Tag: Arab Journalists

PALESTINE: MEE Gaza journalist Maha Hussaini Wins ‘Courage in Journalism Award’ by the Washington based International Women’s Media Foundation (IWMF)

Recognition from the International Women’s Media Foundation honours Palestinian reporter’s ‘remarkable bravery in the pursuit of reporting’.

Palestinian freelance journalist Maha Hussaini has had her reporting for Middle East Eye on the ongoing Israeli war on Gaza recognised by the International Women’s Media Foundation (IWMF).

Hussaini was one of three recipients of the Courage in Journalism Awards , announced by the Washington-based foundation on Monday, which it says honours remarkable bravery in the pursuit of reporting.

Since the assault began in October, Hussaini has published dozens of stories, including a report uncovering Israeli field executions of Palestinians , which was used as evidence by South Africa at the International Court of Justice in the case accusing Israel of genocide.

Reacting to the award, Hussaini told MEE she was both happy and sad at recognition for her work. 

“I am happy because it is another effort to recognise the work of Palestinian journalists and make them heard and seen,” she said. “But I am saddened because I know the cost of such recognition in a place where over 150 journalists have been killed over the course of eight months.”

The IWMF recognised Hussaini, who was a resident of Gaza City before the war, for working under strenuous circumstances during the conflict. 

The Israeli attacks have posed daily threats to her life, forced her to move location multiple times and to live in desperate conditions, along with almost all of Gaza’s 2.3m Palestinian population. 

At times Hussaini has been forced to work without access to electricity and internet during Israeli-imposed power outages. Her freedom of movement within Gaza, including access to her home, has also been restricted by the Israeli siege and checkpoints.

“Since the beginning of the Israeli war, it has become increasingly clear to me that journalists are targets for the Israeli army. Many of the journalists who have been killed while reporting were colleagues with whom I closely collaborated,” Hussaini told MEE.

She said that each morning she faced the possibility that she could be killed next, and quietly recited the Shahada, the Muslim declaration of faith often pronounced before death, each time she went out to report. 

“I understand that my work carries immense risks, but I cannot say that I’m scared to be a journalist,” Hussaini added. “I have never felt hesitant to go to the field or cover any story. But I however worry that if I am killed, another voice would be silenced, another pen would be broken.”

Hussaini said she hoped that by winning the award, light would be shed on the work done by Palestinian journalists, especially when “many international media outlets choose to overlook their stories and reporting”.

She added that it was particularly important now as Israel bans international journalists from entering Gaza.

‘We need women’s voices in news media’

Hussaini won the award alongside Lauren Chooljian, a senior reporter and producer at American radio NHPR, and Monica Velásquez Villacís, an investigative journalist and presenter at Ecuadorian digital media outlet La Posta . 

“We need women’s voices in news media to keep the press free and we need to fiercely protect women like Lauren, Maha, Mónica, and Shin to ensure that power is held to account and that equitable values survive,” said IWMF Executive Director Elisa Lees Munoz. 

David Hearst, MEE’s Editor in Chief, said: “To live under conditions where there is no safe haven from drones and missiles for eight months is unbearable.

“But to report under conditions where you as a journalist are deliberately targeted, and where you witness your colleagues being killed, is a feat few other journalists can imagine. Maha deserves the highest award for her work.”

Lubna Masarwa, MEE’s Palestine and Israel bureau chief, said no words can describe how much Hussaini deserves recognition. 

“Despite everything she endured – the bombs, displacement, and seeing her colleagues killed – Maha has remained resilient, professional and true to her mission of giving a voice to the Palestinian people,” Masarwa said.

The Israeli military has killed at least 150 journalists out of an estimated 37,000 Palestinians in Gaza since 7 October, according to local officials. The Committee to Protect Journalists (CPJ) has reported that it has been the deadliest period for journalists since the NGO began gathering data in 1992.

“It’s wonderful seeing Maha’s work, and by extension, that of Palestinian journalists in Gaza, being recognised by the world,” Masarwa added. 

“But truly no amount of awards and words can begin to express how much she deserves recognition.” 

Among Hussaini’s stories recognised by the IWMF is a report on the reality of women giving birth at home in Gaza and another featuring a girl who had to carry her paralysed six-year old brother for miles while fleeing bombing.

Hussaini’s decade as reporter

Hussaini began work as a freelance journalist in July 2014 during the Israeli offensive on Gaza, producing, preparing, and presenting reports on the conflict that resulted in the deaths of more than 2,200 Palestinians and around 60 Israelis. 

She has been writing for MEE since 2018 and has covered hundreds of stories focusing on human rights and armed conflict.

In 2020, she won the Martin Adler Prize , awarded by the prestigious Rory Peck Trust, for her reporting for MEE from Gaza.

She was shortlisted for the 2023 Local Reporter Award granted by the Kurt Schork Memorial Fund.  
 
Hussaini also works as the strategy director of the Geneva-based Euro-Mediterranean Human Rights Monitor .

IWMF’a Courage in Journalism Awards is given annually to women journalists who “are not going to step aside, cannot be silenced, and deserve to be recognised for their strength in the face of adversity”. 

Shireen Abu Akleh, a renowned Palestinian-American journalist, posthumously won the award in 2023 after being shot and killed by Israeli forces a year earlier.

source/content: middleeasteye.net (headline edited)

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Maha Hussaini (L) interviewing a Palestinian boy in the Gaza Strip in June 2023 (Supplied/Mahmoud Mushtaha)

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PALESTINE

LIBYA-BRITISH: CNN’s Nada Bashir On How Her Arab Roots Are Helping Her Tell The Stories That Matter

The award-winning international correspondent talks frontline reporting, wearing the hijab on television, and how her personal connection to the Middle East makes her a better storyteller

In Autumn 2019, when Turkey launched its incursion into northern Syria, 23-year-old Nada Bashir packed her camera and flew to northern Iraq to cover the story. At the time she was a freelance producer for CNN in London “pretty fed up of constantly being on the Downing Street shift and covering Brexit. I knew I wanted to be in the Middle East but wasn’t perhaps experienced enough,” she says. “So I decided to just go by myself… I felt very passionate about what was happening and I knew I wanted to be a part of it.”

It was a bold decision – both her first solo story and first solo trip to a hostile environment – but the risk paid off. Just five years later, she is an award-winning international correspondent who has reported from the frontlines of the conflict in Yemen and the devastating 2023 earthquake in Turkey.

Now 28, Nada is speaking from her home in West London. She flew in yesterday from Cyprus where she was covering aid ships heading to Gaza, and she will likely be dispatched again imminently although she doesn’t know when or where. She’ll pack a book and headphones but otherwise, “it’s all tech gear, medical kit and body armour”.

Unpredictable as this career may be, it is one that she has dreamt of since she was a teenager, watching the Arab Spring unfold: “We were all glued to the TV, seeing what was happening across the Middle East and back home. That was the moment for me when I was like, ‘actually this is what I want to do’.”

Back home is Libya from where Nada’s family originate, although her parents – her father was an aircraft engineer and her mother is a nursery teacher – left before she was born. “My dad was a pro-democracy activist,” she says. “He spent more than 30 years essentially in exile…It was something that we were all aware of, something that we talked about a lot.” It meant that growing up in Brighton, on England’s south coast, “the news was constantly on” but Nada never considered that she might one day be on screen herself. The middle of five siblings, she was “very shy” at school: “I vividly remember being forced to do a presentation, feeling like I was about to faint and going red in the face. I never ever would have pictured myself doing this.”

But after becoming involved in student TV while studying Politics and East European Studies at University College London, securing the internship at CNN and impressing her editors with her story from northern Iraq, an on camera career beckoned. “I spent so much of my childhood consuming news about what was happening at home and a lot of it coming from Western networks. There were a lot of things where you watched it and felt like the story of your people, your region, wasn’t being told fairly, properly or accurately,” she says. “Still there are times when I watch coverage and it’s frustrating because there’s a real lack of understanding around some of the cultural dynamics.

Being Arab isn’t essential to reporting on the Middle East, she says, but it does break down barriers: “Just being able to speak to people in their language, understanding their culture… Having that connection has made me a better storyteller.” The stories she tells are often difficult ones and they stay with her – the elderly Syrian refugee who lost his family in the Turkish earthquake, the 11-year-old Moroccan girl who guided her around a makeshift burial ground after the earthquake there last September, the Palestinian teenager detained without charge in the West Bank. Reporting on the war in Gaza has been particularly poignant: “Talking about the Palestinian cause is something that no Arab person hasn’t done. That is part of our cultural identity in a sense. That history is interlinked with all of the Middle East.”

Within the first week of war breaking out, Nada was in Jordan and Oman covering anti-war protests. Since then she has reported from Lebanon and Egypt but it is her time in the occupied West Bank – her first visit there – that has been most affecting. “That was a part of the story that we felt was being completely overlooked,” she says. “It’s not a new story. Palestinians in the West Bank have been marginalised, treated as second class citizens for decades”. She describes this reporting as “the most challenging” of her career to date, finding her objectivity over such a “polarising” story called into question. “There are so many assumptions about where your personal views might lie because of your cultural or religious background,” she says. “I am a visibly Muslim woman. My name is Arab. It’s very clear where I’m from…But with a story like this, it’s very difficult not to feel like your journalism is being undermined by assumptions of where you might stand.”

Many of those assumptions come from the fact that Nada wears the hijab. When she first started at CNN, she was “apprehensive at first – working for an American network and what that might mean in terms of how I fitted into that. Thankfully it’s never been an issue.” Being on air though, “has been slightly different”. Most difficult was reporting from London on the anti-regime protests in Iran. “For me, it’s a personal choice. You should have the freedom to choose whether you wear it…Covering the story was very important to me but I had a lot of backlash because a lot of people couldn’t understand how I could cover that, as somebody who chooses to wear the hijab, given that many women there were risking their lives and being persecuted for choosing not to.” On the flip side, she has also received “so many” messages from young hijab-wearing women who also aspire to be journalists: “I know that feeling because I felt like whenever I saw somebody wearing a hijab on TV.”

Today she feels like that when she sees the wider Arab diaspora experience represented, like in American comedy-drama, Ramy: “You feel the connection to it… It’s a blend of cultures and that is something that we identify with.” And when so much of her own work focuses on amplifying the voices of those suffering great hardship, she is grateful that there is increasingly space to celebrate the Arab world. “It’s sad because I think growing up, the only thing you’d really hear about the Middle East was war or conflict or political issues,” she says. “And there’s so much more to the region. There’s so much history, so much culture, so many people doing incredible things in different industries. It’s nice to see those aspects being showcased now, in magazines, in TV, in film, in music. To see that actually there’s a different side to the region, which has always been there. It just hasn’t really been given the platform.”

What Nada truly hopes is that when things improve in the Middle East, she will be there to report on it: “I can only hope that at some point there will be a positive change and I will get to cover that as well.” For now though, she has her bags packed, ready to head wherever the story takes her next: “It’s extraordinary; it’s a privilege and I wouldn’t change it for the world”.

Images Supplied / From Harper’s Bazaar Arabia’s May 2024 Issue

source/content: harpersbazaararabia.com (headline edited)

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UNITED KINGDOM / LIBYA