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Far from being a forgotten tradition, Al Sadu is a centuries-old practice that is perpetuated and reinvented in Arabia.
Historically, Al Sadu met the needs of nomadic life. Women used available resources – sheep’s wool, goat’s and camel’s hair – to create robust textiles, essential for survival in arid environments. Their method, based on rudimentary floor looms, produced tight, durable fabrics characterized by geometric patterns that reflected the environment and culture of their creators.
Al Sadu production begins with shearing the wool and collecting the hair, followed by thorough cleaning to remove impurities. The yarns are then dyed with bright colors derived from local plants and spices, such as henna, turmeric, saffron, aloe and indigo. Weaving is done on traditional looms made from palm or jujube wood.
It also has significant cultural importance, recognised by UNESCO. Kuwaiti Sadu was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity in 2020, in collaboration with Saudi Arabia.
Keeping the art alive
Once the preserve of nomadic tribes, this time-honored art is now being revitalized by young designers. In Kuwait , for example, with the aim of perpetuating this heritage, designers are collaborating with Bayt Al-Sadu and specialist researchers. The aim of this collaboration is to develop unique art exhibitions that showcase this nationally recognised culture.
Bayt Al Sadu, or the House of Sadu, is a museum dedicated to the traditional textiles of Kuwait. It is dedicated to the preservation, documentation and promotion of Bedouin textile heritage, ranging from nomadic weaving to urban weaving styles.
A study conducted by Manal Alkhazi at the University of Southampton among 120 young Kuwaiti women aged between 15 and 21 from the six districts of Kuwait revealed that 48.3% of young Kuwaitis interviewed in an electronic survey had Sadu garments at home. In addition, 69.2% of those questioned said they knew the basic Sadu colors.
Last week’s Arabian Flavour Festival in the Dutch capital celebrated Arab culture, cuisine, crafts
‘It’s all about sharing love, identity and culture,’ organizer tells Arab News
The first edition of the Arabian Flavour Festival took place in Amsterdam last Saturday.
In an intimate outdoor setting, the festival celebrated the diversity and richness of Arab culture, cuisine and crafts.
Organizer Shadow, originally from Syria, said his aim is to create a platform for promoting both international and Middle Eastern artists, for people to mingle and to share their cultures through storytelling and arts.
Set in the idyllic Tolhuis garden, a cultural and culinary meeting place in Amsterdam, the one-day event welcomed over 1,000 visitors from different backgrounds.
Organized by The Shadow Projects, the festival featured two stages with performances by dancers, singers and poets, along with a dabke workshop, pop-up food and merchandise, all within an Arabian atmosphere.
“It’s called Arabian Flavour because there’s a flavor of Arabic culture, but at the same time it’s an opportunity for people to integrate,” Shadow told Arab News.
“There’s always a performance other than Arabic to let people understand that this isn’t an Arabic party (but) just an Arabian Flavour.”
The idea started after Shadow starred in the documentary “The Story Won’t Die” about Syrian artists in Europe and America, from award-winning filmmaker David Henry Gerso.
In 2021, because of Shadow’s efforts, the documentary was showcased at the International Documentary Film Festival Amsterdam, whereafter the concept gained more and more traction.
Initially, it began as a gathering showcasing talents at home, but expanded to various stages throughout Amsterdam, and now the Arabian Flavour Festival is the biggest such festival in Europe, according to Shadow.
The organization places significant emphasis on diversity and inclusion. “If you’re an Arabic singer who isn’t well known, you don’t have work anymore if you move to Europe,” he said, adding that Bottom of Form the festival is open to whoever wants to perform.
The organizers state: “It is magical to see people who share their passion, and it is most important that they express themselves authentically.”
Among the performers was DJ Maherrie, a Syrian DJ who amazed the audience with a fusion of Middle Eastern melodies and modern European rhythms to raise awareness of his heritage.
Dutch singer-songwriter Maxine Zain shared her hopes of inspiring people with her heartfelt songs, and specifically highlighted her enjoyment in seeing traditional Arabic music connecting well with the artistry of Dutch artists like herself.
Pauline Koning, a passionate self-taught Dutch musician and belly dancer, made an impact with her performance of her own song “Kefaya Ghyab.”
In her music, she blends Arabic, Western, and Yemeni musical elements, drawing inspiration from her nostalgic love for Umm Kulthum, and praises the language’s poetic nature and rich emotional vocabulary.
The Arab tradition of belly dancing, Koning said, “represents a powerful symbol of empowerment for all women, not only embodying archetypes but also having the power to transfer certain emotions.”
Shadow earned his name for his ability to bring subcultures from the shadow into the light, and the event lived up to this name as confirmed by visitors’ reviews. “I’m very curious about Arab culture. It’s a refreshing perspective opposite Dutch traditions,” said one visitor.
Another visitor attended the festival as an opportunity to connect with language partners and practice Arabic.
Three friends from Yemen were interested to meet Dutch people and exchange stories about their respective cultures.
Aside from the Arabian Flavour Festival, they also host monthly Arabian Flavour Nights. “The dream is to, in the next year or so, organize a three-day festival,” but in the end “it’s all about sharing love, identity and culture,” Shadow said.
All the projects are funded by the Amsterdam Fund for the Arts.
source/content: arabnews.com (headline edited)
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The first edition of the Arabian Flavour Festival took place in Amsterdam last Saturday. (Instagram/@theshadow.amsterdam)
Sharjah International Book Fair is honouring the leading academic for his distinguished works in research and documentation.
The Sharjah Book Authority (SBA) has announced Sudanese historian Yusuf Fadl Hasan as ‘Cultural Personality of the Year’ for its upcoming 41st annual edition of the Sharjah International Book Fair (SIBF 2022) in recognition of his invaluable contributions to the field of history and documentation of the nation’s developmental journey in political, cultural and scientific fields, in addition to his substantial efforts in promoting the research and documentation movement in Africa and Asia, and published more than 30 books.
The SIBF ‘Cultural Personality of the Year’ initiative stems from SBA’s vision to honour distinguished figures who have contributed richly to various fields and serve as inspiration and model to younger generations.
Commenting on the selection of the Sudanese historian for its 2022 edition, which runs under the theme ‘Spread the Word’ from November 2 – 13 in Expo Centre Sharjah, HE Ahmed bin Rakkad Al Ameri, Chairman of SBA, said: “Our efforts echo the vision of His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah, of celebrating distinguished intellectual and creative personalities as pillars of sustainable cultural development. The Arab cultural world needs the invaluable work of distinguished figures like Prof. Yusuf Fadl Hasan to advance our realities and build our future.”
He added: “Sudan has constantly enriched Arab culture through leading contributions by prominent individuals in various fields. Naming Prof. Yusuf the Cultural Personality of the Year is a tribute to more than 60 years of vital work in research, documentation and studies of the African and Asian continents.”
Born in Al Mahmiyya, Sudan, in 1932, he received Bachelor degree in General Arts from Khartoum University in 1956, and Bachelor degree with honours in History from London University in 1959, and PhD in History from the University of London in 1964. He served as a lecturer at the History department at the University of Khartoum.
He served as the director of the Sudan Research Unit (which became the African and Asian Studies Institute) between (1972-1983), entrusted with chronicling the Sudanese heritage and spearheading a team of researchers. Prof. Yusuf served as the president of Khartoum University between 1985 – 1991, and was the editor of Sudan note and record magazine that has more than 20 editions. He also launched Sudanese studies magazine.
He has published more than 30 books, including The Arabs and Sudan: from the seventh to the early sixteenth century (1966), Introduction to the history of Islamic States in Eastern Sudan, Studies in Sudanese History, and co-edited Tabaqat wad Dayf Allah.
The King Abdulaziz Center for World Culture aka Ithra, presented more than 7,000 programs and won five local and international awards this year.
Ithra presented more than 7,000 programs and initiatives in art, knowledge, culture, creativity and society this year, and welcomed more than 500,000 local and international visitors, the organization said.
In addition, about 4,000 male and female volunteers participated in the center’s local, regional and international events and activities, contributing 13,000 hours of work.
Ithra won five local and international awards in the past 12 months, including the 2021 Cultural Institutes Award in the private sector track by Saudi Arabia’s Ministry of Culture.
Ithra was also recognized with three prestigious accolades from MarCom, one of the largest and most respected creative competitions in the world. Among 6,000 entries, Ithra achieved platinum in the ‘Team Achievement’ and ‘Pro Bono’ categories, and gold in the ‘Social Content’ category for its efforts on World Book Day.
The center was also recognized locally by the Ministry of Human Resources and Social Development with numerous awards, including the first volunteer unit to implement the national volunteering standard, the first center to introduce volunteering in the private sector, and a Gold “Mowaamah” certification, for the accessible ecosystem that the center provides to support those with special needs, in accordance with their required standards and needs.
Ithra’s annual flagship creativity festival, held under the theme Tools — Crafting Creativity, Tanween 2021 attracted more than 25,000 visitors over the course of three weeks.
The festival featured international and local experts in 30 talks, 10 masterclasses, 7 workshops and 4 big experiences. One of the main features of Tanween was the Smartphone Orchestra, which sorted the public based on the data they provided themselves in this interactive and immersive activity. Another highlight featured mass drone swarms that interacted with the audience in one of the largest co-created drone/human light paintings ever made.
Currently on display at the first Diriyah Contemporary Art Biennale, Ithra Art Prize-winner Nadia Kaabi-Linke’s piece underlines the new Pan-Arab direction of the prize. This is the first year one of the most significant art prizes in the region is open to regional artists, while simultaneously representing a homecoming for the award which was presented at Art Dubai for its first three editions. Consisting of 19 canvasses nearly 20 meters long together, E Pluribus Unum – A Modern Fossil is described as a metaphor for modern times.
Ithra also cemented its reputation as a leading Saudi film producer with roadshows at the 74th Cannes International Film Festival and at the Red Sea International Film Festival, the Kingdom’s first international film fair. Produced under the Ithra Film Productions banner, celebrated Egyptian screenwriter and producer Mohamed Hefzy’s Sea of Sands and Saudi award-winning independent filmmaker Khalid Fahad’s Valley Road are both scheduled for release in 2023. The feature-length documentary film Anti-Cinema, meanwhile, is currently in post-production and is expected to hit the international film festival circuit shortly. Winner of the Ithra Content Commission Initiative, Ali Saeed and Hassan Saeed’s film brings Saudi Arabia’s film history to the big screen.
source/content: arabnews.com
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Ithra presented more than 7,000 programs and initiatives in art, knowledge, culture, creativity and society this year, and welcomed more than 500,000 local and international visitors. (Shutterstock) / pix: arabnews.com
