EGYPT : The record-breaking Freedivers of Egypt

Masters of relaxation: The record-breaking freedivers of Egypt.

When the countdown began, Khaled Elgammal took one final, deep breath before descending without any breathing equipment into the ocean. One minute and 29 seconds later, still holding his breath, the Egyptian athlete had free-fallen to 102 metres (335 feet) – a national record.

But for it to count, he had to reach the surface again. He turned at the bottom of the line and began his ascent – focusing on deep relaxation and the feelings of the surrounding water. In all, he had held his breath for two minutes and 50 seconds.

Elgammal is Egypt’s deepest freediver, and his remarkable achievement set a new national record at the Sharm el-Sheikh competition in October 2023.

“When I came to the surface, it was bliss. It felt amazing,” Elgammal recalls.

Freedivers like Elgammal rely solely on the ability to hold their breath while diving underwater. Through training, these divers master relaxation to slow down their heart rate, allowing them to stay beneath the surface without breathing equipment for minutes at a time. Very deep dives like the one he did recently usually require divers to hold their breath for around three minutes at a time.

The practice of freediving can be traced back to traditional fishing in communities like Asia’s Bajau people, where coastal groups have used freediving to hunt underwater for 200 years. As a sport, freediving is now undergoing record growth, attracting people looking to connect with the ocean and better understand their body’s abilities.

As for Elgammal, he says he was captivated by the unique sensations of diving with a single breath.

“I always say that scuba diving is everything in slow motion; you’re moving slow, breathing slow, and the sound of the bubbles is hypnotising, so everything is in slow motion. Freediving is like you’ve paused… and are the only thing moving down there. So you give yourself the chance to sink within.”

The sport is now growing in popularity around the world. According to AIDA International rankings, 2,889 freedivers registered to compete in competitions in 2023, more than twice the number a decade earlier.

The freediving organisation told Al Jazeera that around 20,000 people have become certified freedivers in recent years. Scuba Schools International (SSI) has similarly seen a steady 10 percent annual rise in the number of people earning their first freediving certification.

Many of these certifications are awarded in Dahab, a bohemian enclave on Egypt’s Red Sea coastline which has become home to numerous freediving schools and elite instructors. Dahab featured a shoreline of palm trees and traditional Bedouin homes just a few decades ago. While still considered a small town today, it boasts a thriving beachfront of Egyptian and international restaurants and attracts a growing crowd from Cairo, Europe and Asia. A handful of luxury hotels have emerged but Dahab still maintains an authentic charm – with herds of goats freely roaming the streets.

It’s also one of the world’s best-known freediving hotspots due to its year-round water conditions and proximity to Egypt’s Blue Hole. Just 20 minutes away by car, the Blue Hole is a famous reef-lined sinkhole accessible from the shore.

Here, divers can descend to around 90 metres (295 feet) – almost the height of the Statue of Liberty.

A heightened state of self-awareness

But what has contributed to the rise of freediving?

The sport is linked to several mental and therapeutic benefits. A 2013 study by academics at ​​Atilim University in Turkey, found that freedivers tend to exhibit lower stress and anxiety levels than non-freedivers.

Carlos Diezel, the manager of Dahab Freedivers, a school that trains divers, explained that much of this is down to “breathwork”.

“The fact that we have to pay attention to our breath, our mind and relaxation when we go down teaches us awareness,” he says. “I believe that part of the problem, statistically speaking, for mental health issues is related to the lifestyle in modern society, that’s leading people to forget or block any kind of self-awareness.”

This heightened state of self-awareness is something that dedicated freedivers like Elgammal strive for. “I’m always aware now of what I’m feeling, what I’m sensing,” he says. “Freediving helped me to connect with myself.”

Freediving’s connection with nature and immersion in water may also contribute to its mental health benefits. Diezel says the most common reasons people sign up for freediving courses are a fascination with the ocean and learning more about themselves.

“They grasp this connection with themselves when you hold your breath and go deep,” he said, adding that students consider it “a ‘deep’ experience – sorry for the pun”.

Social media equally plays a role in bringing freediving to the forefront. Many freediving pictures allude to a sense of freedom, featuring divers among marine life and colourful reefs. The hashtag #freediving has amassed more than 3.5 million mentions on Instagram so far. “It’s getting a lot of attention as it’s quite photographic. Some videos are just mesmerising,” Diezel adds.

Diving safely

Within the existing freediving community, the sport’s surge in popularity brings added responsibility. Considered an “extreme sport”, freediving can be risky if safety protocols aren’t followed, or divers push themselves beyond their physical limits. They can experience oxygen deficiency symptoms like hypoxia and blackouts, as well as pressure-related risks like a ruptured eardrum, an example of a barotrauma.

Contrary to portrayals such as Netflix’s The Deepest Breath, divers losing consciousness – known as blackouts – are relatively uncommon, particularly in recreational diving at shallower depths.

Freedivers are also trained to rescue a fellow diver safely as part of their earliest training, learning to monitor each dive, spot signs of distress and how to react. Under the buddy system, which helps to ensure freedivers remain safe, divers never dive alone.

Tamsyn Signe is a professional freediver who champions safety whenever she enters the water. She has worked as a safety freediver in multiple competitions, and it’s her role to ensure the competing divers make it to the surface safely. Last year, she saved a diver’s life 30 metres (98 feet) underwater in a rare example of a deep rescue.

“As he got in front of me, the lights went out,” Signe recalls, describing the moment the ascending freediver just stopped moving after losing consciousness. At 30 metres below the surface, Signe was also holding her breath. However, she wasn’t thinking about the carbon dioxide building in her body – she had a job to do.

“Everything really slowed down,” she says. “I knew I was his best shot at being ok.” As she’s trained to do, Signe closed his airways with her hands and started finning (swimming up with flippers) with him toward the surface – a tricky job with the added weight of another diver. The competitor regained consciousness after reaching the surface, partly thanks to Signe’s quick thinking and supportive team. He would later reach out and thank her for saving his life.

Signe says the rescue changed her life too, making her more observant and prepared for unexpected risks, but it’s part of the job. Most freedivers believe that practising safety in freediving, such as never diving alone and being trained for rescue, is crucial to the sport’s survival.

But this is not just a tick-box exercise; safety also forges close bonds within the community. “When you go through an experience with people where you could potentially die, there’s some sort of connection that happens that is way deeper and intimate than normal. And those friendships do last a lifetime,” Signe adds.

Responsibilities beyond the breath-hold

Alongside valuing safety, Zahraa El-Husseiny, a freediving instructor and Egyptian national record holder, believes that protecting our oceans is also an important responsibility which comes with freediving. Many freedivers collect plastic they find floating in the water; others, like Diezel, stopped eating seafood after learning about the human impact of overfishing.

As Earth’s oceans face increasing pressures from pollution and global warming, those who rely on the sea will play a vital role in future conservation. First drawn to freediving because she was fascinated with marine life, El-Husseiny tries to teach others about respecting the ocean through her sport.

“We are very connected to the ocean, and we owe it to this to protect it. We know how essential it is to move freely underwater, so… we need to protect it,” she says.

For many, freediving offers a path for self-discovery and a deeper connection to the natural world. As a sport, it’s poised for continued growth in the future.

Freediving isn’t reserved for a select few either, and freediving communities are expanding in many coastal locations. “Everyone can learn how to hold their breath,” El-Husseiny adds.

“Everyone can learn how to enjoy the ocean and the peacefulness of diving. I would like people to know that this is something they can do, learn and progress in”, she says.

Passing on the love of this sport is something many freedivers take seriously. When Elgammal isn’t training for record-breaking dives, he’s working as an instructor and coach. He similarly urges those interested in the sport to “be curious”.

“Relax, enjoy, trust. Think about what you like and try to visualise that feeling.”

source/content: aljazeera.com (headline edited)

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EGYPT

TUNISIAN Poet Abdelaziz Hammami Triumphs with Al Qawafi Award at Sharjah Arab Poetry Festival 2024

Tunisian poet Abdelaziz Hammami’s words resonated through the prestigious Sharjah Arab Poetry Festival, earning him the coveted Al Qawafi award. Held from January 8th to 14th in the UAE, the festival witnessed a celebration of Arabic poetry from across the region.

Hammami, already a seasoned voice in the poetry world with works published in various newspapers and magazines, stood out amongst the diverse talent. This is reported by TAP, a partner of TV BRICS.

Hammami’s journey with poetry began in his hometown of Kairouan, where he played a pivotal role in establishing the city’s first literary club in the late 1960s. His passion for the craft extended beyond writing, as he also served as a correspondent for the TAP news agency and collaborated with national radio and Tunisian television. This win at the Sharjah festival marks a crowning achievement for a poet who has dedicated his life to the beauty of language.

Hammami is not the only Tunisian celebrating at the festival. His compatriot, Moncef Ouhaibi, had earlier bagged the “Sharjah Prize for Poetic Criticism.” This double triumph signifies a potent resurgence of Tunisian poetry on the international stage.

With 12 awards bestowed upon deserving poets and critics from across the Arab world, the 20th Sharjah Arab Poetry Festival reaffirmed its position as a beacon for literary excellence. Hammami’s victory, in particular, underscores the enduring power of poetry to transcend borders and touch hearts.

source/content: dailynewsegypt.com (headline edited)

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TUNISIA

SOMALIA: Mohamed Ibrahim Warsame, one of Somalia’s greatest Poets

Mohamed Ibrahim Warsame, one of Somalia’s greatest poets, dies aged 79.

Somali social media has been flooded with tributes to the man better known as ‘Hadraawi’.

Messages of condolences continue to pour in from around the world following the death of Mohamed Ibrahim Warsame, regarded as one of Somalia’s greatest poets.

Warsame, known as “Hadraawi”, died in Hargeisa, in Somaliland, on Thursday at the age of 79.

Social media has been flooded with tributes and praise for his contribution to Somali language and culture.

“I’m heartbroken to inform you our giant Mohamed Ibrahim Warsame Hadraawi has passed away. Might Allah bless him and grant him Jannah,” Ayan Mahamoud, founder of Kayd Somali Arts and Culture , said on Twitter.

“We will treasure his legacy and the rich scholarly work he left behind,” added Said Salah Ahmed, a poet and playwright who teaches the Somali language at the University of Minnesota in the US.

Hadraawi, which means the “master, or father, of speech”, was regarded as a pillar of modern Somali literature and a strong advocate of peace and democracy.

In 1973, he was imprisoned for five years by the president, Siad Barre, who ruled Somalia until 1991, for speaking against the revolution. His work was banned but he continued to compose poetry upon his release, which were was passed on through word of mouth.

The songs and verses he wrote are full of imagery and metaphor, open to interpretation, which made it hard for the military regime to control. A verse from his poem The Killing of the She-Camel resulted in his imprisonment without trial.

The snake sneaks in the castle:

although it’s carpeted with thorns

still the coward casts off his curses

so the courageous must stretch out his neck;

the cob stallion sells his values

in order to cut a fine figure.

When such cockiness struts forth

and even laughter becomes a crime

our country has unfinished business.

In the early 1990s he called for an end to the civil war, which caused thousands of people to flee Somalia. In 2004, he travelled throughout the country on a “peace march” urging warring parties to stop the violence. His message of reconciliation resonated with Somalis at home and abroad.

He retired a few years ago.

“Poet Mohamed Ibrahim Warsame (Hadraawi) was a symbol of unity and peace,” said the Somali president, Hassan Sheikh Mohamud, in a statement. “He was one of key pillars of Somalia’s art and literature who took a leading role in preserving the Somali culture and promoting the Somali language. His death is felt in every Somali household.”

The EU, Norway, the UK and other friends of Somalia sent condolences and tributes.

“Sending my heartfelt condolences to the people of Somaliland and to all Somalis for the loss of Mohamed Ibrahim Warsame “Hadraawi”, an iconic poet and one of the most eminent and beloved Somali poets of all time,” tweeted Lizzie Walker, head of the Foreign, Commonwealth and Development Office in Hargeisa.

Hadraawi had been called the “Somali Shakespeare”, but Somali singer and songwriter Aar Maanta said: “Hadraawi wasn’t the ‘Somali Shakespeare’ he was the Somali Hadraawi. He was more than a poet; he was a philosopher and a freedom fighter who spent many years in jail for his stance against injustice and dictatorship.

“He wrote some of the most beautiful love songs and poems that Somalis in the Horn of Africa and beyond use as a benchmark.”

Ahmed, who knew Hadraawi since late 1960s, added: “Hadraawi was one of the kindest people I have ever met. His poetry speaks for the voiceless and calls out oppression against the people …. he will be missed so dearly but we will treasure his legacy and the rich scholarly work he left behind.”

Known as a “nation of poets”, poetry is woven into the fabric of Somali society with centuries of oral history, as the Somali language was only written in 1972.

Contemporary Somali poetry, including the works of Hadraawi, has been preserved in books and translated into English.

source/content: theguardian.com (headline edited)

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SOMALIA

LIBYAN-AMERICAN: Hisham Matar’s powerful Memoir ‘The Return’ Chronicles a haunting journey

“The Return” is a meditation on human condition, an exploration of the bonds of family.

In his poignant and deeply affecting memoir, “The Return,” Hisham Matar invites readers on a journey into the heart of his native Libya, a journey marked by love, loss, and the relentless pursuit of truth.

As the acclaimed author of “In the Country of Men,” Matar brings his exquisite storytelling prowess to bear on the exploration of his own family’s harrowing ordeal amid the turbulent political landscape of their homeland.

The narrative begins with a pivotal moment in Matar’s life, when at the tender age of nineteen, his world was shattered by the abduction of his father, a courageous man. The elder Matar’s disappearance cast a long shadow over the family, leaving them grappling with uncertainty and anguish.

Yet, amid the darkness, Matar clung to a flicker of hope, a stubborn belief that his father may yet be found. It is this unwavering hope that propels him forward, driving him to embark on a decades-long quest for answers.

Against the backdrop of upheaval and societal transformation, Matar chronicles his return to Libya, a homeland he once fled as a child. With his mother and wife by his side, he confronts the ghosts of his past and navigates the complexities of a country in flux.

Through evocative prose and piercing insight, Matar captures the essence of a nation on the cusp of profound change, grappling with the weight of its history and the promise of its future.

“The Return” transcends the confines of a mere memoir; it is a meditation on the human condition, an exploration of the enduring bonds of family and the resilience of the human spirit.

Nature of love and loss

Matar’s storytelling takes the readers to the heart of Libya, immersing them in its sights, sounds, and emotions. With each turn of the page, we are drawn deeper into the labyrinth of Matar’s inner world, as he grapples with questions of identity, belonging, and the nature of love and loss.

At its core, “The Return” is a testament to the power of storytelling to illuminate the darkest corners of our collective experience, offering solace, catharsis, and ultimately, redemption.

Matar paints a poignant portrait of the human spirit’s capacity to endure and find solace in the face of uncertainty. Beyond mere memoir, “The Return” stands as a testament to the strength of hope, offering inspiration to all who confront life’s tribulations.

source/content: gulfnews.com /ahmad nazir (headline edited)

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pix: wikipedia.com

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AMERICAN / LIBYAN

JORDAN: Arab Cinema Center names Mohannad Al-Bakri ‘Arab Cinema Personality of the Year’

In recognition of his distinguished work in revitalizing and sustaining Jordanian and Arab cinema, the Arab Cinema Center (ACC) is bestowing its 5th Arab Cinema Personality of the Year Award to Mohannad Al-Bakri,the Managing Director of the Jordanian Royal Film Commission (RFC) during the 74th Berlin International Film Festival, which will run from February 15th to 25th.

The award, which coincides with the ACC’scelebration of its own 10th anniversary, is designed to honor and highlight prominent industry figures whosepersistent contributions have helped elevate the Arabfilm industry in the eyes of the international filmmaking community as a whole.

Al Bakri has been instrumental in rousing the country’s film industry from its slumber sinceassuming his position in 2009 through his development of the commission’s funding and training programs, as well as building local production capacity with the opening of Jordan’s first dedicated film studio complex. Under his guidance,Jordan has become a competitive and enticing destination for filmmakers through a combination of extraordinary landscapes, universally praised production services and its cost-effectiveness as ashooting location.

After starting out at the RFC in 2007 as a capacity-building manager, Al-Bakri quickly rose to the title ofmanaging director by 2009. Before that, he kickstarted his professional career at the Hashemite Fund for Human Development where he developed dynamic programs promoting the active role of youths in society.

In addition to his work for the RFC, he was also appointed as Regional Managing Director of Luminus Media – Jordan (SAE Institute) from 2012 until 2015 before joining New York University in Abu Dhabi as director of External Relations and Partnerships from2015 until 2019.

“We take immense pride in honoring Mohannad Al-Bakri, the Managing Director of the Jordanian Royal Film Commission (RFC) with the Arab CinemaPersonality of the Year Award. Since assuming his position, he has made enormous and noteworthy efforts to advance the Jordanian film industry,” saidAlaa Karkouti and Maher Diab — Co-founders ofArab Cinema Center — in a joint statement.

“This is evidenced by the outstanding successJordanian films have achieved so far both locally andinternationally, including INSHALLAH A BOY,which world premiered at Cannes’ 62nd Critics Week,winning two unprecedented awards in the history of Jordanian cinema,” they added.

Last year, the Arab Cinema Center gave its ArabCinema Personality of the Year Award to Mouhamad Keblawi the Founder and Head of Malmö Arab Film Festival in Sweden. Other recipients of the Award include Chiraz Latiri, former general director of theCentre National du Cinema et de l’Image, andrenowned producer and screenwriter Mohamed Hefzy— the Founder of Film Clinic. The inaugural award went to both Abdulhamid Juma and Masoud Amralla Al Ali, chairman and artistic director, respectively, ofthe now-shuttered Dubai International Film Festival.

Established by MAD Solutions, the ACC is a nonprofit organization registered in Berlin. The ACC provides networking opportunities with representatives ofcompanies and institutions involved in co-production,international sales and distribution, film festival,commercial exhibition and industry events.

The organization’s activities include hosting filmmarket stands, networking sessions, one-on-onemeetings, welcome parties, panel discussions andmeetings with international organizations and festivals. It also publishes the Arab Cinema Magazine, which itdistributes at leading international film festivals andmarkets.

A newsletter subscription is now available on theACC’s website, allowing users to obtain digital copies of  the Arab Cinema Magazine, as well as news on theACC’s activities, notifications of application dates forgrants, festivals and offers from educational andtraining institutions, updates on Arab films participating at festivals, exclusive news on the Arab Cinema LAB, and highlights from the ACC’s partnersand their future projects.

Additionally, the ACC launched the Arab Cinema Directory in English on its website, the first time that users from both within and outside the Arab-speaking world have easy access to information on Arab cinemaall in one place. 

source/content: egypttoday.com (headline edited)

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JORDAN

MOROCCAN: Sara Chraibi, Founder of Maison Sara Chraibi Discusses Her Haute Couture Designs

This January, Sara Chraibi, founder of Maison Sara Chraibi presented for the first time at Paris Haute Couture Week. The Moroccan designer greatly impressed critics with her collection which combines traditional Moroccan craftsmanship with modern elements and materials for a unique style that celebrates her heritage but also appeals to the contemporary woman.

After living in Paris and working as an architect for several years, Chraibi returned to her home country to establish her fashion brand. It was a major shift in cultures but she wanted to be in her homeland in order to find ways to embrace the traditional craftsmanship techniques and find new ways to express this as a form of contemporary luxury. Her designs are deeply rooted in traditions but also appeal to the wider world. This season Chraibi presented her Spring/Summer 2023 collection at Paris Fashion Week after being invited by the Fédération de la Haute Couture et de la Mode to showcase her designs to the world. Here we find out more about the experience and what we can expect to see from her brand moving forward.

Tell us a little about how your brand came to life.

I grew up in an environment of art and culture. As a child, I was introduced to sewing and embroidery by my mother. After my architectural studies in Rabat, I moved to Paris where I wrote a diploma (DEA) in “Philosophy and Theory of Architecture”. In Paris, my passion for fashion and couture is nourished by the vitality and ​​creativity of the city. Alongside my job as an architect, I then began to draw, sew and embroider a multitude of couture pieces.

In 2012, I presented my first collection “Anatomic Architecture” during the final of a Competition organized by “Ateliers de Paris”. In the same year, I participated in Festimode Casablanca Fashion Week where the models paraded in front of the Casablanca cathedral. Greeted unanimously by the public and the press, these first appearances were the beginning of my professional retraining.

Congratulations on the Spring/Summer 2023 collection – tell us about this collection and how it came to life. 

When I started working on this collection, I wanted to share several elements of my personal story, my influences and my sensitivity to the world. I had this idea of ​​weaving a collection where each thread would represent part of the story: beginning with the architecture, the relationship to the structure of the garment, then there is the know-how, coming from a Moroccan textile tradition and the memory of the elegance of Moroccan women, there is this double culture that makes the originality of my point of view on fashion. I wanted to weave all this together and make it into a framework to tell a new reality.

This was your first time showing at such a level tell us about your experience being a guest member of the FMHC. 

For me, Haute couture is a dream, a celebration of uniqueness and being part of it as a guest member is a milestone for my brand.

Can you tell us about some of the traditional techniques that you used in your designs and how you have evolved the techniques and craftsmanship to give them a modern twist?

With my work, I take patterns, shapes and ancient techniques from Morocco but I add a certain twist or reinvent them in a new way. For example, I used the “sfifa” weaving technique to create a fabric rather than using it as an ornament, as is done traditionally. I mixed raw materials from Morocco, and I used golden thread and silk fringe to build garments as a link between two cultures and realities. I see traditional craftsmanship both as an inspiration and a call to innovation.

How do your heritage and upbringing influence your work today?

My brand is built around the Moroccan art of living, my architectural background and my interest in couture know-how inspire it. My brand aesthetic evolves around the idea of subdued femininity. With a timeless approach to eveningwear, I merge the East and West through one-of-a-kind couture garments.

Tell us about your first memory of fashion. 

I remember times before my mother had an important party, we would stroll from stall to stall in the markets in search of fabric and she would make dresses from scratch. I would sit next to her and watch her assemble the pieces of fabric one by one and sculpt the garment. At that time I started to collect fabric scraps to in turn sew something for my barbie doll. There was something magical about those moments. As I grew up, I remember my impatience to get dressed for these events; to put on a beautiful dress, to finally be part of the adult world, with all those sophisticated ladies, perfumed, richly adorned in silk and lace, with an appearance that made everyone’s heads turn. The women of Morocco are beautiful and sensual and wearing a caftan is an ancestral tradition, a ritual that is passed down from mother to daughter.

How do you think your background in architecture has influenced your designs and the way you put looks together?

I quickly realised that fashion and architecture could share the same vision. As an architect, I liked the modern period. In my clothing designs, I am influenced by modern architecture. All my attention goes to the purity of the lines, to the elegance and the lightness of the structure, it is a sort of quest for the essential.

What is the vision for your brand moving forward?

For me, succeeding in the world of fashion comprises several essential elements: commercial success, of course, but also and above all, success together as a team to share values ​​and wealth, to ensure that each person in the company grows through their work. There is also a cultural success, where in addition to offering products, a brand manages to permanently establish its universe in the collective imagination. That’s all I want to achieve for my brand.

Who are some of the designers or brands that you admire?

Madeleine Vionnet, Jeanne Lanvin, and Elsa Schiaparelli, all made contemporary fashion history with a feminine point of view. I also admired Lee McQueen’s vision and Azzedine Alaia’s sharpness.

There are few brands from the Arab region that have managed to reach success on a global level – what is your opinion on this and what advice would you give to aspiring designers in the Middle East?

I wish that there are more and more brands with an Arab or oriental DNA on the international scene. Fashion is a great tool of soft power. Each new designer who launches in the region is responsible for spreading our culture to the rest of the world.

In this issue we are celebrating the month of Ramadan, what does this time mean to you and how will you be spending it this year?

Ramadan is one of my favourite times of the year. It’s time to reconnect with our faith. I like to spend it with my family and friends, to celebrate with pride and joy and I also like to share iftar with my non-Muslim friends.

What is next for you this year and for the rest of the year?

I’m working on the Maison Sara Chraibi Fall/Winter 2023 couture collection. I will also launch an e-commerce site later in the year.

What can you tell us about your brand in the Middle East and can we expect to see you here soon?

I plan to do some trunk shows in the Middle East over the coming months. The Middle East is an important market for my brand and It’s very important to establish long-term commercial partnerships there.

source/content: aeworld.com (headline edited) / Lindsay Judge

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MOROCCO

SAUDI ARABIA: 25,000 Artifact Fragments from early Islamic Period Unearthed from Historic Jeddah 

As many as 25,000 fragments of artifacts dating back the Islamic caliphates during the first two centuries of the Hijri Calendar, corresponding to the 7th to 8th centuries AD, have been discovered from the Jeddah Historic Area.

The announcement in this regard was made by the Jeddah Historic District Program (JHDP), in collaboration with the Saudi Heritage Commission. The archaeological discoveries were announced as part of the Historic Jeddah Revival Project, initiated by Crown Prince and Prime Minister Mohammed bin Salman..

According to a press release from the JHDP, the project of excavation started in January 2020 with exploratory studies and a geophysical survey. The goal was to unveil the historical significance of four key locations: Othman bin Affan Mosque, Al-Shona, a segment of the Northern Wall, and Al-Kidwah. This archaeological endeavor falls within the purview of the Jeddah Historic District Program. The project aims to preserve national antiquities and archaeological sites, uncover the rich history of the Kingdom, and promote Historic Jeddah as a cultural and tourist destination, in line with the Saudi Vision 2030.

According to the release, in November 2020, the archaeological survey and excavations yielded significant findings, including 11,405 pottery shards weighing 293 kg, 11,360 animal bones weighing 107 kg, 1,730 shells weighing 32 kg, 685 building materials weighing 87 kg, 187 glass artifacts weighing 5 kg, and 71 metal artifacts weighing 7 kg. The combined weight of these archaeological findings is 531 kg; and they constitute a valuable contribution to Saudi Arabia’s archaeological discoveries.

Archaeological investigation at Othman bin Affan Mosque revealed artifacts dating back the first two centuries AH and spanning different historical periods, notably, ebony pillars found near the Mihrab, analyzed and traced back to Ceylon (now Sri Lanka) Island in the Indian Ocean, which highlight the extensive trade connections of historic Jeddah.

According to the release, excavations at the same site also unveiled a collection of ceramic vessels and fragments, including high-quality porcelain. Some of the pieces are made in the Chinese province of Jiangxi and date back to the 16th-19th centuries AD, while older pottery fragments are from the Abbasid era.

The archaeological site at Al-Shona, dating back at least to the 19th century AD, has yielded numerous pottery shards, including porcelain and ceramic from Europe, Japan, and China, dating from the 19th to 20th centuries. Excavations at Al-Kidwah (Bab Makkah – Makkah gate) revealed parts of the Eastern Moat, which most likely date back to the late 18th century.

Tombstones made of Mangabi stone, marble, and granite were found at different locations within historic Jeddah. These tombstones contain inscriptions of names, epitaphs, and Qur’anic verses, dating back possibly to the 2nd and 3rd centuries AH. Specialists are currently studying them carefully.

The archaeological studies at the four historical sites involved excavations, radiocarbon analysis, soil analyses, geophysical surveys and scientific examination of artifacts. Samples of wood from 52 buildings were sent to international laboratories for identification and dating. Moreover, extensive international archival research led to the collection of over 984 historical documents, including maps and drawings of historic Jeddah. They are currently undergoing detailed study.

The Jeddah Historic District Program and the Heritage Commission collaborated to oversee the documentation, registration and preservation of archaeological artifacts found in Historic Jeddah. These discoveries were listed in the National Archaeological Register, and scientific databases were created to preserve the information related to the discovered artifacts.

source/content: saudigazette.com.sa (headline edited)

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The archaeological discoveries were announced as a part of the Historic Jeddah Revival Project, initiated by the Crown Prince and Prime Minister Mohammed bin Salman

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SAUDI ARABIA

IRAQ- U.K: Sewing Queen and Surgeon Dr. Asmaa Al-Allak’s memories of Iraq are woven into her very fabric

Handed-down skills won the medic crown of Great British Sewing Bee champion.

Head bent in concentration, tape measure slung around her neck, young Asmaa Al-Allak often knelt on the floor amid piles of colourful fabric even as rockets whistled above the family home in southern Iraq.

The seven-year-old would take in every detail of her mother and grandmother flicking through pages of their favourite fashion magazine and discussing the sewing patterns for each outfit featured in that month’s issue.

While the two women traced templates on to bolts of material, Asmaa mimicked them in miniature on remnants for arguably the best-dressed Sindy doll in war-torn Basra.

Four decades later, childhood memories like these compelled Al-Allak to become a contestant on The Great British Sewing Bee 2023, a reality TV show she won in an achievement that, for her, topped even attaining a medical degree.

“Creativity is in the genes,” she tells The National, laughing over a zoom call from Wales, where the consultant breast surgeon, now 47, lives with her engineer husband and children, Sophia, 20, and Jacob, eight.

“My grandmother taught me the basics of sewing, my mother built on those and the rest is self-taught.

“The first thing I remember making for myself was a green cotton pinny dress with a floral design. Terrible! My gran was the only one who was positive, saying: ‘My God, that’s so amazing.’ But that’s grandmothers for you.”

Mariam Al-Ethan didn’t live to see her granddaughter’s greatest triumph but photographs of her were pinned to a vision board for inspiration throughout the competition, and Al-Allak proudly wore a necklace inscribed with the word “Allah” that her grandmother bought for her in a gold souq.

Married at the age of 12, Mariam had long sewed clothes for her extended family before becoming a professional seamstress out of necessity during the prolonged armed conflict between Iran and Iraq in the 1980s.

“It was a really difficult time. Even though my grandad worked, he didn’t have enough to support the family,” says Al-Allak.

In spite, or perhaps because, of being illiterate, Mariam made determined efforts to send her seven children, including Asmaa’s mother Fatima, to university.

Fatima studied at the University of Basrah before undertaking a doctorate in physics at Cardiff University with her husband, Haider, soon after baby Asmaa arrived in 1976.

Initially, Asmaa and her brother Ammar, born two years later, were raised by their maternal grandmother but joined their parents for a few years when Fatima sent for them shortly before hostilities broke out. No longer able to stay in the UK after finishing her PhD, however, Fatima returned with the children to Iraq.

Haider feared his name might be included on the Baathist regime’s list of traitors and objectors and a longed-for reunion would not occur for another eight years.

The Al-Allak siblings were plunged into a war zone, frequently changing schools as they moved between Basra and their father’s relatives near Baghdad, whichever was deemed safest as Iranian troops fired mortars across the border.

When classes were disrupted for up to three months at a time, Asmaa sat transfixed for hours watching broadcasts of the devastation.

“I’ve seen [images of] dead bodies lying in the road,” she says in a flat voice. “If the Iraqi army had a good advancement or had won a battle, they would show pictures from the front on television.

“Even though they were supposed to be the enemy, for me, they were people who had died. My decision to study medicine came because of what I’d seen in Iraq.”

She became an expert in gauging the threat from rocket fire. If a whistle could be heard overhead, Al-Allak knew it was probably going to travel farther.

The ones that didn’t whistle were the more dangerous “because you didn’t know where they would land”.

Backbone of the family

While her mother worked as an assistant professor at the University of Basrah, Al-Allak inevitably grew close to her grandmother, ever the backbone of the family.

The detached house was surrounded on three sides by other homes, and Mariam declared the small kitchen, tucked away at the rear, to be the safest of all the rooms. There, the extended family retreated during the worst bombing campaigns, lying “like sardines” on two mattresses squeezed between the oven and fridge.

For Al-Allak, the rules and rhythms of sewing became a comforting reliability in a world of chaos and confusion: if she followed a pattern, cut fabric on the bias, respected the grain line and measured correctly, a satisfying outcome was guaranteed.

“The only thing that’s kept me going and balanced in life – especially in the past few years – has been sewing.

“It’s my escape, my way to forget about all the troubles in the world and at work. I don’t think I will ever stop.”

An opportunity arose for Al-Allak to rejoin her father after the Gulf War ended in 1991 when Haider was a British citizen working as a physics researcher at Durham University.

Fatima and the children had already endured one failed attempt to leave after Saddam Hussein invaded Kuwait the year before, packing their bags and waiting in Baghdad for two days before realising all flights had been cancelled.

This time, at Mariam’s behest, she wasn’t taking any chances. “We left everything behind and walked away. There was still food in the fridge and toys on the floor.”

Ripped from her roots

If Al-Allak was devastated at being ripped from her roots, worse came on hearing of the impact the sudden separation had on her grandmother, who sat weeping surrounded by their abandoned possessions.

“It broke her heart,” she says.

After a gruelling 24-hour bus journey to Jordan, the family waited a month for visas to Britain, arriving in the north-east of England in August.

Young Asmaa had forgotten most of the words picked up during her three-year stay as a toddler, and the other pupils at Framwellgate School showed no mercy, mocking her poor grasp of the language, using racist taunts, and pulling her hijab off.

She was pushed to breaking point, and it is clear that the recollections are still painful.

“I couldn’t wait to leave. I used to go home and cry. I said to my Mum: ‘I’m not going back to school. I just can’t do it any more.’”

But Al-Allak, one in a line of strong women, developed a methodical and meticulous means of getting by. “My five-year goals keep me going through life,” she says.

“For me to become a doctor, I knew I had to get good grades. I had to cope with the surrounding environment and not let it affect me.

“My mother was a rock. She told me to rise above it and sat with me with a dictionary trying to help but English wasn’t her first language either.”

Sheer determination earned Al-Allak a place at Cardiff University to study medicine, where for the first time in her teenage years she felt a sense of belonging.

Though she had seemingly left sewing behind in the ancestral home together with her beloved Sindy doll, her mother carried on, making surgical scrubs and other outfits for her on a Singer sewing machine bought at a car boot sale.

That old Singer has since been usurped by a newer model but still sits in Al-Allak’s office near the desk where lace and fancy packaging for the bespoke mastectomy bras she creates for her patients can be glimpsed. There, too, is the Sewing Bee award, and, on a mannequin, the dress described by the show’s judges as “spellbinding”, and “a feat of genius” and “clever engineering”.

Modelled in the final by her close friend and fellow doctor Pritti Aggarwal, it unfurled in a mesmerising transition from electric blue shift dress into shimmering emerald gown.

Al-Allak’s skill at overcoming obstacles such as this last of the 10 weeks of tough sewing challenges will, she hopes, increasingly be put to use to help breast-cancer patients recover physically and mentally, unencumbered by uncomfortable bras or incorrectly positioned inserts for prosthetics.

She plans to continue campaigning for greater consistency in patient provision, while developing the mastectomy lingerie into a viable venture.

“It’s one of the things I’m really passionate about,” she says. “On the NHS, you get a prosthetic to fit in your bra for free. Sometimes the company will also offer a free bra but not always, and the pocket might be on the wrong side.

“You’ll have darker-skinned women receiving a light-coloured prosthetic because there is no other option. Patients are offered different things in different parts of Wales.”

Al-Allak talks of how she employs the same knots during suturing in surgical procedures as those used in sewing but isn’t sure whether the medical skills inform her craft or vice versa; she is inclined to think probably both.

Certainly, her love of fashion dictates the choice of “work” shoes that add several inches to her 5ft 2in frame – red-soled patent leather stilettos only swapped for pink Crocs covered in butterflies in the operating theatre.

“Because I make all my clothes, my one guilty pleasure is Louboutins ,” she admits. “I bought my first pair when I became a consultant and I only buy one pair a year.”

That taste for the finer things in life earned Al-Allak the title of “Queen Asmaa” on The Great British Sewing Bee.

Alas, Sophia, heir-apparent, has yet to take up needle and thread in any way that her mother might describe, in her strong Welsh lilt, as “proper serious” but has found an outlet for her imagination as a fine arts student.

“I think it will happen at some point,” Al-Allak says, hopefully.

Meanwhile, the two have bonded over a shared love of musicals, such as Phantom of the OperaWickedand Hamilton, and have been to Take That and My Chemical Romance concerts together.

Young Jacob, however, expressed an interest in sewing at seven years old, the same age his mother started, and he helps with cutting, pinning and basic stitching.

“Look what he made!” Al-Allak says, gleefully waving a pattern weight stuffed with rice.

And so the rich seam of familial creativity runs on.

source/content: thenationalnews.com (headline edited)

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Asmaa Al-Allak says winning The Great British Sewing Bee topped gaining a medical degree. Photo: BBC

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UNITED KINGDOM / IRAQ

QATAR : Doha’s Umm Al Seneem Park Opens the World’s Largest Air-Conditioned Jogging Tracks

Minister of Municipality H E Dr. Abdullah bin Abdulaziz bin Turki Al Subaie yesterday inaugurated Umm Al Seneem Park, with the largest air-conditioned jogging tracks in the world,  in  Umm Al Seneem, Al Rayan Municipality, breaking Guinness World Records.

The 1,143-metre-long air-conditioned jogging tracks received the title of Guinness World Records for the ‘longest air-conditioned outdoor path’ on October 17, 2022.

The jogging tracks, ensuring temperatures about 26 degree Celsius aim at encouraging visitors for exercise in a bid to make them fit and healthy. 

Speaking to the media, Minister of Municipality said that Umm Al Seneem Park spreads over an area over 130,000sqm is part of an initiative of the Ministry to improve the quality of life by increasing green spaces in Qatar.

“We have increased the green spaces in the country over 10 times, compared to those in 2010 by building parks, landscaping and green areas,” said the Minister.  He said that public parks are equipped with fitness machines, children play areas and joggers trackers, including some of them air-conditioned for the comport of visitors.

“The parks have been built following sustainability goals to cut the carbon footprint and provide fresh air to visitors,” said the Minister, adding that the efforts will continue to open more new parks in near future. 

Speaking to The Peninsula, Director of Public Parks Department, Muhammad Ali Al Khouri said that the jogging tracks of Umm Al Seneem Park has been registered in the Guinness World Records and an official certificate for the title of the record was issued by the officials about a week ago. 

The Umm Al Seneem Park was developed by the Public Works Authority (Ahghal) in coordination with the Ministry of Municipality.

The park, stretching over an area of 130,105sqm, can accommodate about 6,000 visitors per day. The green spaces of the park covers 68 percent of total areas, 88,400sqm dotted with 912 trees of 18 types, including 75 local trees and 820sqm long green walls. The park includes many important facilities, including the outdoor air-conditioned jogging-track for running and walking with a length of 1,143 metres, which is in a circular shape around the park.

The cycling track is 1,135 meters long. There are three areas for exercises, a fitness box that allows visitors to exercise through a screen that displays a trainer teaching exercises. The park also has two children’s play areas, one for the age group 2 to 5, and the other for 6 to 12 years, with games dedicated to children with special needs.

There are seven service kiosks, including six for food and beverages, one kiosk for renting bicycles and bicycle parking, besides providing garden furniture, locally manufactured benches from Fiber Concrete (GRC) and Glass Reinforced Plastic (GRP).

Energy-saving lighting poles haven installed. There are parking spaces for people with special needs, in addition to seven water fountains, prayer rooms, and bathrooms.

The eco-friendly air-conditioning system of jogging tracks relies on generating 60% of the electricity required to operate the air conditioners with solar panels, reducing electricity consumption while maintaining temperatures up to 26 degrees Celsius.

Director of Public Parks Department Muhammad Ali Al Khouri said that the number of public parks in Qatar increased from 56 in 2010 to 143 in 2022, recording 164% growth.

He said that green spaces jumped from 2,614,994sqm in 2010 to 43,861,133sqm in 2022, taking per capita share of green space from 1sqm in 2010 to 16.2sqm in 2022, recording 16-fold growth. “The total number of trees that have been planted across the country under ‘Plant Million Tree’ initiative has reached 1,193,665, surpassing the target, which is equivalent to 15,517,645sqm green areas,” said Al Khouri.

Eng Mohammad Arqoub Al Khaldi, Chairman of the Supervisory Committee of Beautification of Roads and Public Places in Qatar said Umm Al Seneem is an added value for achieving the environmental sustainability strategy, and enabling citizens and residents to adopt a healthy lifestyle.

Director of Building Affairs Department at Ashghal, Eng Jarallah Al Marri said that the park is eco-friendly as its air-conditioning system is powered by solar energy.

source/content: thepeninsulaqatar.com (headline edited)

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The Minister of Municipality of Municipality H E Abdullah bin Abdulaziz bin Turki Al Subaie, with other officials at the Longest AC Outdoor Path Guinness Record park at Umm Al Saneem. Picture by Salim Matramkot/The Peninsula

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QATAR

TUNISIAN Director Kaouther Ben Hania earns 02nd Oscar Nomination with Four Daughters

Tunisian film Four Daughters (Les filles d’Olfa) was nominated for an Oscar for Best Documentary Feature, becoming the director’s second nomination for the Academy Awards.

Ben Hania’s 2020 feature film The Man Who Sold His Skin was nominated for Best International Feature Film at the Oscars in 2021. 

Written and directed by Ben Hania, the film Four Daughters, nominated for Best Documentary Feature, focuses on a woman’s search for truth as she gets tangled in a web of lies in her family history. As a daughter and filmmaker, Ben Hania fuses personal and national history as she reflects on the 1981 Bread Riots, drawing connections to modern Morocco.

The film follows Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To replace them, the filmmaker Ben Hania invites professional actresses and invents a unique cinema experience which would lift the veil on Olfa and her daughters’ life stories.

The film blurs the boundaries between documentary and fiction and between being on-screen and off-screen.

The film has received critical acclaim, winning the Golden Eye award at the Cannes Film Festival, the Best International Film at the Munich Film Festival, and the Jury Award at the International Competition of the Brussels Film Festival. Most recently, it won the Asharq Award for Best Documentary at the Red Sea International Film Festival.

source/content: english.ahram.org.eg

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TUNISIA