritage, designers are collaborating with Bayt Al-Sadu and specialist researchers. The aim of this collaboration is to develop unique art exhibitions that showcase this nationally recognised culture.

Bayt Al Sadu, or the House of Sadu, is a museum dedicated to the traditional textiles of Kuwait. It is dedicated to the preservation, documentation and promotion of Bedouin textile heritage, ranging from nomadic weaving to urban weaving styles.

A study conducted by Manal Alkhazi at the University of Southampton among 120 young Kuwaiti women aged between 15 and 21 from the six districts of Kuwait revealed that 48.3% of young Kuwaitis interviewed in an electronic survey had Sadu garments at home. In addition, 69.2% of those questioned said they knew the basic Sadu colors.

source/content: kawa-news.com (headline edited)

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ARABIAN ART

SHARJAH, U.A.E: ARABIC LANGUAGE – 09 Countries participated in the’ 7th International Festival of Arabic Language and Culture’ in Milan, Italy. The session anticipates the future of language in light of artificial intelligence

The activities of the seventh session of the International Festival of Arabic Language and Culture were concluded in the Italian city of Milan, which was held under the auspices of the Sharjah Book Authority and organized by the College of Linguistic Sciences and Foreign Literatures and the Arabic Language Research Center at the Catholic University, under the title “Language and Artificial Intelligence: A Limit to the Past or a Horizon for the Future.”

“In a step that reflects the spirit of the global cultural mission of the Emirate of Sharjah and confirms the vision of His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah, in highlighting the role of the Arabic language as a bridge for civilizational and cultural communication between peoples.

The events were attended by His Excellency Ahmed bin Rakad Al Ameri, CEO of the Sharjah Book Authority, Mario Cristina Gatti, Director of the Arabic Language Research Center at the University, His Excellency Muhammad Hassan Khalaf, Director General of the Sharjah Radio and Television Authority, and Dr. Amhamed Safi Al Mosteghanemi, Secretary General of the Arabic Language Academy in Sharjah, while participating in The festival sessions included 35 researchers from 18 countries, including 9 Arab countries: the United Arab Emirates, Egypt, Iraq, Morocco, Lebanon, Syria, Algeria, Yemen and Palestine, in addition to Turkey’s presence for the first time. The festival also hosted 12 academics and university professors from the Catholic University in Italy.

The seventh session of the festival sought to explore the intersections of artificial intelligence with Arabic language and culture, highlighting key topics that include “ethics and legislation of artificial intelligence” and its role as a translator who crosses linguistic borders, as a poet who organizes poems, and as a novelist who weaves stories.

The festival also focused on the impact of artificial intelligence on language teaching and its applications in the language of social communication. It discussed “the role of artificial intelligence in the scientific research and philosophy sector” and its potential in “restructuring the Arab heritage” with a focus on “its impact on language and the arts” in a way that enhances the status of Arabic as a living language. Interact with modern technologies.

His Excellency Ahmed bin Rakkad Al Ameri had stressed in a keynote speech at the opening ceremony of the festival that pride in one’s own language is pride in all languages, as the diversity of languages ​​is a necessity for the diversity of cultures, and it is not possible to imagine the world in one language because this means that cultures lose much of the beauty and incentives for learning and discovery, highlighting Shedding light on the major project led by His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah, which is the historical dictionary of the Arabic language, of which 67 volumes have been published to date covering 15 of the 28 letters of the Arabic language.

For his part, Dr. Wael Farouk, director of the festival, said: “The participants in this year’s session presented ideas on the topic of ‘Language and artificial intelligence: a limitation of the past or a horizon for the future.’

The opening session presented by Mario Cristina Gatti, director of the Arabic Language Research Center at the university, also witnessed the launch of The first Italian translation of the poetry of Al-Mu’allaqat, which is considered one of the most famous classical texts in the history of Arabic poetry. It is a translation presented by Jolanda Guardi, and it presents a poetic reading by the Iraqi poet and translator Kazem Jihad on the occasion of the publication of his collection of poems in the Italian language.

The festival devoted sessions on the digitization of the Arabic language, artificial intelligence, imagination, artificial intelligence, and translation, with the participation of Dr. Emhamed Safi Mosteghanemi, Secretary General of the Arabic Language Academy in Sharjah, who reviewed the emirate’s experience in collecting and publishing the largest historical dictionary of the Arabic language as a successful example of digitization.

The translators, Muhammad Haqqi Sushin, Samir Greiss, and Naglaa Wali, raised questions about the capabilities of artificial intelligence as a translator of literary texts, the role of literary translators in the era of artificial intelligence, and the ways in which literary translation can benefit from artificial intelligence.

source/content: wam.ae (headline edited)

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ARABIC LANGUAGE / 09 COUNTRIES / SHARJAH, UNITED ARAB EMIRATES

SAUDI ARABIA: Saudi businesswoman Wajanat Muhammad Abdel Wahed Builds World’s 1st 3D Printed Mosque in tribute to her late husband Abdulaziz Abdullah Sharbatly

In a touching tribute to her late husband, Saudi businesswoman Wajanat Muhammad Abdel Wahed has built the world’s first 3D Printed Mosque that was thrown open to worshippers ahead of the Holy Month of Ramadan likely to begin Monday March 11, 2024. 

In a touching tribute to her late husband, Saudi businesswoman Wajanat Muhammad Abdel Wahed has built the world’s first 3D Printed Mosque that was thrown open to worshippers ahead of the Holy Month of Ramadan likely to begin Monday March 11, 2024.

The mosque is named after the late Saudi businessman Abdulaziz Abdullah Sharbatly.

“I dedicate the reward of building the first mosque in the world using 3D printing technology to my husband, Abdulaziz Abdullah Sharbatly. I ask God to grant him benefit to the Kingdom and enable him to become a leader in line with #Saudi_Vision_2030 (sic)” Wajanat wrote on social media platform X Thursday, March 7, 2024.

“The idea materialized into constructing a mosque dedicated to the memory of my late husband, subsequently becoming the world’s first mosque built with 3D printing technology”, Wajanat said.

3D Printing Technology

The 3D Printed Mosque, built at a cost of 20 million Saudi Riyals on an area of 5,600 square meters as part of the Jeddah Governorate’s Al-Jawhara Suburb Project, is located in Saudi port city.

The 3D Printing Technology creates tangible objects from 3D Digital Models obtained through scanners and computer programs, using successive layers to form the final shape.

The construction of the mosque was completed in just six months. As many as four giant printers manufacture by the Chinese company Guanli 3D printers, the world’s leading manufacturer of 3D printers, were deployed for the purpose.

The construction of the world’s first 3D Printed Mosque in the Kingdom demonstrates future construction and architectural innovation, promoting local content and diversification, aligning with Vision 2030’s ambitious goals of non-oil production.

Wajanat pointed out that the mosque’s construction received private sector stimulus support, promoting modern construction through advanced technologies and industrial development.

“As a Saudi businesswoman, I wanted to contribute to introducing this modern technology to the Kingdom, positioning it among the first countries to utilize it”, she said in a statement.

“The construction of the mosque using 3D printing technology marks a significant milestone in technology and contemporary construction, signalling a move towards architectural innovation and global sustainable building practices”, she added.

source/content: ummid.com (headline edited)

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SAUDI ARABIA

TUNISIAN Amine Bouhafa member of Competition Jury at 7th CANNESSERIES

Winner of the Best Music Award (for the Under the Figs film) in the 2023 “Critic Awards” section (on the fringes of the 76th Cannes Film Feestival) , French-Tunisian film music composer Amine Bouhafa was chosen as a member of the “Competition Jury” for season 7 of the Cannes International Festival of Series (CANNESERIES), held on April 5-10.

The Competition Jury is also made up of Sophie Grabol, Olivier Abbou, Alice Braga, Macarena Gracia and Alix Poisson.

CANNESERIES has been celebrating series from all over the world for 7 years and brings together those who make and love them in the mythical setting of the city of Cannes and its magical Palais des Festivals. Carried by a team of enthusiasts, the festival acts as a platform, and is completely free and open to all.

source/content: tap.info.tn (headline edited)

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FRENCH / TUNISIA