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Saudi Arabia, represented by King Abdulaziz and His Companions Foundation for Giftedness and Creativity, or Mawhiba, and the ministry of education, has won 27 prizes — including 23 major and four special prizes — at the Regeneron International Science and Engineering Fair.
More than 1,800 gifted individuals from more than 70 countries participated in the ISEF event, which was held from May 13-19 in the US.
In the major awards, the Saudi team won two first-place prizes, seven second-place prizes, seven third-place prizes and seven fourth-place prizes.
Student Faisal Al-Muhaish won first-place in chemistry for his project titled “Metal-organic framework-based electrocatalyst for a highly efficient and low-cost seawater hydrogen production,” while student Mohammed Al-Arfaj won first prize in environmental engineering for his project titled “Using a contact liquid to capture CO2 found in fuel and air through a highly efficient and low-cost freezing method.”
Second-place prizes went to Taif Al-Hamdi in the field of energy, Latifa Al-Ghannam in energy, Lynn Al-Melhem in energy, Zahra Al-Shabr in biomedicine and health sciences, Fatima Al-Arfaj in chemistry, Wissam Al-Qurshi in biomedical engineering and Dima Marwahi in earth and environmental sciences.
Third-place prizes went to Ritaj Al-Sulami in energy, Fajr Al-Khulaifi in energy, Fares Al-Yami in transitional medicine, Lian Norolli in environmental engineering, Abeer Al-Youssef in materials science, as well as Lian Al-Maliki and Nour Al-Hamad in plant sciences.
Fourth-place prizes went to Maria Al-Qumsani in engineering technologies, Bandar Al-Barahim in robots and smart devices, Hanadi Arif in social and behavioral sciences, Maria Al-Ghamdi in environmental sciences, Tahani Ahmad in materials sciences, Dee Shujaa in earth and environmental sciences and Yazan Al-Fulaih in plant sciences.
This year’s achievements have increased the total number of prizes won by the Kingdom at ISEF to 133 — 92 major and 41 special prizes — since it began participating in 2007.
Amal bint Abdullah Al-Hazaa, secretary general of Mawhiba, congratulated King Salman and Crown Prince Mohammed bin Salman for this new national achievement, which was supported by the leadership. She also congratulated the ministry of education and the students, along with their families, schools and teachers.
Al-Hazaa commended the joint efforts by Mawhiba and the ministry of education, as well as their strategic partners, to continue achieving the objectives and initiatives of the Kingdom’s Vision 2030 by improving students’ capabilities in accordance with the latest scientific methods used for gifted individuals.
Al-Hazaa said that “the complementary partnership between Mawhiba and the ministry of education has contributed to the development of a creative environment, space and system for talented individuals and produced Saudi human capital models that are competent and able to innovate solutions to sustainable development-related problems, contributing to the prosperity of all of humanity.”
The Kingdom, represented by Mawhiba, also took part in ISEF 2023 as an official sponsor and presented 18 special prizes to the best projects participating in the energy category.
ISEF is considered the largest pre-university scientific research and innovation competition fair.
source/content: arabnews.com (headline edited)
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This year’s achievements have increased the total number of prizes won by the Kingdom at ISEF to 133 — 92 major and 41 special prizes — since it began participating in 2007.(SPA)
Throughout history, Algerian women have fought injustice at work, in the home and on the battlefields, yet their contributions are relatively uncelebrated.
Throughout Algeria’s history under French colonialism, women played a vital role in the quest for self-determination, as well as in protecting and developing the country’s culture and traditions.
This was particularly apparent during the War of Independence (1954-1962), when Algerians fought to free the North African country from 132 years of French rule in a battle that would come to represent the epitome of fierce revolutionary resistance.
Driven by the resolve to liberate Algeria at all costs, women took to combat in an expansive range of roles including as paramilitary fighters, transporters, fundraisers, nurses, cooks and communicators.
One of the many tactics often adopted by female agents during the war was to act as communicators between the Algerian soldiers and the population as a whole, in order to raise funds and propagate news about the revolution. Ironically, by taking part in such high-risk operations, Algerian women strategically subverted the colonial stereotype of the tepid and submissive native woman afforded to them by the unsuspecting French army.
On 5 July 1962, the revolution ended in liberation for Algeria. But while one battle ended, others would soon begin for the country’s female population.
Algerian women would continue to actively engage in national politics in the years following independence, fighting patriarchy, misogyny and political alienation by ex-fellow combatants who were dismissive of their seat at the governing table of the new state.
Despite the many obstacles Algerian women have faced, they have remained socially and politically active. This can be seen by the return of women to the political forefront at the launch of the popular movement, known as Hirak, as well as the Revolution of Smiles.
The protests were triggered by former-president Abdelaziz Bouteflika’s announcement on 10 February 2019 that he would seek a fifth term in office. The Hirak succeeded in ousting Bouteflika, but the struggle to bring the structure of the entire regime down continues.
Despite their enormous historical contributions, Algeria’s iconic women remain somehow uncelebrated outside of the Grand Maghreb and the Arab world.
Here are eight revolutionary Algerian women whose defiance of social and gender norms has cemented their place in history.
Lalla Fadhma N’Soumer (1830-1863)
Lalla Fatma N’Soumer is renowned as an icon of female armed militancy (Wikicommons/ean Geiser/pd-us)
Born into a family of religious marabouts in 1830 (during the fall of Algeria to French colonisation) in a town called Soumer in the Kabylie region, Lalla Fadhma N’Soumer is renowned as an icon of female armed militancy and an Islamic religious authority of her time.
Known for her intellect and ferocity, she led the first wave of resistance (1850-1857) against the French after the death of Cherif Boubaghla in a battle on 26 December 1854.
While her enemies called her the Joan of Arc of the Djurdjura mountains for her military campaigns, she was also referred to as “lalla” or “lady” to signify her honour and sanctity.
In her article about Lalla N’Soumer, author Samia Touati recounts that on the day she was captured by the French army, Marshal Jacques Louis Cesar Alexandre Randon (1795- 1871) asked Lalla N’Soumer why her men violently resisted the French troops.
She replied: “God wanted it. It is neither your fault, nor mine. Your soldiers went out of their ranks to penetrate my village. Mine defended themselves. I’m now your captive. I have no reproach to you. You shouldn’t have any reproach to me. It was written this way!”
Zoulikha Oudai (1911-1957)
Zoulikha Oudai is known in Algeria as “mother of martyrs” (Creative commons/memoria)
Born Yamina Echaib in 1911 to an educated family in Hadjout, Zoulikha’s commitment to freedom fighting began as a mediator between the National Liberation Front (FLN) and the Algerian population.
A nationalist party formed in 1954 and which went on to rule Algeria after independence, the FLN initially resisted French colonialism through paramilitary guerrilla warfare.
The secrecy of Algerian independence operations warranted the need for mediators such as Oudai to contact Algerian families individually and confidentially to raise funds for the FLN.
In October 1957, the French army arrested Oudai and tortured her for ten days.
After refusing to divulge secret information, French soldiers pushed her from a helicopter, earning her the title of “mother of martyrs”.
Algerian writer Assia Djebar evokes the figure of Zoulikha Oudai in her 1977 film, La nouba des femmes du Mont Chenoua (The Nouba of the Women of Mount Chenoua) and her 2002 novel, La femme sans sepulture (The Woman Without a Tomb).
Djamila Bouhired (1935-present)
Djamila Bouhired was a militant during the war (AFP)
Born in 1935 in the historic neighbourhood of Al-Casbah in Algiers, militant Djamila Bouhired showed signs of political leadership in the early years of her childhood. As a pupil in a French school, Bouhired once rebelliously sang “Algeria is our mother” instead of “France is our mother.”
At the age of 20, Bouhired enthusiastically joined the FLN and later on the Fedayeen (armed militants) to take part in guerrilla warfare against the French colonists.
After she was arrested in 1957, Bouhired was tortured by being beaten, burnt and electrocuted at the Rheims prison where she was incarcerated.
Worldwide, activists marched to demand the release of Bouhired. Renowned Syrian poet NizarQabbani, Egyptian filmmaker Youssef Chahine, Soviet leader Nikita Khrushchev and Egyptian president Gamal AbdelNasser all called for her release.
She was honoured by key personalities in the region: Nasser once received her in Egypt, Qabbani wrote a poem about her, the Lebanese musician Fairuz dedicated a song to her, and Chahine directed the 1958 film, Jamila, the Algerian, about her life. Bouhired was also featured in the 1966 Italian-Algerian production, The Battle of Algiers.
But after independence she was deliberately alienated from the political scene by fellow male FLN combatants. Bouhired decided to fight yet another battle against Bouteflika’s election when she marched alongside young student activists last year.
Exasperated by the injustice of patriarchy, Bouhired asserted women’s role in liberating Algeria by announcing during protests last year: “Our blood is the same as men’s. Our blood is not water. Our blood is blood.”
Louisette Ighilahriz
Louisette Ighilahriz’s memoire released in 2000 ignited a conversation in France on torture (AFP)
Born in 1936, militant and author Louisette Ighilahriz devoted her youth to helping the Algerian revolution by working as a courier to transport the FLN’s documents and weapons.
Ighlahriz documented her incarceration and torment at the hands of the French army in her autobiography, Algerienne. This account not only testifies to women’s active engagement during the Algerian war, but it also highlights the widespread use of torture committed by the French, which was finally acknowledged in 2018.
It was decades before Ighilahriz was finally ready to speak about the horrors she faced. In her book she gives a painful account of the dehumanising treatment, the beating and rape at the hands of French army captain Jean Graziani, while in prison.
In addition to the physical torment, Ighilahriz was forced to live in her own excrement: “My urine leaked through the sheet covering the bed, my excrement mixed with my menstrual blood and formed a stinking crust” which pushed her to the edge of insanity.
This account of torture is similar to other narratives on the experiences of other activists, including the biography, Pour Djamila Bouhired, by Jacques Verges (1957) La question by Henri Alleg (1961) and Djamila Boupacha (1962) by Gisele Halimi. Ighilahriz was, however, the first Algerian woman to speak out about rape in a personal autobiography.
Today, the 83-year-old remains active, talking about the betrayal of the revolution by its own militants after independence and participating in today’s revolution.
Zohra Drif (1934-present)
Born into an upper-class family in 1934, it was retired lawyer and politician Zohra Drif’s education that led her to develop staunch feminist and anti-colonial positions that propelled her active engagement with the FLN.
In her memoir, Inside the Battle of Algiers, Drif recounts the joys of having access to information on resistance while at university:
“We finally had access to the publications of the many parties and associations comprising our national movement: the UDMA’s La Republique Algerienne, the PPA-MTLD’s L’Algerie Libre; and El Bassair, published by the oulema. The press brought us information, opinion pieces, and analyses from various perspectives, while lectures by the very individuals engaged in the early struggle gave us the means to separate the wheat from the chaff.”
After independence, Drif continued her political engagement both as a lawyer and as a member of the Algerian Council of the Nation. Her autobiography Memoirs of a combattant of the ALN: Autonomous zone of Algiers is a testimony of her struggle during the Algerian revolution. Her feminist activism continued after independence as a critic of some of the government’s policies.
When a new Islamic family code was proposed in 1981 that would ultimately limit women’s rights within the household, Drif joined fellow feminists as they swarmed the streets of Algiers calling it “the infamy code”.
Drif also joined the masses that marched against former president Abdelaziz Bouteflika’s bid for a fifth term in Algeria last year, calling for the president’s resignation and opposing having a military state.
Salima Ghezali (1958-present)
Salima Ghezali fought against fundamentalism during the 1990’s civil war in Algeria (Creative Commons/Claude TRUONG-NGOC)
A founding member of the group Women in Europe and the Maghreb and president of the Association for the Advancement of Women, in Algiers, Salima Ghezali is known for her active role in fighting against fundamentalism during the 1990s civil war in Algeria.
The rise of Islamist patriarchy in Algeria was demarcated, on the political scene, by the proposition of a new family code in 1981 which designated the male patriarch as the head of each family, thus giving him authority over women.
Working as the editor of Algerian French-language weekly La Nation put Ghezali’s life in great danger because of her unyielding political opposition to the government of ex-president Chadli Bendjedid and the Islamist party (FIS). Her dissent against censorship infuriated both the Islamists and government officials.
Ghezali’s bravery as a journalist and a feminist was acknowledged worldwide; she received accolades from the World Press Review and the European parliament.
Nour El houda Dahmani and Nour El houda Oggadi
Today’s revolution is built on the back of the struggles of the past. The young students Nour El houda Dahmani and Nour El houda Oggadi are two women who joined the anti-corruption marches last year to demand long-overdue democratic reforms and a political system representative of its young population.
Law student and activist Nour El Houda Dahmani, 22, was arrested in September 2019 while marching in the Hirak student-led protests against the militarily imposed presidential elections.
Dhamani, who was holding a poster at the time of her arrest, reading: “All of the corrupt shall be held accountable”, soon became one of the many iconic faces of the Revolution of Smiles.
Although Dahmani stated that she was not mistreated in prison, the experience of incarceration was traumatic. She was supported by vast numbers of people, as she explained in an interview with Berbere Television: “When I read the articles written about me, and I heard that people marching in the Hirak were asking for my release, even my incarceration did not seem cruelly bad anymore.”
Upon her release, Dhamani only had one goal: to return to university despite missing an entire term.
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Like Dhamani, Nour El houda Oggadi is a student and activist who was arrested a couple of months later, on 19 December. She was charged with “demoralising the army” because of her social media posts and signs she carried while marching, which were part of demands calling for Algeria to function as a civilian, not a military state. Oggadi served 45 days in prison.
Prison did not deter Oggadi; after her release, she stated her pride in her role in this Hirak, which she describes as “the birth of a new generation.”
The two students became powerful symbols of female resistance in Algeria, just two in a long line of women fighting tyranny and injustice.
Algerian period drama The Last Queen and Iraqi film Hanging Gardens were among those recognised.
Films from Palestine, Lebanon, Jordan, Iraq, Morocco, Tunisia and Egypt were among the top winners of this year’s Amman International Film Festival.
The Black Iris Awards ceremony was held on Tuesday at the Royal Film Commission in Amman. The event marked the conclusion of the fourth run of the festival. This year, the festival screened 56 films from 19 countries, including feature narratives, documentaries and short works. The films all marked their Jordanian premiere, with some making their worldwide or regional debut.
Hafreiat by Spanish filmmaker Alex Sarda was the winner of the Black Iris Audience Award for best foreign film. The documentary revolves around a Spanish archeological mission in northern Jordan where local workers excavate the land, working long hours for minute wages. At the centre of the story is Abo Dya, a Palestinian-Jordanian, working tirelessly to provide for his family, hoping to better their lives despite the criminal record that undermines his ambitions.
The Palestinian film Lyd, directed by Rami Younis and Sarah Ema Friedland, was named winner of two awards, including the Jury Award for best Arab feature documentary and the Fipresci Award, held in conjunction with the International Federation of Film Critics.
The film puts a spotlight on Lyd. A city with a 5,000-year history, Lyd was once a Palestinian capital and in the early 20th century was a thriving metropolis. Lyd highlights this rich history while also highlighting the bloodier aspects of its past, namely the massacres and expulsion of Palestinians by Israeli forces in 1948, after which the state of Israel was created and the city became known as Lod.
The documentary interviews survivors of the Nakba, Palestinians living in Lyd, as well as those in exile. The film juxtaposes the real-life footage with animation that treads into sci-fi territory, imagining what Lyd could have been like if not for the bloody events of the Nakba.
The Jury Award for Arab short film was given to two films – Hamza: A Ghost Chasing Me by Palestinian director Ward Kayyaland Trinou by Tunisian filmmaker Nejib Kthiri. The Black Iris for best Arab short, meanwhile, was granted to My Girlfriend by Egyptian filmmaker Kawthar Younis.
The Special Mention prize for first-time documentary editor was awarded to Zakaria Jaber, director and editor of Anxious in Beirut. The documentary explores the trauma endured by denizens of the Lebanese capital in a film that aims to find a semblance of coherence within the tumultuous effects that have gripped Beirut.
Fragments from Heavenby Moroccan filmmaker Adnane Baraka was named winner of the Black Iris Award for best Arab feature documentary. The film follows a group of Amazigh nomads in Morocco as they search for bits of a Martian meteorite that landed in the desert in 2013, hoping it would better their lives.
The Special Mention prize for first-time lead actor/actress was awarded to two talents. Lebanese actress Marilyn Naaman was awarded for her lead role in Mother Valley. The film, set in the Lebanese mountains in the mid-20th century, follows a young wife as she faces the pressures of patriarchal society.
Egyptian actress Rana Khattab was also awarded for her role in the film Rat Hole. The feature, directed by Egyptian filmmaker Mohamed El Samman, follows a telemarketer working for a non-profit organisation trying to convince people to donate to various causes. The film pulls the curtain on the darker side of the Egyptian non-governmental organisations that scam people on the pretence of charity donations.
The Special Mention prize for first-time scriptwriter was awarded to Algerian filmmaker Adila Bendimerad, the director of the period drama The Last Queen. Bendimerad wrote the script for the acclaimed film with Algerian director Damien Ounouri.
The Iraqi film Hanging Gardenswon the Jury Award for Arab feature narrative. Directed by Ahmed Yassin Al Daradji, the film revolves around a 12-year-old boy who scavenges a landfill for sellable metal and plastic. He comes across a human-size doll, presumably brought and left behind by US soldiers. The boy names the doll Salwa and decides to keep and care for it; bathing it and trying to keep it from prying eyes. Soon, however, his secret is revealed, and he is in the crossfire of those who want to take Salwa for themselves, those who seek to commercialise from it, as well as those who want to obliterate it.
Finally, the Black Iris prize for best Arab feature was awarded to Ashkal. Directed by Youssef Chebbi, the crime thriller is set in Tunis and follows two police officers as they try to unravel the mystery behind a series of self-immolation cases.
Three entrepreneurs share their stories as well as tips to succeed, regardless of background
Steve Jobs, Tony Fadell of iPod and Nest thermostat fame, and Taher Elgamal, the father of SSL technology, may be some of the most successful Arab Americans the global tech world has seen – but bit by bit, that picture is starting to change.
An emerging group of Arab-American women is increasingly taking up the tech mantle in a host of diverse fields.
A year spent in Kansas as a cultural exchange student at the age of 17 led to Morocco native Yasmine El Baggari feeling a profound need to help people connect.
“Most people [in Kansas] had never met someone from Morocco before. It felt like I was a cultural ambassador for Morocco at every opportunity,” she says.
The experience morphed into something more: a road trip to all 50 US states, during which she stayed with families and taught French and Arabic to get by, and later, a career that has seen her visit more than 45 countries – while securing a degree from Harvard University along the way.
All this led Ms El Baggari to found Voyaj, an online platform that fosters connections between people from diverse backgrounds in all corners of the globe.
“Once you build a human connection with someone, they’re more open to considering different perspectives … which is the basis of the work I continue to do: building and facilitating connections with people around the world,” she says.
Voyaj has collaborated with organisations to bring dozens of students from Africa to California for cultural exchange trips.
In March, Ms El Baggari raised more than $50,000 through a crowdfunding campaign involving more than 260 people from 40 countries to help fund the app.
Recently, Voyaj started working with non-profit Alight to help connect Afghan refugees recently arrived in Minnesota with local residents.
With the number of immigrants from the Middle East and North Africa in the US doubling over the past 20 years to 1.2 million, Arab-American women are set to play an increasing role in the tech and entrepreneurial landscape.
But getting to the top is not easy – just ask serial achiever Sherien Youssef.
Born and raised in Cairo, she emigrated to the US aged 11.
“My parents gave up a lot in Egypt to come here. They were comfortable there, but wanted a better life for their children,” she says.
Now living in a suburb of Washington, Ms Youssef is a senior executive and vice president at CGI, a major IT and consulting multinational that employs more than 90,000 people in about 40 countries.
It has taken serious determination to get to where she is.
“Growing up, being Arab American and being a Muslim, it wasn’t easy to find a person that looked like me [in this industry],” she says.
“It wasn’t very prevalent in my field. When you come as an immigrant, you have a desire to be constantly working harder and proving yourself over and over again.”
Today, her professional life consists of speaking at conferences, working closely with chief executives at partner companies and mentoring staff.
Having raised a family, grown her career and secured an MBA, she says there is still room for change.
“This is still a male-dominated field. We don’t see as many women in the C suites in the IT field,” she says.
Health and wellness is another area Arab-American women are making inroads.
For 12 years, Megan Moslimani was a dedicated public servant, working as a lawyer for the city of Detroit and serving as a board member of the Detroit Bar Association.
But a trip to Los Angeles in 2016 made her realise health care and wellness were industries on the up, and that IV drip therapy could be a game-changer.
“We visited different medical spas for fun and to enjoy the luxury experience. I was impressed with the way you could feel instantly better and hydrated [from using the drips],” she says.
Last spring, Ms Moslimani, whose family arrived in the US from Lebanon in the early 19th century, and her colleague, Biane Bazzy, dove headfirst into their passion, opening the House of Drip & Wellness in Dearborn, Michigan.
American designer brings hijabs to the high street
Made popular by celebrities such as the Kardashians and Hailey Bieber, and appearing in popular TV shows such as Billions, restorative IV drip therapy is a way to get vitamins, electrolytes and other nutrients into the bloodstream quickly.
It is believed to help people recover more quickly from illnesses, jet lag, fatigue and other ailments.
“Clients feel results instantaneously as the drip directly enters the bloodstream, bypassing the digestive tract,” she says.
“People love instant gratification, and I knew all could benefit – athletes, tired mums, overworked professionals.”
Restorative IV drip therapy spas or “drip bars” are springing up in strip malls and neighbourhoods across the US. With the global wellness industry estimated to be worth about $1.5 trillion and expected to grow by 5 per cent to 10 per cent per year, IV drip therapy is set to become an important health recovery tool.
For Arab-American women thinking about starting out in the tech and entrepreneurial worlds, the trio have tips to share.
Ms Moslimani says it is important to be prepared to spend money on the right things to grow your business.
“Look for attorneys offering pro bono hours and get real business law advice,” she says.
Ms El Baggari says getting past the stigma of asking for help is essential to succeeding as an entrepreneur.
“Don’t be afraid to ask for what you need – if people say no, that’s OK,” she says. “You want a clear sense of mission. Understand your ‘why?’”
For Ms Youssef, investing in yourself is key, “whether it’s in degrees and certificates, or in networks”.
“Oftentimes it’s the relationships and connections that you make will be the reason that you get to the next step in your career,” she says.
Last spring, Megan Moslimani and a colleague launched the House of Drip & Wellness in Dearborn, Michigan. Photo: Megan Moslimani
Yasmine El Baggari is the founder of Voyaj, an online platform that fosters connections between people from diverse backgrounds. Photo: Yasmine El Baggari
For Sherien Youssef, investing in yourself is key, ‘whether it’s in degrees and certificates, or in networks’. Photo: Sherien Youssef
A few days ago, Egyptian-American Sarah Shendi took an important step by becoming the first Egyptian Muslim police sergeant to serve in the US police service, setting an example for others like her.
Ohio has approximately 3,200 officers. Shendi joined them as the first Arab Muslim woman to hold the position of sergeant.
She had previously served with the Copley Township Police, and Ohio Governor Mike DeWine appointed her as the first director of the law enforcement and employment office in the state of Egyptian-Muslim descent.
The decision was warmly welcomed by the Arab community in the US, which in turn suffered for decades from marginalization due to the terrorist attack of September 11.
Shendi’s new rank marks a step forward.
She was born in Saudi Arabia and lived between Saudi Arabia and Egypt until she reached the age of six, and her family moved to the US in 1991.
Q: Why did you choose to be a policewoman?
A: Since we moved to the US in 1991, I have always been fascinated by law enforcement here in this country, especially because it’s so different from anywhere else in the world. I also fell in love with the uniform, and I always wanted to help others.
From my point of view I think it is the best job on the planet.
Q: What are the biggest issues that you faced on your way to becoming a policewoman?
A: I have learned that your greatest enemy is yourself and what goes on in your mind. I wish I had believed earlier in my life in this wise saying, then I would not have wasted so much time, doubting my decision, or trying to please others.
This is the secret of happiness and success in life.
Q: How difficult is it to be a Muslim woman in Western society?
A: Being a Muslim woman is difficult anywhere whether in a Western or Middle Eastern society. Women face special and unique challenges. Everywhere we go. I like to say pressure is a privilege. I’ll take a good challenge any day of the week. I believe in leading by example and doing the right thing. The rest is up to God. Always be confident, wise, honest and honorable.
Q: Usually, Arabs living in a foreign country face an identity crisis – did you?
A: I don’t really have an identity crisis because I’ve been living here for almost 30 years, I feel at home here in the US, and when I go to Egypt I feel at home there too.
I just love being around good people, I preferred being in the Middle East when I went on vacation last October because I love seeing mosques everywhere and hearing the call to prayer when it’s time to pray.
But I can’t say I’ve had an identity crisis. I am who I am, no matter where I live.
Q: Being a policewoman is risky. How did your family deal with your decision?
A: My family has been supportive of anything I choose to do since day one. They may not have welcomed my decision at first, but they still supported me. Then they saw how good I am at my job, and how much of a difference I make to the lives of the people around me. They started to understand why I love what I do.
Thank God I have the most amazing family and they have been so supportive in all my good and bad days.
Q: Did your family make sure that you speak Arabic since you speak the language well?
A: I think speaking Arabic is very important. My dad wouldn’t let us speak English at home growing up here in the US. At the time I didn’t know why, and I used to get resentful sometimes, but now as an adult, and being in law enforcement, I appreciate it so much because it allowed me to help so many people.
Q: Are there Egyptian customs that you adhere to in your family?
A: Although we have lived in the US for more than 30 years, we adhere to many cultural practices and do our best with our religion. I am proud to be Egyptian, proud to be Muslim, and also proud to be American. I love Egyptian culture and the Islamic religion and in my opinion this is what makes me a good policewoman.
Q: Have you ever been to Egypt on a visit with family?
A: The last time I went to Egypt with my family was about ten years ago or more. My sister chose to have her wedding in Egypt and it was a wonderful time with my family. We haven’t traveled together as a family since then, but I do go on vacations sometimes.
Q: What do you like most when visiting Egypt?
A: I love being around people who speak my language and have the same religion as mine. I feel at home when I visit Egypt. I also love hearing and speaking Arabic, seeing nice and kind people everywhere you go, I also love Egyptian food and landscapes. I am very proud of Egypt because it is where my parents were born and raised and they are the real reason I am where I am now.
Q: Are there specific Egyptian foods that you like very much?
A: I love my mom’s cooking the most. I love beans a lot and I also love koshari. I think Egyptian food is the best middle eastern food there is, and of course my mom is the best cook in the world.
Q: Do you follow any dramas in Egypt or about Egypt?
A: I don’t watch any Egyptian TV. But I listen to Egyptian singers like Amr Diab and Tamer Hosni.
Q: From your experience, what advice you would like to give to women in general?
A: Be yourself, be confident, and don’t give in to the pure pressures around you. We are surrounded by so much fakery on social media, on TV and in the entertainment industry, everyone wants to tell you what to wear, what to eat and drink, and how you are supposed to look. I would never listen to any of that because it’s not real advice, and it’s not healthy.
You will never find happiness through others. True happiness comes from within, knowing you are good enough. I will tell everyone in general to always work with pure intentions.
Religion is also very important to me and I always tell young people not to miss prayers for any reason. We get the chance to talk to God at least five times a day and this is not something we should take for granted. It’s a privilege.
Edited translation from Al-Masry Al-Youm
source: http://www.egyptindependent.com / Egypt Independent / Home> Features-Interviews> Main Slider / b Al-Masry Al-Youm / June 05th, 2023
Al-Nahdi has been accredited as the first Saudi international referee in the history of basketball in the Kingdom
FIBA also accredited three other Saudi international basketball referees
For most teens, picking a sport to play in school relies on passion and love for a particular game; for others, choosing is a tough decision. For Lamya Al-Nahdi, opting to play basketball was not something she knew she wanted, as she had played a few different sports, but basketball resonated with her the most.
“I have been playing basketball since I was 13 years old; it is one of the unique sports that relies on speed, intelligence and teamwork. Those three elements combined really got my attention in this beautiful sport,” Al-Nahdi said.
“Basketball is not only about being healthy and sporty and all of that, it gives you so many values when it comes to teamwork, when it comes to the decision-making phase in the court, it is so much more than just a sport,” she said.
After more than ten years of devotion to the sport, Al-Nahdi has been accredited as the first Saudi international referee in the history of basketball in the Kingdom, having passed the test for becoming an international basketball referee set by the international basketball federation FIBA.
FIBA also accredited three other Saudi international basketball referees: Ahmed Hassan Al-Khamis, Abdullah Marzouq Al-Hujaili and Razen Ahmed Al-Awfi. The accreditation of the three Saudi referees follows them successfully passing the FIBA theoretical and practical exams.
“I had to go through a lot of preparation and training in basketball in the field, and also with the legislation and laws,” Al-Nahdi said.
Al-Nahdi said that becoming the first Saudi international basketball referee was both an honor and a huge responsibility.
“I am not only representing myself but also representing a beautiful sport that I grew up playing for more than ten years, so it represents the love and passion for that sport,” she said.
“And it also represents my country, religion and lots of values that I took along with me.”
While playing basketball, Al-Nahdi graduated from Dar Al-Hekma University with a human resources management degree. After graduating, Al-Nahdi worked in human resources for five years before joining her family business as a business development manager of Blooming, a female clothing brand founded by Saudi women.
Al-Nahdi being accredited as the first Saudi International referee in basketball follows the efforts made by the Saudi Sport Federation to empower Saudi women in the sport sector, particularly Saudi female referees, and to support Saudi women locally and internationally.
“Now is the time for anything, particularly in the Saudi sports industry, with the support system we have,” Al-Nahdi said.
“I am loving the focus on females playing sports, specifically basketball,” she said. “I do believe it is the number one sport when it comes to female sport, gaining much attention among Saudi females compared to other sports.”
Encouraging women to take up sport and providing job opportunities in several sports fields, including football and basketball, has allowed Saudi women to excel in professional and recreational sports.
“In my early years of playing basketball, we actually used to do it not secretly, but no one knew about us back then, compared to the attention, support and the number of basketball coaches available to train Saudi women,” Al-Nahdi said.
“Now is the time. The support structure is there, all you need to do is to believe in yourself and work hard toward your goal.”
Al-Nahdi said that believing in yourself was the first and most important step in achieving anything, the second was surrounding yourself with supportive people to help you along the way.
Her elevation as the first Saudi international referee for basketball has been welcomed enthusiastically.
The Saudi Embassy in the US tweeted: “The @FIBA has approved Lamia Fawzi Al-Nahdi as the first Saudi international referee in the history of Saudi basketball. This is the result of the efforts of the @sbfksa to empower Saudi female referees and support them locally and internationally.”
Saudi Arabia’s first female international referee for football was appointed by the FIFA in January this year, when Anoud Al-Asmari was awarded the international badge, less than a year after the Kingdom’s national women’s team made their debut.
source/content: arabnews.com (headline edited)
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Lamya Al Nahdi, is the first Saudi international referee in the history of basketball in the Kingdom
How do you use tech/data to tackle important issues? Tell us about your work.
Data, specifically qualitative research methods, is important to apply a systems lens of work as a means to connect the dots between the various solutions I’ve been mapping. Looking at a portfolio of solutions rather than stand-alone silver bullets creates evidence to better understand complex problems that are in nature wicked and interlinked. This method of starting with the solution and portfolio of solutions becomes a proxy indicator of a need and blind spot in a system or system of systems and/or a signal of change taking place.
I work with ordinary people who create extraordinary things to adapt to change quickly. My work is then to analyse that to share with the UNDP network and government counterparts for better decision making.
Solutions mapping is like pointillism. A series of dots may not make much sense but when it begins to connect and harmonise, you step back and see a picture. An example of that was during Covid-19 and how micro enterprises were forced to figure out ways to continue work under limitations of social and safe distancing. Observing a pattern of cashless solutions and connecting these with similar solutions both in Sudan, regionally and across the globe underlined the need but also an accelerated shift to a cashless economy as result of this new normal.
What was the most impactful project you worked on in the past year?
One of the ways to support a thriving local innovation ecosystem is one that facilitates this very ecosystem to see itself and its diverse and often unusual stakeholders.
If I were to liken the current ecosystem in Sudan, I would describe it as a map of islands with few bridges in between. When you start to ‘see’ solutions, as a mapper, you can see in all the ways they connect, align and interlink in this bigger and collective effort to create impact.
Everywhere I go, I cannot stop emphasising the ripple effect of the Solutions Fair held in early 2020. Whereby for the first time, stakeholders from different groups spanning academia, private and public sectors where in the same giant hall as Giulio Quaggiotto, Head the UNDP Strategic Innovations Unit has coined, the development mutants. A social experiment of sorts, of what takes place when the traditional development actors meet the unusual and unexpected.
The organic connections, knowledge sharing and diffusion that begin to form from which a community of solution holders emerged. With the first Covid-19 case reported in March and subsequent lockdown, it was this very community network that I was able to tap into to understand how they were responding, pivoting with Covid-19. The socio-economic impact but also the incredible resilience to reconfigure and do things differently under this immense and limiting challenge. How this network was connecting, working and collaborating with other networks. From university labs shifting to production of hand-sanitizers for students to distribute for free in the urban centres, to a social enterprise supporting highly affected street tailors into an organised collective to mass produce re-usable masks. The power of connections and compound impact that bridge the usual with the unusual.
What are some innovations from the pandemic that have caught your eye?
Indigenous Sound Bites. This completely grassroot effort was carried out by Dr. Hiba Abdelrahim of Sudan Unity Networking who first noticed the glaring gap in inclusive Covid-19 communication available in local and indigenous languages. She started to reach out to a network of Sudanese polyglots on Facebook to record sound bites of Covid-19 WHO guidelines and safety precautions. Through networks and network of networks on social media from Telegram, Whatsapp, Youtube, a collective distribution approach was used to share and reshare these sound bites to ensure this reaches volunteers on the ground in rural and hard to reach areas to share this vital and critical health information.
What is one unexpected learning from 2020?
2020 was a year of personal growth and learning forced by being cut off from the usual pace and external stimuli of everyday life and way of work. Facing a collective and shared challenge caused by the Covid-19 pandemic, the uncertainty of this new reality and what that means at a personal and professional level created a space to pause for much needed reflection on what really matters. Family and well-being, particularly mental well-being, and health have always been important. But what was unexpected was how much that really is a priority at the core of the choices I make and should and ought to be making.
In a way, the great re-set of this year was a wider ripple effect for social solidarity which emphasised the need for better support for care work and care economies. An integral support system that was consistently undervalued but came to the forefront with the pandemic in the welfare of, for and by communities.
What are your priorities for 2021?
Balance. Solutions mapping, and I am biased for obvious reasons, is an important protocol that introduces mixed research methods and approaches to development practice. The importance of constant and consistent engagement with the systems outside the work of UNDP, and connecting to those closest to the problem in the context of development challenges, allows solutions mappers to be a bridge to share, diffuse and shine light on context responsive knowledge with decision makers at UNDP and government counterparts that may influence programming, policy or inform better partnerships and possibly open unexpected pipelines in the market.
All the while, it is imperative to embed the practice and protocols of solutions mapping within UNDP thereby creating movements and networks of UNDP mappers in the country office to re-learn to see, observe and engage with ecosystems through this new lens. This is akin to having one foot out with one foot in, a balancing act to ensure that I am not leaning heavily on one foot at the expense of the other.
What tool or technique particularly interests you for 2021?
Ethnographic cartography (EC) is a method I am particularly keen to explore its possible applications in the context of Indigenous Knowledge Systems (IKS) in Sudan. EC inspired by Everyday Geographies and Personal Geographies, is a multi-sensory approach combining two activities.
The first, MyWalks is an activity that is intended to reawaken the senses to look for the unexpected. A simple premise of walking through a familiar route, re-walked or a new route walked for the first time. The experience of the journey starting at A is more important by engaging the senses and observing rather than reaching the destination at B.
The second, MessyMaps is the technique to record this multi-sensory experience through images, sound and notes. The outcome of this supports better understanding and engagement of the ecosystem in which I am mapping solutions and how these solutions exist, interlink and engage with the environment it operates out of and with.
I first came across an application of this method through the amazing work “Other Maps” undertaken by a fellow Solution Mapper, Paulina Jimenez at UNDP Ecuador. In academia, this emerging method was used to produce qualitative GIS representations of resilience. In this use case, Dr Faith Evans incorporated emotion, social connections and experience to present an experimental map visualisation of informal settlements in Kenya.
Which other countries inspire you and why?
India. As I onboarded to the Accelerator Lab, the cohort of AccLab mappers had the unique opportunity to get first-hand knowledge and support from the Accelerator Lab Network knowledge partner, the Honey Bee Network and GIAN. Virtual classes led by Prof Anil Gupta and Dr Animika Dey on mapping inclusive grassroots innovation was an eye opener to the work led by India over the last two decades to recognise, incorporate and support grassroots innovations in the National Innovation Policy. As one publication describes it, propositioning grassroots innovations in the S&T policies of India created a space for “the innovation agenda [to] shift from presenting grassroots innovation as a divider of the national innovation wealth to a provider of it”. (1)
The kind of effort India has spearheaded is one I would hope can be galvanised for Sudan to learn from and emulate.
Who do you admire? Who is your hero?
My grandfather. A food scientist, teacher, researcher, former FAO and fierce advocate for R&D turned entrepreneur and thought leader in the F&B industry of Sudan.
I remember once asking him why he did not invest in better advertising for his products or fancier packaging. His response was that his responsibility and priority is to ensure accessibility for the everyday Sudanese informed by the forefront of sustainable food production research. In which the everyday consumer not only benefits from the product itself but is able to re-use and repurpose the packaging for domestic needs.
The value system he has abided by until his retirement almost a decade ago is one I admire and have grown to appreciate even more as a development practitioner. The principles he went by still ring true and relevant in industrial innovation and sustainable consumption and production today.
(1) Jain, A., & Verloop, J. (2012). Repositioning grassroots innovation in India’s S&T policy: From divider to provider. Current Science, 103(3), 282-285. Retrieved March 16, 2021, from http://www.jstor.org/stable/24085031
Lebanese filmmaker Nadine Labaki returns to Toronto International Film Festival as a jury member.
Lebanese filmmaker Nadine Labaki has been announced as a jury member for the 48th edition of the Toronto International Film Festival (TIFF), scheduled from September 7th to the 17th. Labaki, a distinguished writer, director and actor, will join the TIFF Platform jury alongside Academy Award-winning American filmmaker Barry Jenkins and Canadian Platform Prize-winning filmmaker Anthony Shim.
Labaki’s international acclaim began with her 2007 debut film ‘Caramel,’ which premiered at Cannes Film Festival’s Directors’ Fortnight and was Lebanon’s official entry for the 80th Academy Awards’ Best Foreign Language Film category.
The filmmaker continued to make waves with ‘Where Do We Go Now?’ in 2011, earning the People’s Choice Award at the Toronto International Film Festival. Later in 2018, her drama film ‘Capernaum’ secured the Jury Prize at Cannes Film Festival and received an Academy Award nomination for Best Foreign Language Film.
TIFF’s Platform programme is known for its selection of distinct and bold directorial visions since its inception in 2015, and for the upcoming edition, ten feature films will be competing for a CAD 20,000 prize.
Recently, Kuwait has taken concrete steps towards women’s empowerment and gender equality. This progress is largely due to the political, cultural and social commitment of pioneering women who have helped to change things. A fight that continues, especially to denounce sexual harassment and demand more protection. Discover the portraits of 5 inspiring women from Kuwait.
1 – Alanoud Alsharekh
Alanoud Alsharek is an academic researcher and activist in the fields of youth and gender demographics, GCC (Gulf Cooperation Council) security, bicultural trends and feminism in the Arab world. She is, in fact, a strong advocate for women and their rights, and does not hesitate to speak on this topic through conferences and debates. In 2016, she was named Knight of the National Order of Merit by the French government, for her contribution to the improvement of women’s lives in Kuwait and the region.
2 – Ascia Al Faraj
Famous fashion blogger, ex-model and influencer with 2.5 million followers on Instagram, Ascia Al Faraj is behind the Me too movement in Kuwait. In February 2021, the young woman spontaneously published a video face to face with the camera where she expressed her anger. “Every time I go out, there is someone harassing me or another woman on the street! Don’t you feel ashamed? We have a harassment problem in this country and I’m sick of it!” she exclaims. The video then triggers a wave of testimonies. Dozens of women tell, in turn, how they are harassed and assaulted on a daily basis.
3 – Shayma Shamo
A few days after the video post of Ascia Al Faraj, the young doctor Shayma Shamo brings her support by creating the Instagram account “Lan Asket” (“I will not be silent”, in French). Messages from victims are pouring in and the word is getting out about verbal, physical and sexual harassment. “We must express ourselves, unite and defend each other because what is happening is unacceptable,” she told AFP. The page now has more than 15,000 subscribers.
4 – Lulu Alaslawi
Another inspiring woman from Kuwait to speak out against violence against women is fashion and lifestyle influencer Lulu Alaslawi. A media figure with more than 400,000 followers on her page, the Kuwaiti breaks the silence by denouncing the bullyingshe faces for her fashion photos. “The girls do not speak for fear of being stigmatized. But we won’t stop until we defeat this cancer in society,” she says.
5 – Lulwa Al-Qatami
Known for being the first Kuwaiti woman to go to England for university studies in 1953, Lulwa Al-Qatami has had a remarkable career since then. A former director of Kuwait University and UNESCO ambassador, she was nominated for the Nobel Peace Prize in 2005. Most recently, in 2019, Lulwa Al-Qatami was awarded the Legion of Honor for her commitment to education and women’s empowerment.
Kalantan has become the first female director, the first non-European to win a BAFTA award in the Gamers category.
Rafif Kalantan has become the first student from Saudi Arabia to win a 2023 Yugo BAFTA Award, picking up the accolade in the Games Category for her submission ‘Eros Xavier’s Love Solutions’.
The Yugo BAFTA Student Awards is an annual event celebrating the works of the next generation of highly skilled and creative storytellers from around the world.
Kalantan, the first female director and the first non-European to win a BAFTA award in this category, was one of the students supported by Neom to attend the National Film and Television School (NFTS), one of the top-ranking schools to join its Master’s programme in Games Design and Development.
Kalantan’s entry ‘Eros Xavier’s Love Solutions’ is the culmination of an intensive two-year Master’s programme of training that provides students with the skills and creative knowledge to design, devise and build games, from inception to delivery.
‘Eros Xavier’s Love Solutions’ is a narrative-driven puzzle-like game. The game follows Eros Xavier, a retired cupid who is cynical about love and has decided to open a private business for hire as a match-breaker.
This year’s Yugo BAFTA Student Awards welcomed 754 submissions from 103 schools across 30 countries, including, Argentina, Belgium, the Czech Republic, Denmark, Hong Kong, India, Mexico, South Africa, and the United Arab Emirates.
Speaking about the award, Rafif Kalantan said: “I am honoured to have been selected as the winner of such a globally renowned award, especially being the first female director and first non-European to win this category. This wonderful achievement also showcases the capabilities of the developers from the Kingdom and the Middle East as a whole, and how the game industry in the region has a lot of potential. I am also grateful for the continued support and investment of Neom, which was an integral part of this achievement. Their continued support for us in the gaming field shows how much Neom believes in growing local talents and allowing them to thrive!”
Jon Wardle, Director of the National Film and Television School, commented: “The School is incredibly proud to be celebrating this achievement with Rafif as we celebrate the 10th anniversary of our Games Design MA. We’re also very grateful to Neom for continuing to help make our courses accessible with life-changing funding opportunities.”
Wayne Borg, Managing Director of Media Industries, Entertainment, and Culture at Neom, added: “On behalf of the entire Neom team, we extend our congratulations to Rafif for the well-deserved honour of receiving this prestigious award from BAFTA. This remarkable accomplishment is a testament to her exceptional talents and marks a momentous beginning for Rafif’s journey, and I’m sure she will achieve great things in the gaming world. We will continue to work closely with the National Film and Television School to nurture and empower more talented individuals as we develop our partnership and offer a unique blend of professional development, mentorship, and growth opportunities for emerging talent in the creative industries.”
