How ‘Expo 2020 Dubai’ Showcases Arab Achievements, Heritage and Ambitions

In 1851, the Great Exhibition set out to bring culture, history and innovations together in one place — London — for the world to see. Since this inaugural world expo, however, more than 85 percent of the global events have been hosted by either European or North American cities.

Some notable exceptions are the expos held in Asia, including Osaka in 1970, Aichi in 2005 and Shanghai in 2010, almost all of which set attendance records. But to date, these major events have been predominantly northern and western hemisphere affairs.

That is why Expo 2020 Dubai has been such a big deal, not just for world expos but also for the Middle East and North Africa region as a whole, with the Arab world occupying center stage for the first time.

As host, the UAE has offered the very essence of Arab hospitality, first by dedicating a pavilion to every participating nation, and, second, by giving every nation its own “national day” throughout the event. Saudi Arabia’s day fell on Jan. 7.

Expo 2020 Dubai has also had a distinctly Arab feel. The site is peppered with traditional Arabic design features, on its sunshades, water fountains and even public seating.

It is a well-known expo fact that pavilion positioning is everything, often indicating a nation’s global significance and its relationship with the host. With masterful design planning, the UAE was able to place participating Arab countries at the heart of the action, giving them greater visibility and prominence.

Naturally, the UAE pavilion is the largest, occupying the prime position. Its immediate neighbor is the impressive, world record-setting Saudi Arabian pavilion, and close by are Morocco, Palestine, Egypt, Kuwait and other Arab countries.

The Saudi pavilion achieved three Guinness World Records for the largest interactive light floor, the longest interactive water curtain and the largest interactive digital screen mirror. But it is not alone in showcasing avant-garde architecture ideas.

While the expo lives up to its theme of “Connecting Minds, Creating the Future,” it also offers a visible celebration of Arab cultures and nations on a global stage.

Themes celebrating the past are normally divided between the ancient past, such as the Bronze Age settlements of Failaka Island in Kuwait, and the more recent past, before the rapid urbanization of the last half-century.

Indeed, the Arab pavilions go to great lengths to pay homage to the feats and wisdom of past generations. For example, the first exhibit in the UAE pavilion features a stylized desert, with the soft, fine sand of Emirati dunes used as a projection surface for old film reels paying tribute to Sheikh Zayed Al-Nahyan, the UAE’s founding father. 

In the nearby Vision Pavilion, dedicated to Sheikh Mohammed bin Rashid Al-Maktoum, a guided video tour begins with the story of his stay with a Bedouin leader in the desert as a child, and the lasting impact that connection with the land made on him as a leader.

In the Saudi pavilion, ancient cultural sites, such as the tombs in Al-Hijr, At-Turaif District and the AlUla valley, are featured in a striking visual tour of the rich cultural history and natural beauty of the Kingdom.

In the Oman pavilion, meanwhile, a focus on frankincense highlights the sultanate’s eye-catching landscape and long trading history.

Far from focusing exclusively on their glorious past, Arab pavilions look to the future. Many have a concrete vision that highlights targets set in order to achieve desired development outcomes.

Saudi Arabia has put sustainability at the heart of its vision for the future, Vision 2030, which seeks to diversify its economy, alongside a pledge to reach net-zero carbon emissions by 2060.

Egypt has its own Vision 2030 plan, announced in 2016, which sets out eight national targets aligned with the UN’s Sustainable Development Goals, focusing on an inclusive economy, education and the environment.

In this vein, Kuwait’s pavilion addresses the resilience of its earliest settlements, while a stylized water tower at the pavilion’s center highlights the ways in which humans have carefully managed its natural resources in order to flourish there.

Although Lebanon’s pavilion is much more austere compared with other Arab offerings, its message is a strong reminder of the resilience of its people.

Taken together, Arab participants in Expo 2020 Dubai have made good use of this global stage to highlight their achievements, heritage, ambitions and fortitude. In this sense, the expo can be considered an Arab triumph.

source/content: arabnews.com

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Expo 2020 Dubai has been such a big deal, not just for world expos but also for the Middle East and North Africa region as a whole, with the Arab world occupying center stage for the first time. (AFP/AN Photo)

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DUBAI, UNITED ARAB EMIRATES (U.A.E)

Yehia Abdel-Tawab, First Ballet Dancer in Egypt

Russian tribute to Yehia Abdel-Tawab, first ballet dancer in Egypt

Yehia Abdel-Tawab, one of the pioneers of ballet in Egypt and the recipient of the Medal of Merit from late President Gamal Abdel-Nasser, has been honored by the Egyptian Association of Graduates of Russian and Soviet Universities (EAGRSU) and the Russian House in Cairo for his contribution in strengthening Egyptian-Russian relations through his artistic career.

The EAGRSU and the Russian House held a seminar titled ‘The Ballet in Egypt and Russian Experiences’ earlier this week in honour of Abdel-Tawab, who is a professor of ballet at the Academy of Arts.

The seminar, held at the Russian Cultural Centre in Dokki, was moderated by President of the Association Sherif Gad and attended by director of the Russian Cultural Centres in Egypt Marat Gatin, dean of the Ballet Institute in Cairo Atef Awad, former dean of the Ballet Institute Sherif Bahader, member of the board of directors of the association Samia Tawfik, and Ballet Institute professor Tahani Hassan.

Abdel-Tawab also stressed that ballet in Egypt has a strong foundation, and with the efforts made by the state to build new opera houses, there will be many specialized ballet companies, and called for more cooperation with Russian experts in order to exchange experiences.

Former dean of the Ballet Institute Bahader said that Abdel-Tawab is considered one of Egypt’s first pioneers in the art of ballet, and one of the greatest ballet dancers in the entire world.

“He is also one of the first dancers in double dance in Egypt and the Arab world.”

Professor of ballet Tahani Hassan expressed her pride in her teacher at the Ballet Institute Abdel-Tawab, pointing out that all his students learned from him commitment, as he was accurate in timing and executing movements.

During the event, a documentary film on the history of the art of ballet in Egypt was shown, and Gad presented a certificate of honour on behalf of the association to Abdel-Tawab in appreciation of his great artistic career.

source/content: english.ahram.org.eg

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(L-r) Marat Gatin, Sherif Bahader, Tahani Hassan, Yehia Abdel-Tawab, Atef Awad, and Sherif Gad photo credit of the Russiaan Centre

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EGYPT

Eng. Ahmed Mekky, First Egyptian Appointed the Head of Fiber Optic Connect MENA Council

The Fiber Connect Council MENA has announced the appointment of Eng. Ahmed Mekky, Chairman and CEO of Benya Group, as Chairman of the council for a two-year term, succeeding Mr. Juan Colina. His appointment for this esteemed role, marks the first time an Egyptian assumes this position.

Eng. Mekky has been involved with the council in his capacity as a member of the Board of Directors since 2011, and was nominated for his role as Chairman of the council, in light of his endless contributions to the ICT industry on a global level and particularly for his extensive experience in the field of optical fibers.

Benya Cables, a subsidiary of Benya Group, began with ambitious plans to build the region’s largest optical fiber factory, and is now months away from materializing that reality.

Fiber Connect Council MENA has a mandate to exponentially increase the deployment of high-speed fiber networks, to connect consumers, businesses, governments and organizations, with the products and services needed to enhance quality of life, make a sustainable impact on the environment, boost business competition and develop apps to ultimately transform the way people live and businesses operate.

The Council’s Board of Directors is comprised of a notable cohort of member organizations such as Corning, Prysmian MEFC, OFS, Etisalat, and Oman Broadband. The board was formed in 2011 as an initiative launched by the founding members, and since inception, now boasts a member and partner count over 50 prominent industry leaders.

Kholoud Al-Dergham, Director General of Fiber Optic Connect Council MENA, welcomed the appointment of Eng. Ahmed Mekky as the Council’s new Chairman, highlighting “his expert record and experience in this field as invaluable assets to the Council, as well as a unique opportunity to invest that kind of experience, to accomplish the council’s objectives to expand the use of fiber optics”.

Eng. Ahmed Mekky is one of the most influential and prominent leaders in the ICT sector. In 2017, he founded Benya Group, formerly known as “Fiber Misr Systems,” and its affiliates with the goal of accelerating the Middle East and Africa’s digital transformation.

Prior to that, he launched Gulf Bridge International (GBI) in 2008 to build and operate the first underwater cable network, stretching over 40,000 kilometers and connecting 25 nations.

In 2011, he was appointed to the SAMENA Council’s Telecommunications Committee, and was selected on the Board of Governors (PTC).

Eng. Mekky has received various honors in recent years, including the “Telecom Review” award for best CEO in the area of enterprises offering services in telecom infrastructure for three consecutive years (2019, 2020 and 2021)

source/content: egyptian-gazette.com

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EGYPT

Nasser Al Attiyah Wins for a Record 16th time the ‘2022 Qatar International Rally’ : February 2022

Qatar’s Nasser Saleh Al Attiyah won Qatar International Rally to record a 16th victory at his home event and achieve a stunning milestone of 80 wins in the FIA Middle East Rally Championship (MERC) since 2003.

The success was a 28th for co-driver Mathieu Baumel in the MERC and his fifth in Qatar, while Al Attiyahs 80th success as a driver equaled the number of wins achieved last month by French legend Sébastien Loeb in the FIA World Rally Championship.

Oman’s Abdullah Al Rawahi was patient and stayed clear of trouble as chaos ensued around him. He and Jordanian co-driver Ata Al Hmoud were rewarded with a stunning second place in their Oman Rally Team-run Skoda Fabia R2 evo and a useful haul of championship points.

Andorra-based Ulsterman Kris Meeke and co-driver Chris Patterson led after two stages on Friday before rolling out of contention for the win in stage four. Meeke climbed from fifth to third during the final day and then overcame a damper issue on the final loop of three stages to regain third overall and the final place on the podium.

source/content: iloveqatar.net (qatar news agency)

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pix: iloveqatar.net / qatar motor & motorcycle federation (qmmf)

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QATAR

Salima Ayadi Explores her Algerian Heritage in ‘My Silk Road’

In her latest exhibiton, “My Silk Road,” the Algerian visual artist Salima Ayadi presents a tribute to her cultural heritage with 19 paintings and 30 scarves inspired by — among other things — Islamic architecture, ceramic and faience patterns, and calligraphy.

The exhibition opened at the National Museum of Antiquities and Islamic Art in Algiers on January 22 and runs until February 13.

Ayadi graduated from the School of Fine Arts of Algiers with a degree in visual communication in 1982. For more than 37 years, she has produced silk-painted works  — a technique to which she was introduced by an artist friend while on a trip to Switzerland. She has created artworks and scarves for national institutions such as the Senate and the People’s National Assembly, or for large companies including Sonatrach, Sonelgaz, Air Algeria, to name a few.

“For national institutions, I have worked on the cultural and historical heritage of Algeria, which is particularly rich. My works represent landscapes and monuments of all regions of the Casbah of Algiers, the Tassili n’Ajjer in the South-East, or the Berber patterns of Kabylia,” Ayadi tells Arab News. “These creations have been exhibited and some of them have been offered to foreign partners.” Her work has been shown in numerous group and individual exhibitions both at home and in Libya, Morocco and Iran.

Her first solo exhibition, held in 2017 at the Palace of Culture Moufdi Zakaria in Kouba, was a great success. “This exhibition (was very important), because it allowed me interact and mingle with the public,” she says. Each painting is created over a series of stages, each with its own potential pitfalls. Ayadi says that her selection of colors — reds, blues and greens are particular favorites — is based on the idea behind each painting. Once the selection process is complete, she can get to work — an often-painstaking process.

Behind each piece lies her passionate love of her Algerian heritage and her country’s rich and diverse culture. Currently, besides the “My Silk Road” exhibition, she is focused on producing a book of her work, which she hopes to release in the next year or so.

source/content: arabnews.com

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Salima Ayadi is an Algerian visual artist. (Supplied)

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ALGERIA

Merryhan Al-Baz First Saudi Female Crane Driver & World’s First Female Crane Driver in Race Competition, ensures safety procedures at E-Prix

Merryhan Al-Baz’ has been taking apart cars and indulging her curiosity in the world of vehicles since she was 13 years old.

This passion for motors and engines, inherited from her father, lead the now 30-year-old to participate in the Diriyah E-Prix 2022 as a recovery marshal last month, becoming the world’s first female crane driver in race competitions.

“No one ever thought a woman could enter this field — the world of mechanics is a male dominated career. Fortunately, in my household, my mother and father always support any talents, ideas, or anything you desire to do,” Al-Baz told Arab News.

Al-Baz explained that there are four types of marshals at the E-Prix; fire, recovery, flag, and trackside. On the ground, authorities saw her capabilities and assigned her to join the recovery marshal team.

Recovery marshals must clean up the circuit immediately after an accident happens in order for a race to continue its course.

Al-Baz is a self-taught mechanic, with her educational background completely different from her career path.
“I actually studied psychology and media in Lebanon, but I see myself in the world of cars,” she said.
Al-Baz registered at an institute in Jeddah to receive a certificate to pursue her career in a more official manner. Her autodidactic reputation earned her a position as an instructor too, and she hopes that she will be able to open her own automobile repair shop in the near future.

source/content: arabnews.com

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Merryhan Al-Baz, 30-year-old Saudi woman with passion for motors and engines, becomes the world’s first female crane driver in race competitions. (Supplied)

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SAUDI ARABIA

‘Queen Bikers’, Tunisia’s All-Female Motorcycle Club

Meet the Queen Bikers, Tunisia’s first all-female motorcycle club.

“There are more than 300 women who have a motorcycle driving licence in Tunisia, but do not practise this sport,” Khadija Hsaini, one of the founding members of the group, told Reuters.

She said there are a host of reasons holding women back. “They do not feel safe, or because they can’t find clubs that they can belong to, or because they don’t want to drive with men and want an all-female group.”

Dozens of motorcycle clubs exist around the country, but are almost exclusively composed of men – many of whom think women should only ride motorcycles as passengers.

So Hsaini set about to find other women to ride with. Among them is Wafa Khalifa.

“The idea [for the club] came when we were all separated,” Khalifa told Reuters. “Each woman owned a motorcycle, but was alone.”

Hsaini reached out to her and others. “She looked for us on social media and found every person in the area. Then she sent messages asking why we were so far from each other.”

Now the women gather regularly to ride their motorcycles along Tunisia’s scenic coastal roads, past Roman ruins and through endless stretches of olive groves. They pause along the way to take selfies with their bikes, and with one another.

source/content: thenationalnews.com

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Chaima Ben Ammou, member of a women’s-only motorcycle club, cleans her bike at her shop in Nabeul‎, Tunisia. Reuters

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TUNISIA

Saudi Arabia Declares ‘Feb. 10th – Arabian Leopard Day’

Saudi Arabia has declared Feb. 10 as “Arabian Leopard Day” in a bid to raise awareness of the endangered big cat.

The move, which was announced by the Council of Ministers last month, is part of the Kingdom’s efforts to protect the species, which is now classed as critically endangered, from extinction.

The Arabian leopard is the chief predator in Saudi Arabia and plays a major role in the Kingdom’s culture. But overhunting and a lack of natural prey means there are now fewer than 200 left in the wild.

In December 2020, Prince Badr Bin Farhan, the minister of culture and governor of the Royal Commission for AlUla, established the Global Fund to Protect the Arabian Leopard from Extinction in the Sharaan Nature Reserve. Its aim is to sustain the leopard population and its prey, and protect its natural habitat.

Images of the Arabian Leopard were projected onto buildings and monuments across Saudi Arabia and the UAE on Feb.10.

In recent years, the commission and the National Center for Wildlife have been working on a number of initiatives to protect the big cat. Among these is expanding a breeding program within the Sharaan reserve.

Also, last year, Princess Reema bint Bandar Al-Saud, Saudi Arabia’s ambassador to the US, launched the nonprofit foundation Catmosphere to raise awareness of the many endangered cat species around the world, including the Arabian leopard.

The Kingdom also works closely with Panthera, which is devoted to the conservation of the world’s wild cat species.

The Arabian leopard lives in high mountains and is native to Saudi Arabia, Yemen, Oman and the UAE. Anyone found hunting the animal in the Kingdom faces a fine of SAR400,000 ($106,000) — rising to SAR30 million for repeat offenders — and up to 10 years in prison.

source/content: arabnews.com

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The Arabian leopard is the chief predator in Saudi Arabia and plays a major role in the Kingdom’s culture. (SPA)

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SAUDI ARABIA

Dubai Police Breaks World Record for ‘Largest Online Video Chain of People Passing Expo 2020 Pin’ : February 2022

The video chain features 265 people of different nationalities speaking various languages while passing the “Expo 2020 Dubai” pin in the Al Forsan Park at Expo 2020 Dubai.

The Dubai Police General Command and Expo 2020 Dubai received an official Guinness certificate in the presence of Reem bint Ibrahim Al Hashemy, Minister of State for International Cooperation and Director-General of the Expo 2020 Dubai Office; Major General Ahmed Mohammed Rafea, Assistant Commander-in-Chief of Dubai Police for Administrative Affairs; Brigadier Saleh Murad, Director of the General Department of Human Resources; and many officers and officials representing the various pavilions at the global event.

The event witnessed the participation of 265 people, 146 females and 119 males, from 193 nationalities of participating pavilions at Expo 2020 Dubai.

source/content: wam.ae

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DUBAI, UNITED ARAB EMIRATES (U.A.E)

First Egyptian Aviators: A Brief History

The first Egyptian aviator set out to fly from Berlin to Cairo on 25 January 1930 and arrived one day later on 26 January, now celebrated as Egypt’s National Civil Aviation Day.

Mohamed Sedki the Egyptian pilot who took off from Berlin, and went from one place to Europe with another plane until he arrived in Cairo on January 26, 1930 / pix: egyptian-gazette.com

One of the most intriguing chapters in Egyptian history records early attempts by the country’s aviators to fly solo from Mohamed Sedki the Egyptian pilot who took off from Berlin, and went from one place to Europe with another plane until he arrived in Cairo on January 26, 1930Europe to Egypt, with 26 January, Egypt’s National Civil Aviation Day, marking the first successful flight of Egyptian pilot Mohamed Sedki from Berlin to Cairo in 1930.

Sedki’s success and earlier attempts earned the support of former king Fouad, always interested in supporting exploration and discoveries whether in the air or on land. But how much do we know today about these attempts and of the Egyptian pioneers who courageously flew these planes, sometimes risking their lives?

The successful attempt by Sedki in January 1930 to fly from Europe to Egypt was preceded by other unforgettable attempts.  

There were those by Ahmed Hassanein Pasha, a legendary figure in the history of aviation. Better known for his exploration of the Western Desert, he was one of the most powerful men in various governments under king Fouad and king Farouk and an adventurer at heart, attempting to fly from Europe to Egypt several times before 1930.

His wish was to fly from Egypt to London in a small plane across the Mediterranean. On his first attempt, he succeeded in flying over the Mediterranean, but a few hours later his plane crashed in southern France and was destroyed. However, Hassanein survived to continue to pursue his obsession, and he bought another small plane to fly again.

This time, the plane fell in Switzerland, but Hassanein once again escaped death and decided to buy a third plane and try again. On his third attempt, the plane fell in Italy, and Hassanein was so seriously injured that the Italian doctors that rescued him considered he had died. But according to the story told in celebrated journalist Mustafa Amin’s book Unforgotten Figures, Hassanein recalled the words of Egyptian poet laureate Ahmed Shawki and described himself as a layth or lion.

He started repeating the words “courage lion” to himself at the hospital in an attempt to defeat death. The words seemed to work magic, and he surprised his doctors with a speedy recovery despite his condition.

Whether true or not, the story speaks of Hassanein’s unrelenting spirit. Rather than give up on further attempts at flying after his near death, Hassanein made a fourth endeavour to fly to Europe. A few days after leaving the hospital, he bought a fourth plane. But half an hour before flying, one of the technicians boarded the plane to do a final check, and five minutes later the plane turned into a ball of fire, with Hassanein watching in disbelief.

This was the fourth and last attempt that sealed Hassanein’s flying adventures and put an end to his aspirations.

The Egyptian Eagle

Hassanein’s plane was named Faiza after one of king Fouad’s daughters, also the name of the first plane that successfully crossed the Mediterranean to land in Egypt in 1930 piloted by “Egyptian Eagle” Mohamed Sedki.

The plane Sedki flew was a small one-seater that weighed 250 kg and had a 40 horsepower engine. Sedki used it to fly from Berlin to Alexandria, where he landed at the Abu Kir airport on 25 January. He had started his epic flight across Europe on 12 January, passing through the former Czechoslovakia, the former Yugoslavia, and Italy all the way to Egypt in unfavourable weather. Governor of Alexandria Hassan Sabry Pasha welcomed him at the Airport, before he flew again to Heliopolis Airport in Cairo, arriving on 26 January.

Sedki’s successful flight caused a sensation at the time, as thousands of people cheered him on at Heliopolis Airport, where a model plane made of flowers awaited him. Captain Goldsmith, in charge of the Abu Kir Airport at the time, exclaimed that Sedki’s was the smallest airplane he had ever set his eyes on. In Cairo, Sedki’s feat was celebrated at a formal ceremony that included representatives of king Fouad, such as Yehia Pasha, as well as prince Abbas Halim, prime minister Mustafa Al-Nahhas Pasha, minister of transport Mahmoud Al-Nokrashi, and the delegated German minister.

Kamal Elwi, another Egyptian pilot who had learned to fly before Sedki and whose private plane was the first registered plane in Egypt, was also present during the ceremony. It was graced by the presence of poet laureate Ahmed Shawki, the same poet who had earlier called Hassanein the lion. Sedki, Shawki said, was like a young Egyptian leader coming back from battle crowned with victory, adding that he saw in Sedki’s face the lines of a true ancient Egyptian, with this being the secret behind his courage.

His words chimed with the rising sense of Egyptian nationalism and pride in Egypt’s roots at a time of British colonisation, a pride that manifested itself in the literary sphere with works dedicated to Egypt’s past like Shawki’s own magnificent play The Death of Cleopatra.

The royal reception Sedki received was complemented by king Fouad’s awarding him the Gold Medal of Excellence and a gift of LE1,000 for his services to the nation. His successful flight also resulted in the establishment of the first club for Egyptian aviation in Cairo, which held another celebration for Sedki as Egypt’s first international pilot on 29 January 1930. Sedki was awarded a share in the club to the value of LE50.

Together with Kamal Elwy, and Talaat Harb, founder of the first Egyptian bank, Sedki called for the establishment of EgyptAir, Egypt’s first airline company. His success was considered a national feat at a time when the British were reluctant to allow Egypt to enter the field of aviation, since Britain had its own airline company operating in Egypt and did not want the competition.

One obstacle that Sedki encountered when trying to realise his dream was obtaining the approval of the British to fly to Egypt from abroad, an approval that he only obtained after long weeks of anticipation. Harb said during the celebration that before Sedki’s success, Egypt had been deprived of having its own pilots and its own national airports, but now that Sedki had debunked British claims that the Egyptians were unable to act as pilots, there was hope that they could be equal to other nations in the field of aviation.

A series of domestic flights followed Sedki’s international flight as he flew to Upper Egypt, first to Luxor and then to Aswan before flying back to Luxor. From there, he flew to Minya and Assiut on 27 March. Yet, for all this, Sedki did not stay in the limelight for long, and on 27 June that same year he flew back to Germany, claiming that the government in Egypt had not given him the proper appreciation, offering him a minor post with a meagre salary and barely enough to look after his plane.

He rejected the job offer and left Egypt from Heliopolis Airport, the same one where he had received a hearty welcome on his successful arrival earlier the same year.

Graduate Number 34

Al-Nadi /pix: english.ahram.org.eg

Between Sedki’s solo flight in 1930 and 1933, 33 male pilots graduated from Egypt’s School of Aviation. But graduate number 34 was certainly different, as this time the graduate was Lotfia Al-Nadi, the first Egyptian and African woman aviator to earn a pilot’s licence after US pilot Amelia Earhart with whom she exchanged letters.

In a later interview explaining her decision to train as a pilot, Al-Nady said that “I was young, eager to learn things and to accomplish something, but there were few directions that I could pursue. I read about a programme for flying that was being established,” and this was invitation enough for her to join. She was 26 when she flew her first plane from Alexandria to Cairo after training for just 67 days.

However, Al-Nadi’s career as a pilot was not an easy one. She had a reluctant mother and an initially unsupportive father, and she had to find a way to afford her flying lessons and to take them secretly. Kamal Elwy, the then director of EgyptAir, offered her a job as a telephone operator and secretary with the company, and Al-Nadi used her salary to pay for flying classes. Her secret was later revealed when her father saw a picture of her in the international press.

She was finally able to appease her father and earn his support when she took him as her first passenger on a ride above Cairo and around the Pyramids. “I took my father for a flight,” she later said. “At first, he sat stiffly, but then I noticed that his head was swiveling to the right and left. I asked him about it after we landed, and he told me he had been frightened, but then he had decided that he was in the hands of his daughter. He knew that if we crashed, we would crash together, so he relaxed and began to enjoy the flight.”

Al-Nadi’s singular career was undertaken at a moment that overlapped with the fight for women’s rights in Egypt and for women’s rights to education. Not surprisingly, Hoda Shaarawi, the famous Egyptian feminist leader of the time, honoured Al-Nadi and held a fundraising drive for her so that she could buy a plane of her own.

Among her adventures, Al-Nadi recalls how on one occasion her engine failed and she had to land in the desert where she was helped by Bedouin and given a bony mule to ride on her way back to Cairo. “I often laughed that the mule was more dependable than my Moth airplane,” she said.

Sadly, Al-Nadi’s remarkable aviation career ended abruptly in the early 1950s when she had a tragic accident while landing that left her with a broken spine. She left Egypt for Switzerland for a long period of treatment, remaining in the country for many years. Eventually, she was awarded Swiss nationality.

In 1989, Al-Nady was given the Order of Merit, the highest distinction of the Egyptian Aerospace Education Organisation. She returned to Egypt permanently, dying in the country in 2002 at the age of 95. Today, she is considered to have opened the way for other women pilots, among them Linda Masoud, the first female pilot coach, and Aziza Moharram, the first female director of the Aviation Academy, not to mention other pilots like Dina Al-Sawy, Hasnaa Taymour, and Heba Darwish.

Less well known than Al-Nadi, yet equally important to the history of Egyptian aviation is Esmat Ahmed Fouad, another woman who learnt to fly but did not obtain a pilot’s license.

Esmat’s story remains inspiring because she joined the School of Aviation and was flying at the age of just 14. Her two sisters, Kadreya and Aisha, followed suit and also learnt to fly. But the three sisters could not obtain pilot’s licenses as they were under the age of 17. They did not pursue flying careers, which is why in his book Civil Aviation in Egypt author Abdel-Latif Al-Sabbagh considers Al-Nadi to be the real pioneer of Egypt’s women aviators.

EgyptAir

The stories of individual endeavours to fly solo internationally interweave with the story of commercial flights in Egypt and the attempt to establish the national airline Egypt Air.

In 1924, the Ministry of Transportation formed a committee to launch commercial flights in Egypt, and this suggested the establishment of the Egyptian Civil Aviation Authority (ECAA), whose mission would be to oversee air navigation and the country’s newly established airports. The project was highly acclaimed at the time, as it was needed to organise the arrival and departure of international planes. It was planned to establish the ECAA within five years.

In the same year, a group of Egyptian businessmen headed by Hassan Anis Pasha started to establish a company for commercial flights in Egypt. After much searching for the right types of plane, they recommended one made entirely of metal with three engines and the capacity to carry 12 passengers and two tons of merchandise. This project signalled the establishment of EgyptAir, Egypt’s national airline. In 1927, the government established the ECAA, and between 1927 and 1929 it sent three missions to train abroad.

EgyptAir was not formally established until 1931, when, thanks to the Egyptian young people who had received their training abroad, the idea of civil aviation eventually saw a revival after years of stagnation. Almaza Airport, the country’s first, was established in the same year — the earlier Heliopolis Airport mainly served the British air force, and other flights were not allowed to use it.

The history of civil aviation in Egypt is an inspiring one, a story of persistence, hope, and freedom for a whole country to have the right to fly. Stories of Egypt’s early aviators cannot fail to make future flights with EgyptAir more meaningful, and they deserve to be commemorated in a national museum dedicated to civil aviation, something which at present does not exist.

It is perhaps high time we thought of establishing such a museum in order to remind ourselves of the meaning of National Civil Aviation Day and to keep the day alive.

*A version of this article appears in print in the 3 February, 2022 edition of Al-Ahram Weekly.

source/content: english.ahram.org.eg / Sally Abed

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pix : egyptian-gazette.com

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