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Following up a highly eventful year, the diverse artist delivers an electrifying track for the official soundtrack of the 2022 World Cup which he will perform at the final match.
Ahead of his performance at the FIFA 2022 World Cup finals taking place in Qatar on Sunday the 18th of December, Wegz releases ‘Ezz El Arab’ as part of the tournament’s official soundtrack.
Internationally acclaimed Egyptian artist Wegz has been continuously growing throughout his career. In only a few years, the Alexandrian rapper and singer has managed to permeate the cultural zeitgeist, becoming an ever-present figure in contemporary Arabic music.
This year, Wegz has achieved major accomplishments, such as his track ‘Al Bakht’ amassing over 150 million views on YouTube and topping the charts on Spotify’s most played artist in the MENA region.
If there is one thing that Wegz has demonstrated throughout his career, it’s that he is always moving forward, continuously trying to evolve his sound and expand his reach.
In pursuit of these ventures, the beloved Egyptian rap icon has just released an official track for the 2022 FIFA World Cup in Qatar, looking to afro-beats, electronic music, and his signature singing style to deliver an energising track that explores themes of unity and pride.
The music video for the track was directed by Ali El Arabi, who also directed Wegz’s, ‘B3oda Ya Belady’ from the highly acclaimed documentary ‘Captains of Zaatari’. The video features Wegz in a variety of shots around Qatar, DJing to an adoring crowd of football fans, and performing to camera in a cinematic portrayal of the tournament’s festivities.
This year’s World Cup has been more than just a sporting event for people of the MENA region. The tournament has always been a time for gathering and community, even if many Arab national teams have not reached their full potential in previous iterations of the World Cup. But this year’s tournament, hosted in Qatar, has seen incredible performances from teams such as Saudi Arabia, and of course, the Moroccan national team, who have instilled a sense of pride in Arab fans around the region and beyond. Watch the full music video here
‘I feel like I hold a lot of hope’ says first Emirati rider in Women’s WorldTour.
As the first Emirati rider in the Women’s WorldTour and the sole national representative on UAE Team ADQ, Safiya Al Sayegh is feeling both the pressures and the privileges of her position going into 2022.
20-year-old Al Sayegh is the UAE national road race and time trial champion, and was approached by the team last November after UAE Team Emirates took over Alé BTC Ljubljana’s WorldTeam licence.
This is Al Sayegh’s first professional contract and a significant adjustment from racing for the Dubai Police Cycling Team, but her first experience with the UAE Team ADQhas been positive.
“When I was going to Spain [for training camp] and before I left, it was quite overwhelming to think of how it was going to be and how it’s going to go,” she wondered.
“Will I adjust with the team and how will I get on? But I’m very happy to say that everything went really well. I really enjoyed it, it was a really good start.”
Al Sayegh is the first female rider from the UAE to join a WorldTeam and only the second of any gender, after UAE Team Emirates’ Yousif Mirza, and she acknowledged the pressures that come with being in that position.
“It’s a big honour, and it’s actually a big responsibility on my shoulders,” she said. “I feel like I hold a lot of hope, especially from my country, because lots of people have helped me. And it really makes me want to push harder and strive even higher, with all the support and hope I have from the country – and from the Arab world, actually. It really pushes me to want more, to achieve more and to progress.
The men’s UAE Team Emirates squad, Al Sayegh said, has helped raise the profile of the sport in the UAE among both men and women, and she is looking forward to ‘representing all the local girls’.
Though an experienced racer in the UAE and Asia, Al Sayegh has only raced in Europe once before, the Rás na mBan stage race in Ireland in 2017, and she is conscious of the challenges ahead of her this year.
“Keeping up with the level is one concern I have,” she said.
“But hopefully with hard work, I will try to progress to the level of Europe. And one of my concerns is that pretty much every day in the peloton, crashes are happening. So I just hope to stay safe while racing.”
In the UAE much of Al Sayegh’s riding is done on wide highways or flat, protected bike paths, meaning even the change in terrain is a source of apprehension.
“In Europe, I know some races can be on quite dangerous roads or have quite steep downhills and stuff. So I do look forward to racing but I am quite worried about all the crashes and the dangers.”
Al Sayegh will continue to compete primarily in the UAE for the opening months of the season as she completes her university studies in Dubai, and will join the team in Europe from May.
“I really look forward to all the races my team is going to race, and I’ll be cheering here from the UAE.”
As the FIFA World Cup reaches its climactic end, one cannot help but reflect on what an extraordinary political event it has been. Those who argue that sport and politics should be decoupled will have found it hard watching politics as an ever-present from the day Qatar was awarded the event back in 2010 and at every single match since the tournament began on Nov. 20.
But perhaps one of the most fascinating and hopefully impactful thrills at the World Cup has been the rare opportunity to remind the world that, for all its troubles, fissures and rivalries, the peoples of the Arab world do have much in common and that football has highlighted that reality every day in Qatar.
Some might question these signs of togetherness among fellow Arabs. Yet there were copious examples where it shone. Three achievements stood out.
Firstly, for Morocco to beat Spain and then Portugal in the knockout rounds was exceptional, especially following their defeat of Belgium, the second-ranked side in the world, in the group stage. There was more than an element of delight in seeing a former colony defeating, in Spain, its one-time colonial master. Morocco will get the chance to overcome its other colonial power, France, in the semifinals on Wednesday. In fact, star player Achraf Hakimi was born in the poor suburbs of Madrid. Morocco were the only team in the quarterfinals not from Europe or South America. Few in the region were not cheering them on. A sense of collective pride emerged as a result of the North African country’s success in becoming the first Arab and African state to reach the semifinals.
One might have thought that, given the dire state of relations between Morocco and Algeria, that Algerians would have shied away from joining in the festivities. Evidence suggests otherwise. Algerians were out supporting Morocco as enthusiastically as anyone else in the region. A friend was in Paris and told me: “After one of the Morocco victories, there were lots of Algerian supporters and flags joining their Moroccan brothers and sisters in celebration.” The Algerian captain and superstar Riyad Mahrez was quick to praise the Atlas Lions’ achievements.
Secondly, Tunisia beating reigning world champions France in the group stage was also an unforgettable moment. This was the first time they had beaten European opposition in the World Cup. This was every bit as big a win as in 1982, when Algeria beat the mighty West Germany in their first ever World Cup game.
Third, the Saudi victory over Argentina was another huge milestone. In many ways, this ignited the World Cup for the Arab world.
A sense of pride has also broken out that many of the finest players in the world come from this region. Hakim Ziyech for Morocco is one. Mahrez and Mohammed Salah were not in Doha but are still at the top of the sport. Kylian Mbappe, a star of this tournament, has an Algerian mother.
The key players in the Arab teams largely play in Europe. This shows football at its best in terms of breaking down barriers. Fourteen out of the 26-man Morocco squad were born outside of the country, showing how the team relies on the Moroccan diaspora. This includes Ziyech, who opted not to play for the Netherlands. That points to one challenge that countries like Morocco face, as they lack the footballing infrastructure to develop and nurture enough talent at home.
This World Cup has also often been about one country that is not there. At every single game featuring an Arab side, and plenty others beside, the Palestinian flag was there. It is a political symbol and a defiant message that the Arabs will not forget or ignore what is happening to the Palestinians in the diaspora and under occupation. As an even more brutally right-wing coalition is about to take power in Israel, this message should be carefully noted in the US and European capitals. Palestine still matters.
Israeli hasbaristas were also caught out. Having belittled and mocked those who claimed otherwise, they discovered that, despite the normalization deals, Arabs are not willing to gloss over Israel’s crimes and oppression. Time and time again, Israeli journalists, while trying to pretend everything was all lovely and wonderful with their newfound Arab friends, found that “free Palestine” was pushed back in their faces. Many locals snubbed their requests for interviews.
” A World Cup in the Arab world has brought some cheer to a region that has been hit hard by wars and other crises. “
Chris Doyle
Palestinian armbands and keffiyehs were being worn at nearly every match by huge numbers of fans. The sheer arrogance of believing that a state could oppress millions of people and that all would be peace and happiness was exposed as the nonsense it is. The Moroccan players had no hesitation in raising the Palestinian flag after their wins over Spain and Portugal.
Many Arabs also expressed admiration for the courage of the Iranian team after the players refused to sing their national anthem ahead of their opening match against England. This points to the widespread sympathy many Arabs feel toward Iranians, notably currently the women, who are struggling for their freedoms.
The Western media has been quick to point out all that was wrong with this World Cup. It is about time it also highlighted what has gone right. For all the criticisms of Qatar in the run-up to the cup over issues such as workers’ rights, one of the key elements of its bid has been fulfilled. Football in the region has been the winner. The atmosphere has been considerably warmer than many expected, with largely good-natured relations among fans of all countries. It seems that rival fans have not needed to be segregated, showing the festival-like atmosphere. Fan violence does not seem to have featured. The largest numbers of fans, of course, came from the Arab world, with Saudi Arabia providing the largest number from a single country.
Many outside the region were dismissive of the claims that football mattered in the Middle East. One leading commentator contemptuously told me, while on the BBC, that Qatar did not have a footballing heritage. Yet the region should never have been ignored. A World Cup in the Arab world has brought some cheer to a region that has been hit hard by wars and other crises, and whose peoples have not had much to celebrate in recent years.
Chris Doyle is director of the Council for Arab-British Understanding, in London. Twitter: @Doylech
Disclaimer: Views expressed by writers in this section are their own and do not necessarily reflect Arab News’ point of view
Ahead of the Chinese President’s visit to Saudi Arabia, the Saudi Ministry of Media and the China Media Group announced the launch of a joint partnership initiative to promote relations between Arab countries and China through media in a ceremony in Riyadh on Monday.
“It gives me great pleasure to welcome you to the Arab-Chinese Media Cooperation Forum, which is being held today in Riyadh…between the Saudi Ministry of Media and the China Media Group,” Acting Minister of Media Majid Al-Qasabi said.
Al-Qasabi addressed the audience in a speech via video extending his support for the cooperation.
“We look forward to the cooperation today to launch new media initiatives that contribute to deepening the ties between the Arab and Chinese cultures and between their peoples,” he said.
The initiative, he explained, will promote the presence of Chinese media on Arab channels, translating Chinese television shows into Arabic.
Through the initiative, Saudi and Chinese television will also work together to create programs highlighting the stories of individuals from both Saudi Arabia and China who achieved success in each other’s countries.
The initiative will also create opportunities for travel between the two countries, opening a space for greater understanding and strengthening the relationship between China and Saudi Arabia through media and cultural exchange.
In line with the aim of improving communication, the ceremony was held in both Arabic and Chinese in the presence of Ambassador of China to Saudi Arabia Chen Weiqing, Director-General of the Arab States Broadcasting Union Abdulraheem Sulaiman, and Chinese politician Li Shulei, head of publicity at the Central Committee of the Chinese Communist Party.
Mohammed Fahad Al-Harthi, president of the Arab States Broadcasting Union and CEO of the Saudi Broadcasting Authority, presented the initiative in a speech during the ceremony.
“Saudi-Chinese relations are old and well-established and strong, and they are witnessing prosperity and expansion,” he said, citing Crown Prince Mohammed bin Salman’s visit to China, the over 20,000 Arab students studying in China and the several schools in Saudi Arabia that teach the Chinese language and culture.
“We hope that this relationship will witness greater growth with the connection of interests and relations between the two peoples,” he added.
Toward the end of the ceremony, top media representatives from Palestine, Egypt, Bahrain, Libya, Yemen and Iraq extended their support for the initiative.
Al-Harthi stressed the importance of media in any country’s diplomatic relations.
“To achieve a solid relationship between the two societies, the media must play this role,” Al-Harthi said.
Through the initiative, translated Chinese works will be broadcast in Palestine, Algeria, Jordan, Sudan, Iraq and Saudi Arabia.
The celebrated pharmaceutical chemist, nano engineer and inventor reveals why she has spent a career focusing her mind over matter.
When the Berlin Wall came down, Adah Almutairi watched the event unfold on a television screen 5,000 kilometres away in the family living room in Jeddah.
Too young at the time to fully understand the implications, 12-year-old Adah could nonetheless tell that the moment was significant, by the reaction of her parents.
Years later, at a conference to mark the 25th anniversary of the reunification of Germany, Ms Almutairi was on a stage in Berlin talking about her ground-breaking achievements in knocking down walls in science.
Back then, public speaking made her nervous. The knowledge that Chancellor Angela Merkel, a fellow chemist revered by Ms Almutairi, was among the 700 top international scientists and guests taking part merely compounded the feeling.
She broke the ice with a quote from the 1967 romantic comedy drama The Graduate, which earned her a laugh from the audience: “I just have one word to say,” she told them. “Just one word. Are you listening? Are you listening? Plastics.”
Ms Almutairi went on to describe herself as a plastics chemist, but she is much more besides. Her wide-ranging work combining materials chemistry with nanotechnology as well as developing tools for the future of biology and medicine makes her in great demand at conferences in the US, Europe, the Middle East and China.
The Saudi-American pharmaceutical chemist and nanomedicine engineer has won all manner of honours and recognition, including the prestigious and lucrative National Institutes of Health director’s new innovator award.
At the Falling Walls event, she gave an engaging, if sometimes faltering, presentation of her life-changing nanoparticle discovery feted in the US Congress as one of the four most important US technology breakthroughs of 2012.
“I used to be a nervous wreck before I gave a talk and would practise for two weeks beforehand,” she tells The National. “Plus, Angela Merkel is such an amazing woman, so meeting her was really special.
“She got elected just as I got my degree in chemistry and the way she spoke at that conference, and later welcomed so many Syrians into Germany, made me really respect her views on being kind citizens.”
With practice, Ms Almutairi, now 45, is much more comfortable as a public speaker. “Preparation,” she says, “is key.”
It was a lesson she learnt as a schoolgirl after a fluffed first gymnastics performance before a crowd left her sobbing on a bench. Determined never to repeat the same mistake, she rose to become the top gymnast on the team as well as the fastest 1,500-metre runner.
Preparedness forms the backbone of her professional life as she puts known scientific truths into practice while always remaining open to unexpected outcomes.
Discoveries and their effects, she and Ms Merkel wholeheartedly agree, can often surprise the scientists and engineers themselves.
“If you decide there is going to be a challenge down the road and that is going to deter you, nothing will happen,” she says. “If you go down that road anyway, you’ll solve the problem when you get there.”
No amount of planning, though, could have readied her for a year when the rug was pulled out from beneath her feet. In 2015, her beloved father died at the age of 65 and her 20-year marriage to a banker she met at university fell apart.
It was, she says, a painful time – not least because Mutlaq bin Abdul Rahman Almutairi, born into a traditional Saudi family, was his daughter’s greatest ambassador, enabling her to break free from what could have all too easily been a restrictive mould.
He was just five years old and still mourning his mother’s death when his own father packed up their goat-hair tent, strapped their few possessions to the back of a camel and made the arduous 100km journey from the Bedouin desert enclave of Al Harra to seek work and a new life in Jeddah.
Desperately poor, the family squatted on land and, when old enough, the enterprising Mutlaq enrolled himself and his younger sister in school.
His conservative father, who could not read or write, was furious and sent his daughter home. Mutlaq stood his ground and continued with his education – a moment that shaped the course of his own future and subsequently that of his five children.
“Sometimes in life, one decision changes everything,” Ms Almutairi says.
Mutlaq’s offspring have flourished in their respective fields of science and medicine. Khalid, 46, a plastic surgeon, Heba, 38, a professor in radiology, and Ahmed, 37, a dentist, still live in Saudi Arabia while Amer, 41, a professor in family medicine, is based in Houston.
Ms Almutairi was named recently on the Forbes list of the world’s Top 10 Influential Female Engineers, and often thinks of the debt owed to a father who championed her right to education.
The stance made him something of an anomaly among the Almutair tribe, whose roots can be traced back to the Quran.
“It still makes me emotional,” she says. “He was enlightened from God.
“No one around him was educated. He was the first in his entire family to learn how to read and write and go to college.
“My father and grandfather got into a lot of fights because my grandfather did not believe women should be educated.”
While she inherited drive and motivation from her father, a love of learning was instilled at a young age by her mother Najat, who, aptly enough, was a teacher.
“My family on my mother’s side were extremely well educated and my mother is very well read,” she says.
Indeed, her parents met because Mutlaq had become besotted with Ms Almutairi’s great-aunt Hilal, an intellectual who was one of the first dentists in Saudi Arabia.
Despite the 20-year age gap, he approached the family to ask for her hand in marriage but was advised instead to wed the daughter of Hilal’s brother, with whom he would build a strong bond.
“My father appreciated a smart woman,” Ms Almutairi says. “He didn’t go after the young, pretty girl. He initially went for the older woman he enjoyed talking to.
“Now when I think back, I realise how special and unique he was, and how much respect he had for women.”
Mutlaq studied criminology and justice administration in Portland, Oregon, where Adah Almutairi was born, before returning to his homeland to become a police investigator.
The young Adah attended international schools in Jeddah and Riyadh, excelling not only at sport but in maths and science.
On leaving school at 16, she was at a loss as to what to do next. Her mother was applying for teaching posts so, on a whim, Ms Almutairi submitted an application to Najd National School in Riyadh – and surprised everyone, including herself, by landing a job teaching English.
“I didn’t have a degree, and when the headmistress realized how young I was, she said: ‘Don’t tell anyone, just put some lipstick on.’
“It was the best job ever. I loved every minute of it. I had such a connection with the girls. I used to take in copies of my mother’s Reader’s Digests and make up writing exercises around them.”
A year later, she began applying to universities. King Abdulaziz University in Jeddah turned her down but she secured a sports scholarship to Occidental College in Los Angeles, Barack Obama’s alma mater.
The opportunity once again put her father at loggerheads with her grandfather and members of the Almutairi clan, who did not think a young woman should travel overseas alone. Unperturbed, Mutlaq sent her anyway, even though he and Najat had doubts about her choice of subject.
The couple wanted her to be a doctor but Ms Almutairi chose maths as her major before switching to chemistry in her second year.
The lightbulb moment came when her tutor, the widely loved chemistry professor Tetsuo Otsuki, told her she was “a diamond in the dirt”.
“He made me feel smart and capable, and worth being taught,” she says.
“I have twice been told the phrase: ‘You remind me of myself’. It is one of the nicest things you can say to a young person if they look up to you. It really sat in my heart.”
Chemistry appealed because it was based on “concepts where once I wrapped my head around them, I could use them in so many ways”.
A scholarship to continue her studies at the University of California, Riverside, led her to create lightweight plastic polymers, or molecules, capable of conducting electrons that had uses in everything from robotics to space research.
“Around that time,” she says, “Hideki Shirakawa was winning the Nobel chemistry prize for his work with conductive polymers, and both Nasa and Walt Disney were funding and supporting that work.”
She may not have become a doctor of medicine as her parents had wished, but Ms Almutairi did turn her attention to the field during postdoctoral studies at the University of California, Berkeley, where she worked with Jean Frechet, a chemist innovating in the area of in-vivo imaging to diagnose disease.
After being turned down for jobs in Saudi Arabia, she took up a post at the University of California, San Diego, going on to lead an interdisciplinary research group at the Centre for Excellence in Nanomedicine and Engineering.
Perhaps one of Ms Almutairi’s proudest moments was collaborating with an ophthalmologist for a decade to come up with a way to regenerate failing retinas and prevent blindness.
“That particular innovation is now commercialised and makes me feel really good about myself,” she says. “I enjoy all sorts of application materials but medicine is especially rewarding. I like to solve problems and have a positive impact on the world.”
Her work with lanthanides – popularly classed as rare earth elements but actually, she says, abundant – involves a chemical reaction that could be applied to the delivery of drugs and diagnostics in medicine but also solar energy harvesting.
She has more than 100 patents registered, including one with her brother Khalid to use gold molecules in liposuction.
“My work is very rewarding,” Ms Almutairi says, “and my father was very proud of me. When I became well known in the US, it was a big moment because the people who were criticising him for sending his daughter away were the same people congratulating him.”
A strong proponent of the “health is wealth” philosophy, she may no longer run, but she does lift weights regularly and spends time in the garden with her 10-year-old son cultivating avocados, figs, and citrus trees, and growing aubergines, tomatoes and cucumbers.
She has visited Saudi Arabia many times to see her family and speak at conferences. One in particular that has stayed with her was a graduation speech at Princess Nourah bint Abdulrahman University in Riyadh.
There was no film quote for these graduates of the largest women’s university in the world. In a clear voice, without a hint of nerves, she instead passed on the words of that staunch defender of her own access to education.
Remain forever curious about the world, she told the audience, and live a meaningful life with impact.
It was clear that the woman of substance standing before them had been shaped by her father’s advice. She didn’t need to ask if they were listening.
The American Music Awards played host to a glittering showcase of Arab fashion this week as the likes of Carrie Underwood, Kelly Rowland, Becky G and Lauren Jauregui showed off gowns from Middle Eastern designers.
Country singer Underwood opted for a multi-hued dress by Lebanese Italian designer Tony Ward. With a plunging scooped neckline and playful fringed beading, the gown hailed from the designer’s Spring/Summer 2023 collection.
US singer and actress Rowland took things in a wilder direction with a leopard print sculptural gown by Lebanon’s Nicolas Jebran. The Rowland added black latex gloves for a dose of drama.
Meanwhile, US singer Becky G showed off an asymmetrical mini dress by Bahraini label Monsoori with a larger-than-life train and voluminous material draped on one shoulder.
For her part, US singer Lauren Jauregui, a member of Fifth Harmony, flaunted a floor-length number by designer Norma Kamali, who is partly of Lebanese descent. The heavily embroidered gown hailed from the designers Resort 2023 collection and featured tulip sleeves and a flared skirt.
Superstar singer and songwriter Taylor Swift won all six trophies she was contending for at Sunday night’s awards ceremony, including the artist of the year prize.
The new American Music Awards accolades lifted Swift’s lifetime total to 40, breaking her own record for most wins at the world’s largest fan-voted awards ceremony, Reuters reported.
The “Anti-Hero” singer said fan support in recent years had encouraged her to write more music, which made her happier.
“I have the fans to thank essentially for my happiness,” Swift said to a cheering crowd at the ceremony in Los Angeles.
Other honors for Swift on Sunday included favorite pop album, country album and video for her re-recording of 2012 record “Red.” The singer has been remaking albums from her past because of a dispute with her former record label.
For artist of the year, Swift triumphed over formidable names including Beyonce, Harry Styles, The Weeknd, Drake, Adele and Bad Bunny, who had gone into the night with a leading eight nominations.
Pop singer Pink opened the AMAs show dancing and singing on roller skates to her upbeat song “Never Gonna Not Dance Again.” Later in the ceremony, she performed “Hopelessly Devoted to You” in a tribute to Olivia Newton-John, the “Grease” singer who died in August.
Musician Lionel Richie, known for “All Night Long” and other 1980s hits, was celebrated with the AMA’s icon award. Stevie Wonder and Charlie Puth performed a medley of Richie songs on dueling pianos.
It has been another big week for Arab designers, with a number of celebrities opting for Middle Eastern looks for the 2022 Governors Awards in Los Angeles.
Actress Jessica Chastain showed off a red hot Zuhair Murad look, while Elizabeth banks chose a sleek gown by Elie Saab.
Tunisia’s prestigious industry event enjoys another successful year, helping spread a love of culture across the country.
Another week of movie magic, street art and music has come to an end following the 33rd edition of the International Carthage Film Festival in Tunisia.
Titled “Hel Thneya”, which means “Open the Path” in Tunisian dialect, the festival once again cemented its status as a major cultural attraction for visitors of all ages, who flocked to cinemas and filled the streets en masse.
The festival, one of the eldest and most prestigious in the Mena region, ended on Sunday.
As is tradition, the capital Tuniswas transformed into an open celebration of not only cinema but all forms of arts, with independent young painters getting the chance to show their artworks to the public for the first time and musicians performing every evening to audiences in the middle of Avenue Habib Bourguiba. For many, it was an opportunity to watch films that they don’t usually have the means or the opportunity to see.
Speaking outside the Theatre de Region Cinema, Downtown Tunis, Amina told The National she had been waiting for the festival to introduce her two children to the world of the cinema.
“As a family, we always discuss films together but we never find the time nor age-appropriate films to watch. This is a great opportunity to let them discover the big screen,” Amina said.
Amina’s daughter Ritej, who is in the sixth grade, was grinning with happiness as she prepared to enter the cinema hall. “I’m excited, I’m sure I’m going to enjoy this and tell my friends about it,” Ritej said.
Amina said that she often encourages her children to value the arts, with Ritej currently rehearsing for a school play, and she wishes there were more events like it in Tunisia.
This year’s International festival was an opportunity to revive the city. According to organisers, the festival aimed to showcase both new cinema productions and also timeless films that the younger generations needed to be introduced to.
This year, 72 countries participated with Saudi Arabia being the guest of honour and special emphasis placed on Palestinian and Spanish Cinema — a choice that organisers said highlighted the intersection between north and south, placing migration under an artistic lens.
The festival also paid tribute to Arab filmmakers, both living and dead, namely the Moroccan director Mohamed Abderrahmen Tazi and Egyptian director Daoud Abdel Sayed, as well as the late Algerian director Yamina Chouikh and late Tunisian director Kalthoum Bornaz.
“Through this 33rd edition, we continued to foster cultural decentralisation by bringing new sections to the festival and programming screenings in different parts of the country,” journalist and cinema critic Yosra Chikhaoui told The National.
“This year marks the first edition of JCC for kids. We are bringing more screenings as part of our “street cinema” section as well as continuing the special screenings for prisoners and members of the Tunisian army inside military bases,” Chikhaoui, who is a member of the festival’s media committee, added.
JCC in Prisons, now in its eighth year,is the fruit of a partnership between the Tunisian Ministries of Culture and Justice and the International Organisation Against Torture. This year, 12 films were showcased in three prison facilities, while juvenile detainees were transferred to Tunis for a special showcase in a cinema.
According to Ridha Behi, general director of this year’s festival, film screenings in prisons serve as a reminder of the right all people have to access and experience culture.
Awards, meanwhile, highlighted the multitude and variety on show, with a focus on filmmakers whose work depicts the struggles of their respective societies.
The Tanit d’Or award for best feature film was given to Tug of War, directed by Amil Shivji — marking the first time a film from Tanzania has won the award. Meanwhile, the Tanit d’Argent and Tanit de Bronze were respectively awarded to the films Under the Fig Trees by Erige Sehiri from Tunisia and Sharaf by Samir Nasr from Egypt
A consignment of blue ammonia has left Saudi Arabia for South Korea, representing a new milestone in the development of decarbonization solutions.
The development was first announced during the recent Saudi Green Initiative conference in Sharm El-Sheikh, and Vessel Seasurfer, carrying 25,000 metric tons (25 KMT) of low-carbon blue ammonia, is expected to reach its destination between Dec. 9 and 13 in the world’s first commercial shipment of its kind.
The accomplishment, which is an alternative to conventional gray ammonia, is part of a collaboration between Saudi Basic Industries Corporation Agri-Nutrients and Aramco.
Lotte Fine Chemical, which has a long-standing relationship with SABIC AN, will receive the low-carbon “cradle to gate” blue ammonia.
Abdulrahman Shamsaddin, SABIC AN CEO, said: “This shipment is another milestone in our journey toward carbon neutrality.
“We are proud to be a part of this pioneering solution, paving the way for further decarbonization efforts.
“Looking to the future, we are constantly working on breakthrough solutions to decarbonize our assets and deliver low-carbon solutions to our customers.”
Yong Suk Kim, LFC CEO, said: “We are delighted to enter this meaningful agreement with our long-term supplier, SABIC Agri-Nutrients, to receive the world’s first certified blue ammonia cargo.
“Building on our shared history, we are looking forward to moving forward together into a new era for ammonia. We believe that this shipment of blue ammonia will help lay the foundations for a global supply chain.”
Earlier this year, SABIC AN and Aramco received the world’s first independent certifications, recognizing blue ammonia and blue hydrogen production, from TUV Rheinland, a leading independent testing, inspection and certification agency, based in Germany.
The shipment of blue ammonia to South Korea will be the first to capitalize on this major certification achievement.
The new developments are aligned with Saudi Vision 2030, which focuses on low-carbon fuels, products, solutions and clean energy.
Made of polymer using innovative designs and advanced security features, the banknote is the fourth in the Third Issuance of the National Currency Project, the Central Bank said.
The banknote will be available in Central Bank branches and ATMs in the first half of 2023, while the current Dh1,000 note will continue to be in circulation.
The front side of the banknote depicts the image of the late Sheikh Zayed bin Sultan Al Nahyan next to a model of a space shuttle. This was inspired by the meeting of the late Sheikh Zayed bin Sultan Al Nahyan with the pioneers of the American space agency NASA in 1976 to express the ambitions of the founding leader to position the UAE amongst the pioneering explorers of the space.
This ambition was achieved in the Emirates Mars Mission ‘Hope Probe’ journey in 2021, and it was embodied in the new banknote by placing the image entitled “Emirates Mission to Explore Mars – the Hope Probe” at the top of the banknote, left of late Sheikh Zayed image.
This dream was also reflected in the image of an astronaut added as a security mark that appears on both sides of the banknote, to express the arrival of the first Emirati astronaut to the space.
The Central Bank was also keen to focus on another global achievement for the UAE, by placing an image of the Barakah Nuclear Energy Plant in Abu Dhabi on the reverse. The plant will play a key role in diversifying energy sources in the country and reduce carbon emissions.
The design of this new banknote contains distinctive aesthetic characteristics, with different shades of brown. The CBUAE preserved the colour characteristics of the same denomination banknote currently in circulation to make it easy for the public to identify, in addition to the fluorescent blue marks of the UAE nation brand in the centre, and drawings and inscriptions created using advanced intaglio printing techniques.
Khaled Mohamed Balama, Governor of the CBUAE, said: “The issuance of the new Dh1,000 banknote comes under the vision of UAE’s President His Highness Sheikh Mohamed bin Zayed Al Nahyan to keep-up with the comprehensive development our country is witnessing, and represent UAE’s global achievements and successes, as well as highlight its future ambitions in various sectors.”
11 of Kingdom’s historical practices, items recognized
Arabic music, art, dance registered with world body
UNESCO on Wednesday added Saudi Khawlani coffee, and the skills and knowledge associated with its cultivation, and Camel Heda’a to this year’s Representative List of the Intangible Cultural Heritage of Humanity, the Saudi Press Agency reported.
The decision was taken in Morocco during the annual meeting of the UN’s Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage.
The Kingdom, in cooperation with Oman and the UAE, led the joint application to register Camel Heda’a, which is an oral tradition where herders communicate with their animals. The communication includes guiding camels to safety during sandstorms, instructing them to open their mouths to feed and having them drop onto their knees to be mounted.
The registration of Saudi Khawlani coffee involved the efforts of several bodies including the Heritage Commission, Ministry of Culture, the National Committee for Education, Science and Culture, the Permanent Saudi Delegation to UNESCO, the Culinary Authority, and the Saudi Society for the Preservation of Heritage.
Khawlani coffee is one of the most luxurious and famous types in the world and has been cultivated in the south of the Kingdom for more than eight centuries. It is associated with the customs, poetry and songs of the people of the region.
With these new additions, Saudi Arabia has now registered 11 cultural elements with UNESCO including the Majlis, Arabic coffee, the Najdi Ardah dance, the flute, falconry, the Asiri cat, the palm tree, the Sadu weaving craft and Arabic calligraphy.
This registration forms part of Saudi Arabia’s Vision 2030 that aims to document the nation’s rich heritage for future generations locally and abroad.