The FIRST Marvel Project to have an Arab Director. Filmmaker Mohamed Diab Discusses ‘Moon Knight’

Representation matters. Not just representation of ethnic background, but of personal experience. As Egyptian director Mohamed Diab becomes the first Arab to direct a Marvel project with the eagerly awaited limited series “Moon Knight,” it’s a landmark moment not only because of his nationality, but also because he was born, raised, thrived and suffered in Egypt, living through his country’s revolution and painful rebuild, and ultimately becoming one of its most important chroniclers.

“I’m not someone who is obsessed with firsts, but I will say that what is unique about me getting the Marvel job is that I’m coming directly from the Arab world,” Diab — who previously helmed the award-winning films “Cairo 678” (2010), “Clash” (2016), and “Amira” (2021) — continues.

There was a major reason that Diab’s voice was so necessary to the project. While many of the Marvel comic books from the 60s and 70s drew from cultures and mythologies from across the world, they were written and drawn from a perspective foreign to the cultures they were influenced by, leading to limited — sometimes offensive — portrayals of those people, places, and histories.

Part of Diab’s mission was not just to apply his own voice to the show, but to include the creative voices of as many Egyptians and Arabs as he could. Each Egyptian character on the show is portrayed by an actual Egyptian — something rarely, if ever, done in Hollywood — including the ancient deity that plagues Moon Knight himself. Behind the scenes, Diab recruited the previous collaborator Ahmed Hafez as one of the series’ editors, and the great Egyptian composer Hesham Nazih to write the series’ score.

Diab — as the show’s key creative voice along with creator Jeremy Slater — was integral in far more than capturing the Egyptian aspects of the show; he helped shape its entire aesthetic, so the show embraces elements that no Marvel project has before in terms of tone, style, and themes. He also personally convinced two actors who had long resisted becoming part of a superhero project — Oscar Isaac and Ethan Hawke — to come aboard.

“The wonderful idea of hiring Mohamed to be our quarterback, to guide this ship, is that the movies he’s made in Egypt are incredible,” says Hawke. “He’s not looking at this with the eyes of an American, he’s looking at this — and these deities, and this world — from a vantage point of growing up in Egypt and having a lot to say about it. It’s exciting to be around him in that way.”

Diab also recruited the Egyptian-Palestinian actress May Calamawy, best known for her role in the Golden Globe-winning sitcom “Ramy,” as one of the show’s leads.

Ultimately, “Moon Knight” — which debuts internationally on Disney+ on March 30 and will premiere in the region this summer — is a show full of outsiders who, in partnership with Marvel Studios head Kevin Feige and many others, lent their creative voices to make this a Marvel project like no other.

source/content: arabnews.com (edited)

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Egyptian director Mohamed Diab is the first Arab to direct a Marvel project with the eagerly awaited limited series “Moon Knight.” (Supplied)

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Egyptian Composer Hesham Nazih Honoured with Special Award by Movie Music UK Critic

Jonathan Broxton, a veteran music critic with Movie Music UK, has included the Pharaoh’s Golden Parade music by Hisham Nazih in his choices for best works of 2021.

Broxton is a Los Angeles-based British film music reviewer who for over the past two decades has written reviews published on Movie Music UK, an internationally renowned online platform dedicated to monitoring and writing about new developments in film music.

Each year, Broxton, who is also a member of the International Film Music Critics Association, sums up the year and picks his favourite works from the film industry from all around the globe.

In his latest entry titled Movie Music UK Awards 2021, Broxton highlighted the Pharaoh’s Golden Parade with music by Egyptian composer Hesham Nazih.

In April 2021, 22 royal mummies of ancient Egyptian kings and queens were transferred from the Egyptian Museum in Tahrir to their final destination at the National Museum of Egyptian Civilisation in Fustat, in a large ceremony that was broadcast live internationally.

As Broxton explains in his review, “the whole thing was a grand, spectacular celebration of Egyptian culture, featuring light and laser displays, and parades of men and women in traditional dress accompanying these ancient rulers to their new resting places.”

Speaking about the United Philharmonic Orchestra under the baton of Egyptian conductor Nader Abbasi, Broxton calls Nazih’s music a “spectacular orchestral and choral glory, bold, dramatic, intense, thematically rich, and mesmerizing when combined with the visuals of these long-dead kings and queens making their journey through contemporary Cairo. There are layered vocals with men and women intoning in superb call-and-response fashion, vivid cello ostinato, swirling string figures, bold explosions of brass.

Born in 1972, Nazih is an Egyptian film and television series score composer. His career has involved composing music for a number of successful films, including Hysteria, Sleepless Nights (2003), Tito (2004), Ibrahim Labyad (2009), Elfeel El-Azraq (The Blue Elephant, 2014), The Treasure (2017), The Treasure 2 (2019), Sons of Rizk (2019), among others. 

Nazih also wrote the music for Born a King, a 2019 historical coming-of-age drama film directed by Agustí Villaronga. The film was a coproduction between the UK and five Arab countries.

His scores for the television series include Sharbat Louz (Almond Nectar, 2012), Niran Sadiqa (Friendly Fire, 2013), and Al-Aahd (The Covenant, 2015).

Over the years, he collaborated with a number of well-known directors including Sherif Arafa and Marwan Hamed, with whom he worked on several occasions.

Nazih’s work for El-Asliyyin (2017) brought him the Best Music award at the Cairo National Festival for Egyptian Cinema (2018). For his contribution to the film music scene, he was also awarded the Faten Hamama Excellence Award at the 40th Cairo International Film Festival (2018).

source/content: english.ahram.org.eg

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