The celebrated vocalist started her singing career in the 1970s, contributing to Morocco’s musical heritage.
Renowned Moroccan singer Naima Samih died early Saturday morning at the age of 71 following a prolonged period of illness.
The deceased left behind a significant legacy in Moroccan musical culture.
Born in Casablanca in 1954, Samih earned a prestigious position and popularity in Morocco and the Arab world because of her sweet voice and delicate sensibility.
While Moroccans mourn the death of the iconic singer, fellow Moroccan artists have paid tribute to the musical icon.
Latifa Raafat wrote on her Facebook, “We share in mourning the departure of the lady of Moroccan music, the dear one who will never be forgotten, Lalla Naima Samih.
The celebrated vocalist started her singing career in the 1970s, contributing to the musical heritage of the country.
Samih’s true breakthrough came through talent discovery programs broadcast on Moroccan radio and television. Her first appearance was on “Lucky Thursday” (Khamis Al-Hazz), followed by her participation in the competition program “Talents” (Mawahib).
The artist’s journey to becoming a musical icon wasn’t without obstacles. Her father was initially reluctant to allow her to enter the world of singing, as was common for most fathers during that era.
He only consented after the intervention of influential media figures. But he insisted that his daughter should only perform modern songs and be selective in choosing quality poets and composers.
The young artist quickly rose to prominence in Morocco’s music scene, establishing herself as a leading figure alongside Abdelhadi Belkhayat and Abdelouahab Doukkali.
Through her musical and poetic choices, Samih developed a unique identity that resonated with modern song audiences in Morocco.
She collaborated with composers known for their dedication to incorporating traditional Moroccan rhythms into modern templates (including Abdelkader Rachdi, Abdelkader Wahbi, and Ahmed Alaoui), as well as with prominent zajal poets who adapted local dialects to achieve sophisticated expressiveness (such as Ahmed Tayeb Alj and Ali Haddani).
Among the late artist’s most important musical works were the songs “Jari Ya Jari” (My Neighbor, Oh My Neighbor), “Yak A Jarhi” (Oh My Wound), and “Amri Lillah” (My Life is for God).
These beloved classics helped establish her as a pillar of Moroccan musical heritage and left a stamp in the souls of her era’s Moroccans.
In the early 1970s, Samih married Moroccan cycling champion Mustafa Belkayed. The couple had one son named Shams.
source/content: moroccoworldnews.com (headline edited)
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