Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
The films tell stories of hopes, dreams, and challenges from the Arab world.
Arab cinema is about to make waves as the 81st Venice Film Festival rolls out the red carpet.
Running from August 28 to September 7, this year’s Venice International Film Festival will feature 12 Arab films backed by the Doha Film Institute.
These movies will light up key sections of the festival, including Orrizonti and Orrizonti Shorts, and make waves at Critics Week, Giornate degli Autori, Final Cut, and the Venice Gap-Financing Market.
These selections showcase the rich diversity of the region, bringing unique stories from Egypt, Jordan, Lebanon, Morocco, Palestine, Tunisia, and Yemen into the spotlight.
Highlights include “My Father’s Scent” by Mohamed Siam, featuring Egyptian star Ahmed Malek, “Aïcha” by Mehdi Barsaoui, and “Sudan, Remember Us” by Hind Meddeb, which offers a powerful portrayal of a generation’s fight for freedom through words, poems, and chants.
“We are proud to continue a successful festival season with a strong showcase of films by Arab talent at Venice,” stated Fatma Hassan Alremaihi, chief executive officer of the Doha Film Institute.
“Our mission is to support independent creators in cinema, and the compelling selection at Venice is a testament to our commitment to shed light on stories that transcend borders and present unique perspectives. We hope these films receive the acclaim and attention they deserve,” she added.
The 2024 Venice International Film Festival is set to showcase a diverse array of Arab cinema.
In the Orizzonti category, the festival will present “Aïcha” directed by Mehdi Barsaoui and “Happy Holidays” by Scandar Copti. The Orizzonti Shorts category will meanwhile include “Shadows” by Rand Beiruty.
“Sudan, Remember Us,” directed by Hind Meddeb, will be showcased in the Giornate degli Autori section. Critics’ Week will highlight “Perfumed with Mint” by Muhammed Hamdy.
The Final Cut section will present several notable films, including “Aisha Can’t Fly Away” by Morad Mostafa, “In This Darkness I See You” by Nadim Tabet, “My Father’s Scent” by Mohamed Siam, and “Those Who Watch Over” by Karima Saidi.
Finally, the Venice Gap-Financing Market will feature “Marie & Jolie” by Erige Sehiri, “The Station” by Sara Ishaq, and “Theft Of Fire” by Amer Shomali.
With a lineup that promises to dazzle and surprise, these films are set to turn heads and set new standards.
The League of Arab States has hailed the achievements and contributions of Emirati women at the national level, calling them a role model in the Arab world.
Ambassador Dr. Haifa Abu Ghazaleh, Assistant Secretary-General and Head of Social Affairs sector at League of Arab state, congratulated the UAE leadership, government and people on Emirati Women’s Day, which is a source of pride for Arabs due to the prominent position achieved by the UAE women at the Arab, regional and international levels.
In her statements to the Emirates News Agency (WAM), Dr. Abu Ghazaleh praised the efforts of HH Sheikha Fatima bint Mubarak (The Mother of the Nation), Chairwoman of the General Women’s Union (GWU), President of the Supreme Council for Motherhood and Childhood (SCMC), and Supreme Chairwoman of the Family Development Foundation (FDF), to enhance the status of Emirati women in all fields for more than 5 decades and commended the great achievements of the General Women’s Union under her leadership, making Emirati women an honorable model for Arab women.
She added that the assumption of important and influential positions by Emirati women reflects their pioneering role in society and makes them a bright sign in the Arab world, noting that the achievements of Emirati women represent a strong push towards further progress and excellence at all levels.
Dr. Abu Ghazaleh wished Emirati women further success and prosperity and expressed her aspiration for women in the UAE and the Arab world to witness more progress and active participation in building societies.
Times Higher Education has announced a shortlist of eight finalists for its Most Innovative Teacher of the Year in the Arab World award.
The winner will be announced in December during the Arab Universities Summit in Jordan. Times Higher Education (THE), a British higher-education data company widely known for its World University Rankings, is organising the award in partnership with the University of Jordan and Al-Ahliyya Amman University.
The most innovative teacher award is part of a competition called THE Awards Arab World, which aims to “identify and promote innovative and inspiring work taking place at higher education institutions, whatever their size, reputation, or focus, and wherever they may be located.” Candidates for the awards may come from internationally renowned institutions or lesser-known institutions operating in challenging circumstances.
Times Higher Education said it had received over 400 entries from 15 countries for this year’s awards, which have 12 categories. To see the full lists of shortlisted candidates in each category, please click here.
Phil Baty, Times Higher Education’s chief global affairs officer, said it had been a huge challenge to narrow down the field and select the “elite group” of candidates for the most innovative teacher shortlist. “Those who made it should be very proud of their achievements,” he said.
The finalists for the Most Innovative Teacher award are:
The awards website gives a brief summary of each competitor. Following are excerpts from those descriptions:
Ibrahim Issa Al Balushi. Al Balushi is a senior lecturer and head of entrepreneurship and business incubation activities, as well as the head of the Curriculum and Instructional Resources Committee at the College of Engineering, National University of Science and Technology, in Oman. Known for his innovative teaching strategies and student support, Al Balushi received the Academic Excellence Award for Best Teacher in the College of Engineering in 2021. He also plays a key role in national projects aimed at developing entrepreneurship courses.
Fatma Alzahraa Abdelsalam Elkhamisi. Elkhamisi is an assistant professor of pathology and director of the International Student Unit at the Faculty of Medicine at Helwan University, in Egypt. She has implemented a continuous cycle of student-centred approaches, emphasising clinical relevance, diverse learning styles, and motivation theories. Elkhamisi is known for designing engaging learning environments using digital tools, collaborative work, peer teaching, and reflective learning.
Mohamed Amin. Amin is an associate professor and coordinator of social responsibility activities at Alamain International University, in Egypt. He teaches an elective course called “Community Participation in the Development of Modern Egypt” using innovative methods such as the flipped classroom model, game-based learning, and project-based learning.
Abir Enany. Enany is a faculty member and vice dean of the Faculty of Science at Egypt’s Misr University for Science and Technology. In the spring semester of 2023, she introduced a new approach to teaching a course on ancient Egyptian archaeology from the Middle Kingdom. Her innovative plan involved transforming course topics into sustainable development projects, with each site assigned to a student group for development, making the material more engaging and understandable.
Amer Hijazi. Hijazi is recognised as one of the top 10 influencers at Jordan’s Ahliyya Amman University, where he is transforming educational standards by engaging students as active participants. His innovative teaching methods, including software clinics that reflect industry standards, focus on creativity rather than traditional metrics, significantly impacting sustainable development goals like quality education and sustainable cities.
Mohamed Ismail. Ismail is a professor of physics at the Faculty of Engineering at Egypt University of Informatics. Upon returning to Egypt after earning his Ph.D. in nuclear engineering from Kansas State University, in the United States, he introduced innovative teaching methods. He developed a mobile application for interactive student feedback, real-time comprehension assessments during large lectures, and live demonstrations. Ismail also leads faculty initiatives to support students’ academic, social, and psychological well-being. Additionally, he founded a popular YouTube channel that has become the most-watched physics channel in the Arab world, expanding his teaching reach globally.
Zahy Ramadan. Ramadan is a professor of marketing and management at the Lebanese American University, in Beirut. Times Higher Education quotes from Ramadan’s application: “As an academic with 20 years of experience in marketing across the Middle East, Gulf, and Asia Pacific regions, I believe in a holistic learning approach that emphasises continuous high engagement, interactive scenario building, market simulations, integrating advanced research into the curriculum, and learning by doing.”
Rami Abdullah Wahsheh. Wahsheh is an associate professor in the departments of communications engineering and electrical engineering at Jordan’s Princess Sumaya University of Science and Technology. Wahsheh said: “My goal as a teacher is to help students understand the subject matter and learn how to teach themselves beyond structured learning, by focusing on fundamental problem-solving skills.”
He added: “To encourage students to continuously learn, explore knowledge, solve problems, and connect course content to job market skills, I have revised my approach to recording lectures. This involves linking examples given to real-world practical applications. I have also adopted new techniques in teaching and learning.”
YouTube Channel Leads to Job Offer
When he heard he had been shortlisted for the Times Higher Education award, Ismail told Al Fanar Media: “I’m thrilled, as it honours over twenty-two years of my career in higher education.”
Ismail said he joined Egypt University of Informatics at the request of students. “The students, who were following my YouTube channel and struggling with physics, went to the dean of the college, Dr. Amr Elmasry, and asked for my help. The university then reached out to me via email with a great job offer, and I decided to join them.”
Last year, YouTube gave Ismail a YouTube Creator Award for his scientific content’s widespread popularity. His channel, “Physics for Engineers,” has over 198,000 subscribers and has garnered millions of views.
Two years ago, Eqbal Dauqan was going to work in the morning as usual. She’s a biochemistry professor. And was driving on the freeway, when suddenly: “I felt something hit my car, but I didn’t know what it was because I was driving very fast,” she says.
Dauqan reached the parking lot. Got out of the car and looked at the door. What she saw left her speechless.
“A bullet hit the car, just on the door,” she says.
The door had stopped the bullet. And Dauqan was OK. She has no idea where the bullet came from. But it turned out to be an ominous sign of what was to come.
Gender Canyon
Dauqan is a female scientist in what’s possibly the hardest place on Earth to be a woman: Yemen.
The World Economic Forum ranks Yemen as the worst country for women’s rights. In Yemen, many women can’t leave the house without permission from a male relative.
“If she goes out with her husband or brother, that’s OK. But not by herself. ” Dauqan says. “Not everyone follows this. But this is our culture.”
A culture where two-thirds of women can’t read. About half are married by age 18 — and sometimes as young as age 8.
And then there’s the black veil. Many women in Yemen wear a niqab — a black veil that completely covers their faces,except for a tiny slit across the eyes.
Daquan wears a niqab when she’s in Yemen. She even wore one during her TEDx talk there back in 2014. But she doesn’t wear one in other countries.
“I cover my face [in Yemen] because I respect the culture,” Dauqan says. “I respect the culture.”
She may respect it — but not blindly. For the past decade, Dauqan has burst through glass ceiling after glass ceiling with fearlessness and grace.
Even as a young girl, she was a rebel. “I was a little naughty,” she says with a snicker.
She liked breaking rules. And proving people wrong. So when her parents told her she might not have the smarts to go into science and engineering — like her dad — Eqbal thought: Watch me.
“I told my father, ‘I’ve heard a lot about scientists in chemistry. What is the difference between me and them? So I want to try,” she says.
And she did more than try. She crushed it.
Eqbal won over her father and got his financial support. She was the first among her friends to finish college.Then she got a scholarship to do her Ph.D. in biochemistry at the Universiti Kebansaan Malaysia, where she studied the nutritional properties of palm oil.
That led to her writing a popular book about the fruits mentioned in the Holy Quran and their health benefits. For example, Indian Jujube — also known as red dates — are the most cultivated plant in the world and have 20 times more vitamin C than citrus fruit, Eqbal writes in her book.
Next came the prizes. In 2014, Dauqan was named one of the top female scientists in the developing world by the Elsevier Foundation. News programs in the Middle East and in China ran feature stories on her. She became so famous that Al Saeed University made her an assistant professor and head of a department — all this before she’d turned35. Dauqan was on top of the world.
And then one morning, it was all taken away.
“They were just sleeping”
In March 2015, Dauqan’s hometown of Taiz got pulled into Yemen’s bloody civil war. Planes started flying over head, dropping bombs — even on homes and schools.
“They were bombing my university!” Dauqan exclaims. “They killed some of my students.
“It was really bad. Really bad,” she says. “I’ll show you.”
Dauqan turns to her computer and brings up some photos. On the screen is a photo of several bodies laying flat on the ground. The bodies are covered in white sheets, with only their faces showing.
“This is nine person from my family,” she says. “They were sleeping. And a bomb hit their house. They all died. Nine person from my family.”
A few of the bodies are small.
“Those are two children in our family,” Dauqan adds. “They were just sleeping.”
And then they were gone — Dauqan’s cousins on her father side and their sons and daughters.
“That is why I leave my country,” she says.
“I have to be strong. I want to be strong”
After the bombings began, Dauqan had to stop her research. The university shut down. And it wasn’t safe for her to leave home. She was trapped in a city where snipers target children and bombs fall on mosques, schools and markets.
During one month of 2015, doctors treatedmore than 4,000 civilians in a Taiz hospital, the nonprofit Doctors Without Borders reported. MSF hospitals have been hit with bombs four times.
Across Yemen, about 10,000 civilians have been killed in the war and more than 40,000 have been wounded. the U.N. reports. More than 370,000 children are now malnourished because they can’t get food.
And then one day, after spending months in hiding, Dauqan had an idea: Maybe her science could get her out of the war.
She started texting her mentor, Aminah Abdullah, a food scientist at the Universiti Kebangsaan in Malaysia. They applied for a special refugee scholarship with the Institute of International Education-Scholar Rescue Fund, based in New York. She got it, and after a few months, she was safe on a plane headed for Malaysia.
Now she’s working to save up money so she can bring her parents and sister to Malaysia. “It’s very difficult,” she says. “But I have to be strong. I want to be strong!”
Dauqan works long hours in labs, continues to publish papers and mentor students. And she has never lost sight of her dreams — even her ultimate dream.
“My dream is to win the Nobel Prize,” Dauqan says with a chuckle. “It is very hard. So I don’t know. “
But Dauqan has already done so much for science — and society. When little girls in the Middle East see photos of Eqbal as a chemist — wearing a head scarf,measuring pH — they don’t need to use their imagination to think: “I could be just like her. I could be a scientist.”
source/content: npr.org (headline edited)
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“In college, I would tell my friends that I wanted to pursue a Ph.D., and they would chuckle and ridicule the idea,” says Eqbal Dauqan, who is an assistant professor at the University Kebangsaan Malaysia at age 36. Born and raised in Yemen, Dauqan credits her “naughty” spirit for her success in a male-dominated culture.Sanjit Das for NPR
The EU Ambassador to the State of Kuwait H.E. Anne Koistinen presented the 2023 Chaillot Prize for the Promotion of Human Rights in the GCC region to the Kuwaiti Society for Human Rights.
The EU Ambassador to the State of Kuwait H.E. Anne Koistinen presented the 2023 Chaillot Prize for the Promotion of Human Rights in the GCC region to the Kuwaiti Society for Human Rights. The European Union awards the Chaillot Prize every year for actions, campaigns, projects and lifetime achievements that favour Human Rights promotion and awareness in the GCC region. The Prize is named after the Palais de Chaillot in Paris where the Universal Declaration of Human Rights was adopted by the United Nations General Assembly on 10 December 1948.
In her speech during the ceremony held at the EU Residence in Kuwait, Ambassador Koistinen said: “I am honoured to present the Chaillot Prize for the Promotion of Human Rights in the GCC Region to the Kuwait Society for Human Rights for their unwavering dedication over the years to promoting and advancing human rights in Kuwait. I would like to highlight in particular their work in supporting and advocating for migrant workers’ rights in Kuwait and raising awareness about their labour rights. Engagement with the civil society in Kuwait is a very important part of EU Delegation’s work, therefore I am looking forward to continuing our long-standing cooperation with the Kuwait Society for Human Rights.
Mr. Khaled Al-Humaidi, President of the Board of Directors of the Kuwaiti Society for Human Rights, said in his speech during the ceremony that ‘To be honoured today by awarding us the Challiot Prize for Human Rights is a great moral support for the Kuwaiti Society for Human Rights. This Society has taken upon itself the responsibility of defending human rights and promoting them in the Kuwaiti society through concerted efforts at the government and community levels. We are delighted that the Chaillot Prize was granted to us for our tireless efforts in protecting the rights of migrant workers in Kuwait through the ‘Together Project’, which aims at raising awareness and protecting the rights of migrant workers in Kuwait. This project was implemented by the Kuwaiti Society for Human Rights in cooperation with the European Union Delegation in Kuwait, the Netherlands Embassy, the Swiss Agency for Development and Cooperation, in addition to the US-Middle East Partnership Initiative (MEPI).’
For the EU, promoting and protecting human rights is at the heart of EU external policy as they are among the EU’s founding values of human dignity, freedom and respect of human rights. Cooperation on human rights and engagement with the civil society are an integral part of the relations between the European Union and all countries, including Kuwait. The European Union and Kuwait held their fourth Human Rights Dialogue in Brussels on 5 December 2023, where the two sides exchanged about the latest developments on both sides and reiterated their commitment to an open and constructive dialogue to jointly address human rights challenges and share best practices.
Dubai Electricity and Water Authority (DEWA), signed a 30-year water purchaser agreement with Saudi Arabia’s ACWA Power for phase 1 of the Hassyan sea water desalination project using solar power. The project is part of DEWA’s efforts to increase its water desalination capacity to 730 MIGD by 2030, from 490 MIGD at present. The project aligns with Dubai’s unparalleled economic growth and the Emirate’s thriving construction sector. This complements the Dubai 2040 Urban Master Plan, addresses the substantial population growth, and meets the steadily increasing demand for water in domestic, commercial, and other consumer sectors.
The agreement was signed by HE Saeed Mohammed Al Tayer, MD & CEO of DEWA; and Mr. Mohammad Abunayyan, Chairman and Founder of ACWA Power. Officials from both entities were present.
Last August, DEWA announced ACWA Power as the ‘Preferred Bidder’ for the construction and operation of the 180 Million Imperial Gallon per Day (MIGD) Sea Water Reverse Osmosis Hassyan Phase 1 Independent Water Producer (IWP) project, with an investment of AED 3.357 billion (USD 914 million). The allocated land area for the project is 252,300 square metres. DEWA achieved a world record by receiving the lowest bid of 0.36536 USD/m³ of desalinated water. This project is the largest of its kind in the world for water production based on Sea Water Reverse Osmosis (SWRO) technology using solar energy. It is DEWA’s first Independent Water Producer (IWP) model project. The water desalination capacity in Dubai is currently 490 MIGD. This capacity will increase to 670 MIGD in 2026 with the completion of this project.
Dubai Electricity and Water Authority (DEWA) signed a 30-year water purchaser agreement with Saudi Arabia’s ACWA Power for phase 1 of the Hassyan sea water desalination project using solar power
“We are pleased to sign the agreement with ACWA Power. This project supports the vision of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, to enhance water supplies in Dubai from sustainable sources and achieve the Dubai Clean Energy Strategy 2050 and the Dubai Net Zero Carbon Emissions Strategy 2050 to provide 100% of Dubai’s total power capacity from clean energy sources by 2050. We are building water production plants based on Sea Water Reverse Osmosis (SWRO) technology which require less energy than Multi-Stage Flash distillation (MSF) plants, making it a more sustainable choice for water desalination. By 2030, DEWA aims to produce 100% of desalinated water by a mix of clean energy and waste heat,” said HE Saeed Mohammed Al Tayer, MD & CEO of DEWA.
HE Saeed Mohammed Al Tayer, MD & CEO of DEWA, said: “We ensure the continuation of the 100% availability of DEWA’s services according to the world’s highest levels of availability, reliability, and efficiency thanks to our state-of-the-art infrastructure and advanced technologies. This is based on innovation and sound scientific planning so that we contribute to making the UAE the world’s leading nation by its centennial in 2071.”
Mohammad A. Abunayyan, Chairman of the Board of Directors, ACWA Power, said: “This agreement between ACWA Power and DEWA is another example of the strong collaboration between ourselves and our valued partners in the United Arab Emirates. The Hassyan IWP will be the largest plant of its kind in the world, and we have set a new record for the lowest levelised water tariff. The plant will be highly efficient, desalinating water through reverse osmosis powered by solar energy. With our years of experience in the industry, ACWA Power has ambitious aims and we are proud of continually breaking records through innovation and using new technologies to enhance water security. With this project, we are reaffirming our commitment with our partners towards achieving the Dubai Clean Energy Strategy 2050.”
The King Salman Global Academy for Arabic Language recently launched a “Camel Lexicon” as a part of its Falak platform for linguistic databases.
This initiative aligns with Saudi Arabia’s designation of 2024 as the Year of the Camel, recognizing the historical connection between these animals and the Arabian Peninsula.
The “Camel Lexicon” is aimed at scholars and researchers, and provides extensive information on the cultural significance of camels in Saudi Arabian society.
According to Abdullah Al-Washmi, secretary-general of the academy, this effort strengthens national identity by highlighting the role of camels in poetry, literature and daily life.
Camels symbolize loyalty and authenticity in Saudi Arabia’s culture and are deeply embedded in the country’s poetic heritage.
The Falak platform, launched earlier this year, is a gateway to Arabic linguistic lexicons with over 1.5 billion words from diverse contexts.
It supports text analysis, linguistic data tagging, and collaboration among Arabic-language enthusiasts.
As Saudi Arabia celebrates the Year of the Camel 2024, the academy has reaffirmed its commitment to promoting the Arabic language and preserving the nation’s rich cultural heritage.
source/content: arabnews.com (headline edited)
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Camels symbolize loyalty and authenticity in Saudi Arabia’s culture and are deeply embedded in the country’s poetic heritage. (Supplied)
With shows that range from political stances to introspective research, Doha’s Mathaf: Arab Museum of Modern Art proves itself to be one of the most authoritative voices for Arab narratives and the Global South in art.
The first impressions viewers get when walking inside the space set up like a unitary installation by Algerian artist Kader Attia, are a big haunting archive, a disquieting museum storeroom. It’s called “The Repair from Occident to Extra-Occidental Cultures” at this particular museum in the Qatari capital. A number of cabinets on the perimeter of the room showcase objects from colonial times: photographs of French admirals and Arab royalty, plus memorabilia, knives, cutlery and weapons.
Pinned rather aggressively on the shelves with metal rods are books from 1800-1900, like La France d’Outre Mer, Occident Noir and The Age of Napoleon, alongside satirical illustrations from magazines. A particularly disturbing one depicts a naive white nurse taking care of wounded African soldiers, who are depicted with malicious grins on their faces. Whether it’s the representation of racist stereotypes, anthropological studies or orientalist perspectives, the selection of materials by Attia shows different aspects of the relationship between coloniser and colonised, and how models of thought carried on in both Western and non-Western cultures.
Among the more harrowing pieces in the installation are several heads sculpted in wood, reminiscent of African statuettes. The features of these faces are distorted, reminding the viewer of the cubist or expressionist effect, that Picasso, Bacon or more recently Marlene Dumas have largely employed in their work. Looking at the anatomy and war surgery books on the shelves — which explain how to reconstruct exploded faces damaged during WW1, and how to attach prostheses — it seems clear that the distortion in the faces references the war wounded. The artist is hinting at the process of repairing historical wounds and abuses by the West towards its colonies, something central to the postcolonial conversation.
The presence of books like Primitive Art and Psychoanalysis summarises one more aspect of the artwork: how the encounter with the “other” is sublimed and transformed in art, and the deep psychological underpinning which lies behind every form of orientalism.
It’s precisely the link between all these seemingly distant concepts that make Kader Attia’s installation so powerful.
The artist leaves it to the viewer to come to terms with that thick, inextricable matter where racist stereotypes, modernism, colonialism, tribal art, sexuality, anthropology, war, imagination and the subconscious meet in a dangerous mix.
The intention of the work, however, is clear. He is examining this magma with a critical eye, in order to move forward and heal the historical wounds from these power dynamics.
Attia’s work is just a small part of the large and rich collection at Mathaf, but it contains one of its most fundamental themes: the creation of an alternative to the non-Western narratives and discourses for history and art history. This seems to be the main mission that the museums in Qatar are highlighting. While in the Western world museums as institutions are increasingly losing their relevance, in the Global South — namely, the parts of the world previously excluded by a Western narrative — museums are fundamental parts in the development of their own art system. In fact, it’s up to these institutions to construct alternative narratives to the West’s by using museums as a central tool.
The permanent collection of Mathaf is a case in point. Offering an excellent survey of 20th and 21st century modern and contemporary art from the Arab world and the Middle East (which is tellingly called “West Asia”), it is highlighting the strong connections of local Qatari and Arab artists with the wider world in Africa, Asia and Europe.
The permanent collection has evolved from an initial donation of a thousand works collected over the past 25 years by Sheikh Hassan Bin Mohammed Bin Ali Al-Thani. Today, it’s continuing to grow, and hosts more than 9,000 artworks by pioneer Arab artists.
A particularly interesting section of this collection is dedicated to women artists, that has works like “Icons of the Nile” by Egyptian artist Chant Avessidian. This consists of a series of prints and paintings on cardboard representing, in a stylised way, Egyptian icons from modern times, including a number of iconic women.
At the moment, Mathaf is also hosting a temporary exhibition called “Arab Modernism”, which looks at how this current is being articulated in Arab countries, compared with its counterparts around the globe. In the show, we can see not only how Arab artists took visual elements, and techniques from the rich and diverse heritage of the Arab-Muslim world — particularly calligraphy and ornamentation — but also how they mused on the concept of Tajreed. The Arabic term for abstraction, in fact, also means “to strip away” and “purify”, referring to a process of revealing and clarifying through the artistic process itself.
In one room with ochre walls, we can observe how the calligraphic sign was declined to break the division between word and image, opening a space between calligraphy and geometric abstraction. We also find beautiful abstract patterns that intermingle in a big painting by Algerian artist Rachid Koraichi, which is almost tribal in its use of the calligraphic sign and the juxtaposition of primary colours. Etel Adnan, on the other hand, has a much smaller work, part poem, part drawing, where words on paper become abstract lines.
Palestinian Samia Halabi has one painting on show called “The Red One”, an exquisite juxtaposition of touches of colour, which are melodious and musical. Egyptian artist Mounir Canaan, meanwhile, plays on the cubist and modernist usage of pieces of cardboard and wood to create a vibrant image where different plans intersect, creating an effect which is at once aggressive and dynamic.
One of the most beautiful works in the show, though, is by Iraqi artist Hanaa Malallah.
“Secret of Fold Up Squares”, as the name suggests, consists of a series of folded pieces of canvas, burned at their centre. In one of these small squares, almost hidden in the canvas, is a piece of gold, a visually striking and highly evocative detail.
The show lets us observe how shared linguistic and cultural foundations in the Arab world generated a kind of abstraction in the region that stretches far beyond the Western definition of it, or as a simple reaction to academism and realism in art.
A smaller show, “Introspection as Resistance”, is collateral to the Abstraction exhibition. It is dedicated to the mathematical and geometrical work of Iraqi artist Mehdi Moutashar. He has been known as a poet of exactitude and rigour, and his work has been inspired by Abstraction, Minimalism, Op Art and the work of Klein – in its usage of his trademark blue – which is again blended with calligraphy and Arab ornamental patterns.
Overserving graphic motives on the hyper-white walls of the museum, brightly lit, the viewer gets the impression of being catapulted into a different dimension that doesn’t belong to this world, but to computer intelligence.
An early experimenter in geometric abstraction, Moutashar’s work brings mathematical precision and science into art. Looking at the mathematical principles of the universe is, for the artist, a form of introspection. It’s an introspection that bypasses individuals, to connect us with some sort of spiritual truth, a universal order. The artist exemplifies an incessant inquiry and a tireless resistance towards the disorder of the world.
In this sense, the show represents the perfect counterpoint of Kader Attia’s work. Where one acknowledges the impossibility of neatly separating history, imagination, wounding and the mending of wounds, Moutashar launches himself into a Sisyphean attempt to order the work through mathematics.
With these shows, Mathaf proves itself to be one of the most authoritative voices in the Gulf when it comes to speaking about Arab art and its original trajectory. A process of reparation – at least for the art – seems to be possible. One exhibition at a time.
Iraqi American Zenovia Jafar was over the moon for “having made it” as she was crowned winner of the Miss Arab USA 2024 pageant in Arizona on Sunday.
“My experience with Miss Arab USA is one of the best experiences of my life. When I walked in, I had no idea what was going to happen, if I was even going to win. But most importantly, when I walked in, I will honestly say that winning was the only thing on my mind. I didn’t think about anything else,” Jafar told Arab News in an interview.
“But once I actually got there, I realized the friendships and the connections I’ve made with the people here is priceless and it is far more important than winning … I genuinely wanted to connect with every single person that I met, and I think that’s what helped me win Miss Arab USA. Because I focused more on genuine connection and doing what I need to do. And I was committed to just being myself,” she added.
When asked about her goals going forward, the Michigan resident said: “I’m going to be using my platform to raise awareness on issues regarding people who are … from underdeveloped communities, people who are in need. I’m going to be raising more money for charities. I’m here to serve Miss Arab USA and use my voice to amplify the voices of people who are not heard all over the world.”
Jafar’s family moved to the US — having escaped the war in Iraq and spent two years in Syria after — in the late 90s, when she was a toddler.
“When I moved here, I remember one thing that my mother told us is that we should never forget our roots and where we come from. My mother was committed to teaching us how to read and write and speak Arabic. And that is something that I am so grateful to my mother for because I can read Arabic, I can write Arabic, I can speak Arabic, I can understand many Arabic dialects. And I never let go of who I was and where my family came from. And I think that’s something that is so important when you grow up away from home, is to stay connected to who you are. Because at the end of the day, all you have is your roots,” she said.
When asked if she had any advice for young Arab American women, Jafar said: “I will say that as an Arab woman, it is very, very important to push your limits and always do things outside of your comfort zone because you will never grow as a person if you are stuck in your comfort zone. Always push yourself to be better.”
source/content: arabnews.com (headline edited)
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Iraqi American Zenovia Jafar (centre) was over the moon for “having made it” as she was crowned winner of the Miss Arab USA 2024 pageant in Arizona on Sunday. (Supplied)
The UAE, represented by the Ministry of Interior, participated in the United Nations Summit of Chiefs of Police (2024), as the sponsoring country of the summit, which was held at the United Nations Headquarters in New York City, USA, on June 26 and 27, as part of its consistent approach and active participation. In strengthening global efforts to enhance security and stability for peoples, and to maintain peace in various regions of the world.
The summit is the largest gathering of ministers, police chiefs and senior representatives of regional police organizations in the world, and a regular event held every two years in the presence of police chiefs from member states to participate and hold bilateral talks, with the aim of promoting peace, security and international development for all, and raising levels of cooperation in the police and security field among member states. .
At the beginning of his speech, the Under-Secretary-General for Peace Operations, Mr. Jean-Pierre Lacroix, expressed his thanks to the UAE for sponsoring the UNCOPS 2024 Summit, as the UAE has contributed to many activities related to the United Nations Police, including hosting a number of conferences to evaluate the performance of United Nations Police Chiefs over the past two years in Abu Dhabi, which has enhanced the country’s contribution and role in strengthening dialogues with international organizations and raising police competencies.
The UAE also hosted a number of training courses to raise the capabilities of United Nations police personnel, and courses to raise the leadership of the female component of the United Nations Police, in addition to accrediting an elite group of Ministry of Interior officers to be certified trainers in various positions with the United Nations Police.
The Ministry of Interior participated in a number of periodic field visits to United Nations peacekeeping missions, including: United Nations missions in South Sudan, the Democratic Republic of the Congo, and the Central African Republic.
The delegation of the Ministry of Interior delivered a state speech during the summit, stressing the keenness of the UAE Ministry of Interior with the vision and support of the wise leadership to continue cooperation with all countries of the world and international organizations and institutions, especially in the security and police fields with the aim of combating crime of all kinds. It also valued the strategic partnership with the United Nations Police and the efforts It is making efforts in the Global Initiative for Law Enforcement for Climate (I2LEC), where the UAE’s harmonious policy, the foundations of which were laid by the late founder of the state, Sheikh Zayed bin Sultan Al Nahyan, may God rest his soul, played a decisive role in resolving many international and regional issues. The Emirati empowerment and construction process continued with the vision, support and follow-up of His Highness Sheikh Mohammed bin Zayed Al Nahyan, President of the State, “may God protect him.”
The delegation stressed the Ministry of Interior’s continued participation in international and regional efforts to establish international security and stability, wishing success and success to the participants in the work of this summit, which will provide a decent life full of prosperity and well-being for all our peoples.
– Guardians of the Earth.
On the sidelines of the United Nations Chiefs of Police Summit (UNCOPS 2024), the International Law Enforcement Initiative for Climate (I2LEC) hosted a panel discussion entitled “Guardians of the Earth: Global Law Enforcement Strategies to Protect the Environment,” in the presence of representatives from the global law enforcement community, with the aim of enhancing awareness of the impact Increase the positive impact of policing on environmental crimes and climate change, showcase best practices and share valuable lessons learned to benefit the global law enforcement community, and promote international cooperation to develop global law enforcement strategies for environmental protection.
