TUNISIA / MOROCCO: Fatima Al-Fihri: The Woman who Founded the World’s First University in Fez, Morocco

During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing”.

When thinking of the oldest universities in the world, probably the first ones that come to most people’s minds are Oxford and Bologna, but according to UNESCO and the Guinness World Records, Al-Qarawiyyin University (also written as Al-Karaouine) is the “oldest existing, and continually operating educational institution in the world.”

Founded in 859 A.D. by Tunisian-born Fatima al-Fihri in Morocco’s Fez, the university is not only the oldest higher education institution on Earth but also the first to be founded by a Muslim woman. Fatima used her inheritance from her merchant father’s wealth to found the university which started as an associated school – known as a madrasa – and a mosque that eventually grew into a place of higher education. It also introduced the system of awarding degrees according to different levels of study in a range of fields, such as religious studies, grammar and rhetoric. Though the university first focused on religious instruction, its fields of study quickly expanded to include logic, medicine, mathematics and astronomy, among many others.

The University of Al Quaraouiyine became a state university in 1963 and now awards degrees in Islamic, religious and legal sciences with an emphasis on classical Arabic grammar and linguistics and law. 

Interestingly, teaching is still delivered in a very traditional manner, whereby students are seated in a semi-circle around a Sheikh (Islamic scholar), who prompts them to read sections of particular texts, asks them questions on aspects of grammar, law, or interpretation, and explains difficult points. Education at the University of al-Qarawiyyin concentrates on the Islamic religious and legal sciences with a heavy emphasis on, and particular strengths in, Classical Arabic grammar/linguistics and Maliki Sharia, though lessons on non-Islamic subjects are also offered to students. Teaching is still delivered in the traditional methods. The university is attended by students from all over Morocco and Muslim West Africa, with some also coming from further abroad. Women were first admitted to the institution in the 1940s

Fatima al-Fihri was born in 800 A.D. She was the daughter of Mohammed Bnou Abdullah al-Fihri – a rich merchant who settled in Fez with his family during the reign of Idris II. 

Fatima’s family was part of a community called the “Qarawiyyin” (the ones from Qayrawan) whose two thousand families migrated from Qayrawan in Tunisia, to Fez in Morocco which was then under the rule of Idris II, a respected and devout ruler.

After the community was banned by the local ruler. The caravan included Fatima’s father Muhammad bin Abdullah Al-Fihri, and sister Mariam. Fatima was well versed in classical Islamic learning such as fiqh (jurisprudence) and hadith (Islamic traditions based on Prophet’s life). She inherited a large fortune from her merchant father which she used to build the university. She personally supervised the entire gigantic enterprise, from putting up the foundation to the functionalizing of these institutions. When she embarked on her mission, she had lost her father, husband, and brother – all primary sources of support and protection for a woman. Any other woman would have retreated to the backwaters of domestic life. But Fatima appears to have been an extraordinarily inspired and determined woman with steely grooves. All her great achievements came during periods of loneliness and in circumstances when women normally shun the world and seek the company of the home.

During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing.” Fatima al-Fihri herself is considered a saint and she is much respected among the believers especially in Fez. In 2017, a prize was created in Tunisia in her honor. It rewards initiatives which encourage access to training and professional responsibilities for women. Furthermore, an academic program and a scholarship given to students from Europe and North Africa pay tribute to Fatima al-Fihri.

The University of Al-Qarawiyyin (also Al-Karaouine), which was then just called a madrasa (an institute of religious learning), was 30 m long, with a courtyard, a large library, and several schoolrooms. Although initially only the Qur’an and related religious lessons were taught, many other courses of study, like mathematics, medicine, Arabic grammar, history, geography, astronomy, chemistry, music and logic were soon introduced. Fatima studied there herself, along with her students, and awarded them degrees once they completed the courses: a degree that was chiseled onto a wooden board, which is now displayed in the university’s library. She also conducted debates and symposiums periodically for her students, producing politically-aware individuals.

With these innovative ideas, Fatima al-Fihri had not merely founded the first university but had introduced the concept of awarding degrees that is now an essential part of modern higher education.

In fact, the university produced many celebrated intellectuals and historians who are still known to this day: the Islamic philosopher Ibn Rushd, Andalusi diplomat and geographer, Hassan al-Wazzan and historian and thinker Ibn Khaldun, the famous Jewish philosopher, Moses Ben Maimon and Aka Maimonides.

The Christian scholar, Gerbert of Aurillac, who later became Pope Sylvester II, is believed to have visited the university several times. His visits helped him introduce Arabic numerals and the concept of zero to Europe. The University of Al Qarawiyyin is still considered a leading religious and education institution in the Muslim world. The university has moved away to another part of Fez, but the mosque and the library remain at the ancient complex. The University of Al-Qarawiyyin is the oldest existing, continually operating and the first degree awarding educational institution in the world according to UNESCO and Guinness World Records and is sometimes referred to as the oldest university.

(M Ahmad is a regular writer for this newspaper and can be reached at specialachivers78@gmail.com)

source/content: risingkashmir.com (headline edited)

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TUNISIA

EGYPTIAN Soprano Neveen Allouba to be Awarded France’s Order of Arts and Letters

Well-known Egyptian soprano Neveen Allouba will be awarded France’s Ordre des Arts et des Lettres in the grade of Chevalier (Knight) by France’s ambassador to Cairo next week.

Allouba’s award for exceptional achievements in the Egyptian music scene follows decades of work in the many aspects of the country’s cultural scene.

Born in 1955, she is among the best known personalities of the Egyptian music scene, with substantial influence outside the country.

Her career includes working with the Cairo Opera Company, where she has performed in countless operas. She has taught numerous young singers and both founded and directed many successful creative endeavours of the Fabrica musical theatre company.

As a young girl, Allouba had dreams of becoming an actress, but was not supported by her family. Instead, she turned to playing piano and singing, graduating from the Cairo Conservatory in 1978.

She was granted scholarships from the Deutscher Akademischer Austauschdienst (West German Cultural Exchange) and the Friedrich-Naumann Foundation to study opera performance and vocal pedagogy at the Hannover Hochschule fur Music and Theatre where she deepened her singing techniques and eventually obtained a doctorate in 1988.

During her decade-long stay in Germany, Allouba performed as soloist at the Detmold Opera. She also performed in other European operas and theatres and across the Arab world at that time. In 1985, she won the first prize in the female voice category of the competition for young opera singers in Berlin.

Upon her return to Egypt, the soprano became a soloist at the Cairo Opera Company, becoming the first female singer to perform in the newly opened Cairo Opera House. As her singing career progressed, Allouba coupled her performances with her teaching career at the Cairo Conservatory, Cairo Opera Development Centre, University of Alexandria and the American University in Cairo where she is an adjunct professor of voice. She also participated as a jury member in a number of singing competitions.

Some of her students went on to continue their education outside Egypt and thrived as internationally renowned singers.

These include Farrah El-Dibani, a mezzo soprano who performs at the Paris Opera; the Germany-based Rita Sebeih, the lead role of Jasmine in the Disney German  production of Aladdin; Nesma Mahgoub, winner of the eighth season of the Star Academy Arab World; Fatma Said, a soprano who was the first Egyptian to join the Academy of Milan’s Teatro alla Scala before launching a big international career.

Fabrica chapter


In mid-2010, Allouba founded the Fabrica musical theatre company, through which she trains, develops and promotes new voices.

Fabrica’s pilot production of Mozart’s opera The Magic Flute in Egyptian Arabic was staged in collaboration with the Bibliotheca Alexandrina in 2011.

In 2013, the company premiered Les Miserables in Egyptian Arabic and even toured in the USA. It experienced an additional boost in popularity when it was promoted by the internationally famous Egyptian comedian Bassem Youssef. 

This was only the beginning of many successes of Fabrica and its members. Its successes include performances of Brecht’s Threepenny Opera and adaptations of local shows including El-Leila El-Kebira by Salah Jaheen and Sayed Mekawy, in addition to rock, jazz and Disney concerts.

Fabrica also performed during the inaugural El Gouna Film Festival’s opening ceremony (2017), the SNL Bel Araby’s 50th episode celebration, the Egyptian Media and Production Company’s 20 year anniversary and the Intra-African Trade Fair (2018), among other events. Fabrica was brought to light again, as the company won the award for Best Music Video at the ninth annual MoziMotion festival, held in Hilversum, the Netherlands (October 2019) for Mercury Rising: A Queen Tribute, released in January 2019 (a few months after Bohemian Rhapsody was released in theatres).

Overdue recognition


Allouba’s portfolio and well-established position in the field combines many operatic appearances as well as an unconditional belief in the young generation and a natural – almost motherly – dedication to support and promote young talents, while offering to the Egyptian audiences valuable performances. 

It’s worth mentioning that most recently, Allouba was appointed director of the new Arkan Theatre in Sheikh Zayed.

The award comes after Allouba’s decades of perseverance and work that often lacked sufficient limelight. It is an important recognition, if overdue, for an artist whose work has created a strong impact on many singers of more than one Egyptian generation.

The France’s Order of Arts and Letters will be awarded to Allouba during a ceremony held at the French Embassy in Cairo, in the first week of June.

Over the past years, a number of Egyptian figures have also been awarded the Knight of the Order of Arts and Letters in the grade of Chevalier.

They include Egyptian novelist and Nobel laureate Naguib Mahfouz, novelist and journalist Gamal El-Ghitani, visual artist and women’s activist Inji Aflatoun, novelist Alaa al-Aswany, theatre director Ahmed El Ettar , composer and conductor Hisham Gabr , producer and scriptwriter Mohamed Hefzy, mezzo soprano  Farrah El-Dibany , artist Karima Mansour , among others.

Also the Tunisian-Egyptian actress Hend Sabry is among the recipients of the award in grade of the Commander.

source/content: english.ahram.org.eg/ (headline edited)

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EGYPT

SHARJAH, U.AE: Bodour Al Qasimi Wins Prestigious Regional Award ‘Most Creative People in Business 2023’ for creative, problem-solving approach to global issues

 Sheikha Bodour bint Sultan Al Qasimi, the President of the American University of Sharjah (AUS), has been honoured as one of Fast Company Middle East’s Most Creative People in Business 2023, specifically recognised in the “Bringing Good Things to More People” category.

Expressing her gratitude upon receiving the award, Sheikha Bodour humbly acknowledged the recognition, expressing surprise and appreciation. She described creativity as the act of transforming something from nothing and finding innovative solutions to problems. Sheikha Bodour expressed her delight if her creative endeavors have contributed to addressing challenges. Reflecting on the words of Steve Jobs, she emphasised that those who dare to believe they can change the world are the ones who actually do. Sheikha Bodour emphasised the importance of thinking differently to make a meaningful impact, highlighting the shared trait among all the nominees for the award.

In addition to this prestigious accolade, Sheikha Bodour has been recognised for her innovative thinking and leadership in various initiatives for the greater good, with a particular focus on literacy, reading, and culture.

One of her notable accomplishments was the establishment of the Emirates Publishing Association in 2009, a non-profit trade association dedicated to developing and professionalising the UAE’s publishing industry. Sheikha Bodour’s international perspective led the EPA to obtain membership in the International Publishers Association (IPA) in Geneva, a historically Western-led organisation. She also played a pivotal role in piloting IPA committees and initiatives before being elected as its vice-president from 2019 to 2020.

Sheikha Bodour’s commitment to making a difference in the literary world extended beyond the UAE. In 2019, she formed a partnership between the IPA and Dubai Cares, resulting in the Africa Publishing Innovation Fund (APIF). The fund invested $800,000 in 18 projects from 2020 to 2022, promoting indigenous languages, literacy, education, library access, and accessible book publishing for visually impaired readers. The APIF continues to positively impact thousands of people across 20 countries.

During her presidency of the IPA from 2021 to 2022, Sheikha Bodour faced the challenges posed by the COVID-19 pandemic, which significantly impacted the book industry. However, she successfully unified the global publishing community by redefining it as a balanced ecosystem comprising interconnected stakeholders.

Advocacy for women’s representation was a core aspect of Sheikha Bodour’s tenure as IPA president. She actively promoted female inclusion in committees, discussion panels, and meetings. Her efforts resulted in her successors as president and vice-president both being women. In 2025, when the vice-president assumes the top role, she will become the third consecutive woman to lead the organisation.

In 2019, Sheikha Bodour established “PublisHer” in response to the underrepresentation of women in leadership positions within the publishing industry. PublisHer serves as an interactive platform that amplifies the voices of women in the industry and provides practical support to help them advance their careers.

Sheikha Bodour’s long-standing determination led to Sharjah earning the esteemed status of World Book Capital City in 2019. Her innovative year-long program prioritised inclusivity, and as a lasting legacy, she conceptualised the remarkable House of Wisdom, a cultural hub and library that focuses on fostering human interaction and enlightenment.

Furthermore, in 2016, Sheikha Bodour launched the Kalimat Foundation, which aims to provide access to books for Middle Eastern children affected by conflict or visual impairment. The foundation empowers vulnerable young individuals by equipping them with knowledge and ideas by giving them books in accessible formats. So far, it has touched the lives of 162,000 disadvantaged children in 31 countries in Asia, Africa, Europe, and Latin America.

source/contents: wam.ae (headline edited)

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SHARJAH, UNITED ARAB EMIRATES (U.A.E)

SAUDI ARABIA : Saudi Astronauts Successfully Launch toward Space Station

During their eight-day stay on the ISS, the team will aim to conduct 20 research projects.

Saudi Arabia made history on Sunday as its first female astronaut, Rayyanah Barnawi, and her colleague Ali Al-Qarni launched toward the International Space Station (ISS).

The duo were on board the Axiom Space 2 mission, which launched at 5:37 p.m. (EDT time). Astronaut Peggy Whitson and business pioneer and pilot John Shoffner are also part of the mission.

Before the launch, Barnawi, a breast cancer researcher, expressed her excitement and honor at representing Saudi Arabia and the Saudi Space Commission as the country’s first female astronaut. She highlighted her passion for research and described the opportunity as a dream come true for everyone involved.

During their eight-day stay on the ISS, Whitson, Shoffner, Al-Qarni, and Barnawi aim to conduct 20 research projects. Among them are 14 projects developed by Saudi scientists, covering various areas such as human physiology, cell biology, and technology development.

The launch was with a SpaceX Falcon 9 rocket, and had a backup launch opportunity scheduled on Monday at 5:14 p.m in case of a launch failure. 

It’s the same spot where Saudi Arabia’s first astronaut, Prince Sultan bin Salman, soared in 1985.

On Saturday astronaut Al-Qarni shared pictures on his Twitter account the contents of his space travel bag. 

source/content: arabnews.com (headline edited)

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SAUDI ARABIA

PALESTINIAN-BRITISH: Why UK Politician Layla Moran brought the Keffiyeh to the Mother of Parliaments

In our continuing series of inspiring life stories across continents, we hear how the British MP is guided by a proud Jerusalem heritage.

Layla Moran’s earliest and fondest memories are of listening to tales of the days when the Ottomans ruled Palestine.

With a child’s fascination for the grisly aspects of life, she absorbed one particular story told of her great-grandfather’s first job accompanying the tax collectors. “They went to a village where someone hadn’t paid their taxes,” Ms Moran relates. “The man was dragged along the ground by his scrotum by a horse because he hadn’t paid his dues. And this was all under the draconian Ottoman rule.”

The first-hand accounts of her great-grandfather, the composer, oud player, poet and chronicler Wasif Jawhariyyeh, were published in his celebrated memoirs that span an extraordinary period for Palestine, from Ottoman rule to the 30-year British mandate and the formation of Israel.

As a young girl, Ms Moran devoured every word, finding a deep connection to her Palestinian heritage.

Those roots have at times come to the fore in her role as the first British-Palestinian Member of Parliament and as the Liberal Democrats’ shadow foreign secretary. Vividly so when she appeared in the House of Commons with a keffiyeh, a Palestinian scarf, wrapped around her neck, the first worn by an MP in the chamber.

Ms Moran explains that she wasn’t striving to make a statement, it was just that she’d had another impassioned discussion the night before about the plight of the Palestinians with her mother, who was born in Jerusalem.

“The next morning, I opened the drawer and saw the scarf. I thought, ‘I’m going to wear it for her and I’m going to wear it for us’ because it’s so much part of our identity,” she tells The National.

It was only afterwards that she realised the full impact of what she had done when friends texted their commendations alongside the inevitable social media storm.

he owes much to her mother’s side of the family, not least her love of Arabic culture and language along with a willingness to be outspoken and what she confesses can be passionate gesticulations.

The influence of her mother, particularly from those youthful days of protest during the 1970 Jordanian unrest, is obvious. Randa Jawhariyyeh was living in Amman and would often slip out to show support for the Palestinian cause, and it was Israel’s proposed annexation of the West Bank that they had been talking about the night before Ms Moran wore the scarf in September last year.

“She’ll talk about it emotionally, but she won’t cry,” she says. “She just passionately insists that Palestine is not about lines on a map, it’s about people.”

Though born in London, Ms Moran is proud of being a “Jerusalemite” of many generations’ heritage. Indeed, the Greek Orthodox family bible, signed in Arabic by every firstborn child of her Palestinian Christian antecedents, is a repository of names going back two centuries.

“It confounds people that I am not Muslim because they associate Palestine with Islam,” she says. “Then I point out that Jesus was born there and they go ‘oh, yes’ … It shows that the basic makeup of who is a Palestinian is very poorly understood internationally.”

The city at the confluence of the three major Abrahamic religions in Jerusalem has generated a rich and deep history; more than half a century of which was captured in the memoirs of Ms Moran’s great-grandfather.

Jawhariyyeh recounted one period of relatively peaceful intermingling of Muslim, Christian and Jew between the two World Wars. He was a Christian but studied the Koran and counted many Muslims — Turks included — as well as the Europeans, as friends. His diaries refer to Jews as “abna’ al-balad”, meaning compatriots.

He was, by all accounts, an engaging and charismatic man who socialised with all, no matter their background.

His many sayings were repeated at home and passed down the generations. “Money doesn’t matter, all that matters is beauty” is one that trips off Ms Moran’s tongue with a smile as she speaks by Zoom from her London apartment. “He was writing those diaries from the perspective of someone intensely proud of his homeland,” she says.

While Jawhariyyeh walked in the steps of many powerful men and worked for the British mandate, he never lost the enjoyment of speaking to ordinary people. There was one occasion when he visited Ms Moran’s grandfather in Libya during which he was “lost” for three hours after becoming engrossed in conversation with a bin-man he’d met on the street.

“People are people, and that’s where the joy in life is”, Jawhariyyeh frequently said, according to Ms Moran. “I think that very much carried through in a lot of the way my family sees the world.”

Perhaps this is why she takes offence that her elevation to becoming an MP might somehow make her superior to others. “It has never been about me, or status or how other people see me,” she says. “And if they see me in a way that is in any way elevated above them, that makes me very uncomfortable. I do everything I do out of a sense of duty to others.”

That sense of public service comes from both sides of the family. Ms Moran’s father, James, is a notable diplomat who served as the European Union’s ambassador to Egypt, among other countries

Hence, the young Layla spent a privileged childhood jumping around various states from Jordan to Ethiopia and Jamaica.

“I am British, I am Palestinian, but actually I spent the whole of my childhood living in other countries than those two,” she reflects. “So I’m very much what they call a third-culture kid, without geographic roots.”

Her upbringing meant that she had many encounters with “these extraordinary people” who came to the house. The then prime minister of Jamaica, she recalls, was among those who felt comfortable enough to take part in a good party.

“I’d meet presidents and ambassadors and see them to be normal people,” Ms Moran says.

Her parents also insisted that the fabulous homes with swimming pools and staff were “borrowed”, so “don’t have airs and graces”.

Having been imbued with Arab and Middle Eastern culture, Ms Moran puts that to good effect in the Commons to inform and educate other MPs on the region. “The best thing I can do is to tell the story of my family and that will inject an element of humanity into the conversation that hopefully will make people stop and listen,” she says.

It is those times, she believes, when she has the greatest effect, even if her mother worries that people will judge her for it. “Don’t say too much that you’re Palestinian,” Randa would chide. “You’re British and you are a British MP, and you just happen to have a Palestinian mother.”

Her mother has long had great concerns for the welfare of Ms Moran. In the Gulf War of 1991, when the family was in Athens, she kept nine-year-old Layla off school out of fears that the conflict would spill over into Greece.

Given how much politics was discussed around the kitchen table and her time in the region, the 38-year-old MP is confident about her understanding of the Middle East’s complexities. “I can speak with real authority about the region,” she says.

Some of that heritage has been digested in more ways than one, with Ms Moran claiming a skilled hand at Middle Eastern cuisine. She says she makes a mean Moulokhia that wards off cold British nights and gives her apartment an Arab-influenced aroma, especially pleasant after a hard day spent toiling over foreign affairs.

“But there’s a difference between being a Palestinian girl who likes to eat Palestinian food and listens to Arabic music, and being a spokesperson about what are very complex issues in the area. And I’m very careful when I tread on to the latter ground,” she says, in reference to the post she’s held since August. “I’m taking it slowly because I want to get it right.”

Her presence in the Commons is a clear reminder to others that Britain has a history, a legacy and responsibility to the Palestinians. She points out that it was the British mandate that governed the area for 30 years after the First World War, giving way to the formation of Israel.

“We can’t just give up on the region,” she says. “Britain is integral to its history. I’m not saying we can solve all of its problems on our own. We absolutely cannot but we certainly can’t throw our hands up and go away.”

Again, the conversation comes back to Jawhariyyeh’s diaries, in which he initially expressed joy at working under the British rule. “There was elation in his words at the arrival of the British because they freed them from the Ottoman Empire, but at the end my great-grandfather felt that the British who he had worked for utterly betrayed the Palestinians, because they promised that they were going to do good by them.”

Despite attending Roedean boarding school in Sussex, mainly because of her father’s transient life as a diplomat, Ms Moran went into politics to address the unfairness she witnessed in the British education system as a secondary school teacher in maths and physics.

She decided to do something about it and read every major party’s manifesto on education, deeming that the Liberal Democrats most closely fitted her own beliefs.

In the 2017 General Election, she took the Oxford West and Abingdon seat from the Conservatives by just 816 votes. Her straightforward and egalitarian views appear to have held sway with her constituents.

In the last election, her majority increased by almost 9,000 votes. Observers of events at the House of Commons, it seems, will have the chance of seeing that Palestinian scarf for some years to come.

source/content: thenationalnews.com (headline edited)

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‘I do everything I do out of sense of duty to others,’ says Layla Moran of her decision to become a Liberal Democrat politician. She won the seat of Oxford West and Abingdon in 2017. Dan Kitwood/Getty Images

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BRITISH / PALESTINIAN

EGYPT: Squash: Sherbini and Farag Claim PSA World Championship Titles in Chicago

Egyptian duo Nour El Sherbini and Ali Farag retained their respective world titles in Chicago with straight-game wins over Nouran Gohar and Karim Abdel-Gawad early on Friday.

World No.1 Sherbini needed 38 minutes to beat Nouran Gohar 3-0 (11-6, 11-4, 12-10) and clinch her seventh World Championship title.

“I am over the moon to win my seventh World Championship,” El Sherbini was quoted as saying on PSA World Tour after the game.

The 27-year-old El Sherbini was in superb form in Chicago, winning her third World Championship title. She is now just one short of the current women’s record of eight, held by Malaysian legend Nicol David.

Her streak of five women’s World Championship titles in a row is matched only by David.

“It is huge and special for me and I cannot believe I did it, I am so happy,” the Egyptian squash star said.

I am happy that I am closer to Nicol’s [David] record. She is a legend and what she did was amazing and unbelievable,” El-Sherbini said, adding “I have always been looking up to her, so to put my name beside her is something special and huge for me.”

The men’s final saw World No.4 Ali Farag become the second Egyptian ever after Amr Shabana to win four men’s World Championship trophies.

The 31-year-old Farag needed 44 minutes to beat Karim Abdel Gawad 3-0 (12-10, 11-6, 11-6).

“The emotions are so raw, it is so hard to put it into words,” Farag said. “It is so special. No matter how many times you go through it, it is even more special than the time before. Especially against such a champion like Karim, I am super relieved and super happy,” he added.

“Two months ago, we played a practice match and we were limping, and the standard would not have even earned us a place in the World Championship, let alone the final. To come all the way through to reach the final is a very proud achievement for the two of us.”

Farag – like El Sherbini before him – has now won all three World Championships held in Chicago.

The PSA World Championships is the most prestigious tournament in squash, with $1,000,000 in total player compensation split equally between the male and female athletes.

source/content: english.ahram.org.eg (headline edited)

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pix: worldsquashchamps.com

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EGYPT

SAUDI ARABIAN Students Win 41 Medals in ‘Geneva Invention Awards’ at the 48th Geneva International Exhibition of Invention

Students of King Abdulaziz University won 41 medals during their participation in the 48th Geneva International Exhibition of Inventions.

The recently concluded exhibition saw 825 exhibitors from 44 countries take part with more than 1,000 inventions.

The head of innovation at the university, Dr. Iqbal Ismail, told Arab News: “Other Saudi universities are also participating. However, the participation of King Abdulaziz University at this exhibition is the largest and has been ongoing since 2016.”

Dr. Hana Al-Naim, acting president of the university, praised the achievements of the university’s male and female students, which have contributed both to the community and the Kingdom’s ranking, regionally and globally, in the field of creativity and innovation.

The students came from the university’s various colleges including departments of medicine, engineering, information technology and nursing.  

Rahaf Alem and Raghad Al-Jundi won the International Federation of Inventors Association Award for the invention of a laser blood disease detector, also winning the gold medal.

A special prize from Taiwan was awarded to student Faisal Al-Subaie for inventing a cistern made from palm fronds to provide irrigation water.

Ahmed Al-Zahrani, Saleh Bakraa, Marwan Al-Jadaani, and Mohammed Al-Khamis also won the special award for their automated diagnostic platform.

The silver medal was awarded to Duaa Al-Shabani, Lama Al-Jelani, Gaitha Al-Khatami, Emtinan Yamani, and Hadeel Al-Lazori for their invention of an antimicrobial agent for dialysis patients.

Several Saudi inventions received the bronze medal. Safwan Hashim and Abdullah Abu Thyab won it for their renewable-energy car umbrella and Abdullah Al-Khotami for his work on protective glasses that shield wearers from thermal diseases.

Hala Mogarbel, Shahad Asiri, and Shatha Al-Sulami won the bronze medal for their urinary catheter holder invention.

Dina Al-Shibeeni, Marwa Bakour, and Hind Al-Rashid also won the bronze medal for the invention of an artificial intelligence gardening system.

The invention of a bedsore-proof bed earned Bateel Bajamal, Rena Al-Qahtani, Joud Hakami, Asmaa Bahmeed, and Shahad Al-Nahdi the bronze medal.

Shathar Al-Shabak, Jumana Al-Madhoun, Njoud Al-Ghamdi, and Raneem Saati were also awarded for their invention of “Minqath,” a drowning warning system.

Finally, Sumayah Baamer, Raniya Baksh, Rahaf Al-Saeed, and Deema Majashi won the bronze medal for school environment safety measures using artificial intelligence.

Ismail said: “There is no doubt that such student participation will have a great impact on raising a generation that thinks and researches in a scientific way and develops appropriate solutions to the problems facing the…community.”

He added that the exhibition constitutes an important opportunity to transform inventions into products that can be manufactured and marketed inside and outside the Kingdom.

Al-Naim will honor the exhibition’s winning students in a ceremony on Wednesday.

source/content: arabnews.com (headline edited)

EGYPTIAN Actress May Elghety To Star In Disney Series

May Elghety, the talented Egyptian actress, has announced her upcoming role in Disney’s animated series “Kizazi Moto: Generation Fire”. This sci-fi series, inspired by Africa’s diverse cultures and histories, promises to bring viewers thrilling stories of advanced technology, aliens, spirits, and monsters from a uniquely African perspective.

Elghety, who has won critical acclaim for her performances in several TV series and films, took to Instagram to express her excitement and honor at being part of the project. The 24-year-old actress is currently filming for the British movie “Due Dating,” which is directed by Daniel Pacquette and written by Jade Asha.

Born to renowned TV presenters and writers Mohamed Elghety and Mona Barouma, May Elghety began her acting career as a child artist. Her outstanding performance in the controversial TV series “El-Kaserat” earned her the Best Upcoming Actress award at the Arab Drama Festival in 2013.

Since then, Elghety has starred in several successful productions, including “Clash” in 2016, “Taye’a” in 2018, and “Every Week Has A Friday” in 2020. Her most recent film, “MAMA,” premiered at the Cairo International Film Festival in 2022.

“Kizazi Moto: Generation Fire” is a 10-part anthology that promises to bring together rising animation talents from six African nations. The series features an impressive production team, with Oscar-winning director Peter Ramsey serving as executive producer and Cape Town-based animation house Triggerfish leading the studio. Egyptian director Ahmed Teilab has also joined the writing and directing team for the series.

The show is set to premiere on Disney+ this year and is sure to delight audiences with its captivating storytelling and stunning visuals. “Kizazi Moto: Generation Fire” is yet another feather in the cap of May Elghety, who continues to prove herself as one of the most talented and versatile actresses of her generation.

source/content: abouther.com (headline edited)

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EGYPT

SOMALIA: How ‘Bilan’ an All-Women News Outlet is changing Somalia’s Media Landscape

The dream of becoming a journalist began for Kiin Hasan Fakat when she was just 10 years old. Her family had joined legions of Somalis displaced by war and hunger and since 2007 had been living across the border in northern Kenya, in one of the largest refugee camps in the world.

Each day, Ms. Fakat listened to her uncle’s small radio, which was powered by AA-sized batteries, and tuned to the Voice of America Somali service.

And each day, she became more aware of – and inspired by – the reporting of Asha Ibrahim Aden, a veteran correspondent who spoke with authority and confidence, and whose example showed Ms. Fakat what a Somali newswoman could achieve.

“I used to say, ‘Maybe I can be like this female journalist. I like her reports,’” recalls Ms. Fakat, who was raised in Kenya’s Dadaab Camp but was originally from the southern Somali town of Buale.

Today it is Ms. Fakat who has herself become a role model for Somalia’s aspiring female journalists, as part of the reporting team of the country’s first all-women news outlet, called Bilan, which means “bright and clear” in the Somali language.

With the aim of reporting powerful human stories often overlooked by Somalia’s male-dominated media – from the personal impact of chronic drought and the local ravages of climate change, to living with HIV and issues of addiction and gender-based violence – the six women of Bilan are expanding the practice of journalism in Somalia like never before.

High among their pioneering achievements in a staunchly patriarchal society: Serving as examples of professional excellence to other Somali women.

“A lot of Somali girls who are journalists contact us to join us, and we support them. Everything we write, they say, ‘You did a great job,’” says Ms. Fakat, clad in typical Somali dress, with head-covering and a long shawl.

“We are encouraging our sisters,” says Fathi Mohamed Ahmed, the chief editor of Bilan, interviewed in Mogadishu. “They call us and say, ‘Fathi, can you help me? I want to join Bilan; I want to do this story, how can you help me?’”

Part of their mission is to “bring taboo subjects into the open,” notes Ms. Ahmed’s Bilan biography. “Our sisters, mothers, and grandmothers will talk to us about issues they never dare speak about with men.”

“A game changer”

Launched last April and supported by the United Nations Development Program (UNDP), Bilan has brought together a half-dozen highly qualified female Somali journalists, each with years of experience writing news or broadcasting on radio stations or local TV.

Jocelyn Mason, the UNDP resident representative in Mogadishu, described the ambitious aims of Bilan at its creation.

“We hope this will be a game changer for the Somali media scene, opening up new opportunities for women journalists and shining a light on new subjects that have been ignored, particularly those that are important for women,” Mr. Mason said at the time.

In interviews conducted in the six months prior to launching Bilan, the UNDP found that Somali women journalists “reported being harassed not just on the streets but even in their own offices.”

“They are often denied training opportunities and promotions, and when a woman does reach a position of authority, she is often ignored while more junior [male] figures get to call the shots,” the UNDP said in a statement. “News coverage reflects this, with a lack of programming on issues that are seen as primarily affecting women, including childcare, domestic abuse, and equal political representation.”

On top of providing stories to local Somali outlets through the broadcast platform of Mogadishu-based Dalson media, Bilan is reaching a global audience by publishing stories in foreign news organizations such as the Guardian and BBC in the United Kingdom and El Pais in Spain.

“Before Bilan, our Somali female journalists were very weak. They were feeling fear for everything, [like] making decisions – they would wait for men, for editors and for the directors,” says Ms. Ahmed.

“But now, after starting this media unit only for female journalists, we have a lot of women who are interested,” she says. Applying for the vacant post of editor were 13 qualified women, which Ms. Ahmed calls an “amazing” number ready to “make decisions in the editor’s room.”

The result is that Bilan stories offer very different fare from what is produced by the country’s other news outlets.

“What is going on in Somali media, they just focus on politics and conflict, nothing else,” says Ms. Ahmed. “But there are so many stories to do on Somali society, especially about Somali people, and what is going on here. We are going to have all those stories.”

Bilan’s journalism sparks action

Bilan reporting has already had an impact. An article last year about the lack of medical facilities for displaced Somalis living in makeshift camps on the outskirts of Mogadishu led to the creation of a small hospital at the site.

One in-depth article in the Guardian last October helped raise an urgent alarm about Somalia’s looming humanitarian crisis and famine. Bilan journalists visiting three different regions of the country warned against repeating the mistakes of 2011, when some 100,000 Somalis died of hunger before there was an official declaration of famine, which ultimately left a total of 260,000 dead.

Finding oft-hidden voices is what Bilan does best. Ms. Fakat says that 80% of her interviews are with women, and Bilan works with civil society activists, especially on issues for women and human rights.

One recent story delved into the challenge faced by HIV-positive Somalis, who are often treated as outcasts, even by their own families. Another television report focused on students at a school with special needs, where the teachers and principal also have special needs, thereby “inspiring the students that they too can have bright, productive futures,” according to Bilan’s description of the report.

Also made for TV, a report showcasing the work and challenges overcome by the only female taxi driver in the northern coastal city of Bosaso.

And Ms. Fakat was in Sharm el-Sheikh, Egypt, in November to report from the COP27 climate summit, as part of her ongoing reporting about how climate change is affecting Somalia. On a recent Friday morning, she was on the Lido Beach in Mogadishu, speaking to volunteers who each week collect trash washed up on the popular beach.

“Absolutely, we see some progress,” says Ms. Ahmed, whose ground-breaking example includes continuing to work, even as a mother with two young children. A third child was born in early December, soon after she was promoted to chief editor of Bilan.

“We talk to the people, and this is good for our [work], for our culture,” says Ms. Ahmed. “We talk to the young ladies, we tell them sometimes: ‘Don’t listen [to detractors], go ahead.’”

A grandmother’s approval

But the female journalists of Bilan are not just challenging local newsroom culture rife with harassment and de facto glass ceilings. They sometimes have to convince their own families that they should pursue their dreams to be professional journalists.

With a smile, Ms. Ahmed says she faced resistance from her own grandmother.

“I love journalism, talking to the people, [and] writing something,” she says.

“My grandmother always said, ‘It’s not good for you, stop! Stop, stop, stop! Please don’t do this job,’” she recalls. “I told her, ‘I love this,’ and I hid my work when I started out, for eight months.”

The success so far of Bilan, and Ms. Ahmed’s career, has now changed her grandmother’s mind.

“Now she is OK, she is happy!” she says, beaming. “She is proud of me.”

source/content: csmonitor.com / The Christian Science Monitor / (Scott Petersen) (headline edited)

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Scott Peterson/Getty Images/The Christian Science Monitor

Fathi Mohamed Ahmed, chief editor of Somalia’s first all-women news outlet, Bilan, on a rooftop in Mogadishu, Somalia, Nov. 8, 2022. Her Bilan biography says part of the outlet’s mission is to “bring taboo subjects into the open.”

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SOMALIA

U.A.E: Female Emirati Director Hana Kazim Celebrates Power of Horror Films in the Arab world

  • The director received a master’s degree in fine arts specializing in film production at the prestigious American Film Institute in Los Angeles
  • Hana Kazim’s short film ‘Makr’ screened at several genre festivals including Fantastic Fest in Texas and FrightFest in London

Director Hana Kazim founded Wiswas Productions, dubbed the first Arab horror-focused production company, in a bid to celebrate the power of the thrilling genre.

The Emirati auteur recently directed a Saudi Arabia-focused episode of STARZPLAY’s “Kaboos,” which is set in different eras and across countries in the MENA region, taking viewers on a journey through frightening urban legends from Saudi Arabia, Kuwait, Egypt and the UAE.

“I found that there’s a lot of interest in horror and a lot of stories to tell, and a lot of things you can say through horror,” Kazim told Arab News.

“I think some of the most courageous stories right now are being told through the mask of horror, mainly because horror can seem like to the mass audience as a spectacle, but in reality, horror has always been a champion of telling some deep truth about society, a huge commentary on society, and it’s almost like the most acceptable form of commentary in almost every region,” she added.

After receiving a master’s degree in fine arts specializing in film production at the prestigious American Film Institute in Los Angeles, Kazim returned to the region to hone her craft.

Kazim’s decision to launch her company came after the release of her short film “Makr,” which she wrote and directed in 2018. The movie, which gained more than half a million views online, screened at several genre festivals including Fantastic Fest in Texas and FrightFest in London. It was translated to Farsi, Korean and Japanese.

The director, who has worked as a film executive in the UAE since 2015 and has been involved in the production of several Arab films, including “Rashid & Rajab” (2019) and 2021 box office hit “Al-Kameen,” said that she believes horror, “for the most part, hasn’t been done well” in the region, because finding a perfect storyline in is a challenge in the genre.

“I think our audiences are still a little too critical of everything they see. They take everything a little bit more literally. So, having to break into horror is tough because you have to be somewhat near being realistic while at the same time balancing the scales of not being too aggressive or too judgmental,” Kazim said.

The director believes that the main reason horror as a genre has lagged in the region is because filmmakers are going for scares rather than meaning.

“I think Arab audiences are always looking for meaning in stories, be it a comedy, be it a drama — they’re looking for meaning more than just entertainment. And unfortunately, we, filmmakers, come from entertainment. So, we feel like making entertainment and we forget the idea of having meaning behind stories,” she added.

“I think the Middle East has the potential to be well known for its horror because we have so many untold stories, be it from folklore to real stories — there’s a huge timeline of horror films that we can make that could span around 20, 30 and 40 years.”

source/content: arabnews.com (headline edited)

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The Emirati auteur recently directed a Saudi Arabia-focused episode of STARZPLAY’s “Kaboos.” (Supplied)

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UNITED ARAB EMIRATES (U.A.E)