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I like the idea of making people dream through creation, says Ali.
Tunisian designer Ali Karoui is best known for his red carpet haute couture as the favoured creator for fashion icons such as Cristiano Ronaldo’s girlfriend Georgina Rodriguez.
He chatted to The Kurator exclusively about being at the zenith of the world of fashion.
What draws you toward the world of haute couture instead of ready-to-wear?
I like this idea of making people dream through creation… And the rarity and the mystery that surrounds the world of haute couture.
Your interest in fashion began at an early age – how did your upbringing in Tunisia inspire you to go into fashion design?
I was lucky enough to grow up in an environment where women are treated like queens. I was looking at the closets of famous couturiers when I was a child, especially that of my grandmothers and mother, and that’s what gave me the love that I have today for haute couture.
You now dress A-listers and celebrities all over the world – does this create additional pressure to impress and attract attention with your designs?
Yes, of course, it creates a bit of stress because the more we are known the more demand there is on us, and it means more work for me and my team, but it is so enjoyable to see your creations worn by celebrities on the world’s biggest red carpets. It is a consecration for each artist to see his work recognized.
How did you first start collaborating with Georgina Rodriguez and in a way creating her signature look for her?
I met the beautiful Georgina at the Cannes festival in 2019. Her stylist contacted me to try one of my dresses that she saw in a picture. As she said on Netflix, I’m not trying to change her, she fell in love with my work and since then we are inseparable.
Your style can be interpreted as somewhat risqué – has this affected your career early on and did you face resistance in the Arab world of fashion design?
In no case did it affect my career, on the contrary, my style has made me known all over the world. You must believe in your dreams and continue to move forward, that is the key to success.
What kind of influence did Azzedine Alaïa have on you?
Azzedine Alaïa was a visionary. I had the chance to meet him several times. He gave hope to young Tunisian fashion designers, and allowed us all to dream that for us too, it was possible…
Who are some other fashion designers that you respect or that you looked up to early in your career?
There are many… I was in love with the vision of Gianni Versace, Thierry Mugler, Jean Paul Gaultier, and the master, Alaïa. Legends!
Do you keep an eye out on young and up-and-coming designers from the North Africa and Middle East region?
Moroccan athlete Salaheddine Benyazide won the bronze medal in the men’s 3000m steeplechase race on Saturday, as part of the Cali 2022 World Athletics U20 Championships, Columbia.
The young athlete was able to snatch the third place with a time of 8 minutes, 40 seconds, and 62 milliseconds, coming right behind the Ethiopians Samuel Duguna and Samuel Firewu.
Duguna achieved a time of 8 minutes, 37 seconds, and 92 milliseconds, while Firewu’s time came in at 8 minutes, 39 seconds, and 11 milliseconds.
The time is Benyazide’s fourth best in this race category, with his personal best being 8 minutes, 19 seconds, and 63 milliseconds, achieved earlier this year in Rabat.
The medal is Benyazide’s first on the world stage. Having been active in Morocco’s athletic scene since 2021, the 19 year-old athlete started participating in international races in 2022.
Celebrations and support have been pouring in following the young Moroccan’s medal, and many have hailed Benyazide’s success on the global stage as an achievement not only for Morocco, but for Arab athletics in general.
As he is participating in more international events this year, the young athlete is widely expected to represent Morocco more often on the world stage in the coming years, following in the footsteps of other Moroccans to preserve the country’s increasingly stellar athletics record.
Ethiopian athletes took the gold and silver medals in the race.
Saudi inventor Nasser Al-Shemaimry showed a method to harness energy from ocean currents using turbines at a press conference at the Movenpick hotel in Jeddah on Wednesday.
The press conference was attended by Prince Abdulaziz bin Nasser, who served at the Ministry of Interior for more than 40 years.
Al-Shemaimry, CEO of OceanBased Perpetual Energy, founded in Miami, signed a memorandum of understanding with Prince Abdulaziz.
“This memorandum will be presented to the inventor Nasser Al-Shemaimry for engineering supplies and most office services,” he told Arab News. “And to connect with ministries, and we will help him with anything he needs.”
Al-Shemaimry’s project was first used in south Florida to harness the Florida Gulf Stream current and convert it to clean and renewable power.
“Oceans and seas have some currents that go from one direction to another, the current varies in speed, but the current we are using is 5 to 6 miles per hour,” he told Arab News.
“Five-six miles per hour is enough to make the propellers turn, and our propeller is 64 meters long, so as it turns, it turns the turbines inside of the cowling, and that turbine rotates the generator, which produces electricity,” he said.
He said that his project takes the electricity from the generator to a substation then the substation regulates the electricity to what is needed.
“Then it goes to the shore and we connect it to the main substation on shore, then it is up to the city hall or the people who are in charge of the town, city or country to take it from there and take it to the power lines,” he said.
Highlighting how it compares to other sustainable power sources such as solar or wind, he said the ocean provided a continuous and uninterrupted supply of energy.
For solar energy requirements, he said as long as the sun was up the panels would work and charge batteries.
“Each energy source has its own advantages and disadvantages. Solar energy has been around forever, it works and serves its purpose, it’s inexpensive and on land,” he said.
“Windmills are everywhere, but the difference in my opinion is that our energy is perpetual; it doesn’t stop, it works 24/7 and 365 days a year.”
Since the launch of the Kingdom’s Vision 2030 in 2016, Saudi Arabia has made effective efforts to protect the environment and reduce the effects of climate change to achieve sustainability.
Extensive studies within the Green Saudi Initiative revealed a reduction of carbon emissions by more than 4 percent, and efforts to provide 50 percent electricity through renewable energy projects by the year 2030.
An experienced pilot has risen through the ranks over 15 years with Etihad.
There is no limit for Emirati women, says Aisha Al Mansoori who has risen through the ranks from a cadet pilot at Etihad Airways to become captain. She is the first Emirati woman to achieve the feat.
At the airline’s crew briefing centre , Al Mansoori received four stripes on her uniform, confirming her new rank.
“I feel very happy and proud,” said the pilot aged 33, who has almost 6,000 flight hours under her wings since joining the UAE’s national airline more than 15 years ago.
“It is an achievement that I’ve been looking forward to and working hard for since I was a cadet pilot,” she told The National.
She took inspiration from her sister, Major Mariam Al Mansouri, the UAE’s first female fighter pilot.
“Growing up, becoming a pilot was not really an option for Emirati women. But I was lucky that my sister started flying when I was still in high school. I went with her to the air show,” she tells The National.
“When I saw the aircraft and pilots, I just fell in love. I knew that is what I want to do for the rest of my life.”
She joined Etihad’s cadet programme in 2007 where she trained with a Cessna 172, a four-seat, single-engine aircraft, and Diamond DA42, a four-seat, twin-engine aircraft.
After graduating, Al Mansoori joined Etihad Airways as a cadet pilot on Airbus A320. She progressed to flying Airbus A330s and became the first female UAE national to fly an A380 superjumbo, the world’s largest passenger jet.
Now she is back to flying Airbus A320s as a captain. Over the years, she was promoted to the ranks of second officer, first officer and senior first officer, and has now taken on the rank of captain, marking a first for her country. It has been a long and rewarding journey, and she still remembers the first time she took to the skies.
“The first time I flew an aircraft, it felt very isolated in the cockpit because we have to keep the doors closed. I had come after training in a simulator which is also a closed box environment. So, I was very focused on my mission,” she says.
“That’s when a training captain told me I should step outside and say goodbye to the passengers. And only then it hit me that those are the people who trust me with their lives. I realised what a great responsibility and a great honour it is to be a pilot.”
The job is also full of challenges, says Al Mansoori.
“If you’re not passionate, it’s hard to survive because of [the] long and irregular working hours. Sometimes you have to work through the night. You need to maintain a healthy lifestyle and control your rest to be able to function. But at the same time, the joy and fulfilment of the job are definitely worth it.”
The sky seems to be the limit for this high-flying Emirati who would one day like to train and inspire future pilots. “I think we have a lot of promising talents in the company that will do great in the future,” she said.
But for now, she’s excited that her milestone shatters another glass ceiling for Emirati women.
“We are both privileged and lucky to be born in the UAE as opportunities are open. All you need to do is seek it and take it.”
“Etihad is extremely proud of Captain Aisha’s achievement and the trailblazing role she is playing for women in aviation in the UAE. She will no doubt be the first of many, and Etihad looks forward to welcoming more female pilots to the rank of Captain in the future,” said Mohammad Al Bulooki, chief operating officer at Etihad Aviation Group.
Al Mansoori will commence regular flying duties as a captain at Etihad on August 28, a day that also marks Emirati Women’s Day.
Secretary-General of the United Nations Antonio Guterres has appointed Egypt’s former permanent representative to the UN Mohamed Idris as a member of the Advisory Group of the United Nations Peacebuilding Fund, the Egyptian foreign ministry announced .
The appointment is in appreciation of the Egyptian diplomat’s efforts during Egypt’s 2021 presidency of the UN Peacebuilding Commission and as an affirmation of Egypt’s leadership in enhancing the effectiveness of the UN peacebuilding structure since its establishment in 2005, the foreign ministry said in a statement.
This is the fourth time an Egyptian has been appointed as a member of the Advisory Committee of the United Nations Peacebuilding Fund, representing African countries, it added
The members of the Advisory group have an important role in advising the UN Secretary-General on the programmes and activities of the Peacebuilding Fund in accordance with requests from Member States and overseeing the implementation of the programmes of the Fund, a large part of which is located on the African continent, the ministry said.
Team Saudi returned home to the Kingdom after collecting a record 24 medals at the 5th Islamic Solidarity Games held in Konya, Turkey, from Aug. 9-18.
They won two gold, 12 silver, and 10 bronze medals. The previous record was 11 medals at the 2017 Islamic Solidarity Games in Baku.
The competition saw the participation of 54 countries and 4,000 athletes.
The Saudi team placed 15th in the overall country standings, and its weightlifting athletes scooped 11 medals between them (one gold, six silver, and four bronze).
Athletics came second with five medals (four silver and one bronze), Karate with three medals (gold and two bronze), table tennis with two medals (one silver and one bronze), Paralympic swimming with one bronze medal, and finally a silver medal in the U23 football competition.
The Saudi weightlifting team won their first medals when Abdullah Al-Biladi delivered three bronzes on the opening day.
Siraj Al-Saleem delivered three silver medals in the 61kg event. On Thursday, Mansour Al-Saleem won gold in the 55kg event. Additional weightlifting medals came from Ali Al-Othman, who delivered a silver and a bronze.
Saudi track and field athlete Yousef Masrahi came second in the 400m race. His teammate Mazin Al-Yasin came third to secure the bronze in the same event.
Karate silver medalist at the Tokyo Olympics, Tarek Hamdi, secured first place on the podium after defeating his Azerbaijani opponent Ismayilov Gurban to win gold.
Hamdi said: “I’m thankful for all the support we get from SOPC (Saudi Olympic and Paralympic Committee) president Prince Abdulaziz and his VP Prince Fahad and all the Saudi karate fans and people who believed in me. I dedicate this success to them, and hopefully, our next goal is (the) Riyadh Asian Games 2034, where we hope to meet you all.”
Saud Al-Bashir and Sultan Al-Zahrani brought the other two bronze medals in Karate.
At the closing ceremony, SOPC vice president Prince Fahd bin Jalawi and the head of the Saudi delegation congratulated all the medal winners.
He also extended his appreciation and thanks to Turkish President Recep Tayyip Erdogan and Minister of Youth and Sports Dr. Muhammad Muharram Kasaboglu for successfully hosting the games.
Project shines a light on the cultural exchange between Algeria, France and Italy during the 1960s.
Zineb Sedira has outlined plans for her presentation at the French pavilion at this year’s Venice Biennale (23 April-27 November), revealing that the project will focus on Algerian cinema of the 1960s and 1970s and its links to the Italian and French film industries. The subject matter is timely as 2022 is the 60th anniversary of Algeria achieving independence from France. On 5 July 1962, Algeria became a sovereign state after an eight-year war which resulted in the deaths of at least 400,000 Algerians.
Sedira is the first artist of Algerian descent to be selected as the country’s representative. Sedira, who was born in Paris to Algerian parents, attended college in London, completing her undergraduate studies at Central Saint Martins school of art. She is now based in South London.
Sedira revealed her ideas for the cinematographic installation Dreams have no titles in an online press briefing held 18 February, outlining how she initially researched the history of Algerian film for an exhibition at the Jeu de Paume in Paris in 2019. Her passion for cinema was sparked by childhood trips to the local cinema in the 1960s in her home town of Gennevilliers outside Paris (these film outings were made with her father every Thursday when school was closed).
This interest developed further during her time as a student in London. “As part of postcolonial studies, I came across [the philosopher] Frantz Fanon and [the 1966 film] The Battle of Algiers. In France, I never came across those people because The Battle of Algiers was still censored in France [in the late 1970s and early 1980s],” she said. “There were no intellectual role models to me of Algerian origin; in England, I discovered there was a wealth of [Algerian] men, women and filmmakers.”
For the pavilion piece, Sedira carried out research at the Cinémathèque in Algiers, discovering that many films financed by the state of Algeria at the time were also co-produced with Italian and French filmmakers. “So when I was asked to propose an idea for the French pavilion, I thought of the Mostra [Venice Film Festival]. I thought it was interesting to do something around the three countries,” she said. Sedira wants to focus on the cooperation between France, Italy and Algeria— and the solidarity between the trio of nations—though her Venice “project goes beyond that”, the artist stresses.
Sedira visited numerous film archives in Algeria, France and Italy as part of the research process. “In Italy, [we visited] Venice, Turin and Bologna. We discovered a film that had disappeared,” says Yasmina Reggad, the co-curator of the French pavilion, referring to Les Mains Libres made by the Italian director Ennio Lorenzini in 1964.
“It was the first international film collaboration between Algeria and another country [Italy],” said Sedira, but after 1966 Les Mains Libres was lost. She eventually found the forgotten work in a small archive in Rome. “It is an important film for anyone interested in post-1962 Algerian history,” she adds.
The French pavilion project aims to be a starting point for discussions on other topics such as colonialism, collective and individual histories, national identity and the fight against racism. “The notion of a nation begs to be critiqued and challenged. What is a nation at the end of the day? It is a big fiction to believe that when you draw a certain line, everyone who happens to be behind this line is of the same mentality and culture,” said Sam Bardaouil, the co-director of the Hamburger Bahnhof in Berlin along with Till Fellrath (the duo have also co-curated the French pavilion).
“In a sense, a pavilion is an attempt to give a physical form to a fiction, so to use fiction in the language of cinema as a way to critique nation and belonging is such an intelligent and timely way to discuss these issues,” Bardaouil said.
The three pavilion curators will participate in a film to be shown in the pavilion. “We’ll be turned into actors and actresses,” said Reggad. Bringing together an artistic community was paramount, added Sedira, who relished the opportunity “to work with friends, to be surrounded by friends”. The film production will also include members of the crew and her son. “I was playing on the aesthetic and structure in cinema in the 1960s in low-budget films when one would play many roles,” she said
The pavilion project will also include a “conversation” with the UK pavilion artist, Sonia Boyce, and the Swiss representative, Latifa Echakhch. “Sonia was my neighbour for many years and she taught me at one point when I was studying art in London,” said Sedira.
At the briefing, the curators also discussed the three accompanying journals linked to the pavilion project. Each issue refers to a city—Algiers, Venice, and Paris—that has played an integral part in Sedira’s practice. “The journal is an extension of what the project entails inside the pavilion. The cities mark the phases of Zineb’s life, they become entry points to questions that are related to the themes that will be discovered in the film and installation in the pavilion,” said Bardaouil. Contributors include the French artist Laure Prouvost and the actor Nabil Djedouani.“The journal has allowed for a diversity and plurality of voices,” Bardaouil added.
The journal design is based on film magazines of the 1960s and 1970s, added Reggad, and also borrows from militant leaflets of the era. The journals are “doors to an intellectual horizon [with] texts, images and playlists”, said Eva Nguyen Binh, the president of L’Institut Français which is supporting the pavilion. Other sponsors include Arts Council England and the dealer Kamel Mennour who represents Sedira
Moroccan-Spanish athlete Mohamed Katir won on Tuesday a silver medal after finishing second in the 5,000 meters final at the European Championships. The tournament is taking place between August 11 and 21 in Munich, Germany.
Katir finished the race in 13 minutes, 22 seconds, and 98 milliseconds, behind the gold medalist Norway’s Jacob Ingebrigsten, who recorded a time of 13 minutes, 21 seconds, and 13 milliseconds. Italy’s Yemanebrhan Crippa finished third with a time of 13 minutes, 24 seconds, and 83 milliseconds.
Nine minutes and 30 seconds into the race, French runner Hugo Hay, who was positioned between fourth and fifth place, fell to the ground and was unable to recover, finishing 19th in the race.
The Moroccan-born holds impressive records in medium and long-distance running competitions. Katir is the 27th all-time fastest runner to ever compete at Golden Gala, an annual track and field event.
The runner won the record after completing 5,000 meters in a personal best time of 12 minutes, 50 seconds, and 79 milliseconds in June 2021.
Last month, Katir claimed a bronze medal in the 1,500 meters race at the World Athletics Championships held in Oregon, the United States.
Katir was born in 1998 in the Moroccan city of Ksar El Kebir but immigrated to Spain with his family when he was a young child. He received Spanish nationality in 2019, allowing him to compete under the Spanish flag since January 1, 2020.
The award recognises AUC’s Rare and Special Books Library as a leading institution in the preservation and restoration of Arabic historical documents.
The American University in Cairo’s Rare and Special Books Library was awarded UNESCO Jikji Memory of The World Prize. This prestigious award places the American University in Cairo next to some of the world’s leading history conservation entities. The award ceremony is set to take place this coming September in Cheongju-si, South Korea.
Founded in 1992, the AUC Rare and Special Books Library plays a fundamental role in restoring and preserving Egyptian history. Starting with just a few collector’s items, the RBSCL then developed to contain historic maps of Egypt, archives of oral recordings, historical magazines and periodicals, and historical AUC archives.
The UNESCO Jikji Memory of the World Prize is a USD 30,000 grant, given every two years, that honours institutions that have made notable contributions to the preservation and accessibility of documented history. The prize also pays close attention to the degree of expertise in treating said documents and the presence of special circumstances in procuring them.
Funded by the Republic of Korea, the prize was created to commemorate the inscription of the ‘Buljo jikji simche yojeol’, the oldest movable metal print in the world.
Saudi Arabia has become the first Arab country awarded a place on the advisory board of the International Chess Federation, the Saudi Press Agency reported.
The seat will be filled by Abdullah Al-Wahshi, the president of the Saudi Chess Federation.
“The weight of the Kingdom of Saudi Arabia and its position in all fields has a role in joining this advisory council, as our country has previously organized ably and with great success for a period of time,” said Al-Wahshi as he thanked the country’s leaders for their unwavering support for all sports and activities.
“From 2017 to 2019, the King Salman International Cup Rapid and Blitz Championship marked an unprecedented (chess) event with the participation of most countries of the world. This achievement raised the status of Saudi chess, leading to the Kingdom’s participation in the World Chess Olympiad in India and obtaining four international … titles.”
The advisory board, the International Chess Federation’s highest advisory authority, oversees all of the organization’s decisions and regulations.