Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
Read on for a list of regional female filmmakers who have been taking the industry by storm.
Farida Khelfa
Farida Khelfa is an Algerian-French documentary filmmaker. She is currently set to release a new film titled “From The Other Side of the Veil” that aims to dismantle misconceptions and stereotypes that often surround Arab women.
Kaouther Ben Hania
The Tunisian filmmaker made headlines in the film industry after her critically acclaimed movie “The Man Who Sold His Skin” was shortlisted for the Oscar’s Best International Feature Film award this year.
Ayten Amin
The Egyptian director has long chronicled the lives of women in modern Egypt. Her feature film “Souad” was selected for the cancelled 2020 Cannes Film Festival.
Danielle Arbid
Danielle Arbid is a Lebanese filmmaker. Her work has screened at numerous film festivals in France and the rest of the world, including New York, San Francisco, Tokyo and more.
Annemarie Jacir
The Palestinian filmmaker has written, produced and directed award-winning films such as “A Post Oslo History.” Her movie “Wajib” (2017) won her 18 international awards.
Nujoom Al-Ghanem
The Emirati filmmaker, writer and poet had to overcome societal stigma and family disapproval to make it. She defied the odds and produced films such as “Amal” (2011) and “Sounds of the Sea” (2015).
In a career spanning decades, Iraqi-born Sadiq has shown her creations worldwide and dressed the stars, but she remains rooted in the traditions of her homeland.
With verses from love poems and flowing calligraphy, Jordan-based fashion designer Hana Sadiq stitches a testament to the beauty of Arab women.
The artistic handwriting of Arabic script dominates her embroidered modern designs, with poetry or letters scattered in bright colours.
She uses various calligraphic styles, from the elaborate Diwani to the curving Thuluth and features on some of her outfits the lines of renowned Arab poets including Mahmoud Darwish and Nizar Qabbani.
“Arabic calligraphy is the most beautiful,” says Sadiq, 72, showing off her love of jewellery with strings of beads around her neck, dangling earrings, and unusual stone rings.
At her home workshop in downtown Amman, Sadiq notes that the earliest writing was born several millennia before Christ in what is now Iraq, arguing that it was a place “without which all the other civilisations would not have existed”.
Sadiq has split her time between Amman and Paris since 1982, having both French and Jordanian nationality as well as Iraqi citizenship.
‘How beautiful she is’
She has exhibited from Europe to the United States as well as the Middle East, returning home with an extensive collection of antique silver ornaments, along with thousands of pieces of Arab textiles and costumes.
Her kaftans, traditional robes, feature bright and stunning colours. They reflect the influence of her grandmother who wore a traditional Iraqi “Hashemite dress” and walked “elegantly like a peacock”.
The folk outfit is made of very thin fabric with wide sleeves and transparent sides, decorated with beautiful floral ornaments, golden or silver, on a black base. It was the favourite of Iraqi women in the 1950s and 60s.
Sadiq traces her interest in fashion to her childhood, when she would visit her grandfather’s textile shop in Baghdad.
She went on to design for celebrities and royals, including Jordan’s Queen Rania and Queen Noor. But whoever the client, her work has been guided by pride in the Arab woman’s femininity.
Unlike more revealing Western fashion, her designs envelope the woman’s body, “but it shows high femininity,” says Sadiq, who is also the author of a book, “Arab Costumes and Jewelry, a Legacy without Borders”.
She argues that Western clothes are not the best fit for the bodies of Arab women but have spread to the region anyway. “Unfortunately this is the result of globalisation,” she says.
“What matters to me, in all my work, is that the woman remains female and that a man is attracted to her as a female,” she adds. “Which means when a woman passes in front of him, he must notice and see how beautiful she is.”
Her kaftans, traditional robes, feature bright and stunning colours, reflecting the influence of her grandmother who wore a traditional Iraqi Hashemite dress and walked “elegantly like a peacock”.
Students from different UAE schools are being mentored in the space camp by celebrated names in space exploration and science, including Nasa astronauts and scientists.
Loud cheers echoed across the auditorium of a Dubai school campus on Tuesday as it made to the Guinness World Records .
The Innoventures Education group of schools set a record for conducting the world’s largest space exploration lesson (multiple venues) with 2,000 students from its five schools during the ‘Space 2101’ space camp where pupils from UAE schools have convened.
Poonam Bhojani, CEO, Innoventures Education, said: “We are delighted with the record for the maximum number of attendees in a Stem lesson across multiple venues. There were 108 nationalities of students who attended this course.”
The space camp, being held from October 17-21 at Dubai International Academy (DIA), Al Barsha, is seeing students from different UAE schools being mentored by celebrated names in space exploration and science, including Nasa astronauts and scientists.
At the camp, students can design experiments which stand a chance of being conducted in space. They can also have the schematic of their design printed and signed by the visiting astronauts and scientists as a keepsake.
Innoventures Education has partnered with Starlight Education, to offer students between 12 to 18 years at the camp a unique opportunity to design a sustainable habitat together with real astronauts and high-achieving scientists from around the world. The five-day programme will help students build critical thinking, leadership and teamwork, presentation techniques, and help build Stem skills as well as in-depth knowledge of designing space habitats that are fit for human wellbeing.
Hitesh Bhagat, principal, DIA, EH said: “The Space 2101 initiative, which has been going on around the world, has a strong good connection with the UAE’s space programme. The initiative is all about giving a different learning environment to our students where they can interact with experts.”
Students delighted to enter the records book
Students at the camp are getting to learn about real-world Stem skills like 3D design, coding, robotics and other industry-linked content. Ayesha Aldaboos, Grade 9 Emirati student at the Collegiate International School (CIS) said: “The programme taught me about other options in the science field. When I was younger (in junior classes), I always wanted to do something in the field of space. I don’t think I have the guts to become an astronaut, but maybe working at Nasa would be really nice.”
Raffles International School Year 8 student Mohammed said: “We are delighted that we’ve managed to enter the Guinness World Records. This camp has been fun, I made new friends and interacted with a lot of people from other schools. I also learnt about a new app that is being used for coding.
Ellen from DIA, said: “I used to hear about the Guinness World Records all the time, so it was exciting to be a part of this record-breaking achievement. While interacting with astronauts I got a chance to ask questions that have always intrigued me. I also learnt about computer aided design (CAD) and 3D modelling. I want to learn coding, and when I grow up I want to work for myself not for others.”
The Abu Dhabi Arabic Language Centre (ALC) launched a series of music books at Frankfurt Book Fair 2022.
Consisting of a number of publications, the series is a notable addition to the ALC’s roster of publications and focusses on Emirati and Arab singing and music.
It includes biographies of artists Eid Al-Faraj and Ibrahim Jumaa written by author Ibrahim Al-Hashemi, a book on Umm Kulthum’s reasons for selecting the poems she sang, alongside a variety of other titles, including educational books.
The launch ceremony was attended by Dr. Ali bin Tamim, Chairman of the ALC, and Saeed Hamdan Al Tunaiji, Acting Executive Director of the ALC and Director of the Abu Dhabi International Book Fair (ADIBF), along with media representatives and book enthusiasts.
“The Abu Dhabi Arabic Language Centre continues to drive the advancement of the Arabic language and enrich the Arabic library with original titles in an effort to encourage creativity and support authors,” said Al Tunaiji. “The series of music books we have launched is a means to shed renewed light on music and singing in the region. For the first time, the series presents biographies of musical pioneers in the UAE, in addition to documenting traditional performing arts and exploring new perspectives on Arabic singing by experts.”
The series includes two books from the ‘Pioneers Among Us’ initiative, where poet and writer Ibrahim Al-Hashemi documents the life of Eid Al-Faraj, a singer, composer, and poet. The first biography of its kind for this artist, it chronicles Al-Faraj’s journey from birth through childhood, education, and various stages of his career until the present time, illustrated by a collection of photographs.
In the second book, Ibrahim Jumaa: The Etheric Melody of the Sea, Al-Hashemi presents the life and achievements of a pioneer of music and composition in the UAE, and documents the songs and poems he wrote, composed, and presented at festivals and special occasions. The publication features photographs from Jumaa’s life, showcasing the awards and honours he received during his career.
“This music book collection completes the book series we previously launched at the Abu Dhabi Arabic Language Centre,” added Al Tunaiji. “These works, wherein Emirati authors document the lives and professional careers of UAE musical pioneers, will greatly enrich the regional cultural scene and promote more in-depth research into the UAE’s musical heritage. The series offers a new perspective on Arab musical heritage, which is sure to spark new dialogue around it.”
The collection includes Dr. Hamad bin Sarai’s book Wahhabi Art: Kinetic and Verbal Performance from Emirati Folklore, which consists of field research documenting a form of folk performance art closely related to the agricultural environment, through interviews with people who practice the art form.
Meanwhile, the Encyclopaedia of Sung Poems, compiled by researcher Dr. Hammad Al Khatri, includes poems sung in the UAE, which are usually closer to popular taste and extend deep into the history of the community. The poems address phenomena and symbols from the surrounding environment and embody authentic Emirati vocabulary that expresses the culture of the people.
In the book Folk Songs for Children and Women in the United Arab Emirates, Dr. Fatima Al Mazrouei tries to remedy the lack of documentation of traditional folk songs, especially in the emirate of Abu Dhabi, where she collected many songs for her book which were never previously featured in published songbooks. The author also sought to collect children’s songs – often referred to as ‘Al-Ragousat’ in Abu Dhabi – in addition to songs about names, especially girls’ names.
Writing about the connection between Umm Kulthum and Arabic poetry, Dr. Ahmed Youssef Ali’s book Umm Kulthum: Poetry and Singing chronicles the legendary singer’s efforts to elevate Arabic song by performing the works of some of the greatest poets of her time and before. Umm Kulthum had a modest upbringing, only receiving religious education and being taught traditional culture, but her exceptional taste allowed her to select the poetic texts that would best serve her songs, sometimes rearranging the verses for the greatest effect.
Egyptian composer and researcher Hassan Zaki Shehata sheds light on four composers whose works have achieved tremendous success and fame in his book Rhythms of Light: A Musical Biography of Four of the Geniuses of Oriental Melody, where he analyses the works of Ahmed Sedqi, Abdel Azim Abdel Haq, Mahmoud Al Sharif, and Ali Ismail.
The collection also presents two books by composer and music researcher Muhammad Saeed Hegab. ‘The Flute: A Morsel of Cane with a Scent of Legends traces the history of the flute in an attempt to separate reality from the myths that were associated with the instrument in ancient times. The author lists the various forms of the flute and the phonetic differences between them, highlights the importance of the flute in different cultures, and explains how the instrument is manufactured and played. Meanwhile, Hegab’s The World of Bowed Instruments traces the history of string-based, bow-using instruments back to their beginnings and explores the evolution of the various families of bowed instruments. The book focusses on the instruments’ use in the musical traditions of the Arab region and similar traditions in neighbouring cultures, offering an overview of how they are made and played.
In Iraqi Musical Heritage and Civilisational Communication, Dr. Muhammad Hussein Kamer, a professor of sciences and musical theory and an expert in the al-gouza and Iraqi maqam instruments, explores the subjects of cultural communication, the connection between modern and traditional music, music education, and music learning in schools. The author discusses traditional Iraqi music, focussing on the al-gouza instrument, and offers detailed studies on the Iraqi maqam, its history, types, and characteristics.
Music researcher Bassam Abdel-Sattar’s educational book The Qanun Instrument includes an introduction to the oriental instrument and its components, highlights its role in the traditional school of music, details its musical range. The publication includes lessons and technical exercises for playing the instrument, as well as a practical guide directed at musicians who play the qanun or are looking to learn it.
The collection also features The Medium in the Rules and Theories of Arabic Music, a theoretical and applied study of the rules and theories of Arabic music, written by Egyptian author Ahmed Youssef Al-Taweel, Professor and Vice Dean of the Higher Institute of Arabic Music at the Academy of Arts.
The History of Music in Arabia and Andalusia, written by Julian Ribera and translated by Hussein Hassan, is being reprinted. The book highlights the role of the Muslims of Andalusia in preserving music and passing it down to later generations, where its legacy inspired numerous European musicians.
The Egyptian Chamber of Commerce in Alexandria, the first in Egypt and Africa, is celebrating its centenary, reports Ameera Fouad.
It has been 100 years of success, 100 years of international and local relations, 100 years of developing markets and companies, 100 years of trade agreements, and 100 years of boosting made-in-Egypt products.
The Egyptian Chamber of Commerce in Alexandria is celebrating its centenary this year, having been established in April 1922. It was the first national chamber of commerce to be established in Egypt, Africa, and the Arab region. Situated near the Raml Station in Alexandria, it acts as a national economic and business institution that fosters economic and business development in Alexandria and the Arab and Mediterranean region.
The idea of setting up the chamber developed after the 1919 Revolution, which demanded the freedom and independence of Egypt’s industry and commerce. With the agreement of traders and industrialists, the chamber’s first board members were elected in 1922.
Its first elected president was businessman Mohamed Effendi Tawfik. According to a report published by the chamber, 129 members joined it when it was founded, a large number, and in addition to the president 15 board members were elected.
The centenary of the chamber coincides with the 40th anniversary of the foundation of the Federation of Mediterranean Chambers of Commerce (ESCAMI). This brings together more than 500 chambers from 23 countries overlooking the Mediterranean and more than 22 million companies. It is headed by Ahmed Al-Wakeel, president of the Chamber of Commerce in Alexandria.
The ESCAMI chambers implement regional projects financed by the EU with a budget of more than 180 million euros in the sectors of the food and textile industries, tourism, transport and logistics, new and renewable energy, environment and training for employment, regional development, transport and logistics, and the participation of workers abroad in the development of their countries. There is also a regional programme for the development of trade and investment.
At a press conference held to announce the centenary, Al-Wakeel said that the Alexandria chamber was working on automating all the services provided to its affiliates by the end of this year at a cost of LE7 million as part of the country’s larger commitment to digital transformation.
“The process includes the establishment of an electronic portal for the chamber, in addition to launching an electronic application on mobile phones,” Al-Wakeel said. He added that it also includes the internal systems of chamber employees and financial and administrative aspects.
The chamber has begun to provide online services to its members, such as obtaining certificates and getting acquainted with the laws that regulate the business environment as well as regulations and tenders. In terms of financial inclusion and the electronic transformation, the chamber is currently studying ideas for signing a protocol with an electronic payments company.
During the press conference, Al-Wakeel stressed the leading role played by the software industry, not only at the level of the Egyptian market, but also globally in the light of the availability of suitably qualified professionals. “Our professionals compete globally and are considered one of the sources of our national income,” he added.
He also highlighted the importance of updating the laws on intellectual property rights in Egypt after the launch of the Egyptian Strategy for Intellectual Property, which guarantees the rights of companies and individuals.
DEVELOPMENT ROLE: One of the core roles the chamber undertook just after its establishment was to resolve the economic problems that resulted from World War I.
“Among these problems were the lack of sugar in the markets, the tram tariffs, the issue of reducing freight fees and freight for ships and railways, and reducing floor fees and many more,” said Ahmed Sakr, a board member of the chamber.
“The then council addressed all these problems to meet contemporary concerns and needs.”
Since its establishment, the chamber has paid special attention to fostering and developing national industry and made-in-Egypt products. In 1940, it held its first permanent exhibition for national industries in Said Al-Awal Street in Alexandria. Then king Farouk visited the exhibition and hailed it as a success.
To hold the exhibition, the chamber made an agreement with Banque Misr to allow exhibitors participating in it to pay an interest rate on loans for exhibitions not exceeding two or three per cent. This succeeded in encouraging and assisting manufacturers and Egyptian-made products at the time.
A hundred years on, the chamber is still keen on taking the necessary steps to cope with global developments and the environmental changes associated with the climate change crisis. “The chamber is one of the first buildings that uses solar energy in its historic building in the Raml Station area,” Sakr added.
The chamber also uses solar energy in the wholesale market in the Ameriya district, making it the first of its kind in the world to operate on solar energy. The market was opened last February in the presence of Ali Moselhi, the minister of supply, Mohamed Al-Sharif, the governor of Alexandria, and Christian Berger, the EU ambassador to Egypt.
“We are always striving to play our important role in terms of social responsibility and sustainable development,” Sakr said.
WOMEN’S ROLE: Realising the important role that youth and women play in the economic sector, the chamber has helped strengthen their roles in society.
It activated an amendment introduced to the chambers law in 2002 that allowed the election of women as board members of the Chambers of Commerce. In 2015, the chamber established its first committee for businesswomen to represent female entrepreneurs and others. The committee aims at helping them to solve their problems and providing them with opportunities and workshops that can help them to promote their own businesses.
In an interview with Al-Ahram Weekly, Al-Wakeel stressed the importance of women’s participation in the economy and comprehensive social and economic development. “It is an essential role that works to enhance Egypt’s long-term prosperity and stability,” he said.
He expressed his hope for more cooperation with embassies and other chambers in the field of women’s economic empowerment. The chamber is seeking networking opportunities and shared experiences with other countries in order to achieve a women’s economic renaissance and an effective developmental footprint, he said.
Reem Siam, founder of the Economic Council for Businesswomen, reviewed the Alexandria Chamber’s actions over the past seven years, praising steps taken to support female entrepreneurs and the programmes that the chamber has sought to implement in the wake of the Covid-19 pandemic.
Social responsibility: Many people relate the Chamber of Commerce only to industry and trade. But it also plays an important role in society and in facing up to many economic and other challenges.
“We have faced two major problems, a deadly pandemic and now the Russian-Ukrainian War, in just one decade,” Sakr told the Weekly. “But at the same time, we are working tirelessly for the sake of members and the wider population so that the markets will remain stocked with products.
“No one expected that the Russian-Ukrainian war would affect the Egyptian economy in the way that it has, especially the tourism sector. We must open new markets, encourage more types of tourism, and seek new opportunities in every sector,” he said.
In response to the high prices of commodities and high inflation, the chamber last month inaugurated a Food Commodities Exhibition under the auspices of the Northern Military Region, the Alexandria Governorate, and the Ministry of Supply.
The exhibition offers food commodities at discounted prices ranging from 10 to 30 per cent off at the General Abdel-Moneim Riad Complex on the Agricultural Road in the Smouha district of Alexandria.
It is divided into 50 sections with the participation of 35 exhibitors and offers discounts on various products. Companies affiliated to the Food Industries Holding Company of the Ministry of Supply, some major commercial chains, fresh and processed meat and poultry companies, and various food commodity companies have all participated in the exhibition.
“We believe that crises serve as catalysts for major transformations. The present anniversary marks an important point in history where everybody in the chamber is trying out innovative methods using digital technologies, open data, and citizen engagement for the greater welfare of our country,” Sakr concluded.
*A version of this article appears in print in the 13 October, 2022 edition of Al-Ahram Weekly.
Three Palestinian libraries in East Jerusalem are involved in a project to index and restore manuscripts dating back hundreds of years, some to the 12th century.
Funded by the Aliph Foundation (International Alliance for the Protection of Heritage in Conflict Areas), the project aims to preserve the manuscripts at a controlled temperature and humidity to preserve them from damage, while cataloguing them electronically for presentation on the Internet.
Khader Salameh, director of the Khalidi Library, told Al-Fanar Media that the manuscripts are part of the heritage and history of the Palestinian people. They tell the culture and customs of a wide range of people and reflect their lifestyles and ways of thinking, he said.
Biographies of Jerusalem Families
The bulk of the manuscripts and documents represent the biographies of families living in Jerusalem between 1896 and 1930 from newspapers, magazines and handwritten documents.
Salameh said the project aimed to link civil, personal, and family libraries in Jerusalem with each other to help researchers find manuscripts and archival documents. The three libraries embody “the collective history of the people of the city of Jerusalem,” he said.
The Khalidi Library was founded in 1900 and is the first Arab public library established by private initiative in Palestine. It is located in the Old City of Jerusalem and has resisted attempts to seize the property since 1967, thanks to the efforts of the Khalidi family in Jerusalem and abroad.
The bulk of the manuscripts and documents represent the biographies of families living in Jerusalem between 1896 and 1930 from newspapers, magazines and handwritten documents.
The preservation team is currently working on indexing these documents. They include papers describing the first prayers arranged for women inside the Dome of the Rock at Al-Aqsa Mosque in 1952, and older documents—including one about the tombs of three warrior princes who participated in the liberation of Jerusalem from the Crusaders during the 12th and 13th centuries.
Lack of Appropriate Conditions
Doaa Qirsh, director of projects at the Issaf Nashahshibi Center, told Al-Fanar Media that the project’s documents and 500 manuscripts often relate to Jerusalem families, and particularly involve Islamic law and Arabic literature.
In Palestine and Jerusalem in particular, she said, there are thousands of ancient manuscripts in the collections of Islamic endowments or family libraries.
Qirsh, who is also the center’s librarian, said most of these manuscripts suffer from wear and tear and lack appropriate conditions for preservation.
“This has necessitated the establishment of several laboratories for restoration, the most important of which are the Manuscripts Restoration Center of the Islamic Endowments Department inside the Haram al-Sharif (Temple Mount), another in Abu Dis, in East Jerusalem, and a new laboratory in the Khalidi Library.”
According to Qirsh, coordination between the libraries will help them provide a cultural service to the Jerusalem public and researchers.
The Issaf Nashashibi Center’s library is the only Palestinian public library in East Jerusalem regularly open to the public, she said. Other libraries in the city are not permanently open because of lack of resources.
The Restoration Process
Rami Salameh, who is in charge of restoring the manuscripts, said they first had to be documented and examined to see if they needed restoration.
If they require restoration, the first stage is mechanical cleaning using soft brushes and special sponges. Some manuscripts also need washing with a solution of alcohol and water, carefully mixed so that the ink used in the manuscript does not dissolve. The final step is binding.
“We cannot restore all manuscripts because it takes time and financial support,” Rami Salameh said. “Therefore, we chose only 20 manuscripts to restore because of their relationship to the Holy City and the number of their papers.”
Salameh is carrying out this work in the Manuscript Restoration Laboratory at the Khalidi Library. The limited budget means he cannot always employ additional professional restoration staff.
“There are thousands of manuscripts that need restoration to preserve them from extinction,” he said.
Documents in the Khalidi Library’s Collection
Shaima Al-Budairi, digital librarian at the Khalidi Library, told Al-Fanar Media that the paper in some manuscripts had degraded through being stored in damp places. Indexing and restoring them will protect them from further damage, she said.
‘Exceptional Importance’
Mufid Jalgoum, a professor of history at Al-Quds Open University, said the project was of “exceptional importance” because of the thousands of manuscripts the city holds.
Dozens of Jerusalem manuscripts were moved abroad after the Ottomans surrendered the city to Britain in 1917, Jalgoum said, and many more were taken after the Palestinian Nakba in 1948. “Zionist groups stole, at that time, what the Palestinian families had of books and libraries,” he said.
“Preserving the remaining manuscripts requires a restoration strategy and financial support from cultural institutions, so that this heritage becomes available to researchers and scholars,” Jalgoum said. Libraries should assist in the restoration and preservation, and the work must be done to international standards, he added.
Cultural institutions should attach particular importance to the establishment of a museum of Palestinian manuscripts in Jerusalem, Jalgoum said.
Such a facility, he said, would protect against what he considered to be “an attempt to get rid of the written narrative as archaeological, historical, geographical and social evidence about the history of the Holy City.”
Three Palestinian libraries in East Jerusalem are involved in a project to index and restore documents that tell the stories of families living there more than a century ago. Above, a group of visitors in the Khalidi Library. (Photos via Facebook)
‘The Sandman’ star will be the face of its women’s collections in the Middle East.
Building on an already stellar year, Lebanese British actress Razane Jammal has been announced as Dior’s latest ambassador. She will be the face of its women’s collections in the Middle East.
The announcement was complemented by a fashion shoot featuring Jammal in some of the house’s latest creations. She is no stranger to the world of high fashion — the actress was previously an ambassador for Chanel.
“I’m so unbelievably excited to finally announce that I will be joining Dior as a brand ambassador in the Middle East,” Jammal wrote on Instagram.
“Ever since I joined the fashion community, I wanted to collaborate with people I can truly grow with, to join a family that I value as much as it values me. It’s been a long journey but I can confidently say I’ve found my home.
“This is the start of a wonderful collaboration. I cannot wait to embody the timeless creations of @mariagraziachiuri.”
This is yet another mark of Jammal’s upward trajectory. She stars in the highest-grossing film in Egyptian history, Kira & El Gin, and is one of the key characters in Netflix’s hugely popular new show The Sandman.
“It’s been a very crazy couple of years,” she told The National in a recent interview. “But I’m very happy that the hard work has paid off.”
Fluent in Arabic, French and English, Jammal’s first serious foray into acting was in the French-German feature Carlos in 2010. This was followed by Cruel Summer in 2012, a short film by Kanye West, and then Une histoire de fou in 2014 by director Robert Guediguian. All three projects had their world premiere at the Cannes Film Festival.
Based on 1919, the novel by Egyptian writer Ahmed Mourad, and directed by Marwan Hamed, Kira & El Gin is an action drama that chronicles the 1919 revolution against the British occupation of Egypt and Sudan.
The Sandman is based on Neil Gaiman’s groundbreaking graphic novel series.
The experience has been a bittersweet one for Jammal, she told The National, as her mother died last year while The Sandman was being filmed.
“We were filming during Covid-19 in London. We were following very strict Covid-19 protocols and I wasn’t allowed to travel. So I didn’t go back home for eight months after losing my mum. My mum was the most important person in my life. She was a single mum, we had a very close relationship.”
France has made the Yemeni writer Ali Al-Muqri a knight of the French Order of Arts and Letters.
Al-Muqri recently received a letter from Roselyne Bachelot-Narquin, the French minister of culture, telling him that he was among the honorees chosen as members of the order this year.
Al-Muqri has been living in France at the invitation of the Arab World Institute since 2015, after fleeing the war in his home country. He had lived in Sana’a, the capital, which is now controlled by the Houthi rebel movement. People close to Al-Muqri have warned him he risked being pursued by the Houthis if he returned to Yemen.
The Order of Arts and Letters, one of four “ministerial orders” in France, is awarded to people who have distinguished themselves through artistic or literary creation or by contributing to the influence of arts and letters in France and the world. It has three ranks: commander, officer, and knight (chevalier).
Al-Muqri said in a telephone interview with Al-Fanar Media that he had not been aware of his candidacy for this order and was surprised by the letter.
He believes that his being named for the prestigious French order is “a tribute to Arabic literature, and a reward for writing a literary work that has its own narrative and cultural characteristics.”
He said Arabic literature was marginalized because it was rarely translated and he hoped his award would shed more light on it.
Novels and Prize Nominations
Ali Al-Muqri began his literary career as a cultural editor for several Yemeni publications before beginning to write prose, poetry and novels himself. His works have been translated into French, English, Italian, Kurdish and Persian.
“Black Taste, Black Odour” and “The Handsome Jew” were longlisted for the International Prize for Arabic Fiction in 2009 and 2011, and “Hurma”, in its French translation, won an honourable mention from the Arab World Institute Prize for Fiction and the French prize for Arabic literature. “Adani Incense” was shortlisted for the 2015 Sheikh Zayed Book Award.
Between Home and Exile
Despite his years in self-imposed exile in Paris and his freedom to write, “far from the guilt feelings that affected his literary works,” Al-Muqri said he still “experiences the hardships of alienation far from his homeland.”
“I live in double exile, and I miss every detail of my life in Yemen,” he said. “Where is the writing corner in my house in Sana’a, where I used to write my literary works, my books piled around me? I miss my habits and my rituals that were the primary motivator and the inspiration for my writing.”
Al-Muqri said that particular places in Yemen and the way of eating and drinking there gave a feeling of continuity that he misses.
The issues of Yemeni life inspired more than one of his novels, which he attributes to his constant endeavor to “explore the human self and evoke the causes of its anxiety through exposure to the problems facing people, whether they are in freedom of expression or because of discrimination against a person because of his colour, his sexual identity or because he was marginalized by a dictatorial authority.”
Al-Muqri said that he could write more in Yemen than he can in France. The war took him forcefully from his country and made him feel alienated and unable to get hold of the things that inspired and motivated him to write.
But that feeling has not prevented his ability to integrate with French society, he said. Thanks to his personal experience and knowledge of European culture, he has been able to adapt and engage in his new life in the host country.
Yemeni Literature in Wartime
Al-Muqri said most Yemeni writers and authors had lost their jobs because of the war and many of them had resorted to other types of work so they could continue to live.
Most were no longer able to obtain the basic requirements of life, such as electricity, clean water, or a regular salary. Al-Muqri said the absence of these things “makes any writer or author unable to write and think.”
The war has greatly hindered literary life in his country, Al-Muqri said, but it remains active despite the restrictions and censorship imposed by the authorities.
Al-Muqri said he was working on a new novel. He hopes to continue writing “in freedom and safety” and to return to Yemen after the situation stabilizes.
Ali Al-Muqri has lived in France since 2015. He hopes the honour he has won there will draw more attention to Arabic literature in translation. (Photo courtesy of Ali Al-Maqri)
Massimo Bottura, Niko Romito, Yannick Alleno, Heston Blumenthal, Clare Smyth and Anne-Sophie Pic are the big culinary names she’s ranked alongside on the top 100 list for this year’s The Best Chef Awards.
“The people on this list are actual living legends in the culinary field, so for me to be on it at all is amazing,” she tells The National.
“What I’m currently doing is trying to put Middle Eastern cuisine on a global scale, so for me to be the only Arab on this list means I’m taking one step forward to doing that and to give our cuisine its moment in the spotlight and its culinary renaissance.”
Not only is Bashmi the only Arab, she’s also one of only 18 women who have made it on to this list of 100 culinary talents across the globe.
She ranked 93rd, but says the number didn’t “really matter” to her. “Going into this, I had no idea if I was going to make this list,” she says. “I’m from a small island that doesn’t get much exposure, so for me to get this is amazing.”
At the event, which was held at the Crystal Gallery of the Palacio de Cibeles, in Spain’s capital, she met some of her all-time heroes. This includes Andoni Luis Aduriz, a Spanish chef who ranked number five and picked up the award for The Best Science Chef Award. Bashmi describes him as “humble, down to earth and very focused on what matters in this industry rather than distractions around, which I really admire”.
Spain’s Dabiz Munoz picked up the top accolade of The Best Chef for a second consecutive year for his work at DiverXO restaurant in Madrid. Noma’s Rene Redzepi came second, while Spain’s Joan Roca i Fontane rounded out the top three.
Bashmi, who heads The Gulf Hotel Bahrain’s well-regarded restaurant Fusions by Tala, is no stranger to culinary accolades, having picked up her award for Best Female Chef in the region in Abu Dhabi this February. Her restaurant also ranked 39th on the first list of Mena’s 50 Best Restaurants.
She inherited an interest in cuisine and cultural identity from her father through his in-depth knowledge of the ingredients used. She then used this interest to launch Baked by T, before joining the Culinary Arts Academy in Lucerne, Switzerland.
Staying in the central European country, she had roles at the Grand Hotel Les Trois Rois in Basel and the Michelin-starred restaurant Prisma in Vitznau, where she learnt more about restaurant operations, as well as working in fast-paced kitchen environments.
Since returning to the Mena region, Bashmi has competed on MBC’s Top Chef Middle East television show in 2020, where she reached the finals.
In 2017, she took over the helm at Fusions by Tala, where she makes modern interpretations of Bahraini dishes, including the standout bamia, a traditional okra and meat stew, for which she uses Wagyu beef cheek, crispy okra glass and tomato broth rice.
“I try to appeal to every audience from every country, in a sense of bringing them back to a state of nostalgia,” she has previously said of her approach. Bashmi might do this through any of our senses, such as when she adds a campfire aroma to the Saudi-Bahraini dessert aseeda to evoke memories of camping, whether in the desert or the forest.
“I feel like this is still the beginning for me,” she says of her latest achievement. “People haven’t seen what came before, what led to today, so every time something is achieved, it’s a new beginning and opens new doors to opportunities I hadn’t even thought of.
Mohammad Abdullah Al Gergawi, Minister of Cabinet Affairs, Chairman of the Committee leading Great Arab Minds, and Secretary-General of the Mohammed Bin Rashid Al Maktoum Global Initiatives (MBRGI), highlighted the details of “The Great Arab Minds” initiative.
Launched by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President, Prime Minister and Ruler of Dubai, in January 2022, the initiative is the Arab world’s largest movement designed to search for exceptional talents among Arab scientists, thinkers, and innovators across key fields.
The Great Arab Minds initiative, under the MBRGI, aims to identify, support and acknowledge leading thinkers in the region, amplify their impact and inspire future generations. One of its main purposes is to reduce the emigration of Arab scientists, specialists, intellectuals, doctors, and engineers.
He affirmed that “The Great Arab Minds” initiative reflect His Highness’ vision in reigniting the Arab World’s Civilisation Drive, support great Arab minds and acknowledge their work and achievements, in service of humanity.
Mohammad Al Gergawi pointed out the importance of the Arab Reading Challenge initiative launched by His Highness Sheikh Mohammed bin Rashid Al Maktoum, among many other development projects, serving more than 91 million beneficiaries.
A study conducted by KPMG, showed that ignorance costs the Arab world more than US$2 trillion. The Great Arab Minds initiative aims to change this reality and contribute to shaping a brighter future for Arab generations.
During an event organised in the Museum of the Future to announce the details of the initiative, Mohammad Al Gergawi witnessed the signing of four partnerships between “The Great Arab Minds” initiative and KPMG, LinkedIn, Meta, and Majarra.
The initiative’s mission is to search for exceptional talents among Arab scientists, thinkers, and innovators across key fields, aiming to identify, support and acknowledge leading thinkers in the region, amplify their impact and inspire future generations.
Over a 5-year period, “The Great Arab Minds” will reward scientists, thought leaders, scholars, and innovators across 6 categories: Natural Sciences (Physics and Chemistry), Medicine, Literature and Arts, Economics, Technology and Engineering, and Architecture & Design.
The initiative includes the “Mohammed bin Rashid Medal for Great Arab Minds”, which will be awarded to 6 winners of six categories each year.
The Great Arab Minds initiative aims to facilitate the recognition of Arab thought leaders, scholars, scientists, geniuses, and transforming their ideas to real-life breakthroughs and solutions. It also aims at empowering cluster of Arab scientists and thinkers and building a network of Arab thinkers, scientists, and exceptional talents in various fields to work as one team to drive the Arab world’s intellectual renaissance.
