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The Sharjah Award for Gulf Women’s Creativity in Literature and Arts announced the selection of the Bahraini innovator and poet, Fawzia Al-Sindi, as the cultural personality for its sixth session for the year 2024.
Al Sindi will be honored on April 23 at Al Jawaher Center for Events and Conferences in the presence of Her Highness Sheikha Jawaher bint Mohammed Al Qasimi, Chairwoman of the Supreme Council for Family Affairs in Sharjah, as part of a ceremony honoring the award winners.
The award, which is organized by the Cultural Office of the Supreme Council for Family Affairs in Sharjah, was created in special honor for the cultural figure among the creative Gulf women pioneering in cultural work.
Salha Ghabish, head of the Council’s Cultural Office, said: “This addition required many discussions with the award’s work team, including members of the jury, as we saw the importance of honoring female figures with distinguished creative, intellectual and professional contributions who are well-known in the Gulf and Arab cultural arena, and whose works have reached the international level through translation.” And communicating with cultural bodies in the world and participating in introducing Arab and Gulf culture through their productions.”
The Bahraini Fawzia Al-Sindi was chosen as one of the influential figures in Bahraini and Gulf society. She has literary and poetic works, and her works have been translated into English, French, Italian, Spanish and German. She has written many articles in Arab newspapers, including the Emirati Gulf, and has participated in many conferences, literary festivals and intellectual forums in the Arab world. And the world.
Regarding her winning the award, Fawzia Al-Sindi said: “I am pleased and honored to have been chosen as a ‘cultural personality’, which in its cultural and human depth represents a tribute and honor to my poetic and literary experience and to all Arab poetic experiences, with my gratitude to those in charge of the Cultural Office of the Supreme Council for Family Affairs in Sharjah for honoring poetic and literary experiences.
Tunisian poet Abdelaziz Hammami’s words resonated through the prestigious Sharjah Arab Poetry Festival, earning him the coveted Al Qawafi award. Held from January 8th to 14th in the UAE, the festival witnessed a celebration of Arabic poetry from across the region.
Hammami, already a seasoned voice in the poetry world with works published in various newspapers and magazines, stood out amongst the diverse talent. This is reported by TAP, a partner of TV BRICS.
Hammami’s journey with poetry began in his hometown of Kairouan, where he played a pivotal role in establishing the city’s first literary club in the late 1960s. His passion for the craft extended beyond writing, as he also served as a correspondent for the TAP news agency and collaborated with national radio and Tunisian television. This win at the Sharjah festival marks a crowning achievement for a poet who has dedicated his life to the beauty of language.
Hammami is not the only Tunisian celebrating at the festival. His compatriot, Moncef Ouhaibi, had earlier bagged the “Sharjah Prize for Poetic Criticism.” This double triumph signifies a potent resurgence of Tunisian poetry on the international stage.
With 12 awards bestowed upon deserving poets and critics from across the Arab world, the 20th Sharjah Arab Poetry Festival reaffirmed its position as a beacon for literary excellence. Hammami’s victory, in particular, underscores the enduring power of poetry to transcend borders and touch hearts.
Mohamed Ibrahim Warsame, one of Somalia’s greatest poets, dies aged 79.
Somali social media has been flooded with tributes to the man better known as ‘Hadraawi’.
Messages of condolences continue to pour in from around the world following the death of Mohamed Ibrahim Warsame, regarded as one of Somalia’s greatest poets.
Warsame, known as “Hadraawi”, died in Hargeisa, in Somaliland, on Thursday at the age of 79.
Social media has been flooded with tributes and praise for his contribution to Somali language and culture.
“I’m heartbroken to inform you our giant Mohamed Ibrahim Warsame Hadraawi has passed away. Might Allah bless him and grant him Jannah,” Ayan Mahamoud, founder of Kayd Somali Arts and Culture , said on Twitter.
“We will treasure his legacy and the rich scholarly work he left behind,” added Said Salah Ahmed, a poet and playwright who teaches the Somali language at the University of Minnesota in the US.
Hadraawi, which means the “master, or father, of speech”, was regarded as a pillar of modern Somali literature and a strong advocate of peace and democracy.
In 1973, he was imprisoned for five years by the president, Siad Barre, who ruled Somalia until 1991, for speaking against the revolution. His work was banned but he continued to compose poetry upon his release, which were was passed on through word of mouth.
The songs and verses he wrote are full of imagery and metaphor, open to interpretation, which made it hard for the military regime to control. A verse from his poem The Killing of the She-Camel resulted in his imprisonment without trial.
The snake sneaks in the castle:
although it’s carpeted with thorns
still the coward casts off his curses
so the courageous must stretch out his neck;
the cob stallion sells his values
in order to cut a fine figure.
When such cockiness struts forth
and even laughter becomes a crime
our country has unfinished business.
In the early 1990s he called for an end to the civil war, which caused thousands of people to flee Somalia. In 2004, he travelled throughout the country on a “peace march” urging warring parties to stop the violence. His message of reconciliation resonated with Somalis at home and abroad.
He retired a few years ago.
“Poet Mohamed Ibrahim Warsame (Hadraawi) was a symbol of unity and peace,” said the Somali president, Hassan Sheikh Mohamud, in a statement. “He was one of key pillars of Somalia’s art and literature who took a leading role in preserving the Somali culture and promoting the Somali language. His death is felt in every Somali household.”
The EU, Norway, the UK and other friends of Somalia sent condolences and tributes.
“Sending my heartfelt condolences to the people of Somaliland and to all Somalis for the loss of Mohamed Ibrahim Warsame “Hadraawi”, an iconic poet and one of the most eminent and beloved Somali poets of all time,” tweeted Lizzie Walker, head of the Foreign, Commonwealth and Development Office in Hargeisa.
Hadraawi had been called the “Somali Shakespeare”, but Somali singer and songwriter Aar Maanta said: “Hadraawi wasn’t the ‘Somali Shakespeare’ he was the Somali Hadraawi. He was more than a poet; he was a philosopher and a freedom fighter who spent many years in jail for his stance against injustice and dictatorship.
“He wrote some of the most beautiful love songs and poems that Somalis in the Horn of Africa and beyond use as a benchmark.”
Ahmed, who knew Hadraawi since late 1960s, added: “Hadraawi was one of the kindest people I have ever met. His poetry speaks for the voiceless and calls out oppression against the people …. he will be missed so dearly but we will treasure his legacy and the rich scholarly work he left behind.”
Known as a “nation of poets”, poetry is woven into the fabric of Somali society with centuries of oral history, as the Somali language was only written in 1972.
Contemporary Somali poetry, including the works of Hadraawi, has been preserved in books and translated into English.
A year after learning to speak English, Amineh Abou Kerech has won this year’s Betjeman prize. She tells us how she found her voice.
I take words from anywhere,” says Amineh Abou Kerech, moments after winning the 2017 Betjeman poetry prize for 10- to 13-year-olds last week. “I take them from songs and films, from what I see on the computer or the television. And I put them all together.”
She makes it sound so simple. It’s anything but, according to her older sister Ftoun, who is smiling at Amineh across a pub table in London’s St Pancras station. “She sits in her bedroom all the time and practises, practises.”
Amineh, who was born in Syria 13 years ago, nods. She started writing poems during the four years her family spent in Egypt, but since moving to England last summer, with a new language to master and a new culture to get to grips with, she has been working doubly hard on her verses.
Her prizewinning poem, Lament for Syria , was written half in English, half in Arabic, and translated fully into English with help from her sister, her teacher and Google Translate. At the prizegiving, which took place on National Poetry Day last Thursday, next to the statue of John Betjeman at St Pancras, she read the first part of it in English before switching to Arabic at the words “I am from Syria.”
Amineh was eight when they left. The civil war had begun a year earlier, in 2011, sparked by the Arab spring and kindled by disaffection towards the Assad regime. Her family lived in Darayya, a Damascus suburb known as a centre of anti-government protest. When violence flared up, Amineh’s parents Tammam and Basmeh fled the city with their young family. They moved around for a year, sleeping wherever they could find shelter, until remaining in Syria was no longer viable and they escaped to Egypt.
“In Syria, all the time we were scared,” says Amineh. When they settled in Cairo, despite the fact that her family had lost everything (her father had owned a shop in Damascus selling fabric) and were living in the most basic conditions, Amineh’s fear abated. She began writing poetry, she says, as a way of putting her dislocation into words. “When I remember my Syria I feel so sad and I cry and start writing about her.” She tells me she doesn’t remember the country very well, though her poem suggests otherwise: it is, she writes, “a land where people pick up a discarded piece of bread / So that it does not get trampled on … a place where old ladies would water jasmine trees at dawn.”
After four years, the family moved to England as refugees, settling in Oxford where Amineh and her two siblings – Ftoun, 14, and Mohammad, 11 – now go to school. At Oxford Spires, a multicultural academy in the east of the city where more than 30 languages are spoken, the two sisters joined a workshop led by the Iraqi poet Adnan Al-Sayegh. That’s where they met Scottish author Kate Clanchy, the school’s writer-in-residence since 2009, who has been nurturing Amineh and Ftoun’s talents at weekly classes.
When I speak to Clanchy at the prizegiving, she marvels that Amineh has been speaking English for only a year. “Some of my most amazing writers lost a language at an early age,” she says, “in the sense that they arrive suddenly in England and are no longer able to tell stories and make themselves powerful in that way. It can turn them in on themselves. But I also think they have a special capacity at that age to produce really unusual rhythms and sounds in English, which makes them into really interesting poets.”
This year’s judges, the poet Rachel Rooney and Observer cartoonist Chris Riddell (until recently, children’s laureate), agree that Amineh’s poem stood out from more than 2,000 entries, drawn from schools across the UK and the Republic of Ireland. “I found it really moving,” says Rooney. “It was passionate and complex. She was asking: ‘How can I do myself justice through a poem? How can I create a homeland on paper?’ And then she was actually doing it. Amazing.”
“It addresses a contemporary issue that’s been breaking all our hearts,” adds Riddell. “It has a solemnity to it, but also the profound view that you get through a child’s eyes. It stands up as a poem, in any context.”
Though it’s named after a most English poet, the Betjeman prize has been showcasing diverse voices since it was set up in 2006. The perspective here is global – one of Amineh’s fellow finalists, 10-year-old Shanelle Furtado, evokes her grandparents’ home in Mangalore in six vivid haikus – and it shows that adults are not the only ones with important and timely things to say.
Speaking before the winner is announced, its director (and Betjeman’s granddaughter) Imogen Lycett Green makes a case for poetry’s importance in an uncertain world. “Poets are in the fringes of society, they’re not in the establishment,” she says. “They look at events, at lives, at love and at themselves from a sideways position. And in glancing from the side, the truth can sneak in. If adult poets are seeking the truth, I think children who are burgeoning writers are even closer to the truth.”
When her poem won, Amineh looked stunned, then buried her head in her hands and wept. A moment later, as her family gathered round to congratulate her, she was beaming.
“It’s a surprise for me, like a dream,” her father tells me afterwards. He never imagined his daughter winning a prize like this: poetry doesn’t run in the family. “I used to write simple things, but after the war, after the hard time that we had, we didn’t think that we needed to write anything,” he says. “We survived.”
At the end of her poem, Amineh asks, “Can anyone teach me / how to make a homeland?” Although the future of her birthplace remains gravely uncertain, there are consolations to be had in her new home. “I feel so happy here because I have a future and things won’t be scary any more,” she tells me. “Everything will be good,” she adds, “and we will always be in peace.”
Lament for Syria by Amineh Abou Kerech
Syrian doves croon above my head their call cries in my eyes. I’m trying to design a country that will go with my poetry and not get in the way when I’m thinking, where soldiers don’t walk over my face. I’m trying to design a country which will be worthy of me if I’m ever a poet and make allowances if I burst into tears. I’m trying to design a City of Love, Peace, Concord and Virtue, free of mess, war, wreckage and misery.
Oh Syria, my love I hear your moaning in the cries of the doves. I hear your screaming cry. I left your land and merciful soil And your fragrance of jasmine My wing is broken like your wing.
*
I am from Syria From a land where people pick up a discarded piece of bread So that it does not get trampled on From a place where a mother teaches her son not to step on an ant at the end of the day. From a place where a teenager hides his cigarette from his old brother out of respect. From a place where old ladies would water jasmine trees at dawn. From the neighbours’ coffee in the morning From: after you, aunt; as you wish, uncle; with pleasure, sister… From a place which endured, which waited, which is still waiting for relief.
*
Syria. I will not write poetry for anyone else.
*
Can anyone teach me how to make a homeland? Heartfelt thanks if you can, heartiest thanks, from the house-sparrows, the apple-trees of Syria, and yours very sincerely.
source/content: theguardian.com (headline edited)
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‘I feel so happy here because I have a future’: Amineh Abou Kerech. Photograph: Antonio Olmos / The Observer
Back in 1729, the Parisian authorities introduced the French capitals iconic blue-and-green street name plaques, topped with a little “Napoleon’s hat” containing the number of the street’s arrondissement.
The plaques honor France and the world’s leading politicians, philosophers, artists, writers, and scientists, including a number associated with the Arab world. French President Emmanuel Macron has previously proposed renaming some of the capital’s streets to include more personalities from ethnic minorities, but that has not yet happened. Still, there are enough Arab names to comprise a walking tour around Paris — including a president, a poet, a pop star and more.
With a wonderful view of the Grand Palais, this large, peaceful stretch of greenery is named after independent Tunisia’s first president, Habib Bourguiba. The secular leader was in charge between 1957 and 1987, and was famously a supporter of women’s rights. Next to his plaque, there is a bronze bust of the leader looking towards the River Seine, with his name written in Arabic underneath.
An admirer of Bourguiba, Halimi was a Tunisian-born French lawyer, feminist, and former member of the National Assembly in France. She died in 2020, aged 93, and this sloping pathway was named after her last year. Halimi’s life of hardships shaped the respected career she had. When she was born, her father hid her — ashamed of her gender. She went on a hunger strike at 10 and, at 16, rejected an arranged marriage, going on to study law in Paris. Halimi is perhaps best known for a 1972 trial, in which she defended a minor who had an abortion after being raped. It was a key event that propelled the country into legalizing abortion in 1975.
Paris mayor Bertrand Delanoe (second from right) and Palestinian President Mahmud Abbas (second from left) unveil on June 14, 2010 in Paris the new Mahmoud Darwich esplanade named after the Palestinian poet who died Aug. 9, 2008. (AFP)
In 2010, just two years after the death of Palestine’s most famous poet Mahmoud Darwish, a square in Paris was inaugurated in his honor. Known for his writings on home, memory, and exile, Darwish spent many years outside of his native land. He lived in Beirut, Cairo, Tunis, and Paris. He had a special connection with the latter, describing it as the place where his “true poetic birth” happened. The plaque is situated in a district the poet reportedly liked, on the banks of the Seine and near the classical buildings of Institut de France and Monnaie de Paris.
A few minutes away from Notre Dame Cathedral stands an unassuming but sobering reminder of how an Arab collective suffered during the turbulent Sixties. In 1961, when Algeria was seeking independence, a group of Algerian protesters were attacked by the police and some of their bodies were thrown into the Seine. In 2021, to mark the 60th anniversary of this horrific event, Paris mayor Anne Hidalgo inaugurated a memorial artwork, made of metal with silhouettes of heads carved out, in remembrance of those who lost their lives.
Between 1962 and 1987, the blonde bombshell diva Dalida, who was born to Italian parents in Egypt, lived in this four-story townhouse in hilly Montmartre, a quiet area outside of the bustling city center of the city that is historically associated with artists. Dalida sang in a variety of languages, including French, Italian, and Arabic. “Salma Ya Salama” and “Helwa Ya Baladi” are some of her most loved Arabic songs. Sadly, it was in this house that she committed suicide in 1987, as a result of tragedies in her personal life. The plaque on her house reads: “Her friends from Montmartre will not forget her.”
The acclaimed Lebanese-born poet and philosopher — and author of “The Prophet” — Khalil Gibran is well-known as a member of the Arab diaspora in 20th-century America. But he also lived in France for a time. Between 1908 and 1910, Gibran, who was then in his twenties, studied painting at Académie Julian in Paris. His stay in the city was made possible by the financial backing of American philanthropist, editor and Gibran’s lover Mary Haskell, who was 10 years his senior.
source/content: arabnews.com (headline edited)
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A memorial to remember the 1961 attack on Algerian protesters by the police in Paris. (Supplied)
The Welsh-Iraqi artist will represent the country’s diverse cultures and languages.
Wales has named Hanan Issa as its fifth national poet, making her the first Muslim to hold the title.
The Welsh-Iraqi poet, filmmaker and artist will serve a three-year term, representing the country’s diverse cultures and languages and acting as an ambassador for the people of Wales.
Her recent works include her poetry collection My Body Can House Two Hearts, published in 2019, and her contributions to Welsh (Plural): Essays on the Future of Wales and The Mab.
Issa grew up in Cardiff surrounded by different languages, including Arabic, which was spoken by her Iraqi parents. She described the role as an “incredibly positive step” and said it was “exciting to think that Wales is taking the lead on this aspect of representation”.
“Poetry exists in the bones of this country. I want people to recognise Wales as a country bursting with creativity; a land of poets and singers with so much to offer the arts,” she said.
“I’d like to continue the great work of my predecessors in promoting Wales, Welshness, and the Welsh language outside of its borders.
“More than anything, I want to capture the interest and inspiration of the public to see themselves in Welsh poetry and encourage a much more open sense of what Welshness is.”
Ashok Ahir, who led the selection panel for the National Poet of Wales, said: “This is a hugely exciting appointment. Hanan’s is a cross-community voice that speaks to every part of the country. She will be a great ambassador for a culturally diverse and outward-looking nation.”
Issa said she hopes that her appointment will allow women from all walks of life, but especially Muslim women, to see her success and think “that’s a thing that’s achievable for me”.
Jordanian writer Jalal Barjas has won the International Prize for Arabic Fiction for his work Notebooks of the Bookseller.
The novel, published by The Arabic Institute for Research and Publishing, was named this year’s winner of the prize during an online ceremony.
Besides receiving a monetary prize of $50,000, Barjas will also be given funding towards securing an English translation of his novel.
Notebooks of the Bookseller is set in Jordan and Moscow between 1947 and 2019. It tells the story of Ibrahim, a bookseller and voracious reader, who loses his shop and finds himself homeless and diagnosed with schizophrenia. He begins to assume the identity of the protagonists of the novels he loved and commits a series of crimes, including burglary, theft and murder. He then attempts suicide before meeting a woman who changes his perspective on life.
Born in 1970, Barjas is a Jordanian poet and novelist who worked in the field of aeronautical engineering for several years. He is currently head of the Jordanian Narrative Laboratory and presents a radio programme called House of the Novel. He has also written articles for Jordanian newspapers and headed several other cultural organisations.
Barjas’s published work includes two poetry collections and four novels. His 2012 short story The Earthquakes won the Jordanian Rukus ibn Za’id ʻUzayzi Prize.
His 2013 novel Guillotine of the Dreamer won the Jordanian Rifqa Doudin Prize for Narrative Creativity in 2014. His Snakes of Hell won the 2015 Katara Prize for the Arabic Novel in the unpublished novel category, and was published by Katara in 2016. His third novel, Women of the Five Senses, was longlisted for the Ipaf in 2019.
Notebooks of the Bookseller was chosen by the Ipaf judges from a shortlist of six novels by authors from Algeria, Iraq, Jordan, Morocco and Tunisia.
The shortlisted works were all published between July 2019 and August 2020 and included The Eye of Hammurabi by Abdulatif Ould Abdullah, The Calamity of the Nobility by Amira Ghneim, The Bird Tattoo by Dunya Mikhail, File 42 by Abdelmajid Sabbath and Longing for the WomanNext Door by Habib Selmi.
The shortlisted authors will receive $10,000 each.
source/content: thenationalnews.com
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Jordanian writer Jalal Barjas has been named the winner of this year’s International Prize for Arabic Fiction 2021. Courtesy Shaama Oubayda Mahfoud / pix: thenationalnews.com
