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With more than 20,000 students, the Islamic University of Madinah has become a meeting place for the world’s diverse cultures.
The Islamic University of Madinah has entered the Guinness World Records for the second time for having more than 170 nationalities in its student body.
Talal Omar, the MENA director of the records reference book, handed the framed certificate bearing the new world record to the president of the university, Prince Dr. Mamdouh bin Saud bin Thunayan Al-Saud, in Madinah this week.
Opened by royal decree in 1961, the university first broke the record in 2016, but has overcome its own standard with another expansion in nationalities.
With more than 20,000 students studying in nine faculties, the Islamic university has become a meeting place for the world’s diverse cultures.
The Saudi government offers students from around the world full scholarships that cover the entire cost of education, accommodation and transportation.
Notable alumni include Sheikh Abdul Latif Derian, the grand mufti of Lebanon; Sheikh Khaled Hafiz, former advisor to the Muslim minority in New Zealand; Dr. Abdullah Hakim Quick, Canadian scholar and historian; Prince Saud bin Abdul Rahman bin Nasser, deputy governor of the Northern Borders region; Sheikh Mishary Al-Afasy, famous Qur’an reciter who is a specialist in the 10 readings; and Dr. Mohamed Jallow, a Senegalese Islamic preacher and author.
source/content: arabnews.com (headline edited)
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Prince Dr. Mamdouh bin Saud bin Thunayan Al-Saud (right), president of the Islamic University of Madinah, receiving the award from Talal Omar, MENA director of Guinness World Records. (Supplied)
Women referees will officiate matches at the men’s World Cup for the first time in Qatar this year, the sport’s governing body FIFA announced on Thursday.
Three women referees and three women assistant referees will be part of the global showpiece event in Qatar, which will be held from Nov. 21 to Dec. 18.
Referees Stephanie Frappart from France, Salima Mukansanga from Rwanda and Japan’s Yoshimi Yamashita, as well as assistant referees Neuza Back from Brazil, Karen Diaz Medina from Mexico and American Kathryn Nesbitt have all been called up.
A total of 36 referees, 69 assistant referees and 24 video match officials have been chosen by FIFA for the tournament.
“This concludes a long process that began several years ago with the deployment of female referees at FIFA men’s junior and senior tournaments,” said Pierluigi Collina, FIFA Referees Committee chairman.
“They deserve to be at the FIFA World Cup because they constantly perform at a really high level, and that’s the important factor for us.
“As always, the criteria we have used is ‘quality first’ and the selected match officials represent the highest level of refereeing worldwide.”
Frappart became the first female official to be involved in European Championship matches after UEFA included her in the list of referees for the tournament last year.
Cairo witnessed the seventh edition of the Cairo International Biennale of the Arabic Calligraphy Art under the auspices of Minister of Culture Ines Abdel-Dayem at the premises of Cairo Opera House.
Under the slogan ‘Pioneers and Renovators in 100 years (1922/2022)’, the biennale included a three-day seminar that ran from 6 to 9 June at El-Hanager Cinema that highlighted the most prominent figures of Arabic Calligraphy in Egypt and the Arab world as well as an art exhibition showcasing artistic gems of this Art from 125 countries represented by 15 artists at the Art Palace in the Cairo Opera House Complex that is running from 7 to 20 June.
Furthermore, the event established a new tradition of honouring artists and researchers for their achievements, and a side competition was held in the name of renowned Egyptian calligrapher Khedr El-Portsaidy — the founder of the Arabic Calligraphy Museum as well as the one who accredits and certifies Arabic calligraphers in Egypt.
In the opening session, Mohamed El-Baghdady — the general commissioner of the biennale — noted that this year marks the centenary jubilee of the establishment of Egypt’s first calligraphy school during the reign of king Fouad in 1922.
The session also included the presentation of a research paper written by Nahla Imam — country representative of Egypt at the 2003 Convention of Safeguarding the Intangible Heritage of UNESCO — who shared her experience in adding Arabic calligraphy knowledge, skills, and practice on UNESCO’s representative list of intangible cultural heritage in December 2021.
Mohamed Hassan Abu El-Khair — the first to innovate the ‘mashq’
The second day of sessions showcased the pioneers and renovators of such enchanting art.
The first paper was presented by researcher and calligrapher Mohamed El-Shafaai on passing down the practice of such art in Egypt, taking the family of Mohamed and Abdel-Aziz Abu El-Khair as an example, as the two are renowned Egyptian calligraphers that this year’s round was dedicated to.
He started off by revealing that the concept of passing down this form of art dates back to the pre-Islamic era, explaining that the initial idea behind Arabic calligraphy was transcription, and then the artistic element came later.
“During the pre-Islamic era, except for a small circle, very little knew how to write Arabic, and according to Abdalla Ibn Abbas, the first person to begin writing in Arabic in the tribe of Qureish was Harb Ibn Umaya — one of the masters of the tribe and the father of Sufian Ibn Harb.
The other key person in calligraphy art was El-Wazir Ibn Noqla, who was famous during the Abbasid Caliphate and inherited the art from his father El-Ali Ibn Hassan, explained El-Shafaai.
Mohamed Hassan Abu El-Khair was born in Cairo in 1921, he studied in Al-Azhar and then joined The School of Improving Calligraphy when he was only 17, where he was the top of his class and was taught by calligraphy masters such as Sheikh Fakhr El-Din, Sheikh Ali Badawi, and Mohamed Hosni El-Baba — the father of iconic Egyptian actress Soad Hosni to name but a few.
He excelled in El-Sulus and Reqaa calligraphy and soon became a professor of the art of calligraphy at Oum El-Qoura University in Mecca for 20 years.
“He was the first to innovate in the mashq (an educational manual technique) of the solos of Arabic calligraphy that are taught to fourth graders, where he started teaching students to write whole sentences from the beginning instead of focusing on letters with no context,” El-Shafaai added.
Abdel-Qader Al-Shihabi — the calligrapher of the Palestinian government
The second paper focused on Abdel-Qader Al-Shihabi — a Palestinian calligrapher — that was written by Farag Hussieny. Al-Shihabi is a renowned Palestinian calligrapher whose fame reached its peak during the first half of the 20th century and was known as the ‘calligrapher of the Palestinian government.’
“Born and raised in Jerusalem, Abdel-Qader Al-Shihabi comes from a long line of calligraphers that started off this art between the 12th and 14th year of the Hijri calendar, however, Al-Shihabi learned calligraphy in Istanbul at the hand of Mohamed Ezzat, the biggest artist. He was known for his suluth calligraphy, which decorates the walls of Al-Aqsa Mosque to date. He also spent all his life teaching calligraphy in Jerusalem and encouraging young artists to follow his passion,” explained Hussieny.
Abdalla Al Zohdi: the calligrapher of Al-Haramein Al-Sharifine
The third paper covered the ‘calligrapher of Al-Haramein Al-Sharifine(The Two Holy Mosques) Abdalla Al-Zohdi and was written by Sami Saleh Abdel-Malak.
“Born in Nablus, Abdalla Al-Zohdi was born around 1251. His family moved to Istanbul, where he studied and excelled in calligraphy at a very early age. His artistic fame made him the official calligrapher of the Prophet’s Mosque in Medina, where his calligraphy adorns the walls and ceilings of the mosque till now,” the paper explained,
“During the reign of khedive Ismail, he was commissioned to write the calligraphy of the Keswa of the Kaaba and Mahmal. His implacable calligraphy was quite visible and stood out in the design of the keswa from that day onwards. He was known by his highly complex and geometric Sulus calligraphy.”
Al Salam Veterinary Hospital’s main business will be breeding a new generation of humped superstars.
A version of this article was first published in September 2020
Saudi Arabia is already known as a destination for camel beauty pageants. Now, it wants to be known for camel healthcare, too.
The country opened the world’s largest camel hospital in July 2020 and photographs show what daily life is like inside.
At 70,000 square metres, Al Salam Veterinary Hospital is about the size of Buckingham Palace and a little smaller than the island of Alcatraz.
The centre cost more than Dh134 million but camel racing and pageantry are sports for princes and sheikhs in which a single camel can fetch Dh10 million at the height of pageantry season.
The hospital lies in the interior Qassim region between Madinah and Riyadh, at the site of one of the world’s largest camel markets, and will serve camel owners in Kuwait and northern Saudi Arabia.
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The nearest comparable clinics are about 1,000 kilometres away in other Gulf states. Travelling hundreds of kilometres and crossing borders is part of the racing and pageantry lifestyle but the coronavirus pandemic has made this impossible, even as local competitions continue.
Al Salam Veterinary Hospital can treat 144 camels, has stables for 400 racing camels and will employ up to 300 staff ready to meet a camel’s every need, from surgery to accommodation and blood testing.
Camels can be treated for infectious disease, injuries and chronic illness at the hospital, but its main business will be fertilisation.
The hospital has already conducted more than 500 embryo transfers, resulting in 350 successful pregnancies.
Vets plan to transfer 2,500 embryos next season, an ambitious amount by camel-breeding standards.
Embryo transfer has led to some of the biggest names in the world of camel racing.
A camel pregnancy lasts two years, which previously meant female racers could produce a few offspring only after retiring from the racetrack.
The advancement of camel surrogacy has meant prized female racers can now pass winning genes on to dozens of calves in one year.
This has transformed the world of racing and made some she-camels as renowned as studs.
Al Samha, from Abu Dhabi, is one such cow known for her prolific progeny.
The best-known breeding centres, such as the Advanced Scientific Group in Abu Dhabi, attract pedigree champs from around the Gulf.
Scientific advances continue to be made in camel fertilisation and breeding programmes.
The camel’s adaptation to the desert has led to a unique set of challenges in artificial insemination .
The animal is so good at conserving water that it produces only 3ml to 8ml of gel-like semen, a fraction compared with that of similarly sized animals such as horses. It freezes poorly.
It was only in 2018 that the first calves were born to females fertilised by frozen semen at Dubai Camel Breeding Centre.
Similar scientific breakthroughs at the Saudi hospital could change the very shape and size of future camels.
The UAE won the Grand Prix of the Canton of Aargau, Switzerland, yesterday June 10th.
The Emirati squad had strength in numbers in the final with Diego Ulissi and Matteo Trentin covering moves before Marc Hirschi infiltrated the winning break which slipped away at 7km to go.
The 23-year old hit out early from the four man group to open up the sprint at 250m to go to hold off Max Schachmann (Bora-Hansgrohe) and Andreas Kron (Lotto-Soudal) who finished on the podium.
“It was really very difficult”, said Marc Hirsch. “The final was very eventful, because a rider from AG2R Citroën has long been in the lead. In the last climb, it went very quickly behind him, but I was able to accompany in force. Then I was able to close the gap with three guys who had escaped. It was very hard”. In the end, it was a group of 7 which formed 6 terminals from the line, and the winner of the Fleche Wallonne 2020 maneuvered well to finish in the sprint.
In raising the trophy he becomes the first home winner of the race since 2013.
This result marks Hirschi’s second win of the season after storming to victory at the Per Sempre Alfredo classic in April.
If you never realized that Alia Shawkat has Arab heritage, there’s a reason for that: The Iraqi-American actress — who has been stealing pretty much every scene she has appeared in since 1999, when she was 10 years old — rose to fame at a time when Hollywood was much less receptive to non-white identities.
Now, though, the 33-year-old star is entering the next phase of her career, one in which her heritage will be front and center.
“It’s interesting, because when I started acting, I always had to say I was half-whatever the role was. I would say I was half-Spanish, or half-French, just trying to blend in. I was always seen as ‘too ethnic’ when I was young,” Shawkat tells Arab News. “Now my ethnicity is a strength, because the conversation is shifting. It’s funny to watch actors actually talk about where they’re coming from, or playing roles that they’re actually connected to, when I grew up having to basically hide it.”
Not that it ever slowed Shawkat down. While she is perhaps still best-known for playing Maeby Fünke on the acclaimed cult comedy “Arrested Development,” which also reinvigorated or launched the careers of Jason Bateman, Will Arnett, Michael Cera and Tony Hale, she has been an inimitable presence across dozens of acclaimed independent films, before becoming the star and a key creative voice in the series “Search Party” (2016-2022), a pitch-black comedy and noir crime drama hybrid that defines Shawkat’s unique spirit better than anything has thus far.
She didn’t have to search too hard to find inspiration for the show. “My father is Middle Eastern, and he owns a club in Palm Springs. So that’s the show,” she deadpanned to the New Yorker last fall.
While “Desert People” will tackle that by putting Arab characters at its center, Shawkat took “The Old Man” in part because of the way that it, too, dives into righting some of the wrongs that were committed in the post-9/11 landscape.
The FIFA World Cup Qatar 2022 LLC (Q22) – the operational arm of FIFA and the Host Country for the delivery of the tournament – has achieved ISO 20121 certification, the international standard that sets requirements for developing and implementing an effective management system to deliver a sustainable event.
The certification was granted after an extensive audit process that was initiated during the FIFA Arab Cup Qatar 2021 – which was held exactly a year before the first FIFA World Cup in the Middle East and Arab world.
Nasser Al Khater, CEO, Q22, said: “Sustainability has been at the heart of Qatar 2022 from the start, and the independent recognition of the delivery of best practices reflects our enduring commitment to it.
José Retana, Sustainability Senior Manager, Q22, said: “We are proud to become the first FIFA World Cup in history to obtain the ISO 20121 certification. This demonstrates that according to the evaluation by a third-party accredited entity, world-class management practices are being implemented to deliver an inclusive, green and legacy-oriented event.”
SGS carried out the extensive audit process. It is a world-leading testing, inspection and certification company that has a wealth of experience in certifying mega-sport event organisers against ISO 20121 requirements, including the Olympic and Paralympic Games, and the French Open tennis tournament.
Sustainability management mechanisms assessed during the FIFA Arab Cup™ audit included:
Accessibility infrastructure and services for disabled fans, including seating, mobility assistance and innovative features such as audio descriptive commentary
Waste minimisation and recycling, including staff training, segregation and awareness-raising activities carried out with the support of sustainability volunteers
Sustainable procurement of items required for the delivery of the tournament, including uniforms made from recycled plastics and the use of compostable food packaging
Social and environmental audits to ensure supplier compliance with the FIFA World Cup Qatar 2022™ Sustainable Sourcing Code
Incident reporting and resolution during tournament time, including governance arrangements and gathering of lessons learned
Chris Meakin, General Manager of SGS Qatar, said: “The FIFA World Cup Qatar 2022 has effectively applied and demonstrated best practices under the framework of the Event Sustainability Management System (ISO 20121) to manage the event successfully. They have met the set benchmarks for global sustainability development and to control the event’s social, economic and environmental impact.”
The translators of books about culture, physics and data mining are among the latest recipients of the prestigious King Abdullah bin Abdulaziz International Awards for Translation.
This year’s event, covering works published in 2021, marks the 10th anniversary of the awards. There were six categories and the winners, chosen by the event’s board of trustees, were announced on Monday.
Izz ddeen Khattabi Riffi’s translation from the original French of “Beyond Nature and Culture” by Philippe Descola took the award for works in the humanities category translated into Arabic. It was shared by Abdelnour Kharraki for his translation of “Data Mining for the Social Sciences: An Introduction” by Paul Attewell, David Monaghan and Darren Kwong, originally published in English.
The award for institutions went to the publishing and translation department of Obeikan Company, and to Al-Arabi Publishing & Distribution.
There were also two winners in category for works in the natural sciences translated into Arabic, both for books originally published in English: Dr. Sausan Hassan Al-Sawwaf and Dr. Laila Saleh Babsil for their translation of “Physics in Biology and Medicine” by Paul Davidovits; and Yahya Khlaif and Abdullatif Al-Shuhail for their translation of “Introduction to Carbon Capture and Sequestration” by Berend Smit, Jeffrey A Reimer and Curtis M. Oldenburg.
Three awards were presented in the category of Individual Efforts in Translation, to Hamza Qablan Al-Mozainy from Saudi Arabia, Murtazo Saydumarov from Uzbekistan, and Samir Mina Masoud Greeis, who is of Egyptian-German nationality.
The judges decided to withhold the awards in the two remaining categories, for books about the humanities and natural sciences translated from Arabic into other languages.
The United Nations General Assembly has elected Oman’s Permanent Representative to the world body as chairman of its Special Political and Decolonisation Committee.
In his speech to the 77th session of the General Assembly, H E Dr Mohammed bin Awadh al Hassan, the sultanate’s Permanent Representative, stated that Oman is keen to chair the Special Political and Decolonisation Committee, owing to its belief in the freedom of peoples and their independence, as well as the importance of ending colonisation in line with the UN’s related decisions.
The Special Political and Decolonization Committee also known as Fourth Committee considers a broad range of issues covering a cluster of five decolonization-related agenda items, the effects of atomic radiation, questions relating to information, a comprehensive review of the question of peacekeeping operations as well as a review of special political missions, the United Nations Relief and Works Agency for Palestinian Refugees in the Near East (UNRWA), Israeli Practices and settlement activities affecting the rights of the Palestinian people and other Arabs of the occupied territories, and International cooperation in the peaceful uses of outer space.
Egypt’s highest state awards in art, literature, and social sciences for 2022 were announced on 7 June, with writer Ibrahim Abdel-Meguied, director Dawood Abdel-Sayed, and late Iraq thinker Qais Azzawi winning the top honour, the Nile Award.
In a meeting chaired by Egypt’s Minister of Culture Ines Abdel-Dayem, members of Egypt’s Supreme Council for Culture (SCC) voted on the top awards.
The members voted on 53 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections:
Here is the full list of winners:
The Nile Award
The Nile Award is granted to three people in the fields of literature, arts, and social sciences. Each winner receives EGP 500,000 and a gold medal. A new award for the most creative Arab personality was added for the first time in 2018.
The Nile Award in Literature was given to writer Ibrahim Abdel-Meguied.
The Nile Award in Arts was handed to director Dawood Abdel-Sayed.
The Nile Award in Social Sciences went to the late lawyer and head of the lawyers syndicate Ragi Attia.
The Nile Award for the Most Creative Arab personality was awarded to late Iraqi thinker Qais Al-Azzawi, who died in 2022.
The Nile Award for a creative Arab personality was launched in 2018 in a bid to strengthen ties between Egypt and Arab creative minds.
Appreciation Awards
The award carries a prize of EGP 200,000 and a gold medal.
The Appreciation Award in Arts went to actor Rashwan Tawfik, architect Suhair Hawass and Ahmed Nabil Suleiman.
The Appreciation Award in Literature was awarded to writers Mohamed Abulfadl Badran, Youssef Hassan Nofal and Kamal Ruhayem.
The Appreciation Awards in Social Sciences were awarded to Said Ismail, Abdel-Salam Abu-Qahf and Moataz Sayed Abdallah.
Excellency Awards
The Excellency Award in Literature was granted to writer Reem Bassiouny and Amr Fouad Dawara.
The Excellency Award in Arts was handed to Gamal Yaqoot and Ahmed Abdel-Kareem.
The Excellency Award in Social Sciences was handed to late judge Tahany El-Gebaly, Iman Amer, and Ahmed Hassanien.
In addition to the previous awards, the SCC granted 32 encouragement awards, each one of them worth EGP 50,000.
Factbox
There are 52 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections.
Of the seven Excellency Awards, two are for the arts, two for literature, and three for social sciences. Political analyst Ammar Ali Hassan and economic expert Ahmed El-Naggar were among the winners of the prize last year.
Novelists Khairy Shalaby and Gamal El-Ghitani, poet Mohammed Afifi Mattar, and critic Gaber Asfour are among the past winners.
The Nile Award was originally named the Mubarak Award, but was changed in the aftermath of the 25 January 2011 Revolution that ousted president Hosni Mubarak from power.
Poet Abdel-Rahman El-Abnoudi, writers Bahaa Taher, Ibrahim Aslan, and Waheed Hamed, and cinema director Youssef Chahine are the most prominent figures to date who have won the Nile Award.
The State Awards were launched in 1958 and have only been cancelled once, in 1967, during the Six-Day War between Egypt and Israel.
source/content: english.ahram.org.eg (edited)
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Dawood Abdel-Sayed, Ibrahim Abdel-Meguied, and Iraqi Qais Azzawi
