Arabs & Arabian Records Aggregator. Chronicler. Milestones of the 25 Countries of the Arabic Speaking World (official / co-official). AGCC. MENA. Global. Ist's to Top 10's. Records. Read & Enjoy./ www.arabianrecords.org
Prizewinning Saudi student Lama Al-Ahdal, who has been scooping medals at Physics Olympiads, says her competition success motivates her to continue with her passion and achieve great things for the Kingdom.
She won gold at the Gulf Physics Olympiad, a bronze at the International Physics Olympiad, and a bronze at the Nordic-Baltic Physics Olympiad.
Al-Ahdal spoke to the Saudi Press Agency about the beginning of her journey in the Physics Olympiad through the Mawhoob Competition, which she took part in several times.
It was her participation in 2018 that led to her nomination to attend training forums, a path that would eventually lead her to victory.
“I started attending basic courses in Jeddah, through which I qualified and passed the required tests. I was nominated for the Winter Forum at Princess Nourah University in Riyadh, then trained with the physics team, from which a number of students in the Kingdom would qualify to form the Saudi team for the Physics Olympiad.
“At the beginning of 2019, we underwent intense eight-hour training, both remotely and at King Abdullah University of Science and Technology, to prepare for international competitions. I learned how to calculate the strength of the Earth’s magnetic field using a string and two pieces of magnets, how electricity can be generated by heating two pieces of metal, how to measure the thickness of a candy wrapper using a laser, and other scientific experiments.
“The top five students were then nominated to represent the Kingdom, and thankfully I made it and snatched the gold medal in the Gulf Physics Olympiad, the bronze medal in the Nordic-Baltic Physics Olympiad, and the bronze medal in the International Physics Olympiad.”
Joining the Saudi physics team and undergoing training helped her to discover that physics was a beautiful subject. “I learned a lot from it and the Olympiad experience.”
Her participation increased her skills and developed her thinking by getting to know competitors from different countries.
“I also developed my time management skills since the training continued even during school days. My father and mother had a major role in helping me achieve my goals and encouraging me to try new things to gain more skills and learn more,” she said.
Setting a specific goal and working to achieve it was the most important thing that motivated her to take up the challenge and try new things.
Her father, Abdul Rahman Al-Ahdal, said his daughter’s journey was full of scientific challenges.
“She has always been a talented child and a bright student, with a promising future ahead of her. God blessed her with a group of highly experienced trainers and supervisors. It is important to focus and draw a plan and work to achieve it.
“I thank King Abdulaziz and His Companions Foundation for Giftedness and Creativity, and everyone responsible for helping the sons and daughters of the Kingdom partake in forums of creativity, innovation and scientific Olympiad, and other scientific activities.”
In-person and virtual festival showcases films from Arab world and diaspora.
The Arab American National Museum in Dearborn, Michigan, will kick off the Arab Film Festival on Friday.
Home to one of the largest Arab-American communities in the country, some consider Dearborn to be the “Arab capital” of the US and the museum has been devoted to documenting, preserving and presenting the history, culture and contributions of the community since 2005.
The annual festival will run from August 12 to 21, with a line-up featuring comedy shorts and documentaries tackling America’s Israel bias.
“As a young Arab American myself, I never really saw my story, my family story reflected in the music I listened to or the films that I watched or the textbooks in my classroom,” said Dave Serio, curator of education at the museum.
“So our goal really is to kind of inspire Arab Americans to see their stories, their perspective, people that look like them, names that they might have, on the big screen.”
Beginning in 2005, it is one of the museum’s longest-running programmes and offers a range of windows into Arab cinematic creativity and storytelling.
One of the films in this year’s set is When Beirut Was Beirut from writer-director Alessandra El Chanti. The short is a “poetic hybrid documentary” that focuses on an imagined conversation between three famous buildings in the Lebanese capital and what they witnessed during the country’s civil war.
“I wonder what inanimate objects could say, because they also have stories, too,” Ms El Chanti, a Lebanese citizen who now lives in Doha, Qatar, told The National.
“I feel like we always go to Lebanon and we’re just passers-by — we recognise that there are war-torn buildings, you can see the bullet holes.
The film, which began production in 2020, was produced entirely over Zoom by an all-Lebanese team of six artists.
Many of the films at this year’s festival will be making their US or Michigan state debut, Mr Serio said.
Ms El Chanti hopes members of the Lebanese diaspora watching her film at the festival walk away feeling “there’s a lot that you should learn about your country that you don’t know about — it literally could be from the perspective of anything and everything”.
Yasmina Tawil, the director of film programming at the Arab Film and Media Institute — one of the festival’s sponsors — told The National that while Arab film festivals such as this are considered “niche” in the entertainment industry, they can build towards more inclusion in the mainstream.
“We’re not a Sundance, we’re not a Cannes.
“But when a distributor goes to pick up a film, [the festivals] will add to the credence and the hype of the film. And I would at least hope that distributors would look at that as a sign of one of their big audiences … already knows about and really likes the film enough to programme it in their festival.”
“They’ll get picked up for distribution in the Middle East, in Europe and then maybe not make it over here [to the US]. Or if a torrented copy does, it might not have English subtitles and things like that.”
She added that her institute’s mission is, in part, to serve as a “caretaker” for Arab films in America.
The museum has offered both virtual and in-person attendance options, opening its mission to viewers across state and national borders.
“The Arab-American community is ridiculously talented,” said Mr Serio. “And our film festival is just honoured to be able to showcase a fraction of the amazing work that the Arab-American community is working on.”
source/content: thenationalnews.com (edited)
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Poster for the 2022 Arab Film Festival at Dearborn, Michigan’s Arab American National Museum. All photos: Arab American National Museum
Arabic Calligraphy, the art of creating decorative handwriting or lettering, is one of the oldest art forms from the Arab region; one that has not only thrived with time but also evolved into a unique form of expression. It survived through several tumultuous periods that threatened its existence, from civil wars to an invasion by the Mongol Empire that destroyed Baghdad.
Even though the writing wasn’t as focused on in the past, with many Arabs preferring to memorize poetry and other forms of text and pass them down verbally, that changed significantly later. Calligraphy would flourish to include the preservation of the Quran, adorn mosques as well as the palaces of kings, and by royal scribes when writing decrees, among other things.
In celebration of World Calligraphy Day, we decided to dive into the past and look back at some of the most well-known and prominent calligraphers from the Arab world.
Ibn Muqla
One of the biggest names in developing and improving Arabic calligraphy, born in 885 AD in Baghdad, Iraq, during the Abbasid Caliphate, he started out as a tax collector before rising through the ranks and becoming the Caliph’s Vizier three different times.
At this time, the Kufi style dominated the calligraphy scene, but Ibn Muqla invented new art styles that superseded the previous ones. Ibn Muqla was the one who invented the Thuluth and Al-Mansoub styles, as well as the foundations and rules for others, such as Naskh. The Naskh and Thuluth got further development throughout the centuries that followed, and calligraphers still use them today.
While the Kufic style was rigid in its overall design, Naskh had a more cursive structure but wasn’t as popular and as used at the time, Ibn Muqla changed that by improving on it and using it in official decrees, and private correspondence.
Ibn Muqla’s Thuluth style was new with its letters having long vertical lines with broad spacing. Its name translates to “one-third”, in reference to the maximum height for the letters on the same line must not exceed one-third of the ‘alif.
As for the Al-Mansoubstyle, it mainly focused on three measurements: the size of the period meaning the “Noqta”, the circle with a diameter equal to the height of the alif (the first letter in the Arabic language) and, and the height of the alif.
Little is known when exactly Ibn Al-Bawwab was born. However, we know of his existence and his body of work thanks to the survival of many of his manuscripts, Qurans, and texts referring to him by name.
With his name literally translating to “son of the doorman,” he didn’t grow up in a wealthy family and had to work to make a name for himself. He did so by learning about law and theology and working in several professions, such as a home decorator. However, he would later settle on working in book illumination and calligraphy.
Over years of hard work, he became renowned as a master calligrapher; fluent in six different styles in the field, perfecting the Al-Mansoub style and developing the Reyhani, Naskh, Tawqi, and Muhaqaq styles significantly.
Housed at the Chester Beatty Library in Dublin, Ireland, is the sole surviving Qur’an penned by Ibn al-Bawwab gifted to the country by Ottoman Sultan Selim I.
Originally from Syria, Mohammad Hosni Al-Baba was born in 1894 and is considered one of the last classical calligraphers. Al-Baba received his initial formal training with the Turkish master, Istanbul-based Yousef Rasa, who had renovated the Umayyad Mosque in Damascus, Syria. Al-Baba would later study under another renowned calligrapher, Mehmed Showki Afendi, author of the work “The Thuluth & Naskh Mashqs.”
He would later travel to Cairo, Egypt, becoming one of the leaders in Islamic and Arabic calligraphy, turning his home into a hub for artists, calligraphers, and poets. Al-Baba would be famous for improvements to the lettering in the Thuluth style, the linear structure of Arabic script, and was appointed by King Farouk as the first professor to be a master at the Royal Institute of Calligraphy.
His children would continue his legacy but in different fields since many grew up surrounded by artists when they visited Al-Baba’s home. The most famous of his children are actress Soad Hosni, dubbed “Cinderella of Egyptian Cinema,” and Najat Al Saghira, who became an actress and singer.
Born in 1944, Iraqi painter and calligrapher Hassan Massoudy continues to be one of the biggest inspirations for many modern artists today. French writer Michel Tournier even considered him as the “greatest living calligrapher” in 1989.
Massoudy grew up in Baghdad, Iraq, until 1969, when he fled to Paris, France, entering the École des Beaux-Arts, where he studied figurative painting. At the time, he looked for a job to pay for his studying, finally finding one as a calligrapher in Arabic magazines, writing their headlines.
While he wasn’t famous for a traditional calligraphy style, his distinct and elaborate designs made him stand out among the rest of the artists of his time. Massoudy would delve into the world of theater, collaborating with artists and choreographers, creating different productions focusing on the harmony of dance, calligraphy, and dance routines.
Studying abroad but seeking inspiration from his traditional roots, Tunisian artist and calligrapher Nja Mahdaoui invented the world of Arabic calligraphy as a graphic style, creating what was called “Calligrams.”
Born in 1937 in Tunis, Tunisia, he first started learning art history and painting at the Carthage National Museum. He later traveled to Rome, Italy, where he continued to study painting and learned more about philosophy at the Santa Andrea Academy. He also moved to Paris, France, where he went to the Cité Internationale des Arts and École du Louvre before returning to his home country in 1977.
His calligraphic style focuses mainly on the designs he creates as a whole rather than the composition of words since his “calligrams” resemble Arabic letters but have no literal meaning, leading to many naming him the “inventor of abstract calligraphy.” People can see Mahadaoui’s work on several materials used as a canvas, including jewelry, drums, leather, paintings, walls, glass, and so much more.
A UNESCO Crafts Prize laureate, Mahdaoui, graced the Facebook campus in 2018 by painting one of their halls using Arabic calligraphy in his unique style as part of the “FB AIR program,” turning their hall into a vividly colorful masterpiece.
Egyptian artist and calligrapher Ahmed Mustafa was born in 1943 in Alexandria, Egypt, graduating from the Faculty of Fine Arts at Alexandria University in 1966 before traveling to the UK on a scholarship to the Central School of Art and Design in London, England, where he earned his Ph.D. in 1989.
Inspired by his Islamic roots, his calligraphic works mainly focused on quotes from the Quran, among other sources. Working on several materials as his canvas, Mustafa has designs on glass and carpets, among others.
Mustafa also set up the Fe-Noon Ahmed Moustafa Research Centre for Arab Art and Design in London in 1983. He lectures and creates workshops globally as well as does commissions, one of which was presented by Queen Elizabeth II to Pakistan for the country’s fiftieth anniversary in 1997.
The following year, the Vatican invited him to do an exhibition at the Pontifical Gregorian University in Rome, Italy. World media at the time announced it as the first achievement of its kind in the history of Muslim-Christian relations.
Back in 1729, the Parisian authorities introduced the French capitals iconic blue-and-green street name plaques, topped with a little “Napoleon’s hat” containing the number of the street’s arrondissement.
The plaques honor France and the world’s leading politicians, philosophers, artists, writers, and scientists, including a number associated with the Arab world. French President Emmanuel Macron has previously proposed renaming some of the capital’s streets to include more personalities from ethnic minorities, but that has not yet happened. Still, there are enough Arab names to comprise a walking tour around Paris — including a president, a poet, a pop star and more.
With a wonderful view of the Grand Palais, this large, peaceful stretch of greenery is named after independent Tunisia’s first president, Habib Bourguiba. The secular leader was in charge between 1957 and 1987, and was famously a supporter of women’s rights. Next to his plaque, there is a bronze bust of the leader looking towards the River Seine, with his name written in Arabic underneath.
An admirer of Bourguiba, Halimi was a Tunisian-born French lawyer, feminist, and former member of the National Assembly in France. She died in 2020, aged 93, and this sloping pathway was named after her last year. Halimi’s life of hardships shaped the respected career she had. When she was born, her father hid her — ashamed of her gender. She went on a hunger strike at 10 and, at 16, rejected an arranged marriage, going on to study law in Paris. Halimi is perhaps best known for a 1972 trial, in which she defended a minor who had an abortion after being raped. It was a key event that propelled the country into legalizing abortion in 1975.
Paris mayor Bertrand Delanoe (second from right) and Palestinian President Mahmud Abbas (second from left) unveil on June 14, 2010 in Paris the new Mahmoud Darwich esplanade named after the Palestinian poet who died Aug. 9, 2008. (AFP)
In 2010, just two years after the death of Palestine’s most famous poet Mahmoud Darwish, a square in Paris was inaugurated in his honor. Known for his writings on home, memory, and exile, Darwish spent many years outside of his native land. He lived in Beirut, Cairo, Tunis, and Paris. He had a special connection with the latter, describing it as the place where his “true poetic birth” happened. The plaque is situated in a district the poet reportedly liked, on the banks of the Seine and near the classical buildings of Institut de France and Monnaie de Paris.
A few minutes away from Notre Dame Cathedral stands an unassuming but sobering reminder of how an Arab collective suffered during the turbulent Sixties. In 1961, when Algeria was seeking independence, a group of Algerian protesters were attacked by the police and some of their bodies were thrown into the Seine. In 2021, to mark the 60th anniversary of this horrific event, Paris mayor Anne Hidalgo inaugurated a memorial artwork, made of metal with silhouettes of heads carved out, in remembrance of those who lost their lives.
Between 1962 and 1987, the blonde bombshell diva Dalida, who was born to Italian parents in Egypt, lived in this four-story townhouse in hilly Montmartre, a quiet area outside of the bustling city center of the city that is historically associated with artists. Dalida sang in a variety of languages, including French, Italian, and Arabic. “Salma Ya Salama” and “Helwa Ya Baladi” are some of her most loved Arabic songs. Sadly, it was in this house that she committed suicide in 1987, as a result of tragedies in her personal life. The plaque on her house reads: “Her friends from Montmartre will not forget her.”
The acclaimed Lebanese-born poet and philosopher — and author of “The Prophet” — Khalil Gibran is well-known as a member of the Arab diaspora in 20th-century America. But he also lived in France for a time. Between 1908 and 1910, Gibran, who was then in his twenties, studied painting at Académie Julian in Paris. His stay in the city was made possible by the financial backing of American philanthropist, editor and Gibran’s lover Mary Haskell, who was 10 years his senior.
source/content: arabnews.com (headline edited)
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A memorial to remember the 1961 attack on Algerian protesters by the police in Paris. (Supplied)
Al-Ahsa, the world’s largest date palm oasis, is generating a new era of prosperity following the launch of a new development authority.
On May 12, the Kingdom formed the board of directors for the Al-Ahsa Development Authority, headed by Prince Ahmed bin Fahd bin Salman, deputy governor of the Eastern Province.
The move aims to enhance the governorate’s potential while helping develop the tourism, heritage and cultural aspects of Al-Ahsa.
The authority will create a balanced and sustainable development environment that supports the governorate’s economy and promotes development, modernization and diversity, according to the state press agency.
“The decision reflects the leadership’s keenness to invest in the comparative advantage of Al-Ahsa and to utilize it in economic projects that will align with Vision 2030,” Ibraheem Alshekmubarak, secretary-general at Al-Ahsa Chamber of Commerce, said in an exclusive interview with Arab News.
The city of 1.3 million people was included in the UNESCO Creative Cities Network in 2018.
UNESCO said: “The city has an ancient tradition of handicrafts, considered cultural and social practices passed on from generation to generation.
“Around 50 expressions of crafts and folk art have remained throughout the city’s history and bear witness to Al-Ahsa’s scenic wealth, including textiles from palm trees, pottery, weaving and joinery.”
Boosting tourism
The governorate hosts 36 weekly open markets and stages several festivals a year.
“When we talk about tourism in Al-Ahsa, we are talking about agricultural, heritage and natural tourism,” Alshekmubarak said.
In February 2022, the Ministry of Tourism launched a high-profile investment conference in the city called Destination Tomorrow. The conference showcased Saudi destinations to local investors and international operators.
“Post pandemic, people are a little bit more conservative internationally regarding cross-border investment. But we are proving to be a destination attracting quite a decent amount of interest,” Mahmoud Abdulhadi, Saudi Arabia’s deputy minister for investment attraction, told Arab News.
The Kingdom seeks to generate 10 percent of the gross domestic product from the tourism sector and to attract over 100 million visitors by the end of this decade, creating an additional 1 million jobs in the sector.
“We want to make the sector stand on its own two feet. So we are keen on large private sector investment to come in, even as we are mindful that the whole sector is built on small and medium enterprises,” added Abdulhadi.
The city’s chamber of commerce led several initiatives to support SMEs, monitoring the sectors most affected by the pandemic to keep them formulating plans and drawing strategies that help them overcome the damage.
“Al-Ahsa Chamber organized a set of development initiatives and advisory services provided to entrepreneurs through the Prince Ahmed bin Fahd bin Salman Center for Business Development,” Alshekmubarak added.
Airport expansion
Al-Ahsa airport’s capacity will more than double the expectations of fast regional growth, Fahad Alharbi, the CEO of Dammam Airports Co., said in an earlier interview with Arab News.
The city’s airport has a capacity of around 400,000 passengers but aspires to reach 1 million, Alharbi added.
Saudi Aramco mainly uses the facility, but before the pandemic struck, there was commercial activity from two or three local destinations and another two or three international sites.
“With the economic and tourism boom expected in Al-Ahsa, the development of Al-Ahsa International Airport is the most in need of projects at present,” said Alshekmubarak.
Business destination
The city is already growing in businesses as the Ministry of Municipal Rural Affairs and Housing announced in June that the investment opportunities in the city increased by 53 percent in 2021, with 362 available options on its online portal.
The total value of these investments exceeded SR275 million, Essam Al-Mulla, the mayor of Al-Ahsa, told Arab News.
The available opportunities in the portal in 2022 already reached 112 investments, said the Saudi Minister of Municipal Rural Affairs and Housing Majid Al-Hogail, according to the Saudi Press Agency.
source/content: arabnews.com (headline edited)
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Investment opportunities in the city increased by 53 percent in 2021, with 362 available options on the ministry’s online portal. (Supplied)
Sara Sabry – Mechanical and Biomedical Engineer. The first female Egyptian Analog Astronaut
Engineer Sara Sabry has become the first Egyptian to travel on a suborbital flight, after New Shepard’s 22nd space flight (NS-22) – operated by the American private aerospace manufacturer Blue Origin – carried her and five others to the edge of space before returning to Earth.
Launched from Corn ranch, West Texas in the US, the New Shepard stayed for 11 minutes at 106 km above the ground.
The 29-year-old Sabry flew with entrepreneur Mário Ferreira, the first person from Portugal to fly to space; British-American mountaineer Vanessa O’Brien; American technology leader Clint Kelly III; telecommunications executive Steve Young; and Coby Cotton, cofounder of the YouTube channel Dude Perfect.
Sabry earned her bachelor’s degree in mechanical engineering at the American University in Cairo and her master’s degree in biomedical engineering at Italy’s Polytechnic University of Milan.
She is also currently preparing for her PhD in aerospace sciences with a focus on space suit design, according to Blue Origin.
Sabry’s seat on NS-22 is sponsored by the Colorado-based nonprofit Space for Humanity (S4H), which is concerned with increasing access to space for all of humanity.
According to the official website of Space for Humanity, its “citizen astronauts” are chosen from among “change-makers who are currently serving a community leadership role.”
Sabry is S4H’s second “citizen astronaut” to fly on board the NS-22 after Katya Echazarreta in June.
Blue Origin has not announced how much it charges for seats on its space flights, and neither has S4H revealed how much it paid to book seats for its “citizen astronauts.”
According to some news reports, however, the price possibly ranges from zero to $28 million based on several factors including who the passenger’s social status.
This is the sixth trip by Blue Origin since its launch by US billionaire and Amazon founder Jeff Bezos in 2015.
The U.S. Senate today confirmed UC Merced Professor Asmeret Asefaw Berhe to be the new director of the Office of Science in the federal Department of Energy.
The Department of Energy’s Office of Science is the lead federal agency supporting fundamental scientific research for energy, and the nation’s largest supporter of basic research in the physical sciences.
President Joe Biden nominated Berhe last April. She is a renowned professor of soil biogeochemistry in the Department of Life and Environmental Sciences in the School of Natural Sciences; the Ted and Jan Falasco Chair in Earth Sciences and Geology ; and the interim associate dean for Graduate Education .
“It is an incredible honor for me to be nominated, and now confirmed by the U.S. Senate, to serve as President Biden’s director of the Office of Science at the Department of Energy,” Berhe said. “I thank the president and Secretary of Energy Jennifer Granholm, for trusting me to help lead the next chapter in the great scientific success story of the Office of Science.”
Berhe will serve in Washington, D.C., taking a leave of absence from campus. She will hold the director position for the duration of Biden’s term.
Her research is at the intersection of soil science, global change science and political ecology with an emphasis on how the soil system regulates the Earth’s climate and the dynamic two-way relationship between the natural environment and human communities.
“I hold the Office of Science and DOE National labs with highest regard as since the time I was a graduate student and until now, DOE funding and national labs have played important role in my own scientific training and research, and the training of my mentees. Further, as a soil and global change scientist who has studied and worked in public institutions of higher learning, I have always taken my responsibility to serve the public very seriously. I believe publicly funded science and technology is critical for pushing the frontiers of science forward and inspiring the next generation of scholars,” Berhe said. “I am excited to join the Department of Energy’s Office of Science to contribute to the Office’s mission of expanding human knowledge, driving discovery, and fostering innovation, technology development and economic progress.”
“This is fabulous news and so well deserved,” Interim Vice Chancellor for Research and Economic Development Marjorie Zatz said. “Professor Berhe is highly respected as a researcher and thought leader by her colleagues nationally and internationally, as well as by those of us at UC Merced. She will be a terrific director for the Office of Science and a strong voice for inclusive excellence within the scientific community and beyond.”
“The School of Natural Sciences is immensely proud of Professor Berhe’s appointment to this important and influential office,” Dean Betsy Dumont said. “She is an immensely talented scientist who will bring a holistic, innovative and practical perspective to the challenges of energy and climate change.”
“Professor Berhe is an international leader in environmental sciences and climate change research, and a champion for underrepresented people in STEM,” Professor Peggy O’Day said. “We are excited by her appointment and the impact she will have on the national agenda in addressing energy and climate issues.”
Berhe is widely recognized for her research, including having been an invited speaker at the TED conference in 2019, and for her advocacy for inclusion, anti-harassment and anti-bullying. She previously served as the chair of the U.S. National Committee on Soil Science at the National Academies; was a leadership board member for the Earth Science Women’s Network; and is a co-principal investigator in the ADVANCEGeo Partnership — a National Science Foundation funded effort to empower (geo)scientists to respond to and prevent harassment, discrimination, bullying and other exclusionary behaviors in research environments. She is a fellow of the American Geophysical Union and the Geological Society of America, and a member of the inaugural class of the U.S. National Academies New Voices in Science, Engineering and Medicine.
Berhe was born and raised in Asmara, Eritrea, and lives in Merced with her husband, Professor Teamrat A. Ghezzehei, and their two children. She earned a B.Sc. in soil and water conservation from the University of Asmara, an M.Sc. in political ecology from Michigan State University and a Ph.D. in biogeochemistry from UC Berkeley. In 2020, she was named a Great Immigrant, Great American by the Carnegie Corporation of New York.
Featuring Dega Nalayeh, a managing director and private-client advisor at Bank of America’s private bank.
Dega Nalayeh told Insider that she’s currently climbing Mount Kilimanjaro. She’s doing it to honor her sister, Somali-Canadian journalist Hodan Nalayeh, who was killed during a terrorist attack at a hotel in Somalia in July 2019.
Dega Nalayeh and 14 other climbers have so far raised more than $ 230,000 for the nonprofit Give to Learn to Grow Foundation. Proceeds help underserved communities in Somaliland.
Today — when not climbing mountains — she is (figuratively) moving them for the ultra wealthy. Nalayeh is a managing director and advisor at Bank of America’s private bank, where she manages $6.4 billion in client assets.
She built that book from scratch, relying on tried-and-tested word-0f-mouth strategies. Her savvy networking capabilities have also come in handy, particularly when she met a professional basketball player with the Atlanta Hawks, whose identity she could not disclose.
Climbing the highest mountain in Africa sounds easy when considering the adversity Nalayeh has faced. She moved to Canada from Somalia at just 11 years of age. While her father worked as a parking attendant, she ran a newspaper route as a teenager.
Later, she moved from Georgia to California for her husband. But when Nalayeh joined BofA’s private bank in 2006, she was divorced with a two-year-old son.
Nalayeh, who is 49, told Insider that she doubted her ability to be a rainmaker for the bank at a time when she was dealing with a divorce and a toddler. But in six months, she landed a high-net-worth client.
The banker leads a team of 13 alongside Avi Cohen, a fellow MD and private client advisor who was once her rival within the bank.
Most of their clients come from the entertainment and media industries, as well as tech, real estate, and healthcare.
Nalayeh is also focused on finding more women clients, including those who are overwhelmed by responsibilities found both at home and in the workplace.
The plant is located in the northwestern governorate of Marsa Matrouh.
Minister of Electricity and Renewable Energy Mohamed Shaker and General Director of Russia’s State Atomic Energy Corporation (ROSATOM) Alexei Likhachev attended the ceremony at the plant, giving the green light to start the construction works.
Shaker said that El-Dabaa’s reactors comply with the International Atomic Energy Agency’s (IAEA) safety measurements. They can endure earthquakes and airplane crashes, he noted, adding that the reactor’s operating span may extend to 60 years.
“Building El-Dabaa NPP allows Egypt the chance to achieve a new level of industry and technology. This will be the biggest project between Russia and Egypt since establishing the High Dam project in Aswan. It has been a dream of Egyptians to acquire nuclear energy for more than half a century. ROSATOM is honoured to fulfil it,” the Twitter account of the Russian Embassy in Egypt quoted Likhachev as saying at the ceremony.
The event was attended by Osama Asran, the deputy minister of electricity and renewable energy, CEO of the Egyptian Electricity Holding Company (EEHC) Gaber Desouky, Advisor to the Minister of Electricity Amgad Said, a delegation of senior officials from Russian companies implementing the project, as well as Amgad El-Wakil, the chairman of the NPPA, which organised the event.
El-Wakil told Al-Ahram Arabic news website on Wednesday that El-Dabaa is located on the Mediterranean, 140 kilometres west of Alexandria.
He noted that funding for the project is based on a governmental financial agreement. Loans will be acquired after operating the plant and collecting revenues from electricity generation.
El-Wakil said the project is expected to generate net revenues of $264 billion for the state treasury over 60 years.
In December 2017, President Abdel-Fattah El-Sisi and Russian President Vladimir Putin signed an agreement in Cairo to initiate work on the plant at a construction cost of $28.75 billion.
Russia will finance 85 percent of the cost with a loan of $25 billion, while Egypt will provide the remaining 15 percent in the form of installments. The Russian loan is repaid over 22 years, with an annual interest of three percent.
On 30 June 2022, the Egyptian Nuclear and Radiological Regulatory Authority (ENRRA) permitted ROSATOM to start the construction work on El-Dabaa project, which Egypt and Russia signed an agreement to build in November 2015 to generate a total of 4,800 megawatts via four reactors.
Earlier in June, ROSATOM announced that it started the manufacture in Saint Petersburg of electrical components for the plant’s reactor vessel, according to Sputnik news agency.
ROSATOM had submitted a request to establish the first two reactors out of four reactors in January 2019, and received the permission in June 2021, after safety measures were checked and qualified workers and means of conducting safety tests were available.
El-Dabaa NPP is designed according to the latest 3+ Generation which is fully compliant with all post-Fukushima requirements of the International Atomic Energy Agency.
ROSATOM had previously announced that 40% of the cost of Dabaa nuclear power plant is allocated for safety measures.
The four units of the plant are expected to operate at full capacity of 4,800 megawatts by 2030, with the first reactor operating at a capacity of 1,200 Megawatts at the first phase, said El-Wakil.
According to the project’s design, the nuclear plant will have four VVER-1,200 reactor units, with the first unit scheduled for operation in 2026.
In November 2021, Egypt signed a long-term $1 million agreement with the Czech ÚJV Rež Research and Development company to consult on El-Dabaa Nuclear Plant, according to ENRRA Chairperson Sami Shaaban.
According to the contract, ÚJV Rež will provide technical assistance to the ENRRA in licensing the nuclear plant.
A scene of pouring concrete of the building the 1st reactor of El-Dabaa Nuclear Power Plant on July 20. (Photo courtesy of the official Twitter account of the Russian Embassy in Egypt)
An iconic table shared by Gulf Cooperation Council leaders at a recent summit was designed by a Saudi artist.
Lulwah Al-Hammoud produced the drawings for the item of furniture that took center stage at the meeting of GCC member states Saudi Arabia, the UAE, Bahrain, Oman, Kuwait, and Qatar, along with representatives of Jordan, Egypt, and Iraq.
She told Arab News of her pride and thrill at seeing the table being used by the organization’s leaders. Its design was inspired by the changes taking place in Saudi Arabia and her commission brief had been, “we are entering a new era, but we are not forgetting about our traditions.”
After accepting the design challenge, Al-Hammoud was initially nervous because she was not a furniture designer, however it turned out to be “a very beautiful experience.” And her background in Islamic contemporary art and calligraphy helped.
The round table is made of wood and in its center are triangles of different color tones of wood that rotate outwards with lines made of copper, a metal, she noted, not often used in Saudi Arabia.
Al-Hammoud pointed out that she opted for triangles in her design because the shape was common in traditional Saudi architecture.
She said: “The triangle can also be modern and universal, but at the same time I wanted to capture growth and the act of evolving.”
The idea behind the design was to create something that represented, “the vision of Saudi Arabia while staying true to our roots,” she added.
One of the challenges for Al-Hammoud was to create a round table that could seat different numbers of people.
“It can be odd or even, so the design had to be smart. It took me a while to figure out how to do that. With guidance, I was able to work it out.
“I am really happy, because for a table like that they could have easily gone to the best furniture designers in the world, but they chose to believe in a local talent.”
Al-Hammoud has nine solo exhibitions to her name, with some of her artworks displayed at The British Museum, the Jeju National Museum in South Korea, the Greenbox Museum of Contemporary Art from Saudi Arabia in the Netherlands, and the Los Angeles County Museum of Art.
The UAE-based Barjeel Art Foundation has described Al-Hammoud as a pioneer in Saudi Arabia’s contemporary art movement.
She said: “I take art very seriously; I feel like it is a very important tool for education. It’s a window to tell people about who we are, it gives the true story of a certain civilization.”
She fell in love with Islamic art while conducting research on the topic and was fascinated by the philosophies and sciences behind each shape.
“My art has always had spiritual elements; it doesn’t talk about the moments I live in or the space I occupy. I speak about a higher dimension, spirituality, my place in the bigger scheme of things, and my connection to God,” she added.
source: arabnews.com (headline edited)
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Lulwah Al-Hammoud said that she opted for triangles in her design because the shape was common in traditional Saudi architecture. (AN Photo)
