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Dubai Airport is on the right track, having retained its position as the world’s busiest international airport with 29.1 million passengers, and just last week, announcing its busiest quarter since 2020, said Jamal al Hai, Deputy CEO of Dubai Airports.
Jamal al Hai made this statement while delivering the welcome address at the Airport Innovation and Development Conference at the Gulf Airport Leaders’ Forum (GALF) held alongside the 21st edition of the Airport Show in Dubai.
Welcoming the delegates, he said the GALF is organised in person after two years of the pandemic, marking a new healed era of aviation.
“This is, in fact, the outcome of a successful handling of the crisis and what you see in Dubai today is the outcome of a flawless response to the pandemic achieved through a balance between protecting the health and well-being of the people while minimising the impact on business and economy.”
Delivering the welcome address, Ibrahim Ahli, Deputy CEO of Dubai Air Navigation Services (dans) said Dubai is galloping in all economic and social sectors, attracting businesses, talents, investors and tourists in hordes. Dubai is fast becoming the Future City of the world, driven by the maximum embrace of technology, relaxed regulations and reforms. All this will result in increased traffic, and it underscores the need for enhancing the safety, capacity and efficiency of the airspace of Dubai, where dans plays a crucial role.
Khalid Aljabir, Senior Vice President, Operations, dans, read out Ahli’s speech in his absence.
“We had proved our mettle when dans efficiently managed more than 1,338 aircraft movements daily through Dubai airports, before the COVID-19 pandemic. dans manages the air traffic through Dubai International, which has ranked first in the world for international passengers since 2014, and it had handled about 1.115 billion passengers on more than 7.47 million flights since the airport started operating in 1960,” he said.
“We take pride in implementing the region’s first procedures for Enhanced Wake Turbulence Separation (eWTS) Minima within the controlled zone. The Dubai RECAT-Enhanced Wake Turbulence Separation is part of the vision to make Dubai the airport for the world, enhance its airspace and the efficiency of airports along with the profitability of carriers.”
In his keynote address titled “Standardising Regulations Regionally and Globally”, Mohammed Faisal al Dossari, Senior Director, Air Navigation and Aerodromes Department, UAE General Civil Aviation Authority (GCAA), said that post-COVID the industry must work across all aspects of aviation to standardize regulations and spur growth.
The UAE is expected to develop draft regulations on Vertiport in the first quarter of 2023 and publish them in the fourth quarter of 2023 to be implemented in the first quarter of 2024.
Al Dossari said the number of GCAA registered commercial drone organisations is increasing. “Up to 2022, we have registered 20,000 private drone users, 870 commercial drones, and 181 commercial drone organisations to operate drones.”
Future developments include Unmanned Traffic Management, Scheduled UA operations, Night Operations, Multiple Unmanned Aircraft Operations, Autonomous Unmanned Aircraft Operations, Urban Air Mobility, Unmanned Aircraft Delivery, High-Speed Unmanned Aircraft and High Altitude Unmanned Aircraft.
Yahya Abdalla Al Hammadi, CEO, Global Air Navigation Services (GANS), in his keynote address “Disrupting ATM to support the recovery of the industry,” said Air Traffic Control could play a huge role in reducing carbon emissions by adopting new technologies that can help airlines plan more efficient routes and work with other stakeholders to help reduce the overall carbon footprint.
The Airport Show, the world’s largest annual airport event, was opened by H.H. Sheikh Ahmed bin Saeed Al Maktoum, President of the Dubai Civil Aviation Authority, Chairman of Dubai Airports, and Chairman and Chief Executive of Emirates Airline and Group, under whose patronage the event is held.
Organised by RX Global, the world’s largest airport industry B2B platform has a sharp focus on sustainability to help the aviation industry achieve a more sustainable airport industry that aims to reduce the carbon footprint year on year.
The Airport Show is supported by Dubai Airports, Dubai Police, Dubai Civil Aviation Authority (DCAA), dnata (part of Emirates Airline and Group), Dubai Aviation Engineering Projects (DAEP), Global Air Navigation Services (GANS), and dans.
The award saw a high turnout from authors around the world, with more than 3,000 applications submitted from more than 55 countries, including 20 Arab countries.
Sheikh Zayed Book Award (SZBA) announced on Monday the winners for its 16th edition across seven categories, selecting six literary figures, intellectuals and translators, along with Egypt’s Bibliotheca Alexandrina, for top honours.
Over the years, the Sheikh Zayed Book Award has managed to expand and become one of the most prestigious events in the Arab world, allowing for the development of cultural dialogue and the creation of new opportunities for authors and translators around the world.
This year’s winner in the young author category is Tunisian professor Mohamed al-Maztouri with his book Al Badawa fi al She’er al Arabi al Qadeem (Bedouinism in Ancient Arabic Poetry).
“The author of this book, Mohamed al-Maztouri, presents a serious academic study of bedouinism in ancient Arabic poetry,” the Zayed programme commented.
Adding that Maztouri “discusses its diverse concepts and many manifestations, describing it as a culture with special landmarks and a lifestyle inseparable from its place, environment, and geography.”
From pre-Islamic times the Arabian Peninsula has been home to world-class poetry that is deeply connected to values of bravery, nobility, eloquence and at times sensitivity.
Throughout the centuries, poetry’s popularity has only grown in the region, attracting new audiences in both the Arabian Peninsula and other Arab countries in North Africa and the Levant.
Today, the trend has been further boosted by Emirati initiatives and competitions.
The translation award went to Egyptian translator and author Ahmed Aladawi for his translation of the American author, George Makdisi, book “ The Rise of Humanism in Classical Islam and the Christian West” into Arabic.
Each winner receives a life-changing prize of AED 750,000 (USD 204,190/GBP165,220).
Winners will also be honoured in a ceremony at the Abu Dhabi International Book Fair later this year.
The Cultural Personality of the Year winner will be presented with a gold medal and a certificate of merit, as well as a Dh1 million prize.
source/content: thearabweekly.com
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Full list of winners of the Sheikh Zayed Book Award 2022:
Literature
Maq’ha Riche, Ain Ala Massr (Eye on Egypt: Cafe Riche) by Maisoon Saqer. Published by Nahdet Misr Publishing
Children’s Literature
Loghz al Kora al Zujajiya (The Mystery of the Glass Ball) by Maria Daadoush. Published by Dar Al-Saqi
Young Author
Al Badawa fi al She’er al Arabi al Qadeem (Bedouinism in Ancient Arabic Poetry) by Mohamed Al-Maztouri. Issued by the Faculty of Literature, Arts and Humanities at Manouba University and the GLD Foundation
Translation
Nash’at al Insaniyat Einda al Muslimeen wa fi al Gharb al Maseehi (The Rise of Humanism in Classical Islam and the Christian West) by Ahmed Aladawi. Published by Madarat for Research and Publishing.
Art and Literary Criticism
Al Sarid wa Taw’am al Rooh: Min al Tamtheel ila al Istinaa (The Narrator and the Soulmate: From Acting to Faking) by Mohamed Aldahi. Issued by Le Centre Culturel du Livre.
Arab Culture in Other Languages
The Arabian Nights in Contemporary World Cultures: Global Commodification, Translation, and the Culture Industry by Muhsin J. Al-Musawi. Cambridge University Press.
Vatican envoy to UN presents royal couple with 2022 Path to Peace award at gala event
Queen Rania praised for focus on education, prioritization of young people
The Vatican’s Path to Peace Foundation has presented Jordan’s King Abdullah and Queen Rania with the 2022 Path to Peace award for their promotion of interfaith harmony and dialogue.
Commending the royal couple for a “years-long effort” in promoting peace and interfaith cooperation in the Middle East, Vatican Ambassador to the UN Archbishop Gabriele Caccia made the presentation at the foundation’s 29th annual gala in New York.
The envoy singled out the queen’s focus on education and the prioritization of young people in her work.
He said: “She has long shown concern for the questions of education, connectivity, and cross-cultural dialogue, as well as sustainability, the environment, and migration, which places young people at the heart of solutions and is imbued with a sense of hope.”
King Abdullah said he accepted the award on behalf of “Jordanians, men and women, young people and elders, Muslims and Christians alike.”
Noting that Jerusalem was also home to many Arab Christians, part of the oldest Christian community in the world, he noted that “our journey to peace must travel through Jerusalem,” describing the city as “key to the future and stability that we all seek.”
He added: “Jerusalem should be an anchor for peace and coexistence, not for fear and violence.
“The (world’s most difficult challenges) will be met by drawing on our faith in God, our common humanity, and our will to jointly defeat poverty and despair, and end occupation and injustice.
“(Also), to help refugees everywhere return home, ready to rebuild shattered communities, and renew the hope that young people everywhere so desperately need.”
The monarch called on the international community to work toward a just and lasting peace in the Holy Land through a two-state solution with East Jerusalem as the capital of an “independent, sovereign, and viable Palestinian state … living side-by-side with Israel.”
source/content: arabnews.com (edited)
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Jordan’s King Abdullah and Queen Rania receive the Path to Peace Award in New York for their promotion of interfaith harmony and dialogue. (AFP)
“While people are proud of their achievements, we are proud of being the children of Sheikh Zayed, and while people talk of their history, we speak of the history of giving that began with the formation of the UAE,” said the late His Highness Sheikh Khalifa bin Zayed Al Nahyan, epitomising the nations’s approach from the first day it was established to its phase of empowerment, ushering in the birth of a powerful and successful nation.
On 4th November, 2004, Sheikh Khalifa assumed power and, up until his passing, helped the country, whose track record of achievements spans nearly 35 years, progress from the foundation phase to the empowerment stage.
Over this short period, the UAE has topped international competitiveness indexes and has become the second-largest economy in the Arab region, despite its small area and population.
Moreover, the UAE is the first Arab and Islamic nation to reach the planet Mars and one among few countries with significant achievements in the space sector.
The UAE’s achievements during the empowerment phase are reflected on the lives of its people and business community, making it the dream destination of anyone seeking success, stability, and wellbeing.
After assuming power, the late Sheikh Khalifa launched the first strategic plan of the UAE Government to achieve balanced and sustainable development and ensure the wellbeing of UAE residents.
In 2009, he was re-elected as the President of the country, and thanks to his wise leadership, the UAE overcame the financial crises and political issues facing the region due to his active foreign policy, which also enhanced the regional and international stature of the country.
How did the UAE manage to accomplish significant achievements during the empowerment phase? The Emirates News Agency (WAM) monitors these milestones and challenges in the following report:
1. The Health Sector.
The UAE’s leadership has prioritised the health sector and increased public spending on the sector, amounting at times to seven percent of the federal budget.
This fact is highlighted by the spending on the sector in 2016, 2017, 2018, 2019 and 2020, which amounted to AED3.83 billion, AED4.2 billion, AED4.5 billion, AED4.4 billion and AED4.84 billion, respectively.
This policy also proved successful when the sector faced the coronavirus (COVID-19) pandemic, demonstrating a high level of efficiency supported by the many well-equipped public and private hospitals.
The sector’s efficiency was further supported by the country’s efforts to establish media cities, including Khalifa City in Abu Dhabi, Dubai Medical City and Sharjah City.
Coinciding with these achievements, most Emirati hospitals are internationally accredited, and the country has become a leading medical destination, underpinned by the rising number of hospitals, which increased from 16 in 1975 to 169 in 2020.
These hospitals are managed by highly qualified medical staff, numbering 8,995 in 2020 in the government sector and 17,136 in the private sector, compared to 792 doctors in 1975.
The number of nurses also reached 56,045 working in the government sector in 2020, increasing 252 percent compared to 1975.
The country has prioritised health insurance and provided it to citizens for free, in addition to comprehensive medical coverage for all segments of society, especially the elderly and people of determination.
In 2017, the UAE established the first cancer treatment centre utilising proton technology in the Middle East and Gulf Cooperation Council (GCC) region.
The Emirates was also one of the first countries to use robotics in the pharmaceutical sector.
Smart rooms were established to provide entertainment services to patients and link their medical files with hospitals to provide comprehensive and effective care.
The Ministry of Health and Prevention has been keen to integrate artificial intelligence (AI) in medical services, used in over 100 facilities nationwide.
The UAE ranks first in the world in the number of accredited facilities, and more than 85 percent of Emirati hospitals have international accreditation.
2. Education Sector.
The UAE’s spending on the health and education sectors underscores the leadership’s belief in the importance of these two sectors to achieving sustainable development, with spending from 2016 to 2020 accounting for between 20 percent and 22 percent respectively of the federal budget.
With the budget allocated to the national education sector standing at AED10.41 billion, AED10.46 billion, AED10.40 billion, AED10.2 billion and AED6.536 billion for 2016, 2017, 2018, 2019 and 2020, respectively, the average share of the federal budget is 15 percent.
The UAE believes that the education system is the driver of development and ensures the right to free education for all citizens. From 2012, education became mandatory for everyone over the age of six until secondary education, which was reinforced by issuing the Children’s Rights Law (Wadeema).
The UAE’s education strategy confirms the establishment of an educational system based on the skills of the 21st century. It aims to provide higher education that can compete with the world’s best universities.
The Mohammed bin Rashid Smart Learning Initiative, launched in 2012, is an ideal model covering all schools in the country and creates a new educational environment in schools that includes smart classes.
In 1973, the country had 110 schools with 40,000 students, while in 2007, the percentage of educated citizens reached 88.7 percent of the population.
The UAE Vision 2021 highlighted the need to advance education in the country to the highest in the world and adopt a smart system as a primary goal.
The vision also confirmed that the upcoming years would witness comprehensive transformations in learning and education, led by smart education.
The national education strategy aims to ensure equal education, maintain the quality and efficiency of institutional education, promote scientific research, encourage students to enrol in higher education, achieve innovation, and support smart education.
Subsequently, the National Strategy for Higher Education 2030 affirms the importance of improving the scientific and technical skills of students, to support the growth of the economy.
At the same time, the UAE has kept pace with the latest innovations in the health sector. The government has launched many initiatives that encourage innovation in general and innovation in the medical field in particular.
The UAE is one of the few countries that utilises medical robotics technology when conducting major surgeries.
President Khalifa bin Zayed passed away on Friday, May 13th, 2022
Most of the migration occurred in the final decades of the 19th century and the first half of the 20th
Project of Holy Spirit University of Kaslik in Jounieh highlights individual journeys of the Arab pioneers
Sao Paulo, Brazil:
Although an estimated 18 million Latin Americans can trace their ancestry to the Arab region, little effort has been made to chronicle and conserve the writings, photographs and news clippings that document the history of their migration and settlement — until now.
Most of the Arabs who moved to Latin America did so in the final decades of the 19th century and the first half of the 20th, with the majority of them traveling from Syria and Lebanon in search of fortune and a fresh start far from the Ottoman Empire.
To collect and highlight the individual journeys of these Arab pioneers and their contribution to the New World, an archive dedicated to telling their stories has been created by the Holy Spirit University of Kaslik, also known as USEK, a private, not-for-profit Catholic university in Jounieh, Lebanon.
Inaugurated at the end of March this year, the collection currently includes about 200,000 pages from Arab newspapers and magazines, stacks of photographs, and other illuminating documents that help shed light on the diaspora’s presence in Latin America.
Brazilian-born Roberto Khatlab, director of USEK’s Latin American Studies and Cultures Center, or CECAL for short, conceived the project after spending several years working in the cultural department of the Brazilian embassy in Beirut and conducting independent research on Lebanese migration to Brazil.
Some of the documents that have been digitized and now are part of USEK’s archive, including magazines Oriente and A Vinha. (Arab Brazilian Chamber of Commerce (CCAB) / USEK / Supplied)
“Over the years, I gathered lots of documents concerning that history,” he told Arab News.
During a trip to Latin America a few years ago, Khatlab realized a wealth of important historical material was at risk of being lost unless it could be properly collected and collated.
“Over time, such documents end up in the hands of grandchildren or great-grandchildren who do not speak Arabic and do not know what to do with them,” he said.
As a result, many people end up throwing away family collections or donating them to local libraries, which are not always equipped or qualified to adequately catalog them.
In addition, newspapers produced by early Arab immigrants were often printed on cheap, poor-quality paper that does not always stand the test of time, and so surviving copies can be extremely fragile.
“I have received 100-year-old newspapers which literally disintegrated as we tried to take them out of the envelope,” said Khatlab.
Syrian-Lebanese immigrants created the first Arabic-language Latin American newspaper, called Al-Fayha, in 1893 in the Brazilian city of Campinas.
In the local Portuguese language, its name was Mundo Largo, which translates as Wide World. As the author of several books about Brazil’s historical relationships with Lebanon and the wider Arab world, Khatlab recognizes the value of such historical documents for academic study and posterity.
“Under the Ottoman Empire, many intellectuals were not able to publish their ideas in the Arab world at the end of the 19th century,” said Khatlab. “In the nascent Arab press in countries like Brazil and Argentina, they found the space they needed.
“Many times, the articles published in the Arab press in Latin America by such thinkers were sent back to the Arab world and disseminated there in intellectual and political circles.”
Most of the early Arabic newspapers in Latin America were produced by Syrian or Lebanese migrants but there were also a number of Egyptian publications. Over the years, the Arab community launched newspapers that reflected a variety of viewpoints based around political ideologies, religious creeds, social clubs and the arts.
“Many poets and writers published works in the Latin American Arab press,” said Khatlab. “Some of them were renowned in the Arab world, while others disappeared. But their production and the ideas conveyed in their texts have great importance to Arabs, even now.”
The archive has attracted the support of institutions across Latin America that have connections to the Arab community and they have provided small teams who are helping to collect and digitize materials, using equipment donated by USEK.
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IN NUMBERS
Estimated Arab population by country
Brazil: 7-12 million
Argentina: 4.5 million
Venezuela: 1.6 million
Mexico: 1.5 million
Colombia: 1.5 million
Chile: 800,000
Source: Atlantic Council
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One such institution is the Arab Brazilian Chamber of Commerce, or CCAB for short, which helped to collate full collections of magazines, including Revista Oriente (Orient Magazine), one of the most prominent publications produced by the Arab diaspora in Brazil during the 20th century.
“Different libraries and institutions had partial collections of Oriente,” Silvia Antibas, the director of CCAB’s cultural department, told Arab News. “Now, we managed to gather and digitize all of them for the first time.”
The Brazilian team also managed to assemble a collection of the magazine Al-Carmat, known in Portuguese as A Vinha (The Vineyard). It was edited for many years by a female Syrian-Brazilian author called Salwa Atlas.
The CCAB has also contributed to the archive an illuminating collection of photographs that provide a window on the social and domestic lives of the diaspora through the years.
“The pictures we collected show not only the community’s social events but also the architecture of houses, the fashion trends of those years, and how immigrants financially progressed and integrated into Brazilian society over time,” said Antibas.
The cover of one edition of A Vinha, published for years by Syrian-Brazilian intellectual Salwa Atlas, who was a pioneer among female intellectuals of the Syrian-Lebanese community in Brazil. (Clube Homs / USEK / Supplied)
The Jafet family — who ranked among the most illustrious families in Sao Paulo in the early 20th century — contributed a superb collection of photographs depicting the palatial homes built around that time by the city’s industrial bourgeoisie.
“Benjamin Jafet, my great-grandfather, came to Brazil in 1890 and worked as a ‘mascate’ (a word used in Brazil for an Arab door-to-door salesmen) for a few years in the countryside until he founded his first shop in downtown Sao Paulo,” Arthur Jafet, a 38-year-old lawyer and businessman, told Arab News.
Over the years, Benjamin and his brothers built one of Brazil’s greatest textile manufacturers and became wealthy leaders of the Lebanese community in the country.
As important philanthropists in Sao Paulo, the Jafets helped to fund not only Arab institutions such as the local Orthodox cathedral, the Syrian-Lebanese Hospital, and the Mount Lebanon Club, but also publications such as Revista Oriente.
“Their small palaces pointed to a rather European taste, with visible influences of the French neoclassical style but also oriental aspects,” said Jafet.
One of the photos in the collection shows Camille Chamoun, Lebanon’s president between 1952 and 1958, staying at one of the Jafet family’s opulent homes during a trip to Brazil.
As director of the Institute of Arab Culture in Sao Paulo and an adviser to the CCAB, Jafet is part of a new generation of Arab Latin Americans taking a renewed interest in their cultural origins.
Paulo Kehdi is the executive director of Chuf magazine, the in-house publication of the Mount Lebanon Club. He is among a number of Lebanese community leaders who launched Lebanity, a movement dedicated to encouraging Lebanese-Brazilians to rediscover their cultural roots.
“There has been a deliberate effort to reconnect Lebanese-Brazilians to their motherland, incentivizing them to obtain Lebanese citizenship, to visit the country and to help it during donation campaigns,” he told Arab News.
Lebanon’s President Camille Chamoun with members of the Jafet family in São Paulo. He visited Brazil in 1954 and stayed at one of the family’s palaces. (Arthur Jafet / Supplied)
The situation is similar in Argentina, which is home to an estimated 3 million people with Syrian or Lebanese roots.
For several years, Ninawa Daher, a journalist of Lebanese descent, hosted a TV show in the country devoted to reviving the interest among younger generations in their Lebanese origins. After her death in a car accident at the age of only 31 in 2011, her mother, Alicia, created the Ninawa Daher Foundation to continue her legacy, and it has partnered with USEK for the archive project.
“With Ninawa’s contacts, within a very short time we had already been able to obtain access to several wonderful collections of the community in Argentina,” Alicia Daher told Arab News.
The team has gathered stacks of newspapers, photographs and other rare materials, including two books written and autographed by renowned Lebanese-American writer, poet and visual artist Khalil Gibran.
“The Syrian and Lebanese people had a tremendous cultural impact in Argentina,” said Daher. “Now, more and more people and institutions are approaching us in order to offer materials about the immigration.”
In Beirut, meanwhile, Khatlab is hopeful the archive will continue to grow as the work on it expands to other Latin American countries and to include other types of documents, such as letters, film footage and even passenger manifests of the vessels that brought Arabs to the region.
Access to the archive is free and it is open to the general public.
source/content: arabnews.com
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Some of the documents that have been digitized and now are part of USEK’s archive, including magazines Oriente and A Vinha. (Arab Brazilian Chamber of Commerce (CCAB) / USEK / Supplied)
During the 72nd Berlin International Film Festival (Berlinale), Arab Cinema Center (ACC) granted Mouhamad Keblawi, Founder and Head of Malmö Arab Film Festival in Sweden, the Arab Cinema Personality of the year award.
This comes in recognition of his contribution and immense support to Arab Cinema through the festival, with an aim to promote Arab cinema in Sweden and Scandinavia.
Mohamed Keblawi is a Swedish-Palestinian director and producer, who has worked in television and documentary film production.
In 2011, he founded the Malmö Arab Film Festival in Sweden, which is set on encouraging Arab filmmakers to find more opportunities to tell their stories, and support Arab film projects.
The festival screened hundreds of Arab films since its establishment, including Oscar-nominated films; Director Naji Abu Nowar’s Jordanian film Theeb, Kaouther Ben Hania’s Tunisian film The Man Who Sold His Skin, and Palestinian short film The Present by Farah Nabulsi.
The festival also featured several award-winning Arab films that have been to numerous international festivals; Wajib by director Annemarie Jacir, EXT. Night by Ahmad Abdalla, A Son by Mehdi Barsaoui, Gaza Mon Amour by Arab and Tarzan Nasser, and Ali, the Goat and Ibrahim by Sherif Elbendary, among others.
Mohamed Keblawi also launched MAFF Market Forum as part of the festival with the aim of supporting Arab film projects and helping them come to light. During its latest edition, the Forum presented monetary prizes worth of $ 250,000. Ever since it was created, this annual prize supported almost 100 projects including Costa Brava, Lebanon by Mounia Akl, Beauty and the Dogs by Kaouther Ben Hania, Captains of Zaatari by Ali El Arabi, 200 Meters by Ameen Nayfeh,
Our River…Our Sky by Maysoon Pachachi, Communion by Nejib Belkadhi, Khartoum Offside by Marwa Zein, and Tiny Souls by Dina Naser.
Keblawi is also the founder of Arab Cinema in Sweden, a company that works on the distribution of Arab films in Sweden. These films include Mohamed Jabarah Al-Daradji’s Jordanian film The Journey, Sophie Boutros’ Lebanese film Solitaire, Mohamed Khan’s Egyptian film Factory Girl, and Khadija al-Salami’s Yemeni film I Am Nojoom, Age 10 and Divorced.
Most recently, Mohamed Keblawi received the City of Malmö’s Grant for Art and Culture for the year 2021. This is an annual grant allocated to twelve creators in the fields of music, theater, cinema and literature. From 2015 to 2017, he was a member of the documentary film nomination committee for the Guldbagge Awards, one that is considered as Sweden’s Oscars.“What Keblawi did by establishing a main venue for Arab cinema in Sweden, is certainly a first of its kind. Through which, thanks to his tireless efforts, he was able to develop a platform for filmmakers in Sweden and Europe, and so Arab filmmakers became quite familiar faces in Sweden. He was able to create an exceptional fan base for a festival that caters for Arab films in Europe. We are honored to grant him the prize, as he continues to expand his horizons each year, whether through the festival or through his distribution and production firms.” commented Alaa Karkouti and Maher Diab, the Co-founders of Arab Cinema Center.”The prize crowns many years of hard work to try to grant the Arab film a chance to be acknowledged in places that it has never been before,” Keblawi said after announcement of the prize. “Things like the release of an Arab picture in Swedish theaters or Sweden’s funding of an Arab film were fictitious at the beginning of the millennium, this is an achievement which I am proud of. I’d like to thank everyone who helped me reach my goal. I’d also like to thank the Arab Cinema Center for this award, which I’m very proud of.
The Arab Cinema Personality of The Year award is part of its strategy of promoting the Arab film industry internationally and supporting Arab filmmakers.
During the last years, Arab Cinema Center (ACC) presented the Arab Cinema Personality of The Year award to Chiraz Latiri, former Tunisian Minister of Cultural Affairs, Screenwriter and Producer Mohamed Hefzy, the President of the Cairo International Film Festival (CIFF), Abdulhamid Juma, Chairman of the Dubai International Film Festival (DIFF), and Masoud Amralla, Artistic Director of DIFF.
Arab Cinema Center (ACC), founded in 2015 by MAD Solutions, is a non-profit organization incorporated in Amsterdam. ACC also provides networking opportunities with representatives of companies and institutions specialized in co-production and international distribution, among others. ACC’s activities vary between film markets, stands,pavilions, networking sessions, one-on-one meetings bringing together Arab and foreign filmmakers, welcome parties, and meetings with international organizations and festivals.
Also, the activities include the issuance of Arab Cinema Magazine to be distributed at the leading international film festivals and markets. Furthermore, newsletter subscription is now available on ACC’s website, allowing users to obtain digital copies of Arab Cinema Magazine, as well as news on ACC’s activities, notifications of application dates for grants, festivals and offers from educational and training institutions, updates on Arab films participating at festivals, exclusive news on the Arab Cinema LAB, and highlights from ACC’s partners and their future projects.
Arab Cinema Center has launched the Arab Cinema Directory in English language on its website, which is a comprehensive cinema directory that provides multiple tools in one place for the first time in order to enhance easy access to information on cinema to film makers inside and outside the Arab world. It also aims to facilitate the connection between the Arab film and Filmmakers and the International market. It also helps International Filmmakers to easily identify the Arab Cinema Productions.
Forbes selected Mouna Abbassy and Sophia Alj for two of its prestigious rankings.
Forbes has featured two Moroccan businesswomen on its “30 Women Behind Middle Eastern Brands 2022” and “20 Women Behind Middle Eastern Tech Brands 2022” lists. The two successful, celebrated business leaders are the Founder of IZIL Mouna Abbassy and the co-Founder of Chari.co Sophia Alj.
This week, Forbes released the two lists simultaneously. The magazine’s list of “30 Women Behind Middle Eastern Brands” featured companies operating in six MENA countries, with the UAE hosting 13 of the successful businesses.
The list includes 18 nationalities in total, with Egyptian businesswomen topping the list with 11 entries, followed by Lebanese with 4 mentions.
The “20 Women Behind Middle Eastern Tech Brands” list highlighted the achievements of successful female founders and co-founders of tech platforms and apps. This year, 17 nationalities were represented in the list.
The 20 featured businesses operate in 13 sectors and are prominently based in the UAE (13), Egypt (2), and Saudi Arabia (2).
Mouna Abbassy
Moroccan businesswoman Mouna Abbassy ranked 10th in the “30 Women Behind Middle Eastern Brands 2022” list.
In 2012, Abbassy founded IZIL, an “all-natural skincare line.” The brand offers hair, skin, and body products, inspired by old Moroccan beauty recipes.
IZIL is based in the UAE with clients in Gulf countries, the US, and the UK. The brand’s e-commerce sales to the US and the UK markets recorded a 40% and 50% growth in 2021.
Last year, IZIL opened new offices in Dubai as it launched a Moroccan Hammam and Spa in the Dubai Mall. In terms of social media outreach, the brand currently counts 346K followers on Instagram and 136K followers on Facebook.
Sophia Alj
Sophia Alj ranked 8th in the “20 Women Behind Middle Eastern Tech Brands 2022” list.
She is the co-founder of Morocco’s popular e-shop and startup Chari.co, which she founded with her husband Ismael Belkhayat in 2020.
The Chari application connects retailers to fast-moving consumer goods (FMCG) companies.
In March, the startup acquired Axa Credit for $22 million. A year prior, Chari purchased Moroccan bookkeeping and credit platform Karny.ma which serves roughly 40,000 retailers. The startup concluded the deal after receiving $5 million in seed funding.
As it continues to expand into Francophone African markets, Chari.co has the potential to obtain unicorn status by reaching a valuation of $1 billion.
Egyptian film critic Ahmed Shawky was chosen last week to head the jury of the International Federation of Film Critics (FIPRESCI) competition at the 75th Cannes International Film Festival.
Though Egyptians have been part of the FIPRESCI jury panel competition in the past, this is the first time one will chair the panel.
Shawky will head a panel that includes a number of film critics from all across the world: Mariola Wiktor (Poland), Nathalie Chifflet (France), Emanuel Levy (USA), Simone Soranna (Italy), Jihane Bougrine (Morocco), Magali Van Reeth (France) Bidhan Rebeiro (Bangladesh) and Youssoufa Halidou Harouna (Niger).
Launched in the 1920s, the FIPRESCI committee is among the most influential film criticism committees internationally. The committee is responsible for awarding the best film at numerous festivals, including at Cannes since the festival’s launch in 1946.
The upcoming Cannes International Film Festival is scheduled to take place between 13 and 24 May 2022.
Shawky is an Egyptian film critic, programmer and screenwriting developer. He writes about film for numerous Egyptian and regional publications. He has also published six books about Egyptian cinema.
A FIPRESCI board member and the vice president of the African film critics’ federation (FAAC), Shawky is also as a programmer for many film festivals.
Shawky was appointed an acting artistic director of the Cairo International Film Festival in 2019, and a year later he was appointed its artistic director.
Shawky is also one of two Egyptian names to head the 75th festival’s juries, with the other being Yousry Nasrallah who will chair the Short Film Jury, a panel in charge of selecting one of nine films in competition for Short Film Palme d’Or.
Liverpool forward Mohamed Salah has won the prestigious Football Writers’ Association (FWA) Footballer of the Year award for a second time, it was announced on Friday.
The 29-year-old enjoyed a vote share of 48% ahead of Manchester City midfielder Kevin de Bruyne and West Ham United’s Declan Rice to scoop the prize.
Elsewhere, Chelsea striker Sam Kerr also won the women’s Footballer of the Year award after another stellar campaign. The 28-year-old claimed the prize with 40% of the vote, beating Arsenal striker Vivianne Miedema and Manchester City’s Lauren Hemp.
FWA chair Carrie Brown said: “Both Mo and Sam have been outstanding this season, breaking records for both club and country. As well as their performances on the pitch, they are leaders and standard bearers of excellence at their clubs and respective leagues.
“The fact they have won by such convincing margins underlines just how impressive they have been this season which has been recognised by our members.”
The life and legacy of the late Saudi artist and sculptor Abdulhalim Radwi have been saluted at a glittering tribute night in Jeddah.
Family, friends, colleagues, fellow artists, and leading figures from the art world gathered to honor the founder of Saudi modern art, who died in 2006 but continues to inspire artists today.
The event, hosted by the artist’s daughter Dr. Maha Radwi in collaboration with the Saudi Arabian Society for Culture and Arts, featured an exhibition and documentary film showcasing his life and career.
“While our hearts remain heavy over the passing of my father, his legacy lives on,” Radwi said. “One of the things that we’re trying to talk about is not just the wonderful pieces he made over his lifetime, but his humanity.”
Society president Mohammed Al-Subaih said: “Art was a big part of his life, and we wanted to memorialize his legacy as much as possible. He’s someone that deserves to be remembered because he is a significant figure in Saudi art history.”
Radwi was born in Makkah in 1939. His mother, a painter, nurtured his young talent and encouraged him to pursue art.
In the mid-1950s he won his first official painting competition while at high school, and in 1961 traveled to Rome to study fine arts. He returned to the Kingdom as an art teacher in Riyadh.
From 1968 to 1974 was director of the Jeddah center for fine arts, later overseeing the city’s culture and arts scene between 1980 and 1992.
