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Trump described crown prince as “very great man like no other” and “greatest representative of his people”
Prince Mohammed said Kingdom looking at $600bn of investment opportunities, hoped this would raise to $1tn
Saudi Arabia has signed deals with the US worth more than $300 billion, Crown Prince Mohammed bin Salman said at the Saudi-US Investment Forum in Riyadh on Tuesday.
During an address at the event, Prince Mohammed said the Kingdom was looking at $600 billion of investment opportunities, adding that he hoped this would raise to $1 trillion.
He noted that the US was among the largest partners of the Saudi Vision 2030 reform agenda, adding that joint investments were one of the most important pillars of the economic relationship between the two countries.
“The US is a major destination for the Public Investment Fund, accounting for approximately 40 percent of the fund’s global investments,” he said.
He also said that cooperation with Washington was not limited to economic cooperation, but also extended to “establishing peace in the region and the world.”
Also speaking at the event, US President Donald Trump praised the transformation underway in Saudi Arabia, as he attributed it to the leadership of King Salman and the crown prince.
Trump described the crown prince as a “very great man like no other” and “the greatest representative of his people,” and highlighted the role of Saudis in driving development in their own country and the region as a whole.
Trump pointed to Riyadh’s rise as a global business hub and noted that the Kingdom’s non-oil sector revenues had now surpassed those of the oil sector.
He said Saudi Arabia deserved praise for preserving its culture and tradition while also embracing its forward-looking, modern Vision 2030 reform agenda.
During his speech, Trump criticized the Biden administration for removing the Houthis from the US terrorist list, calling it a serious mistake.
He contrasted regional developments, stating: “Some (in the Gulf) have turned deserts into farms, while Iran has turned its farms into deserts,” and warned that if Iran rejected Washington’s outreach, the US would be forced to impose maximum pressure.
Condemning Hezbollah for destabilizing the region and looting Lebanon, Trump said: “The biggest and most destructive of these forces is the regime in Iran, which has caused unthinkable suffering in Syria, Lebanon, Gaza, Iraq, Yemen and beyond.”
He described Lebanon as a victim of Hezbollah and Iran and expressed a desire to help the country.
Trump also praised Saudi Arabia’s role in Russia-Ukraine peace talks and affirmed US support for the Kingdom, saying it has “a great future.”
Earlier on Tuesday, the two leaders signed a strategic economic partnership agreement in Riyadh, the first leg of Trump’s regional visit.
The partnership included the signing of Memorandums of Understanding in the energy, mining, and defense sectors.
Defense cooperation between the two countries centered on the modernization of the capabilities of the Saudi armed forces, along with an agreement between the Saudi Space Agency and NASA.
Other agreements included an MoU on mineral resources; an agreement with the Department of Justice; and cooperation on infectious diseases.
Trump arrived in Saudi Arabia Tuesday on what he called a “historic” tour of the Middle East that will mix urgent diplomacy on Gaza with huge business deals.
Saudi Crown Prince Mohammed bin Salman warmly greeted Trump as he stepped off Air Force One at King Khalid International Airport in the Saudi capital and kicked off his Middle East tour.
The two leaders then retreated to a grand hall at the Riyadh airport, where Trump and his aides were served traditional Arabic coffee by waiting attendants wearing ceremonial gun-belts.
Royal Saudi Air Force F-15s provided an honorary escort for Air Force One as it approached the kingdom’s capital. Trump and Prince Mohammed took part in a lunch at the Royal Court, gathering with guests and aides.
* With AFP and AP
source/content: arabnews.com (headline edited)
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Saudi Arabia has signed deals with the US worth more than $300 billion, Crown Prince Mohammed bin Salman said at the Saudi-US Investment Forum in Riyadh on Tuesday. (SPA)
In collaboration with Google Cloud, Media City Qatar’s initiative, ‘Qatar ArtBeat,’ united the nation’s voices to create a groundbreaking AI-generated artwork.
Qatar National Day marks the unification of the nation in 1878—a defining moment in its history. Celebrated annually on December 18, it is a day to honour Qatar’s rich heritage and look ahead to its boundless aspirations for the future.
At Media City Qatar, we asked ourselves: How can we celebrate this cherished tradition while embracing the innovations that shape tomorrow? How can we bridge the past and the future, merging tradition with technology, to unite our people in a shared celebration?
The answer was ‘Qatar ArtBeat’.
A groundbreaking activation in partnership with Google Cloud, this initiative brought together the collective voices of the nation to generate an AI artwork co-created by the nation. This innovative project marked a historic milestone, merging culture and technology in an unprecedented way.
‘Qatar ArtBeat’ not only captured the collective spirit of Qatar but also set a Guinness World Records™ for the “Most People Contributing to an AI-Generated Image,” with over 15,000 contributions, more than 5.4 million people reached, and in excess of 68,000 engagements from across the country. This milestone showcases the potential of technology to unify communities and amplify their voices on a scale never seen before.
Celebrating innovation and tradition
‘Qatar ArtBeat’ invited citizens and residents to share their reflections on what Qatar means to them between December 9 and December 17 through Media City Qatar’s social media channels.
Additionally, public conversations on various platforms were analysed, with responses processed by Google Cloud’s advanced AI technology—such as Vertex AI platform, Gemini models, and BigQuery data platforms. This cutting-edge process transformed sentiments found in social media comments and posts into a cohesive and breathtaking artwork co-created by the nation, for the nation.
The final masterpiece, unveiled on December 18, became a visual narrative of Qatar’s collective aspirations and creativity. The initiative perfectly symbolised the harmony between the nation’s traditions and modern innovation, showcasing how technology can preserve and celebrate cultural identity in meaningful ways.
By engaging communities across Qatar, the activation demonstrated how digital platforms can foster inclusivity, accessibility, and collaboration. This activation ensured that every voice contributed to the nation’s story, transforming individual reflections into a collective celebration of shared values and unity.
Pioneering the future of digital media
As a catalyst for next-generation media and technology, Media City Qatar connects media companies, entrepreneurs, innovators, and creative talents to shape the future of the industry.
Our focus spans gaming, news, digital and social media, media technologies, content localization, animation, broadcasters, production and post-production, and publishing. We take particular pride in fostering initiatives that celebrate Arabic-language content, uniting tradition with modern innovation.
By encouraging enterprises that specialise in the Arabic language or seek to expand into Qatar and the Middle East, Media City Qatar continues to champion the region’s voice on a global stage.
‘Qatar ArtBeat’ exemplified this mission, setting a new benchmark as the first-of-its-kind initiative in Qatar—and possibly worldwide—that achieved a new world record.
The project also highlighted the transformative potential of generative AI in storytelling and community engagement. By leveraging Google Cloud’s advanced technology, reflections were seamlessly transformed into art, reinforcing the significance of human input in creating impactful digital experiences.
A legacy for Qatar and beyond
As we look to the future, we imagine the children of today—tomorrow’s dreamers and innovators—continuing to celebrate the heritage of this great nation.
‘Qatar ArtBeat’ is a promise that Qatar’s story will be told in new and imaginative ways for generations to come. At Media City Qatar, where next is made, we are proud to help shape that future, blending tradition and technology to inspire the Qatar of tomorrow.
The Kingdom of Bahrain’s Heatwave exhibition , curated by architect Andrea Faraguna has been announced as the winner of the Golden Lion for the Best National Participation at the 2025 Venice Architecture Biennale.
The winner has been selected by an international jury comprising of Swiss curator, critic, and art historian Hans Ulrich Obrist as jury chair, South African architect, lecturer, and curator Mpho Matsipa, and Italian curator Paola Antonelli .
The awards ceremony is broadcast live from the headquarters of the Biennale at Ca’Giustinian. The pavilion stands out for addressing the pressing issue of extreme heat through a site-specific installation that showcases passive cooling strategies rooted in Bahrain’s climatic realities and cultural context.
The design of the pavilion explores passive cooling using geothermal wells and solar chimneys connected via a thermo-hygrometric axis, which links underground conditions to outdoor air. In exhibition settings where excavation isn’t possible, mechanical ventilation mimics this system. The modular structure features a floor and cantilevered ceiling supported by a central column, adaptable for various urban environments. The project highlights low-impact, climate-responsive design for outdoor workspaces in hot climates, emphasizing environmental responsibility, social fairness, and innovative architectural solutions.
The Golden Lion for Lifetime Achievement and the Special Golden Lion for Lifetime Achievement in Memoriam have been previously announced to be awarded to American philosopher Donna Haraway and the late Italian architect and designer Italo Rota (1953–2024), respectively. Donna Haraway is participating via remote connection to highlight the wider implications of this edition’s biennale. “Intelligence is a word that bubbles with meaning of the power of discerning,” she declares. The Golden Lion in Memoriam is awarded in absentia to Italo Rota.
Two special mentions have been awarded to participants in the international exhibition. The first one goes to Alternative Urbanism: The Central Organized Markets of Lagos by Tosin Oshinowo, Oshinowo Studio. “This award is for the Global South,” Oshinowo declares in her acceptance speech. The second special mention for a project of a participant goes to Elephant Chapel by Boonserm Premthada.
For the national pavilions, a special mention is awarded to Opera Aperta, the Holy See’s Pavilion by Paul Tighe of the Department of Education and Culture of the Holy See. The project is a “construction site, an ongoing process, which everyone is invited to collaborate.” The pavilion is curated by Marina Otero Verzier, curator and researcher, and Giovanna Zabotti, artistic director of Fondaco Italia and former curator of the Venice Pavilion, in collaboration with the design studios Tatiana Bilbao Estudio of Mexico City and MAIO Architects of Barcelona.
The other special mention goes to the Pavilion of Great Britain: GBR: Geology of Britannic Repair, commissioned by Sevra Davis of the British Council and curated by Owen Hopkins, Kathryn Yusoff, Kabage Karanja, Stella Mutegi. The selected team of expositors comprises experts from the UK and Kenya, including Nairobi–based Cave _bureau, aiming to open up difficult conversations about interconnected relationships between the two countries, decolonization, and the embedded relationships to the ground.
Golden Lion for Best Participant in the exhibition Intelligens. Natural. Artificial. Collective
Golden Lion for Best Participant in the exhibition Intelligens. Natural. Artificial. Collective is awarded to Canal Café by Diller Scofidio + Renfro, Natural Systems Utilities, SODAI, Aaron Betsky, Davide Oldani. The installation is set up to use natural filtration systems to purify water from the city’s canals and make it info coffee that visitors of the Arsenale can enjoy.
AD Ports Group, and the General Authority for Suez Canal Economic Zone (SCZONE), the integrated investment destination for linking industry and global trade, today signed a 50-year renewable usufruct agreement, to develop and operate a 20 km2 industrial and logistics park near the Egyptian coastal city of Port Said on the Mediterranean Sea.
The East Port Said Industrial Zone provides an opportunity to turn a unique location on the Mediterranean Sea into a key hub for international trade and investments serving the East-West trade routes, right at the entrance of the Suez Canal.
The agreement to develop KEZAD East Port Said Industrial and Logistics Zone was signed in Cairo, and witnessed by Egyptian Prime Minister, Dr. Mostafa Madbouly, in the presence of Dr Sultan Al Jaber, Minister of Industry and Advanced Technology, Mohamed Hassan Alsuwaidi, UAE Minister of Investment, Lieutenant General Engineer Kamel Al Wazir, Deputy Prime Minister for Industrial Affairs Egyptian Minister of Industry and Transport, Mariam Al Kaabi, Ambassador of the UAE to Egypt, Captain Mohamed Juma Al Shamisi, Managing Director and Group CEO of AD Ports Group and Mr. Waleid Gamal El-Dien, Chairman of SCZONE.
The agreement was signed by Ahmed Al Mutawa, Regional CEO of AD Ports Group, and Admiral Mohamed Ahmed Mahmoud, Vice Chairman of SCZONE for the Northern area.
AD Ports Group will develop, construct, finance, operate, and manage the industrial and logistics zone in phases, with a focus on phase 1 to start with, an area covering a total of 2.8 km2. An estimated total investment of $120 million will be allocated to market and technical studies as well as to phase 1 development over the next three years. Construction on the initial 2.8 km2 Phase 1 is expected to start by the end of this year.
The development of Phase 1 will be anchored by key potential clients and partners, including one of the region’s foremost construction and development groups, Hassan Allam Holding.
Captain Mohamed Juma Al Shamisi, Managing Director and Group CEO, AD Ports Group, said: “KEZAD East Port Said is a milestone that highlights the strong economic relations between the UAE and Egypt. In line with the vision of our wise leadership, this strategic cooperation is another sign of our Group’s growing focus on Egypt, where we continue to enhance and develop our integrated trade, transport, and industrial ecosystem, offering clients unparalleled end-to-end solutions and services. This infrastructure investment will provide a long-term source of economic growth for Egypt, while enhancing the Suez Canal role in promoting and supporting the East-West trade corridor.”
Waleid Gamal El Dien, Chairman of the Suez Canal Economic Zone, said: “The launch of this project in the East Port Said Industrial Zone represents an important strategic step that reaffirms the depth of the strong fraternal relations and the growing strategic partnership between the Arab Republic of Egypt and the United Arab Emirates, as well as the prominent position held by SCZONE as a pivotal global trade hub for industrial and logistics activities. This project enhances SCZONE’s ongoing efforts to support global supply chains by providing a competitive and integrated investment environment, underpinned by advanced infrastructure, and a unique geographic location, connecting three continents via one of the world’s most vital maritime routes.”
Gamal El Dien added: “Over the past few years, the SCZONE has become a cornerstone for the investment expansion plans of many leading regional and international companies, thanks to its integrated model of combining industrial zones and affiliated seaports. Among these is the KEZAD East Port Said Industrial and Logistics Zone, which seamlessly connects with East Port Said Port, a key strategic location on the Mediterranean Sea. The port features deep berths for large vessels, efficient operations, and excellent connectivity to advanced road and transportation networks. The expertise of a global organisation such as AD Ports Group will help SCZONE achieve its goals.”
Ahmed Al Mutawa, Regional CEO of AD Ports Group, said: “KEZAD East Port Said is being built to attract investments, promote industrial and logistics growth, create jobs, increase exports, develop skills, and facilitate technological transfer. It will complement AD Ports Group’s growing business ecosystem in Egypt, and capitalise the natural assets of the Suez Canal area for Egypt, while supporting the country’s manufacturing sector, and increasing the ease of doing business in Egypt as a preferred gateway to global markets.”
Admiral Mohamed Ahmed Mahmoud, Vice Chairman of SCZONE for the Northern area, said: “We are working on developing an integrated model that combines industry, maritime transport, and logistics services within a flexible and investment-friendly regulatory environment. East Port Said Industrial Zone stands at the heart of this model due to its strategic location at the northern entrance of the Suez Canal and its direct connection to the modern East Port Said Port, a key hub in global trade, consistently ranked among the top international ports thanks to its operational readiness and advanced capabilities. Furthermore, the integration with West Port Said Port enhances its readiness to offer comprehensive and attractive logistical solutions for investors. Therefore, this project represents a qualitative leap in the development of the northern part of SCZONE, not only in terms of the scale of anticipated investments but also in the advanced industrial and logistical activities to be implemented.”
In addition, AD Ports Group and Hassan Allam Holding, which is one of the Group’s development partners in Egypt, signed a memorandum of understanding (MoU) to develop and invest in the industrial zone and explore other projects.
AD Ports Group in December 2024 appointed Hassan Allam Construction, the construction arm of Hassan Allam Holding and one of the premier engineering and construction companies in the region, to build AD Ports Group’s new multipurpose cargo terminal in Safaga, on Egypt’s Red Sea coast.
The Group in 2023 obtained a concession from Egypt’s Red Sea Ports Authority (RSPA) to build and operate the USD 200 million Safaga multipurpose terminal project, which will be the first internationally operated multipurpose cargo terminal in Upper Egypt.
Since 2022, AD Ports Group has invested significantly in Egypt, acquiring Transmar, a regional shipping company, TCI, a port operator and stevedoring company, and in 2024, Safina B.V., a provider of maritime agency and cargo services. AD Ports Group has also secured long-term concessions to develop and operate three cruise terminals at the Red Sea ports of Safaga, Hurghada, and Sharm El Sheikh. In addition, AD Ports Group has initialled agreements for the right to develop and operate a cruise terminal and a Ro-Ro terminal in Ain Sokhna.
The East Port Said project aligns with long-standing ties between the UAE and Egypt, and the objectives of leadership in both countries to support the commercial and industrial sectors and attract high-quality investments. This project also supports the global trend of establishing regional manufacturing centres, thus shortening and sustaining global supply chains, and enhancing connectivity with major global markets.
AD Ports Group is an integrated trade, transport, logistics, and economic zones group with a presence in more than 50 countries. Based in Abu Dhabi, the Group has a maritime fleet of 247 vessels, 34 terminals, in addition to an economic and industrial land bank of over 550 km2, the largest integrated trade, logistics, and industrial business grouping of its kind in the Middle East. Furthermore, SCZONE offers unique investment potential, making it one of the most prominent destinations on the global investment map. It is supported by a strategic geographical location, advanced infrastructure, and modern ports connected to fully integrated industrial zones. These include four industrial zones, East Port Said Industrial Zone, East Ismailia Industrial Zone, Qantara West Industrial Zone, and Sokhna Industrial Zone, which are seamlessly integrated with six seaports: East Port Said, West Port Said, Al-Arish, Sokhna, Adabiya, and Al-Tor, covering a total area of 455 square kilometers. Over the past 33 months, SCZONE has successfully attracted 274 investment projects from around the world, either through direct agreements with it or via industrial developers, with a total investment value of $8.3 billion. These projects span a wide range of sectors, reflecting strong global investor confidence in SCZONE’s viability as a strategic platform for industry, exports, and logistics services.
Iraq has taken a significant step towards preserving its cinematic heritage with the launch of the Cinémathèque Iraq project, a national initiative aimed at digitizing, restoring, and protecting Iraqi film archives. The project was officially announced during an event at the French Institute in Baghdad, attended by Iraqi filmmakers, artists, and cultural figures.
Under the supervision of the Iraqi Visual Memory Committee in the Prime Minister’s Office, the project is being developed in collaboration with the French Embassy in Iraq, with the goal of reviving Iraq’s film industry and ensuring that its rich cinematic history is accessible to future generations.
A mission to restore and preserve Iraqi cinema
Project director Warith Kweish emphasized the initiative’s importance, stating:
“Cinémathèque Iraq aims to restore and preserve more than 100 Iraqi films by training local experts in film archiving and preservation. The project also includes building specialized infrastructure in Iraq for film storage and restoration, ensuring that our visual history is safeguarded using advanced digitization techniques.”
Kweish highlighted that the project’s long-term vision is to make Iraq’s cinematic heritage available to a global audience, showcasing the country’s rich film history on both Arab and international platforms.
Classic Iraqi films undergo restoration
As part of the first phase of the project, two of Iraq’s most iconic films have been selected for restoration and digitization:
“Saeed Afandi” (1957) – One of the most influential films in Iraqi cinema, has arrived in Paris for restoration using modern digital techniques. The film is expected to be screened at the Cannes Film Festival, marking the first time an Iraqi film is featured at the prestigious event.
“Aliya and Issam” – A classic romantic drama is currently undergoing restoration to prepare it for cinematic screenings in Iraq and abroad.
French Ambassador Patrick Durel, who attended the launch, expressed his enthusiasm for the project, stating:
“We are proud to collaborate with Iraq on this cultural initiative. This project is a crucial step toward preserving Iraq’s cinematic legacy and sharing its stories with the world.”
Building a strong foundation for Iraq’s film industry
Beyond archiving and restoration, Cinémathèque Iraq is envisioned as a comprehensive initiative to develop the country’s film industry. Filmmaker Jamal Amin, who has been involved in the project, explained:
“This initiative aims to establish a strong cinematic foundation in Iraq by supporting filmmakers and enhancing industry infrastructure. Our goal is to create a sustainable film ecosystem that includes training, production, and international collaboration.”
The project seeks to attract local and international investment in Iraqi cinema, providing grants for film projects and facilitating the growth of Iraq’s independent film industry.
Future expansion and international cooperation
Filmmaker Falah al-Azzawi highlighted the project’s potential for international partnerships, stating that Cinémathèque Iraq will expand its reach by:
Collaborating with global film institutions to gain expertise in film preservation.
Encouraging private-sector participation to support Iraq’s film industry.
Establishing cultural exchange programs with international filmmakers.
According to Prime Ministerial Advisor Hassan al-Sudani, the government plans to expand the initiative beyond cinema, with upcoming projects focused on restoring Iraq’s television and radio archives.
The launch event was also attended by prominent cultural figures, including the head of the Iraqi Artists’ Syndicate, Jabbar Joudi, and the director of the Department of Cinema and Theater. They praised the project as a landmark effort to protect Iraq’s artistic and cinematic history.
A new era for Iraqi cinema
With the Cinémathèque Iraq initiative, Iraq is positioning itself as a key player in regional cinema, working towards preserving its cinematic past while building a future for Iraqi filmmakers. As the country embraces digital restoration and industry development, it is opening doors for global recognition and participation in international film festivals.
Through this initiative, Iraq is not only reclaiming its cinematic heritage but also laying the groundwork for a thriving film industry that can compete on the global stage.
As part of the state visit of His Majesty Sultan Haitham bin Tarik to the Kingdom of the Netherlands, the Sultanate of Oman signed a historic Joint Development Agreement (JDA) to establish the world’s first commercial-scale liquid hydrogen corridor linking Oman to the Netherlands and Germany. The agreement marks a critical point in the global energy transition journey and brings Oman one step closer to becoming the leading hub for green hydrogen production and export.
The corridor will enable the export of RFNBO-compliant liquid hydrogen from Oman’s Port of Duqm to the Port of Amsterdam and key logistics hubs in Germany, including the Port of Duisburg, and onward to other European countries.
At the heart of this corridor is the world’s largest hydrogen liquefaction, storage, and export terminal to be established in the Port of Duqm. Hydrom, as the orchestrator of Oman’s green hydrogen sector, will ensure upstream production is aligned with national plans and that the project integrates seamlessly into Oman’s broader hydrogen infrastructure and policy framework. OQ, Oman’s energy transition enabler, leading the liquefaction infrastructure, will develop the hydrogen plant along with related storage and export facilities, contributing directly to the corridor’s supply capabilities and Oman’s national hydrogen targets. The centralised facility will draw from Duqm’s growing renewable hydrogen developments, leveraging the port’s strategic location as a global maritime hub and Special Economic Zone.
The centralised liquefaction plant will be supported by revolutionary maritime transportation vessels developed by ECOLOG to ship liquid hydrogen with zero boil-off, ensuring greater efficiency and reduced losses. On the European side, the corridor will be anchored by re-gasification import terminals in the Port of Amsterdam from which the hydrogen will distributed to industrial offtakers in the Netherlands and Germany via gas pipeline networks, rail connections, and barge distribution through the Dutch canal network.
“Today’s landmark signing demonstrates how Oman is turning its hydrogen ambitions into concrete projects aligned with global demand and national priorities,” said H.E. Eng. Salim bin Nasser Al Aufi, Minister of Energy and Minerals and Chairman of Hydrom. “While this corridor will enable the large-scale export of Omani hydrogen to Europe, its true value lies in how it supports our broader vision of an integrated sector that advances our national objectives. From industrial diversification and infrastructure development to job creation and capacity building, we are committed to building a future-ready sector that will position Oman at the center of green hydrogen global supply chain and deliver tangible economic value for the country.”
In the heart of ancient Kufa, where Iraqi tradition clings to the air like the scent of sawdust, one man stands against the tide of time.
Sayyed Nehma Hassan al-Fahham, better known as Abu Karrar, has turned a fading heritage into a living legacy, handcrafting wooden boats just as his father and grandfather did before him.
At over sixty, Abu Karrar moves with the ease of a man half his age, weaving between planks and tools in his modest workshop, tucked within the old city’s narrow, echoing streets.
Here, with calloused hands and steady resolve, he breathes life into vessels that glide through Iraq’s rivers and marshes—from the southern waters of Basra to the far edges of Tharthar.
Boats Born of Tradition
“We build for fishermen—and sometimes for fun,” he says with a quiet smile, gesturing toward a half-finished bellem tayara (fast boat), a large craft that takes over a month of meticulous work.
Each boat tells a different story: the Kad, Rika, Kad Abu al-Gharafa, and Kad Karufi serve different needs, while the smaller Jalaka, perfect for shallow waters, can be built in just a week. Prices stretch from 500,000 ($379.85) to 7 million dinars ($5,317.96), with specialized sea-going boats like the Maheela fetching up to 25 million ($18,992.73).
Blending Old Soul with New Strength
Abu Karrar’s tools may look old-fashioned, but his methods are a careful blend of past and present. He still uses traditional woods—jam, sidr, touth, and imported jawy—but the tar once used to seal hulls has given way to fiberglass, boosting durability and streamlining the process.
“We adapt where we need to,” he said, “but the spirit of the craft stays the same.”
Kufa’s Boats, Iraq’s Waters
What starts in Kufa doesn’t stay there. His boats travel—shipped to Basra, Maysan, Al-Nasiriyah, Al-Diwaniyah, Al-Kut, and beyond.
“We source wood locally or import it, depending on the order,” he explained. “Six-arm length, seven-arm, whatever the customer wants—we make it.”
Despite the pressures of modernization and faster transport, Abu Karrar and his brothers keep the flame of this ancient trade burning. Their boats aren’t just vessels—they’re floating memories, carved in wood, and launched into Iraq’s living waters.
Director of the Adult Stem Cell Transplantation and Cellular Therapy Program at the King Faisal Specialist Hospital & Research Centre (KFSHRC) Dr. Mahmoud Aljurf, M.D., MACP, has been awarded the Steven E. Weinberger Award for Physician Executives/Leaders by the American College of Physicians (ACP), the largest medical specialty organization in the US.
According to a recent KFSHRC press release, Dr. Aljurf is the first recipient from outside the United States, underscoring his global impact on hematopoietic stem cell transplantation and oncology. He was honored at the ACP Convocation Ceremony held at the Ernest N. Morial Convention Center in New Orleans, Louisiana, during ACP’s Internal Medicine Meeting 2025.
At KFSHRC, Dr. Aljurf has played a key role in developing one of the world’s largest and most recognized hematopoietic stem cell transplantation programs, significantly improving treatment options for patients with hematologic malignancies. His leadership has helped expand access to novel transplant therapies and elevate global standards in hematology and oncology.
In addition to his clinical contributions, Dr. Aljurf is widely recognized for his research and editorial leadership. He served as the editor-in-chief of the Annals of Saudi Medicine.
He was the founding editor-in-chief of the Elsevier Journal of Hematology/Oncology and Stem Cell Therapy.
Currently, He serves as an editorial board member of several high-impact field-related scientific journals, including his role on the international advisory board of The Lancet Hematology. He has published nearly 500 scientific contributions in high-impact journals. He has also served as the editor of five books, primarily focused on building units and programs for cancer care and hematopoietic stem cell transplantation.
His contribution to bone marrow, hematopoietic stem cell transplantation, and cellular therapy was recognized by his election as the Worldwide Network for Blood and Marrow Transplantation (WBMT) president in 2023. He is the founding member and scientific director of the Eastern Mediterranean Blood and Marrow Transplantation (EMBMT) Group, affiliated with the World Health Organization’s Eastern Mediterranean Regional Office (WHO/EMRO).
The release also highlighted that Dr. Aljurf was the recipient of several international awards, including the Florence A. Carter Leukemia Research Award of the American Medical Association (AMA) Education and Research Foundation, the Center for International Blood and Marrow Transplant Research (CIBMTR) Annual Distinguished Service Award, the King Hussein Cancer Foundation Lifetime Achievement Award, and the Lifetime Achievement Award from the Research Development and Innovation Authority (RDIA).
Egyptian actor Youssef Omar will join the cast of the British-Chinese production Shashou, set in Hong Kong.
Youssef Omar is a rising Egyptian actor known for his versatile roles in film and TV series, including, most recently in Ramadan, TV series A Woman’s Youth (Shabab Emraa, 2025), where he co-starred opposite Ghada Abdel Razek.
He gained widespread recognition with his breakthrough in the 2018 drama Rahim (dir. Mohamed Salama) and has since starred in popular series like Sittat Bayt Al-Maadi (Women’s Maadi House, 2021), where he played Timo El-Badry (Timo), acting alongside Mira El-Helbawi, Tara Emad, and Enjy Kiwan.
Both series were directed by Mohamed Salama, with the latter catapulting Omar to fame.
Youssef has also successfully transitioned to the silver screen in high-grossing movies such as Awlad Hareem Kareem (2023) and El-Hareefa (2024), starring Nour Ehab, Khaled El-Zahaby, and Bayoumi Fouad.
In 2024, Omar starred in Meen Yasadaq (Who Would Believe?), a film directed by Zena Ashraf Abdel Baky. The film was screened during the 45th Cairo International Film Festival, further solidifying Omar’s status as an up-and-coming talent to watch out for.
Produced and directed by UK producer, screenwriter, and filmmaker Bizhan Tong, Shashou offers Omar his first international role.
Alaa Karkouti and Maher Diab, co-founders of MAD Solutions, which distributes the film in the MENA region, described the film as a thriller that is “an Arab spin on the packaging strategy that Hollywood has long deployed.”
Shashou is set in the shady world of ex-special forces, where outcasts Kelly Frost, Rachel Chan, and Inferno unite to stop a billionaire’s plot to destabilize Hong Kong.
After exploring the Iraqi keffiyeh in their first collection, Suez spotlights a forgotten art in ‘Common Thread’.
Three thousand years ago, the art of khayamiya lined the streets of Egypt. Translating to “tent-making,” this ancient hand-stitching practice was once used to fashion tents for royalty, aristocracy, and the wealthy. Today, the practice nears extinction; the only image the word “khayamiya” evokes in our minds is one of cheap printed Ramadan-themed tablecloths. Only 18 khayamiya artisans remain on Egypt’s Khayamiya Street in Bab Al Khalq. Their work is now far from central to the city’s fabric.
Returning the forgotten khayamiya to the spotlight, the London-based Egyptian-Iraqi label Suez is reviving the art in its new collection, “Common Thread.”
“Khayamiya has been something I’d been wanting to incorporate for some time now—since we last spoke,” Suez founder Serag El Meleigy tells Scene Styled. “I think it was the perfect next step for Suez; me being half Egyptian and spending a lot of time in Egypt also made it that much more special.”
As a pursuit, Suez is archival. The label seeks to immortalize crafts that were once popular but have been lost on the road to modernity. Suez, observing that our attire has become synonymous with that of the colonizer, rejects homogeneity and sifts through millennia of historical archives to return culture to our costumes.
“We utilized the khayamiya in two forms: first in its true hand-stitched form, and secondly in a printed form—both of which we purchased from the artisans on Khayamiya Street,” shares El Meleigy. “The first khayamiya blanket I bought was back in 2023, so my ideas have been brewing with the khayamiya for some time now.”
Shortly after his first purchase, El Meleigy returned to Khayamiya Street for more. This is when “Common Thread” was born. The two blankets, both created by the same khayamiya artist, Esaam Ali, were fashioned into two beautiful single-piece collared jackets in two colorways—red and blue.
In respect to the amount of work, skill, and creativity poured into their making, whether as the original khayamiya blanket by Ali or the jacket itself by El Meleigy, the khayamiya jackets are special pieces. Surely, they could be dressed down, but something about the fabric, the common thread that holds them, demands a more prestigious welcoming of the pieces.
“The 1-of-1 khayamiya jackets are obviously statement pieces. We’ve seen them worn for a live recording performance, and we’ve had people say they’d save theirs for big events. I love the idea of these 1-of-1 jackets evolving into some form of suit for big occasions—but the Egyptian version.
Besides participating in the cultural evolution of our occasion wear, Suez’s “Common Thread” weaves the khayamiya practice into daily casual wear.
“The meander garments made way for the incorporation of ‘loud patterns’ in subtle ways—they are made for every occasion,” explains El Meleigy. “The elastic waist of the pieces gives them the benefit of comfort, but the straight-leg structure creates an illusion of formality that can be dressed up or down.”
“I heard one girl wore her keffiyeh meander trousers, from our previous collection, to a wedding, and someone else wore the full keffiyeh set at her dad’s MBE receival ceremony at a royal palace.”
To El Meleigy, “Common Thread” is an exciting pursuit, one he is consistently looking for ways to make even more tailored. In the future, he hopes to work more directly with khayamiya artisans, involving their work directly in garment-making, and potentially seeing them embroider on clothes, rather than refashioning their blankets. Before we know it, the art of khayamiya will be back on hoodies, tracksuits, shorts, and more.
