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A number of Arab films are being screened at the ongoing 60th New York Film Festival.
The films include titles from Lebanon and Morocco.
With its screening in the New York Festival, the Lebanese feature narrative film Tales of the Purple House by Abbas Fahdel makes its North American Premiere.
The film will be screened on 11 October, followed by a Q&A with the director.
Another Lebanese film, Beirut the Encounter, will screen on 7 and 16 October.
Directed by Borhane Alaouié, this 1981 production went through a new restoration, allowing the US audiences to view it in an improved condition.
Morocco is represented with Life on the CAPS by Meriem Bennani. The film will be screened on 7 and 9 October, as part of the Currents Program 5: After Utopia segment of the festival.
The New York Film Festival opened on 30 September and runs until 16 October.
As the festival is ongoing, two other Arab films are currently being screened in New York’s cinemas: Casablanca Beats by Moroccan director Nabil Ayouch and Lebanese documentary Sirens by Rita Baghdadi. Both films had their US premiere on 16 and 30 September respectively.
‘The Sandman’ star will be the face of its women’s collections in the Middle East.
Building on an already stellar year, Lebanese British actress Razane Jammal has been announced as Dior’s latest ambassador. She will be the face of its women’s collections in the Middle East.
The announcement was complemented by a fashion shoot featuring Jammal in some of the house’s latest creations. She is no stranger to the world of high fashion — the actress was previously an ambassador for Chanel.
“I’m so unbelievably excited to finally announce that I will be joining Dior as a brand ambassador in the Middle East,” Jammal wrote on Instagram.
“Ever since I joined the fashion community, I wanted to collaborate with people I can truly grow with, to join a family that I value as much as it values me. It’s been a long journey but I can confidently say I’ve found my home.
“This is the start of a wonderful collaboration. I cannot wait to embody the timeless creations of @mariagraziachiuri.”
This is yet another mark of Jammal’s upward trajectory. She stars in the highest-grossing film in Egyptian history, Kira & El Gin, and is one of the key characters in Netflix’s hugely popular new show The Sandman.
“It’s been a very crazy couple of years,” she told The National in a recent interview. “But I’m very happy that the hard work has paid off.”
Fluent in Arabic, French and English, Jammal’s first serious foray into acting was in the French-German feature Carlos in 2010. This was followed by Cruel Summer in 2012, a short film by Kanye West, and then Une histoire de fou in 2014 by director Robert Guediguian. All three projects had their world premiere at the Cannes Film Festival.
Based on 1919, the novel by Egyptian writer Ahmed Mourad, and directed by Marwan Hamed, Kira & El Gin is an action drama that chronicles the 1919 revolution against the British occupation of Egypt and Sudan.
The Sandman is based on Neil Gaiman’s groundbreaking graphic novel series.
The experience has been a bittersweet one for Jammal, she told The National, as her mother died last year while The Sandman was being filmed.
“We were filming during Covid-19 in London. We were following very strict Covid-19 protocols and I wasn’t allowed to travel. So I didn’t go back home for eight months after losing my mum. My mum was the most important person in my life. She was a single mum, we had a very close relationship.”
DMCC – the world’s flagship Free Zone and Government of Dubai Authority on commodities trade and enterprise – has been named Global Free Zone of the Year 2022 by the Financial Times’ fDi Magazine for the eighth consecutive year.
The award, among the most prestigious of accolades a free zone can earn, is decided by the Financial Times Specialist editorial team and a panel of independent judges against a comprehensive set of criteria and a review of the free zones’ ecosystems.
The methodology focuses on metrics that demonstrate core growth of the free zones, both in terms of the increase in small and large tenants, and how effectively each free zone provides ecosystems and related initiatives that support growth, business and marketing strategy, infrastructure improvements, COVID-response and promotion of sustainability.
Reflecting the leading business district and trade hub that DMCC has created for businesses of all sizes, as well as its central focus on sustainability and social impact, DMCC also received: Large Tenant Free Zone of the Year – Global; Large Tenant Free Zone of the year – Middle East; Middle East Free Zone of the Year; SME Free Zone of the Year – Middle East; Excellence Award for ESG Practices – Global; and Excellence Award for Infrastructure Development – Global.
Ahmed bin Sulayem, Executive Chairman and Chief Executive Officer, DMCC, said, “Since DMCC was established in 2002, we have had two core goals – create a global gateway for trade, and comprehensively enhance the ease of doing business for our member companies. This simple yet critical strategy has underpinned our exceptional growth and is why our business district is now home to over 21,000 global businesses of all sizes and sectors.
“As we continue to accelerate our growth and break performance records across all our business verticals, I would like to thank Financial Times’ fDI Magazine for once again recognising DMCC’s achievements on the global stage.”
The film’s soundtrack was provided by the Qatar Philharmonic Orchestra, a member of Qatar Foundation.
Qatar Foundation’s musical theatre film ‘Showtime!’ won two awards at the Cannes International Film Festival in the categories of social media and short films.
‘Showtime!’ also won an award from Ofcom in London in the categories of cinematography, sound, and directing as well as a prize at the New York Festival for short films.
Established by Qatar Foundation, the initiative is rooted in the very fact that there is a vacuum in drama and musical programmes in Qatar Foundation schools. This prompted Qatar Foundation to embark on a musical theatre teaching process for students of all ages across Qatar.
The purpose of the show is to promote creativity in the field of performing arts and cultivate a culture of theatrical and musical performances in pre-university schools in the foundation.
Within a year, the project was ready to be showcased before the world, however, the effects of the Covid-19 pandemic hampered its smooth execution.
Qatar Foundation along with the help of The Edge Picture Company, took the stage to streets and filmed choreographed musical performances and successfully broadcasted it online.
The musical elements were led by West End choreographer Christopher Piper, and father and daughter team Steve Griffith as musical director, Jane Griffith as choreographer along with international Film Director Andrew Lancaster.
The creative team was led by 20 crew members and a cast of 55, occupied entirely by Qatar Foundation school staff and pupils with ages ranging from seven to 55 years old. It was considered the first musical theatre experience for many of the cast members.
Some of the locations utilised for the filming process included Qatar National Convention Centre, Qatar Science and Technology Park, Ceremonial Court, Oxygen Park, and Qatar National Library in Education City.
Other acknowledgements
The Doha Film Institute (DFI)-granted movie ‘Cotton Queen’ by Qatar-based Sudanese filmmaker Suzannah Mirghani claimed the ArteKino Award at Cannes Film Festival’s L’Atelier 2022.
In this arm, 16 directors whose projects bear a promising production are invited to the Festival de Cannes. Along with their producers, the directors are presented with the opportunity to meet potential partners, which acts as a key step in finalising their project and starting the making of their film.
In an Instagram story posted by DFI, Mirghani said, “This is my very first feature, thank you for taking a risk on me, thank you for taking a risk on Sudan. We do not have many films from Sudan as you know, you can count them on two hands in the history of Sudanese film and fiction feature films.”
“And those made by women, zero. Thank you for supporting us.”
Morocco recently has stepped up efforts to restore and protect its cultural heritage.
Following a series of complaints about the cultural appropriation of Moroccan Zellige (mosaic), on Friday, Morocco’s Ministry of Culture announced the official patenting of Zellige of Fez by the World Intellectual Property Organization.
In 2015, Morocco registered the Zellige of Fez in the Vienna Classification of Figurative Elements of the World Intellectual Property Organization in an effort to preserve its national heritage.
Celebrating the new patent, the Moroccan ministry took to social media to share the news, stating “Zellij is one of the most artistic forms that express the originality of Moroccan architecture.”
The ministry’s post added that the Zellige “industry dates back to the tenth century AD, when it flourished during the Marinid era in the honorable Kingdom before moving to neighboring tribes during the following centuries.”
Given the global popularity of Zellige of Fez due to its quality, originality, and multicolored feature, the Moroccan ministry says that “the city of Fez [is] the owner of this art and the main center for its production and industry due to its special clay that is not found in other places.”
In addition to gaining global appeal among designers, interior architects, celebrities, and even international organizations , Moroccan Zellige has been studied by Moroccan and foreign experts in the fields of engineering, arts, social sciences, and mathematics including Rushita Choksey and Jean Constant.
Despite the existence of an extensive literature body asserting the Moroccan origin of the Zellige, the clay artwork remains subject to external claims.
Earlier this week, Morocco filed a complaint against Adidas for producing and promoting new Algerian jerseys with Zellige patterns. Adidas claimed that the patterns were inspired by El Mechouar palace in Tlemcen.
Soon after Moroccan social media users learned about Adidas’ news, the brand’s post was flooded with comments from Moroccan users who denounced the company’s act. Moroccan users added social media hashtags such as #Moroccan culture, #Moroccan Zellige, and #No theft of Moroccan heritage to spread the word.
Some internet users also stressed the Moroccan origin of the El Mechouar’s architecture stating that the Algerian-based palace was built by Sultan Youssef Ibn Tachfin during the Almoravid dynasty and renovated in 2010 with Moroccan calligraphy, mosaic, and plaster art.
In response to the social media backlash between Moroccan and Algerian users, Morocco’s Ministry of Culture filed a complaint against the multinational firm, condemning the “cultural appropriation [and the] attempted robbery of a form of traditional Moroccan cultural heritage.”
Still, Moroccan-Algerian clashes over the origins of popular products such as couscous, caftan, and mosaics are likely to persist after the patenting of the Zellige of Fez. These debates, which mostly take place in the digital space, reflect the decades-long tensions between Rabat and Algiers centered on the Western Sahara dispute.
The rising diplomatic tensions and small-scale online clashes between the North African neighbors, however, do not fully reflect the relations between the two nations’ peoples, as many Moroccan and Algerian families have shared history and lineage.
Massimo Bottura, Niko Romito, Yannick Alleno, Heston Blumenthal, Clare Smyth and Anne-Sophie Pic are the big culinary names she’s ranked alongside on the top 100 list for this year’s The Best Chef Awards.
“The people on this list are actual living legends in the culinary field, so for me to be on it at all is amazing,” she tells The National.
“What I’m currently doing is trying to put Middle Eastern cuisine on a global scale, so for me to be the only Arab on this list means I’m taking one step forward to doing that and to give our cuisine its moment in the spotlight and its culinary renaissance.”
Not only is Bashmi the only Arab, she’s also one of only 18 women who have made it on to this list of 100 culinary talents across the globe.
She ranked 93rd, but says the number didn’t “really matter” to her. “Going into this, I had no idea if I was going to make this list,” she says. “I’m from a small island that doesn’t get much exposure, so for me to get this is amazing.”
At the event, which was held at the Crystal Gallery of the Palacio de Cibeles, in Spain’s capital, she met some of her all-time heroes. This includes Andoni Luis Aduriz, a Spanish chef who ranked number five and picked up the award for The Best Science Chef Award. Bashmi describes him as “humble, down to earth and very focused on what matters in this industry rather than distractions around, which I really admire”.
Spain’s Dabiz Munoz picked up the top accolade of The Best Chef for a second consecutive year for his work at DiverXO restaurant in Madrid. Noma’s Rene Redzepi came second, while Spain’s Joan Roca i Fontane rounded out the top three.
Bashmi, who heads The Gulf Hotel Bahrain’s well-regarded restaurant Fusions by Tala, is no stranger to culinary accolades, having picked up her award for Best Female Chef in the region in Abu Dhabi this February. Her restaurant also ranked 39th on the first list of Mena’s 50 Best Restaurants.
She inherited an interest in cuisine and cultural identity from her father through his in-depth knowledge of the ingredients used. She then used this interest to launch Baked by T, before joining the Culinary Arts Academy in Lucerne, Switzerland.
Staying in the central European country, she had roles at the Grand Hotel Les Trois Rois in Basel and the Michelin-starred restaurant Prisma in Vitznau, where she learnt more about restaurant operations, as well as working in fast-paced kitchen environments.
Since returning to the Mena region, Bashmi has competed on MBC’s Top Chef Middle East television show in 2020, where she reached the finals.
In 2017, she took over the helm at Fusions by Tala, where she makes modern interpretations of Bahraini dishes, including the standout bamia, a traditional okra and meat stew, for which she uses Wagyu beef cheek, crispy okra glass and tomato broth rice.
“I try to appeal to every audience from every country, in a sense of bringing them back to a state of nostalgia,” she has previously said of her approach. Bashmi might do this through any of our senses, such as when she adds a campfire aroma to the Saudi-Bahraini dessert aseeda to evoke memories of camping, whether in the desert or the forest.
“I feel like this is still the beginning for me,” she says of her latest achievement. “People haven’t seen what came before, what led to today, so every time something is achieved, it’s a new beginning and opens new doors to opportunities I hadn’t even thought of.
Saudi Arabia was elected to the membership of the Council of the International Civil Aviation Organization until 2025 during voting at the ICAO 41st general assembly in Montreal, Canada.
The Kingdom was re-elected after a voting process with the participation of 193 UN member states.
The council has 36 members, including the US, France, Singapore and the UK, “thus providing a voice to the Arab and Islamic countries,” the Saudi Press Agency reported on Saturday.
Saudi Minister of Transport and Logistics Saleh bin Nasser Al-Jasser praised the importance of the election for the Kingdom, saying: “Since the establishment of the first airline in 1945, the Kingdom has proven its commitment and tireless work toward the aviation sector, both domestically and internationally.”
He added that the Kingdom is now working in line with the vision of Crown Prince Mohammed bin Salman by consolidating its global leadership role in the sector.
Al-Jasser said that the election “represents a broad tribute to the tireless efforts being made by the Kingdom to be a center for air linkage between the three continents to achieve the objectives of the national strategy for transport and logistics services.”
source/content: arabnews.com (headline edited)
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Saudi Minister of Transport and Logistics Saleh Al-Jasser attends 41st International Civil Aviation Organization General Assembly in Canada. (SPA)
Mohammad Abdullah Al Gergawi, Minister of Cabinet Affairs, Chairman of the Committee leading Great Arab Minds, and Secretary-General of the Mohammed Bin Rashid Al Maktoum Global Initiatives (MBRGI), highlighted the details of “The Great Arab Minds” initiative.
Launched by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President, Prime Minister and Ruler of Dubai, in January 2022, the initiative is the Arab world’s largest movement designed to search for exceptional talents among Arab scientists, thinkers, and innovators across key fields.
The Great Arab Minds initiative, under the MBRGI, aims to identify, support and acknowledge leading thinkers in the region, amplify their impact and inspire future generations. One of its main purposes is to reduce the emigration of Arab scientists, specialists, intellectuals, doctors, and engineers.
He affirmed that “The Great Arab Minds” initiative reflect His Highness’ vision in reigniting the Arab World’s Civilisation Drive, support great Arab minds and acknowledge their work and achievements, in service of humanity.
Mohammad Al Gergawi pointed out the importance of the Arab Reading Challenge initiative launched by His Highness Sheikh Mohammed bin Rashid Al Maktoum, among many other development projects, serving more than 91 million beneficiaries.
A study conducted by KPMG, showed that ignorance costs the Arab world more than US$2 trillion. The Great Arab Minds initiative aims to change this reality and contribute to shaping a brighter future for Arab generations.
During an event organised in the Museum of the Future to announce the details of the initiative, Mohammad Al Gergawi witnessed the signing of four partnerships between “The Great Arab Minds” initiative and KPMG, LinkedIn, Meta, and Majarra.
The initiative’s mission is to search for exceptional talents among Arab scientists, thinkers, and innovators across key fields, aiming to identify, support and acknowledge leading thinkers in the region, amplify their impact and inspire future generations.
Over a 5-year period, “The Great Arab Minds” will reward scientists, thought leaders, scholars, and innovators across 6 categories: Natural Sciences (Physics and Chemistry), Medicine, Literature and Arts, Economics, Technology and Engineering, and Architecture & Design.
The initiative includes the “Mohammed bin Rashid Medal for Great Arab Minds”, which will be awarded to 6 winners of six categories each year.
The Great Arab Minds initiative aims to facilitate the recognition of Arab thought leaders, scholars, scientists, geniuses, and transforming their ideas to real-life breakthroughs and solutions. It also aims at empowering cluster of Arab scientists and thinkers and building a network of Arab thinkers, scientists, and exceptional talents in various fields to work as one team to drive the Arab world’s intellectual renaissance.
Winner of the Audience Award at Venice Film Festival’s Orizzonti Extra Section, ‘Nezouh’ follows a Syrian family on the verge of becoming refugees.
Syrian film ‘Nezouh’ starring Kinda Alloush and Samer Al Masri, and directed by Syrian filmmaker Soudade Kaadan, won the Audience Award at Venice Film Festival’s Orizzonti Extra Section, supported by Armani Beauty. This is Kaadan’s second win at the festival after ‘The Day I Lost My Shadow’ (2018), her first feature-length film and the winner of Best Debut Film.
The film stars the Cairo-based Syrian actress Alloush, known for her roles in Egyptian and Syrian dramas. She was first introduced to Egyptian audiences in 2009 with her role in ‘Welad El A’am’ and has since starred in multiple films and series including ‘El Maslaha’ (2012), and ‘El Asliyyin (2017). She’s also part of the cast of ‘The Swimmers’ (2022) which debuted at Toronto Film Festival.
‘Nezouh’ is set in war-torn Damascus and tells the story of a Syrian family at a crossroads choosing between fleeing or clinging on to their home. The father, played by Samer Al Masri, refuses to become a refugee while his fourteen-year-old daughter yearns for freedom. The film is inspired by the filmmaker’s personal journey away from Damascus and the effect of the conflict on Syrian women’s social reality.
Saudi engineer Mishaal Ashemimry is the newly elected vice president of the International Astronautical Federation, becoming the first Saudi woman to hold the position after receiving 14 majority votes from international representatives.
Her role as one of the federation’s 12 vice presidents enables her to further the development of the space sector globally and consolidate the direction of the IAF.
As a Saudi woman and the first aerospace engineer in the Gulf Cooperation Council, her position strategically places the Kingdom at the forefront of the industry and highlights the country as a global leader in the field.
Since September 2021, Ashemimry has served as special advisor to the CEO of the Saudi Space Commission Mohammed Al-Tamimi, a position in which she consults on developing a national space strategy, creates and leads space programs, and advises leadership on direction and execution.
Ashemimry was previously a space nuclear technology consultant at the aerospace and defense company Northrop Grumman. She also conducted research funded by the NASA Marshall Space Flight Center during her time as a research assistant at the Florida Institute of Technology
At 26 years old, the engineer was also president and CEO of her own aerospace company, MISHAAL Aerospace, established in 2010.
The company developed space rockets, designed and launched its own line of cost-effective rockets titled the “M-rocket” series, completed static tests for hybrid rocket propulsion systems and provided global consultation.
In 2015, Ashemimry won the Inspirational Woman of the Year Award at the Arab Women Awards and in 2018 was awarded for her scientific achievements by King Salman.
She received her bachelor’s degree in applied mathematics and aerospace engineering in 2006 and her master’s degree in aerospace engineering in 2007, both from the Florida Institute of technology.
She is a certified Nitrox, rescue and open water diver, a commercial pilot and is trained in real space flight conditions of zero-gravity.
Ashemimry is an expert in aerodynamics, missile and rocket stage separation analysis, vehicle design, wind tunnel testing, simulations and analysis, and computational tool development.
