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Mohamed Hadi Al Hussaini, Minister of State for Financial Affairs, has been elected as Chairman of the Development Committee (DC) of the World Bank Group (WBG) and the International Monetary Fund (IMF), which aims to achieve international cooperation and consensus on issues related to development. The DC is a joint ministerial committee of the Boards of Governors of the Bank and the Fund.
During his two-year tenure, the minister will work with the committee’s members that include ministers, and the Board of Governors of the WBG and IMF to complete and manage the committee’s programmes related to sustainable and comprehensive economic development, in order to build and develop the economies of developing countries.
Al Hussaini thanked the member states and the WBG for electing him as the Committee Chairman, stressing the United Arab Emirates’ keenness on cooperating and coordinating with its strategic partners and all international organisations to enable comprehensive and sustainable development at all levels.
A ministerial-level forum that represents the member countries of the World Bank Group and the International Monetary Fund, the Development Committee was established in 1974 and was previously known as the ‘Joint Ministerial Committee of the Boards of Governors of the Bank and Fund’. It comprises 25 members from the finance or development ministries that are members of the WBG and the IMF.
The Committee is mandated to address a wide range of issues, including, but not limited to, the role of the IMF and WBG, in confronting future crises, digitalisation, the green economy, trade, industrial policies, and poverty.
Bahrain’s GHF Financial Group has acquired a second US medical clinics portfolio at $400 million, as the firm continues its US expansion.
According to a press release, the newly acquired portfolio comprises 11 assets spread across four states: California, Texas, Maryland and Louisiana.
The new investment capitalizes on GFH’s joint venture partnership with Big Sky Medical, an asset management firm focused on medical assets.
Over the past six months, GFH, along with Big Sky Medical, has acquired assets worth $500 million.
To date, GFH has built a portfolio of assets in the US medical office building sector valued at $1 billion.
“We are pleased to announce the acquisition of this prime, income-yielding medical clinic portfolio as part of GFH’s ongoing expansion in the medical office building sector in fast-growing cities across the US,” said Nael Mustafa ,co-chief investment officer for real estate at GFH.
He added: “We believe strongly in the long-term fundamentals in the health care sector and the dynamics that are supporting an increase in demand for high-quality medical office space.”
source/content: arabnews.com (headline edited)
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To date, GFH has built a portfolio of assets in the US medical office building sector valued at $1 billion. (Shutterstock)
The Egyptian Chamber of Commerce in Alexandria, the first in Egypt and Africa, is celebrating its centenary, reports Ameera Fouad.
It has been 100 years of success, 100 years of international and local relations, 100 years of developing markets and companies, 100 years of trade agreements, and 100 years of boosting made-in-Egypt products.
The Egyptian Chamber of Commerce in Alexandria is celebrating its centenary this year, having been established in April 1922. It was the first national chamber of commerce to be established in Egypt, Africa, and the Arab region. Situated near the Raml Station in Alexandria, it acts as a national economic and business institution that fosters economic and business development in Alexandria and the Arab and Mediterranean region.
The idea of setting up the chamber developed after the 1919 Revolution, which demanded the freedom and independence of Egypt’s industry and commerce. With the agreement of traders and industrialists, the chamber’s first board members were elected in 1922.
Its first elected president was businessman Mohamed Effendi Tawfik. According to a report published by the chamber, 129 members joined it when it was founded, a large number, and in addition to the president 15 board members were elected.
The centenary of the chamber coincides with the 40th anniversary of the foundation of the Federation of Mediterranean Chambers of Commerce (ESCAMI). This brings together more than 500 chambers from 23 countries overlooking the Mediterranean and more than 22 million companies. It is headed by Ahmed Al-Wakeel, president of the Chamber of Commerce in Alexandria.
The ESCAMI chambers implement regional projects financed by the EU with a budget of more than 180 million euros in the sectors of the food and textile industries, tourism, transport and logistics, new and renewable energy, environment and training for employment, regional development, transport and logistics, and the participation of workers abroad in the development of their countries. There is also a regional programme for the development of trade and investment.
At a press conference held to announce the centenary, Al-Wakeel said that the Alexandria chamber was working on automating all the services provided to its affiliates by the end of this year at a cost of LE7 million as part of the country’s larger commitment to digital transformation.
“The process includes the establishment of an electronic portal for the chamber, in addition to launching an electronic application on mobile phones,” Al-Wakeel said. He added that it also includes the internal systems of chamber employees and financial and administrative aspects.
The chamber has begun to provide online services to its members, such as obtaining certificates and getting acquainted with the laws that regulate the business environment as well as regulations and tenders. In terms of financial inclusion and the electronic transformation, the chamber is currently studying ideas for signing a protocol with an electronic payments company.
During the press conference, Al-Wakeel stressed the leading role played by the software industry, not only at the level of the Egyptian market, but also globally in the light of the availability of suitably qualified professionals. “Our professionals compete globally and are considered one of the sources of our national income,” he added.
He also highlighted the importance of updating the laws on intellectual property rights in Egypt after the launch of the Egyptian Strategy for Intellectual Property, which guarantees the rights of companies and individuals.
DEVELOPMENT ROLE: One of the core roles the chamber undertook just after its establishment was to resolve the economic problems that resulted from World War I.
“Among these problems were the lack of sugar in the markets, the tram tariffs, the issue of reducing freight fees and freight for ships and railways, and reducing floor fees and many more,” said Ahmed Sakr, a board member of the chamber.
“The then council addressed all these problems to meet contemporary concerns and needs.”
Since its establishment, the chamber has paid special attention to fostering and developing national industry and made-in-Egypt products. In 1940, it held its first permanent exhibition for national industries in Said Al-Awal Street in Alexandria. Then king Farouk visited the exhibition and hailed it as a success.
To hold the exhibition, the chamber made an agreement with Banque Misr to allow exhibitors participating in it to pay an interest rate on loans for exhibitions not exceeding two or three per cent. This succeeded in encouraging and assisting manufacturers and Egyptian-made products at the time.
A hundred years on, the chamber is still keen on taking the necessary steps to cope with global developments and the environmental changes associated with the climate change crisis. “The chamber is one of the first buildings that uses solar energy in its historic building in the Raml Station area,” Sakr added.
The chamber also uses solar energy in the wholesale market in the Ameriya district, making it the first of its kind in the world to operate on solar energy. The market was opened last February in the presence of Ali Moselhi, the minister of supply, Mohamed Al-Sharif, the governor of Alexandria, and Christian Berger, the EU ambassador to Egypt.
“We are always striving to play our important role in terms of social responsibility and sustainable development,” Sakr said.
WOMEN’S ROLE: Realising the important role that youth and women play in the economic sector, the chamber has helped strengthen their roles in society.
It activated an amendment introduced to the chambers law in 2002 that allowed the election of women as board members of the Chambers of Commerce. In 2015, the chamber established its first committee for businesswomen to represent female entrepreneurs and others. The committee aims at helping them to solve their problems and providing them with opportunities and workshops that can help them to promote their own businesses.
In an interview with Al-Ahram Weekly, Al-Wakeel stressed the importance of women’s participation in the economy and comprehensive social and economic development. “It is an essential role that works to enhance Egypt’s long-term prosperity and stability,” he said.
He expressed his hope for more cooperation with embassies and other chambers in the field of women’s economic empowerment. The chamber is seeking networking opportunities and shared experiences with other countries in order to achieve a women’s economic renaissance and an effective developmental footprint, he said.
Reem Siam, founder of the Economic Council for Businesswomen, reviewed the Alexandria Chamber’s actions over the past seven years, praising steps taken to support female entrepreneurs and the programmes that the chamber has sought to implement in the wake of the Covid-19 pandemic.
Social responsibility: Many people relate the Chamber of Commerce only to industry and trade. But it also plays an important role in society and in facing up to many economic and other challenges.
“We have faced two major problems, a deadly pandemic and now the Russian-Ukrainian War, in just one decade,” Sakr told the Weekly. “But at the same time, we are working tirelessly for the sake of members and the wider population so that the markets will remain stocked with products.
“No one expected that the Russian-Ukrainian war would affect the Egyptian economy in the way that it has, especially the tourism sector. We must open new markets, encourage more types of tourism, and seek new opportunities in every sector,” he said.
In response to the high prices of commodities and high inflation, the chamber last month inaugurated a Food Commodities Exhibition under the auspices of the Northern Military Region, the Alexandria Governorate, and the Ministry of Supply.
The exhibition offers food commodities at discounted prices ranging from 10 to 30 per cent off at the General Abdel-Moneim Riad Complex on the Agricultural Road in the Smouha district of Alexandria.
It is divided into 50 sections with the participation of 35 exhibitors and offers discounts on various products. Companies affiliated to the Food Industries Holding Company of the Ministry of Supply, some major commercial chains, fresh and processed meat and poultry companies, and various food commodity companies have all participated in the exhibition.
“We believe that crises serve as catalysts for major transformations. The present anniversary marks an important point in history where everybody in the chamber is trying out innovative methods using digital technologies, open data, and citizen engagement for the greater welfare of our country,” Sakr concluded.
*A version of this article appears in print in the 13 October, 2022 edition of Al-Ahram Weekly.
Fourteen Saudi individuals and two organizations were honored at the 10th Princess Seetah bint Abdulaziz awards for excellence in community upliftment work in Riyadh.
This year’s event was titled “Creativity and Innovation in Social Work,” which also, for the first time, honored students and principals for their social responsibility initiatives.
Dr. Fahad Al-Maghlouth, secretary-general of the Princess Seetah organization, said the aim of the awards was to “discover talent” as part of the Saudi government’s programs to develop the nation.
Princess Nouf bint Abdullah bin Saud Al-Kabeer Al-Saud, chair of the organization’s executive committee and member of its board of trustees, said that community upliftment projects were essential for a healthy society.
In the category “Responsible Citizenship,” several students were honored.
The winner of the elementary schools’ section was student Ayed Al-Ruwaili from Turaif in the Northern Borders, followed by Rima Al-Faris from Riyadh in second, and Hisham Al-Maarafi from Madinah in third.
The middle school winners were Sally Al-Harbi from Qassim in first place, followed by Adeeb Khadawardi from Makkah and Noura Al-Wadi’i from Jazan.
The high school winners were Samira Al-Maghlouth from the Eastern Province, Hanadi Karani from Madinah and Amr Al-Baraq from Jazan.
Also for the first time, as part of its “Tanseeq” platform linking government, non-government, non-profit, and private organizations in the field, two community bodies were honored.
The Osraty Association from Madinah and the Tawad Association from Al-Jouf won for their family development and counseling programs.
The winners of the Umm Al-Joud Initiative prize, for innovation in media and education, were also announced.
First place, for creating general awareness of social responsibility needs in society, was Dr. Abdullah Al-Alawai, who had his biggest supporter — his grandmother — take to the stage and accept the award on his behalf.
In second place was Dr. Mushawah Almushawah, who was honored for creating awareness of mental health issues.
In third place was Khattaf Al-Khattaf for highlighting technological and digital communication developments.
In fourth and fifth were Sultan Al-Kulaib for human development awareness, and Majid Al-Ghamdi for social media awareness.
Established in 2012 by royal decree, the Princess Seetah bint Abdulaziz Foundation for Excellence in Social Work encourages and supports community upliftment programs.
source/content: arabnews.com (headline edited)
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Fourteen Saudi individuals and two organizations are honored at the 10th Princess Seetah bint Abdulaziz awards for excellence in community upliftment work. (@seetahaward)
-With more than 900 renowned local and global brands taking part at the 50th (golden jubilee) edition of the Watch and Jewellery Middle East Show (WJMES), which continues until October 9 at Expo Centre Sharjah, 20 Emirati female designers managed to attract the visitors’ attention to the Emirati Jewellers platform, launched by Sharjah Chamber of Commerce and Industry, with the aim to support young Emirati talents in jewellery designing and spotlight their artistic works at the important event.
Abdallah Sultan Al Owais, Chairman of Sharjah Chamber of Commerce and Industry, said that supporting Emirati entrepreneurs and talents is one of the main objectives that Sharjah Chamber is working to achieve, and the Watch and Jewellery Middle East Show has always been supporting Emirati designers through such initiatives as the Emirati Jewellers platform.
He added that over more than eight editions, the platform has been able to provide an exemplary opportunity for the Emirati designers who wish to enter the world of gold-smithing and jewellery whether in Sharjah or the entire UAE, and it succeeded in attracting talents to the jewellery design and trade sector to develop their crafting and marketing skills.
He pointed out that the platform attracted more than 46 Emirati female designers and sponsored the Qelada project, launched by the Ministry of Community Development, to support female designers of determination.
Al-Owais underlined the participation of the youngest Emirati female jeweller along with many other female designers who presented impressive gold and jewellery designs.
Saif Mohamed Al-Midfa, CEO of Expo Centre Sharjah, underscored the importance of the Emirati Jewellers platform being an annual stimulus that attracts more and more Emirati creators to the world of jewellery design and benefits from the event’s large global participation, which contributes to providing these talents with more experiences to develop their businesses. One of those talents who caught the attention of visitors was Dr. Abeer Awad.
She said, “My passion for beauty and drawing has driven me to discover this talent, and so have the many talent-fostering government initiatives, the most important of which is the Emirati Jewellers platform, which has been the strongest motivator for me to enhance my talent and start my own project”.
Designer Zahira Ahmed Al Marar pointed out that her participation is the second in this event, and she expressed her pride in taking part in this platform together with a group of Emirati talents who work as one team to brightly represent the UAE in such a global event, stressing that Sharjah Chamber is her first and biggest supporter to be a key participant at the event and show her designs to the whole world.
She expressed her gratitude to the Chamber for the great support and diligent follow-up to ensure the continuity and success of the projects.
Sheikha Al Serkal, in turn, underlined her keenness to participate in the Watch and Jewellery Middle East Show being a key platform to showcase her talent, which is admired by the visitors every year.
Azza Al Jarwan, on the other hand, praised Sharjah Chamber’s fostering of young Emirati jewellery talents and bringing to the fore their artistic works in the most outstanding event of jewellery exhibitions.
A number of Arab films are being screened at the ongoing 60th New York Film Festival.
The films include titles from Lebanon and Morocco.
With its screening in the New York Festival, the Lebanese feature narrative film Tales of the Purple House by Abbas Fahdel makes its North American Premiere.
The film will be screened on 11 October, followed by a Q&A with the director.
Another Lebanese film, Beirut the Encounter, will screen on 7 and 16 October.
Directed by Borhane Alaouié, this 1981 production went through a new restoration, allowing the US audiences to view it in an improved condition.
Morocco is represented with Life on the CAPS by Meriem Bennani. The film will be screened on 7 and 9 October, as part of the Currents Program 5: After Utopia segment of the festival.
The New York Film Festival opened on 30 September and runs until 16 October.
As the festival is ongoing, two other Arab films are currently being screened in New York’s cinemas: Casablanca Beats by Moroccan director Nabil Ayouch and Lebanese documentary Sirens by Rita Baghdadi. Both films had their US premiere on 16 and 30 September respectively.
‘The Sandman’ star will be the face of its women’s collections in the Middle East.
Building on an already stellar year, Lebanese British actress Razane Jammal has been announced as Dior’s latest ambassador. She will be the face of its women’s collections in the Middle East.
The announcement was complemented by a fashion shoot featuring Jammal in some of the house’s latest creations. She is no stranger to the world of high fashion — the actress was previously an ambassador for Chanel.
“I’m so unbelievably excited to finally announce that I will be joining Dior as a brand ambassador in the Middle East,” Jammal wrote on Instagram.
“Ever since I joined the fashion community, I wanted to collaborate with people I can truly grow with, to join a family that I value as much as it values me. It’s been a long journey but I can confidently say I’ve found my home.
“This is the start of a wonderful collaboration. I cannot wait to embody the timeless creations of @mariagraziachiuri.”
This is yet another mark of Jammal’s upward trajectory. She stars in the highest-grossing film in Egyptian history, Kira & El Gin, and is one of the key characters in Netflix’s hugely popular new show The Sandman.
“It’s been a very crazy couple of years,” she told The National in a recent interview. “But I’m very happy that the hard work has paid off.”
Fluent in Arabic, French and English, Jammal’s first serious foray into acting was in the French-German feature Carlos in 2010. This was followed by Cruel Summer in 2012, a short film by Kanye West, and then Une histoire de fou in 2014 by director Robert Guediguian. All three projects had their world premiere at the Cannes Film Festival.
Based on 1919, the novel by Egyptian writer Ahmed Mourad, and directed by Marwan Hamed, Kira & El Gin is an action drama that chronicles the 1919 revolution against the British occupation of Egypt and Sudan.
The Sandman is based on Neil Gaiman’s groundbreaking graphic novel series.
The experience has been a bittersweet one for Jammal, she told The National, as her mother died last year while The Sandman was being filmed.
“We were filming during Covid-19 in London. We were following very strict Covid-19 protocols and I wasn’t allowed to travel. So I didn’t go back home for eight months after losing my mum. My mum was the most important person in my life. She was a single mum, we had a very close relationship.”
The film’s soundtrack was provided by the Qatar Philharmonic Orchestra, a member of Qatar Foundation.
Qatar Foundation’s musical theatre film ‘Showtime!’ won two awards at the Cannes International Film Festival in the categories of social media and short films.
‘Showtime!’ also won an award from Ofcom in London in the categories of cinematography, sound, and directing as well as a prize at the New York Festival for short films.
Established by Qatar Foundation, the initiative is rooted in the very fact that there is a vacuum in drama and musical programmes in Qatar Foundation schools. This prompted Qatar Foundation to embark on a musical theatre teaching process for students of all ages across Qatar.
The purpose of the show is to promote creativity in the field of performing arts and cultivate a culture of theatrical and musical performances in pre-university schools in the foundation.
Within a year, the project was ready to be showcased before the world, however, the effects of the Covid-19 pandemic hampered its smooth execution.
Qatar Foundation along with the help of The Edge Picture Company, took the stage to streets and filmed choreographed musical performances and successfully broadcasted it online.
The musical elements were led by West End choreographer Christopher Piper, and father and daughter team Steve Griffith as musical director, Jane Griffith as choreographer along with international Film Director Andrew Lancaster.
The creative team was led by 20 crew members and a cast of 55, occupied entirely by Qatar Foundation school staff and pupils with ages ranging from seven to 55 years old. It was considered the first musical theatre experience for many of the cast members.
Some of the locations utilised for the filming process included Qatar National Convention Centre, Qatar Science and Technology Park, Ceremonial Court, Oxygen Park, and Qatar National Library in Education City.
Other acknowledgements
The Doha Film Institute (DFI)-granted movie ‘Cotton Queen’ by Qatar-based Sudanese filmmaker Suzannah Mirghani claimed the ArteKino Award at Cannes Film Festival’s L’Atelier 2022.
In this arm, 16 directors whose projects bear a promising production are invited to the Festival de Cannes. Along with their producers, the directors are presented with the opportunity to meet potential partners, which acts as a key step in finalising their project and starting the making of their film.
In an Instagram story posted by DFI, Mirghani said, “This is my very first feature, thank you for taking a risk on me, thank you for taking a risk on Sudan. We do not have many films from Sudan as you know, you can count them on two hands in the history of Sudanese film and fiction feature films.”
“And those made by women, zero. Thank you for supporting us.”
Morocco recently has stepped up efforts to restore and protect its cultural heritage.
Following a series of complaints about the cultural appropriation of Moroccan Zellige (mosaic), on Friday, Morocco’s Ministry of Culture announced the official patenting of Zellige of Fez by the World Intellectual Property Organization.
In 2015, Morocco registered the Zellige of Fez in the Vienna Classification of Figurative Elements of the World Intellectual Property Organization in an effort to preserve its national heritage.
Celebrating the new patent, the Moroccan ministry took to social media to share the news, stating “Zellij is one of the most artistic forms that express the originality of Moroccan architecture.”
The ministry’s post added that the Zellige “industry dates back to the tenth century AD, when it flourished during the Marinid era in the honorable Kingdom before moving to neighboring tribes during the following centuries.”
Given the global popularity of Zellige of Fez due to its quality, originality, and multicolored feature, the Moroccan ministry says that “the city of Fez [is] the owner of this art and the main center for its production and industry due to its special clay that is not found in other places.”
In addition to gaining global appeal among designers, interior architects, celebrities, and even international organizations , Moroccan Zellige has been studied by Moroccan and foreign experts in the fields of engineering, arts, social sciences, and mathematics including Rushita Choksey and Jean Constant.
Despite the existence of an extensive literature body asserting the Moroccan origin of the Zellige, the clay artwork remains subject to external claims.
Earlier this week, Morocco filed a complaint against Adidas for producing and promoting new Algerian jerseys with Zellige patterns. Adidas claimed that the patterns were inspired by El Mechouar palace in Tlemcen.
Soon after Moroccan social media users learned about Adidas’ news, the brand’s post was flooded with comments from Moroccan users who denounced the company’s act. Moroccan users added social media hashtags such as #Moroccan culture, #Moroccan Zellige, and #No theft of Moroccan heritage to spread the word.
Some internet users also stressed the Moroccan origin of the El Mechouar’s architecture stating that the Algerian-based palace was built by Sultan Youssef Ibn Tachfin during the Almoravid dynasty and renovated in 2010 with Moroccan calligraphy, mosaic, and plaster art.
In response to the social media backlash between Moroccan and Algerian users, Morocco’s Ministry of Culture filed a complaint against the multinational firm, condemning the “cultural appropriation [and the] attempted robbery of a form of traditional Moroccan cultural heritage.”
Still, Moroccan-Algerian clashes over the origins of popular products such as couscous, caftan, and mosaics are likely to persist after the patenting of the Zellige of Fez. These debates, which mostly take place in the digital space, reflect the decades-long tensions between Rabat and Algiers centered on the Western Sahara dispute.
The rising diplomatic tensions and small-scale online clashes between the North African neighbors, however, do not fully reflect the relations between the two nations’ peoples, as many Moroccan and Algerian families have shared history and lineage.
France has made the Yemeni writer Ali Al-Muqri a knight of the French Order of Arts and Letters.
Al-Muqri recently received a letter from Roselyne Bachelot-Narquin, the French minister of culture, telling him that he was among the honorees chosen as members of the order this year.
Al-Muqri has been living in France at the invitation of the Arab World Institute since 2015, after fleeing the war in his home country. He had lived in Sana’a, the capital, which is now controlled by the Houthi rebel movement. People close to Al-Muqri have warned him he risked being pursued by the Houthis if he returned to Yemen.
The Order of Arts and Letters, one of four “ministerial orders” in France, is awarded to people who have distinguished themselves through artistic or literary creation or by contributing to the influence of arts and letters in France and the world. It has three ranks: commander, officer, and knight (chevalier).
Al-Muqri said in a telephone interview with Al-Fanar Media that he had not been aware of his candidacy for this order and was surprised by the letter.
He believes that his being named for the prestigious French order is “a tribute to Arabic literature, and a reward for writing a literary work that has its own narrative and cultural characteristics.”
He said Arabic literature was marginalized because it was rarely translated and he hoped his award would shed more light on it.
Novels and Prize Nominations
Ali Al-Muqri began his literary career as a cultural editor for several Yemeni publications before beginning to write prose, poetry and novels himself. His works have been translated into French, English, Italian, Kurdish and Persian.
“Black Taste, Black Odour” and “The Handsome Jew” were longlisted for the International Prize for Arabic Fiction in 2009 and 2011, and “Hurma”, in its French translation, won an honourable mention from the Arab World Institute Prize for Fiction and the French prize for Arabic literature. “Adani Incense” was shortlisted for the 2015 Sheikh Zayed Book Award.
Between Home and Exile
Despite his years in self-imposed exile in Paris and his freedom to write, “far from the guilt feelings that affected his literary works,” Al-Muqri said he still “experiences the hardships of alienation far from his homeland.”
“I live in double exile, and I miss every detail of my life in Yemen,” he said. “Where is the writing corner in my house in Sana’a, where I used to write my literary works, my books piled around me? I miss my habits and my rituals that were the primary motivator and the inspiration for my writing.”
Al-Muqri said that particular places in Yemen and the way of eating and drinking there gave a feeling of continuity that he misses.
The issues of Yemeni life inspired more than one of his novels, which he attributes to his constant endeavor to “explore the human self and evoke the causes of its anxiety through exposure to the problems facing people, whether they are in freedom of expression or because of discrimination against a person because of his colour, his sexual identity or because he was marginalized by a dictatorial authority.”
Al-Muqri said that he could write more in Yemen than he can in France. The war took him forcefully from his country and made him feel alienated and unable to get hold of the things that inspired and motivated him to write.
But that feeling has not prevented his ability to integrate with French society, he said. Thanks to his personal experience and knowledge of European culture, he has been able to adapt and engage in his new life in the host country.
Yemeni Literature in Wartime
Al-Muqri said most Yemeni writers and authors had lost their jobs because of the war and many of them had resorted to other types of work so they could continue to live.
Most were no longer able to obtain the basic requirements of life, such as electricity, clean water, or a regular salary. Al-Muqri said the absence of these things “makes any writer or author unable to write and think.”
The war has greatly hindered literary life in his country, Al-Muqri said, but it remains active despite the restrictions and censorship imposed by the authorities.
Al-Muqri said he was working on a new novel. He hopes to continue writing “in freedom and safety” and to return to Yemen after the situation stabilizes.
Ali Al-Muqri has lived in France since 2015. He hopes the honour he has won there will draw more attention to Arabic literature in translation. (Photo courtesy of Ali Al-Maqri)
