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Sara Sabry – Mechanical and Biomedical Engineer. The first female Egyptian Analog Astronaut
Engineer Sara Sabry has become the first Egyptian to travel on a suborbital flight, after New Shepard’s 22nd space flight (NS-22) – operated by the American private aerospace manufacturer Blue Origin – carried her and five others to the edge of space before returning to Earth.
Launched from Corn ranch, West Texas in the US, the New Shepard stayed for 11 minutes at 106 km above the ground.
The 29-year-old Sabry flew with entrepreneur Mário Ferreira, the first person from Portugal to fly to space; British-American mountaineer Vanessa O’Brien; American technology leader Clint Kelly III; telecommunications executive Steve Young; and Coby Cotton, cofounder of the YouTube channel Dude Perfect.
Sabry earned her bachelor’s degree in mechanical engineering at the American University in Cairo and her master’s degree in biomedical engineering at Italy’s Polytechnic University of Milan.
She is also currently preparing for her PhD in aerospace sciences with a focus on space suit design, according to Blue Origin.
Sabry’s seat on NS-22 is sponsored by the Colorado-based nonprofit Space for Humanity (S4H), which is concerned with increasing access to space for all of humanity.
According to the official website of Space for Humanity, its “citizen astronauts” are chosen from among “change-makers who are currently serving a community leadership role.”
Sabry is S4H’s second “citizen astronaut” to fly on board the NS-22 after Katya Echazarreta in June.
Blue Origin has not announced how much it charges for seats on its space flights, and neither has S4H revealed how much it paid to book seats for its “citizen astronauts.”
According to some news reports, however, the price possibly ranges from zero to $28 million based on several factors including who the passenger’s social status.
This is the sixth trip by Blue Origin since its launch by US billionaire and Amazon founder Jeff Bezos in 2015.
Nearly 10 years ago, Egyptian filmmaker Ali El-Arabi, the award-winning documentarian behind “Captains of Zaatari,” which hits Netflix this month, made a promise. He was in the Zaatari refugee camp in Jordan, the largest temporary settlement of displaced Syrians in the world, and a teenaged boy he had just met named Fawzi Qatleesh asked if he could speak his truth to the camera.
“On the first day I arrived, he asked me, ‘Ali, can you film me? I want to say something to the people outside of this camp.’ The second he started to talk, I said to myself, ‘This boy is my hero,’” El-Arabi tells Arab News.
As the film hits Netflix this month in the Middle East, El-Arabi is overjoyed. Finally, after seven years of filming and a years-long global festival tour, his promise is fulfilled.
El-Arabi knew what it felt like to have a message that people needed to hear. He was himself once an athlete, a dedicated and successful martial artist, even winning Egypt’s national kickboxing championship. During the Egyptian revolution, however, El-Arabi abandoned any future he might have in sport, instead turning towards filmmaking.
“I started to feel I had something to say, but I couldn’t say it with my voice,” he says. “I realized filmmaking was the way I could say it. I started making small documentaries about what was happening and screening them in the street. One day, the police came and I took my film and I ran. That made me realize the power of what I could say with a camera.”
El-Arabi left Egypt, partnering with the ZDF TV channel to film documentaries in war zones including Iraq, Syria, Kurdistan and Afghanistan. War reporting, however, was unfulfilling, as it so often stripped away the humanity of those caught in its horrors.
After meeting Qatleesh and his friend Mahmoud Dagher — the two boys he would ultimately follow from the refugee camp in Jordan all the way to an elite soccer program in the Gulf — El-Arabi filmed them for seven years before whittling their story down to a scant 75 minutes, resulting in a story that showed their incredible journey while also refusing to gloss over the realities of refugee life.
Since its limited release in 2021, the film has already transformed the lives of both young men whose story it follows.
While he may be done telling their story, El-Arabi has been hard at work over the last few years on another — “Ashish’s Journey” — about the upcoming FIFA World Cup. It is inspired by a man who approached him in Qatar as he filmed “Captains of Zaatari.”
The more time El-Arabi spent with the man, the more his innocent aspirations intrigued him, leading him to not only film Ashish in Qatar, but to follow him and his family back to India, even adding fictional elements (with Ashish playing himself) inspired by the classic French satirical novella “Candide” to the docu-film.
“He’s actually a very good actor,” El-Arabi says.
While El-Arabi knows that he will finish filming later this year at the World Cup, chronicling Ashish’s adventures during the games, he does not plan to rush the film out in the immediate aftermath of the event.
El-Arabi has other projects in the works as well. He’s currently producing a film about Algeria and discussing producing an upcoming project with his best friend Mohamed Diab, the director of Marvel’s “Moon Knight.” Closest to his heart, though, is the fiction film he has in the works between Los Angeles and Egypt, inspired by both his own history in boxing and his relationship with his father.
While telling Arab stories will remain a key part of El-Arabi’s career moving forward, ultimately what drives him is not capturing his identity — it’s capturing his soul.
source/content: arabnews.com (edited)
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(From left) Mahmoud Dagher, Ali El-Arabi and Fawzi Qatleesh with the award for Best Arab Documentary Film at El Gouna Film Festival in 2021. (AFP)
Egyptian actor Amir El-Masry was cast in the upcoming fifth season of Netflix’s historical drama The Crown, according to a PR representative on Wednesday.
El-Masry will portray the young Egyptian billionaire Mohamed Al-Fayed, Egyptian-born UK-based businessman, owner of Hôtel Ritz Paris and formerly Harrods department store and Fulham FC.
The cast of the fifth season also includes Egyptian-British actor Khalid Abdalla who has ben cast as Dodi Fayed , Mohamed Al-Fayed’s son and late Princess Diana’s boyfriend. Abdalla will play opposite Elizabeth Debicki as Diana.
Born in Cairo in 1990 and raised in London, El-Masry’s career kicked off with roles in Egyptian films, earning him Best Young Actor at the Egyptian Oscars in 2009.
Graduating from The London Academy of Music and Dramatic Art in 2013, Amir appeared in Jon Stewart’s debut feature Rosewater and various acclaimed TV series before his breakthrough role in The Night Manager (2016), followed by Lost in London (2017), The State (2017) and Age Before Beauty (2018).
Other notable credits include the critically acclaimed BAFTA nominated mini-series The State, a series regular role of Dante in the new BBC series Age Before Beauty and the lead in the first American-Saudi feature The Arabian Warrior.
Following the reign of Queen Elizabeth II, including political and romantic events that have shaped the twenty-first century, The Crown is considered one of the greatest series in the history of drama.
The series has won over 130 awards, including 21 Primetime Awards, of which seven were during the 73rd Primetime Emmy Awards in 2021, scooping awards of all categories.
The first season of The Crown was released in November 2016. Its fifth season is scheduled for release in November 2022.
Cairo witnessed the seventh edition of the Cairo International Biennale of the Arabic Calligraphy Art under the auspices of Minister of Culture Ines Abdel-Dayem at the premises of Cairo Opera House.
Under the slogan ‘Pioneers and Renovators in 100 years (1922/2022)’, the biennale included a three-day seminar that ran from 6 to 9 June at El-Hanager Cinema that highlighted the most prominent figures of Arabic Calligraphy in Egypt and the Arab world as well as an art exhibition showcasing artistic gems of this Art from 125 countries represented by 15 artists at the Art Palace in the Cairo Opera House Complex that is running from 7 to 20 June.
Furthermore, the event established a new tradition of honouring artists and researchers for their achievements, and a side competition was held in the name of renowned Egyptian calligrapher Khedr El-Portsaidy — the founder of the Arabic Calligraphy Museum as well as the one who accredits and certifies Arabic calligraphers in Egypt.
In the opening session, Mohamed El-Baghdady — the general commissioner of the biennale — noted that this year marks the centenary jubilee of the establishment of Egypt’s first calligraphy school during the reign of king Fouad in 1922.
The session also included the presentation of a research paper written by Nahla Imam — country representative of Egypt at the 2003 Convention of Safeguarding the Intangible Heritage of UNESCO — who shared her experience in adding Arabic calligraphy knowledge, skills, and practice on UNESCO’s representative list of intangible cultural heritage in December 2021.
Mohamed Hassan Abu El-Khair — the first to innovate the ‘mashq’
The second day of sessions showcased the pioneers and renovators of such enchanting art.
The first paper was presented by researcher and calligrapher Mohamed El-Shafaai on passing down the practice of such art in Egypt, taking the family of Mohamed and Abdel-Aziz Abu El-Khair as an example, as the two are renowned Egyptian calligraphers that this year’s round was dedicated to.
He started off by revealing that the concept of passing down this form of art dates back to the pre-Islamic era, explaining that the initial idea behind Arabic calligraphy was transcription, and then the artistic element came later.
“During the pre-Islamic era, except for a small circle, very little knew how to write Arabic, and according to Abdalla Ibn Abbas, the first person to begin writing in Arabic in the tribe of Qureish was Harb Ibn Umaya — one of the masters of the tribe and the father of Sufian Ibn Harb.
The other key person in calligraphy art was El-Wazir Ibn Noqla, who was famous during the Abbasid Caliphate and inherited the art from his father El-Ali Ibn Hassan, explained El-Shafaai.
Mohamed Hassan Abu El-Khair was born in Cairo in 1921, he studied in Al-Azhar and then joined The School of Improving Calligraphy when he was only 17, where he was the top of his class and was taught by calligraphy masters such as Sheikh Fakhr El-Din, Sheikh Ali Badawi, and Mohamed Hosni El-Baba — the father of iconic Egyptian actress Soad Hosni to name but a few.
He excelled in El-Sulus and Reqaa calligraphy and soon became a professor of the art of calligraphy at Oum El-Qoura University in Mecca for 20 years.
“He was the first to innovate in the mashq (an educational manual technique) of the solos of Arabic calligraphy that are taught to fourth graders, where he started teaching students to write whole sentences from the beginning instead of focusing on letters with no context,” El-Shafaai added.
Abdel-Qader Al-Shihabi — the calligrapher of the Palestinian government
The second paper focused on Abdel-Qader Al-Shihabi — a Palestinian calligrapher — that was written by Farag Hussieny. Al-Shihabi is a renowned Palestinian calligrapher whose fame reached its peak during the first half of the 20th century and was known as the ‘calligrapher of the Palestinian government.’
“Born and raised in Jerusalem, Abdel-Qader Al-Shihabi comes from a long line of calligraphers that started off this art between the 12th and 14th year of the Hijri calendar, however, Al-Shihabi learned calligraphy in Istanbul at the hand of Mohamed Ezzat, the biggest artist. He was known for his suluth calligraphy, which decorates the walls of Al-Aqsa Mosque to date. He also spent all his life teaching calligraphy in Jerusalem and encouraging young artists to follow his passion,” explained Hussieny.
Abdalla Al Zohdi: the calligrapher of Al-Haramein Al-Sharifine
The third paper covered the ‘calligrapher of Al-Haramein Al-Sharifine(The Two Holy Mosques) Abdalla Al-Zohdi and was written by Sami Saleh Abdel-Malak.
“Born in Nablus, Abdalla Al-Zohdi was born around 1251. His family moved to Istanbul, where he studied and excelled in calligraphy at a very early age. His artistic fame made him the official calligrapher of the Prophet’s Mosque in Medina, where his calligraphy adorns the walls and ceilings of the mosque till now,” the paper explained,
“During the reign of khedive Ismail, he was commissioned to write the calligraphy of the Keswa of the Kaaba and Mahmal. His implacable calligraphy was quite visible and stood out in the design of the keswa from that day onwards. He was known by his highly complex and geometric Sulus calligraphy.”
Egypt’s highest state awards in art, literature, and social sciences for 2022 were announced on 7 June, with writer Ibrahim Abdel-Meguied, director Dawood Abdel-Sayed, and late Iraq thinker Qais Azzawi winning the top honour, the Nile Award.
In a meeting chaired by Egypt’s Minister of Culture Ines Abdel-Dayem, members of Egypt’s Supreme Council for Culture (SCC) voted on the top awards.
The members voted on 53 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections:
Here is the full list of winners:
The Nile Award
The Nile Award is granted to three people in the fields of literature, arts, and social sciences. Each winner receives EGP 500,000 and a gold medal. A new award for the most creative Arab personality was added for the first time in 2018.
The Nile Award in Literature was given to writer Ibrahim Abdel-Meguied.
The Nile Award in Arts was handed to director Dawood Abdel-Sayed.
The Nile Award in Social Sciences went to the late lawyer and head of the lawyers syndicate Ragi Attia.
The Nile Award for the Most Creative Arab personality was awarded to late Iraqi thinker Qais Al-Azzawi, who died in 2022.
The Nile Award for a creative Arab personality was launched in 2018 in a bid to strengthen ties between Egypt and Arab creative minds.
Appreciation Awards
The award carries a prize of EGP 200,000 and a gold medal.
The Appreciation Award in Arts went to actor Rashwan Tawfik, architect Suhair Hawass and Ahmed Nabil Suleiman.
The Appreciation Award in Literature was awarded to writers Mohamed Abulfadl Badran, Youssef Hassan Nofal and Kamal Ruhayem.
The Appreciation Awards in Social Sciences were awarded to Said Ismail, Abdel-Salam Abu-Qahf and Moataz Sayed Abdallah.
Excellency Awards
The Excellency Award in Literature was granted to writer Reem Bassiouny and Amr Fouad Dawara.
The Excellency Award in Arts was handed to Gamal Yaqoot and Ahmed Abdel-Kareem.
The Excellency Award in Social Sciences was handed to late judge Tahany El-Gebaly, Iman Amer, and Ahmed Hassanien.
In addition to the previous awards, the SCC granted 32 encouragement awards, each one of them worth EGP 50,000.
Factbox
There are 52 prizes worth a total of EGP 7.5 million (around $374,632) divided into four sections.
Of the seven Excellency Awards, two are for the arts, two for literature, and three for social sciences. Political analyst Ammar Ali Hassan and economic expert Ahmed El-Naggar were among the winners of the prize last year.
Novelists Khairy Shalaby and Gamal El-Ghitani, poet Mohammed Afifi Mattar, and critic Gaber Asfour are among the past winners.
The Nile Award was originally named the Mubarak Award, but was changed in the aftermath of the 25 January 2011 Revolution that ousted president Hosni Mubarak from power.
Poet Abdel-Rahman El-Abnoudi, writers Bahaa Taher, Ibrahim Aslan, and Waheed Hamed, and cinema director Youssef Chahine are the most prominent figures to date who have won the Nile Award.
The State Awards were launched in 1958 and have only been cancelled once, in 1967, during the Six-Day War between Egypt and Israel.
source/content: english.ahram.org.eg (edited)
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Dawood Abdel-Sayed, Ibrahim Abdel-Meguied, and Iraqi Qais Azzawi
Tarik Saleh — an experienced Swedish-Egyptian filmmaker — clinched the Best Screenplay Award at the 75th Cannes Film Festival’s closing ceremony on Saturday for his latest feature film, ‘Boy from Heaven’ (‘Walad Min El-Janna’).
The filmmaker — who started his career as a journalist — also received the Prix François Chalais Award for his film’s “dedication to the values of life-affirmation.”
Boy from Heaven reportedly caused controversy amid Cannes’ Egyptian attendees after the premier, as its plot — which takes place in Al-Azhar University in Cairo — tackles the relationship between the country’s authorities and the Islamic organisation.
The film is produced by Atmo, Kristina Rikberg, and Fredrik Zander.
Previously, Saleh’s ‘Metropia’ (2009) won the Future Film Festival Digital Award of the Venice Film Festival, and his ‘Nile Hilton Incident’ (2017) — which was also set in Egypt — brought home the Grand Jury Prize from the 2017 edition of the Sundance Film Festival.
The winners of the 75th Cannes Film Festival are as follows:
– Palme d’Or: Ruben Ostlund for ‘Triangle of Sadness’ (Sweden, Germany, France, the UK)
– Grand Prix: Shared by Lukas Dhont for ‘Close’ (Belgium, the Netherlands, France) and Claire Denis for ‘Stars at Noon’ (France)
– Best director: Park Chan-wook for ‘Decision to Leave’ (South Korea)
– Best actress: Zar Amir Ebrahimi for ‘Holy Spider’ (Denmark, Germany, Sweden, France)
– Best actor: Song Kang-ho for ‘Broker’ (South Korea)
– Best screenplay: Tarik Saleh for ‘Boy from Heaven’ (Sweden, France, Finland, Denmark)
– Jury prize: Shared by Jerzy Skolimowski for ‘EO’ (Poland) and Charlotte Vandermeersch and Felix van Groeningen for ‘The Eight Mountains’ (Italy, Belgium, France, Britain)
– Camera d’Or for best first film: Riley Keough and Gina Gammell for ‘War Pony’ (The US)
– Best short film: Jianying Chen for ‘The Water Murmurs’ (China)
source/content: english.ahram.org.eg
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Swedish-Egyptian director Tarik Saleh poses during a photocall after he equally won the Best Screenplay prize for the film Boy From Heaven (Walad Min Al Janna) during the closing ceremony of the 75th edition of the Cannes Film Festival in Cannes (Photo: AFP)
Egyptian swimmer Omar Hegazy broke two Guinness World Records last week after losing his leg in 2015.
The 31-year-old first broke the record for “longest distance swam underwater with one breath,” swimming 185 feet and 4 inches (or 56.48 meters). He then donned a fin and broke the record for “longest distance swam underwater with one breath with fins,” traveling 251 feet and 7.68 inches (76.7 meters), according to a statement from Guinness World Records.
Hegazy commemorated his accomplishments in an Instagram post, in which he thanked his friends, family and coaches for their support.
“Nothing beats the journey,” he wrote in the post’s caption. “Enjoyed every cold windy day in the pool. Enjoyed after midnight training sessions. Enjoyed the friendships and the unconditional love I saw in the eyes of my friends, family and coaches. Still hungry for more!”
Hegazy had his left leg amputated in 2015 after he was run over by a truck in a motorcycle accident, according to Guinness. He was 25 years old at the time.
Hegazy had to spend several more weeks in the hospital after the operation, learning how to complete everyday tasks. He eventually became interested in accomplishing athletic achievements of strength after reading about Dareen Barbar, a Lebanese amputee who broke the world record for the longest static wall sit. He also read about Faisal Al Mosawi, a Kuwaiti wheelchair user who broke the record for the fastest 10 kilometer scuba dive.
My source of motivation in the beginning was that I do not have much left to lose,” Hegazy said in statement to Guinness. “I only got into swimming because I was a very angry. I found a way to I let out my anger and frustration, but it was also where I felt really free and capable.”
In addition to breaking two Guinness World Records, Hegazy has achieved a number of other athletic milestones. He swam across the Gulf of Aqaba in 2017, completed in a 700 kilometer cycling challenge and climbed a mountain, according to his website.
“I hope these Guinness World Records titles inspire others and serve as a reminder that amazing is somewhere near you,” Hegazy told Guinness. “You just have to open your eyes wide.”
Egypt’s Nouran Gohar has ended compatriot Nour El Sherbini’s 17-month reign as the World No.1 after the PSA Women’s World Rankings for April were released today (April 1).
Gohar has been in sensational form throughout the 2021-22 season and has won the last four PSA World Tour Platinum events in a row, including the Windy City Open presented by the Walter Family and the CIB Black Ball Open last month.
Those wins have seen her leapfrog El Sherbini to claim the World No.1 spot for the second time in her career and for the first time since October 2020.
Hania El Hammamy and Amanda Sobhy stay at No.3 and No.4, respectively, while New Zealand’s Joelle King returns to the top five for the first time since May 2019 after reaching the semifinals of both the Windy City Open and Black Ball Open in March.
England’s Sarah-Jane Perry moves down to No.6 ahead of Salma Hany at No.7, while Rowan Elaraby reaches a career-high ranking of No.8 after reaching her first Platinum semi at the Black Ball Open.
Women’s Top 10 – April 2022 / pix: pic: psaworldtour.com
Meanwhile, Georgina Kennedy rises to her career-high ranking of No.9 after achieving back-to-back quarter finals at the Windy City Open and Black Ball Open, the former seeing her reach the last eight of a Platinum event for the first time. France’s Camille Serme – who has been sidelined since September, 2021 due to a leg injury – completes the top 10.
USA’s Olivia Fiechter drops out of the top 10, while Belgium’s Nele Gilis rises a spot to a joint career-best No.12 ranking. India’s Joshna Chinappa is also on the move as she moves up to No.13, ahead of Tesni Evans at No.14 and Nadine Shahin who remains at No.15.
Nada Abbas rises five places to reach No.16, while Hollie Naughton drops down a spot to joint No.17 with Olivia Clyne. Emily Whitlock stays at No.19, while England’s Lucy Turmel moves up six spots to break into the top 20 for the first time. It’s the first time in over two years that there have been three Englishwoman have been ranked inside the top 20 at the same time.
Egypt’s Nour El-Sharkawy is the biggest mover on the women’s tour this month. The 18-year-old appeared at the Black Ball Open in March and enjoys a 186-place rise to a career-high No.147 ranking.
source/content: psaworldtour.com (edited)
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Nouran Gohar in action at the Allam British Open / pic: psaworldtour.com
In December 2020, Zeinab el Kawashti married a couple, Sondos and Karim, in front of their family and friends. In a different time and place, this would have been a normal occurrence, yet it was the first time any of the guests had seen a woman as a marriage officiant.
This is not odd, given that female Ma’azin (Muslim marriage officiants) are extremely rare.
The first-ever female marriage officiant in Egypt was Amal Soliman; she was hired in 2018 by the Egyptian family court and has since then married more than 300 couples. Many were inspired by Soliman, among them El Kawashti.
El Kawashti is a female M’azoun, a mother of three, and an Azhar Law and Religious Studies graduate.
To become a Ma’zoun in Egypt, one must have at least a Bachelor’s degree. Ma’azin are restricted to their jobs as officiants, with no further commitments. There are around 45 requirements to become a Ma’zoun in Egypt, including age. As of 2014, a Ma’zoun can only be between the ages of thirty and forty. The requirements also include maintaining optimal physical wellbeing.
source/content : egyptianstreets.com
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Zeinab El Kawashti officiating at a katb ketab. Photo Credit: Sondos Moussa
Russian tribute to Yehia Abdel-Tawab, first ballet dancer in Egypt
Yehia Abdel-Tawab, one of the pioneers of ballet in Egypt and the recipient of the Medal of Merit from late President Gamal Abdel-Nasser, has been honored by the Egyptian Association of Graduates of Russian and Soviet Universities (EAGRSU) and the Russian House in Cairo for his contribution in strengthening Egyptian-Russian relations through his artistic career.
The EAGRSU and the Russian House held a seminar titled ‘The Ballet in Egypt and Russian Experiences’ earlier this week in honour of Abdel-Tawab, who is a professor of ballet at the Academy of Arts.
The seminar, held at the Russian Cultural Centre in Dokki, was moderated by President of the Association Sherif Gad and attended by director of the Russian Cultural Centres in Egypt Marat Gatin, dean of the Ballet Institute in Cairo Atef Awad, former dean of the Ballet Institute Sherif Bahader, member of the board of directors of the association Samia Tawfik, and Ballet Institute professor Tahani Hassan.
Abdel-Tawab also stressed that ballet in Egypt has a strong foundation, and with the efforts made by the state to build new opera houses, there will be many specialized ballet companies, and called for more cooperation with Russian experts in order to exchange experiences.
Former dean of the Ballet Institute Bahader said that Abdel-Tawab is considered one of Egypt’s first pioneers in the art of ballet, and one of the greatest ballet dancers in the entire world.
“He is also one of the first dancers in double dance in Egypt and the Arab world.”
Professor of ballet Tahani Hassan expressed her pride in her teacher at the Ballet Institute Abdel-Tawab, pointing out that all his students learned from him commitment, as he was accurate in timing and executing movements.
During the event, a documentary film on the history of the art of ballet in Egypt was shown, and Gad presented a certificate of honour on behalf of the association to Abdel-Tawab in appreciation of his great artistic career.
source/content: english.ahram.org.eg
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(L-r) Marat Gatin, Sherif Bahader, Tahani Hassan, Yehia Abdel-Tawab, Atef Awad, and Sherif Gad photo credit of the Russiaan Centre
