MOROCCO : CNDH President Amina Bouayach Receives 2025 Mediterranean Foundation Award in Naples, Italy

Bouayech praised Morocco’s efforts in promoting human rights including recently proposed changes to the country’s family code.

Amina Bouayach, the President of Morocco’s National Human Rights Council (CNDH), has been awarded the 2025 Mediterranean Foundation Award for her contributions to promoting human rights in Morocco and internationally.

The award, presented to her on Friday in Naples, Italy, recognizes individuals or organizations dedicated to upholding the values of human dignity and freedom.

Established by Italian sculptor Mario Molinari, the Mediterranean Prize is a symbol of peace and coexistence between countries. It recognized Bouayach’s work in advancing equality, justice, and fundamental freedoms, the foundation said in a statement.

During the ceremony, President of the foundation, Michael Capasso, along with international jury members and Professor Abdelhak Azouzi, praised Bouayach for her extensive work in human rights.

Bouayach was born in Tetouan, a small city in northern Morocco. For decades, she has been a tireless advocate for women’s and children’s rights, often speaking out against the injustices they face. She has also worked to improve the rights of marginalized groups around the world.

In recognition of her dedication and leadership, King Mohammed VI appointed her as president of CNDH in 2018.

She has also held significant positions in global human rights organizations, including Vice-President of the Global Alliance of National Human Rights Institutions and Vice-President of the International Federation for Human Rights.

In addition to her work in human rights, Bouayach has had a career in diplomacy, having served as Morocco’s Ambassador to Sweden and Latvia.

In her acceptance speech, Bouayach expressed gratitude for the recognition and praised Morocco’s efforts in promoting human rights. She particularly mentioned recent reforms like the vote in favor of a universal moratorium on the death penalty.

“This distinction, while touching me as a woman and activist, is primarily a tribute to my country, Morocco, for its unwavering commitment to the universal values of dignity, justice, and equality,” Bouayech said.

She also mentioned the proposed reforms to Morocco’s family code and they recognize women’s contributions in the household when distributing marital property. “These ambitious reforms, full of hope, aim to strengthen the rights of women and children, bringing significant advancements,” Bouayach said.

CNDH President also noted that the Mediterranean is more than just a geographic area; it is a place rich with shared history, where different cultures have come together to build a common heritage.

She acknowledged the challenges the region faces, such as conflicts and climate change, but stressed that the Mediterranean’s heritage of humanity and diversity offers hope and the potential for renewed dialogue.

In addition, she noted the important role of women in driving social and political change in the Mediterranean, especially in Morocco.

“I dedicate this award to all Mediterranean women who, every day, build bridges between cultures and generations,” she concluded.

source/content: moroccoworldnews.com (headline edited)

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MOROCCO

MOROCCAN: Sara Chraibi, Founder of Maison Sara Chraibi Discusses Her Haute Couture Designs

This January, Sara Chraibi, founder of Maison Sara Chraibi presented for the first time at Paris Haute Couture Week. The Moroccan designer greatly impressed critics with her collection which combines traditional Moroccan craftsmanship with modern elements and materials for a unique style that celebrates her heritage but also appeals to the contemporary woman.

After living in Paris and working as an architect for several years, Chraibi returned to her home country to establish her fashion brand. It was a major shift in cultures but she wanted to be in her homeland in order to find ways to embrace the traditional craftsmanship techniques and find new ways to express this as a form of contemporary luxury. Her designs are deeply rooted in traditions but also appeal to the wider world. This season Chraibi presented her Spring/Summer 2023 collection at Paris Fashion Week after being invited by the Fédération de la Haute Couture et de la Mode to showcase her designs to the world. Here we find out more about the experience and what we can expect to see from her brand moving forward.

Tell us a little about how your brand came to life.

I grew up in an environment of art and culture. As a child, I was introduced to sewing and embroidery by my mother. After my architectural studies in Rabat, I moved to Paris where I wrote a diploma (DEA) in “Philosophy and Theory of Architecture”. In Paris, my passion for fashion and couture is nourished by the vitality and ​​creativity of the city. Alongside my job as an architect, I then began to draw, sew and embroider a multitude of couture pieces.

In 2012, I presented my first collection “Anatomic Architecture” during the final of a Competition organized by “Ateliers de Paris”. In the same year, I participated in Festimode Casablanca Fashion Week where the models paraded in front of the Casablanca cathedral. Greeted unanimously by the public and the press, these first appearances were the beginning of my professional retraining.

Congratulations on the Spring/Summer 2023 collection – tell us about this collection and how it came to life. 

When I started working on this collection, I wanted to share several elements of my personal story, my influences and my sensitivity to the world. I had this idea of ​​weaving a collection where each thread would represent part of the story: beginning with the architecture, the relationship to the structure of the garment, then there is the know-how, coming from a Moroccan textile tradition and the memory of the elegance of Moroccan women, there is this double culture that makes the originality of my point of view on fashion. I wanted to weave all this together and make it into a framework to tell a new reality.

This was your first time showing at such a level tell us about your experience being a guest member of the FMHC. 

For me, Haute couture is a dream, a celebration of uniqueness and being part of it as a guest member is a milestone for my brand.

Can you tell us about some of the traditional techniques that you used in your designs and how you have evolved the techniques and craftsmanship to give them a modern twist?

With my work, I take patterns, shapes and ancient techniques from Morocco but I add a certain twist or reinvent them in a new way. For example, I used the “sfifa” weaving technique to create a fabric rather than using it as an ornament, as is done traditionally. I mixed raw materials from Morocco, and I used golden thread and silk fringe to build garments as a link between two cultures and realities. I see traditional craftsmanship both as an inspiration and a call to innovation.

How do your heritage and upbringing influence your work today?

My brand is built around the Moroccan art of living, my architectural background and my interest in couture know-how inspire it. My brand aesthetic evolves around the idea of subdued femininity. With a timeless approach to eveningwear, I merge the East and West through one-of-a-kind couture garments.

Tell us about your first memory of fashion. 

I remember times before my mother had an important party, we would stroll from stall to stall in the markets in search of fabric and she would make dresses from scratch. I would sit next to her and watch her assemble the pieces of fabric one by one and sculpt the garment. At that time I started to collect fabric scraps to in turn sew something for my barbie doll. There was something magical about those moments. As I grew up, I remember my impatience to get dressed for these events; to put on a beautiful dress, to finally be part of the adult world, with all those sophisticated ladies, perfumed, richly adorned in silk and lace, with an appearance that made everyone’s heads turn. The women of Morocco are beautiful and sensual and wearing a caftan is an ancestral tradition, a ritual that is passed down from mother to daughter.

How do you think your background in architecture has influenced your designs and the way you put looks together?

I quickly realised that fashion and architecture could share the same vision. As an architect, I liked the modern period. In my clothing designs, I am influenced by modern architecture. All my attention goes to the purity of the lines, to the elegance and the lightness of the structure, it is a sort of quest for the essential.

What is the vision for your brand moving forward?

For me, succeeding in the world of fashion comprises several essential elements: commercial success, of course, but also and above all, success together as a team to share values ​​and wealth, to ensure that each person in the company grows through their work. There is also a cultural success, where in addition to offering products, a brand manages to permanently establish its universe in the collective imagination. That’s all I want to achieve for my brand.

Who are some of the designers or brands that you admire?

Madeleine Vionnet, Jeanne Lanvin, and Elsa Schiaparelli, all made contemporary fashion history with a feminine point of view. I also admired Lee McQueen’s vision and Azzedine Alaia’s sharpness.

There are few brands from the Arab region that have managed to reach success on a global level – what is your opinion on this and what advice would you give to aspiring designers in the Middle East?

I wish that there are more and more brands with an Arab or oriental DNA on the international scene. Fashion is a great tool of soft power. Each new designer who launches in the region is responsible for spreading our culture to the rest of the world.

In this issue we are celebrating the month of Ramadan, what does this time mean to you and how will you be spending it this year?

Ramadan is one of my favourite times of the year. It’s time to reconnect with our faith. I like to spend it with my family and friends, to celebrate with pride and joy and I also like to share iftar with my non-Muslim friends.

What is next for you this year and for the rest of the year?

I’m working on the Maison Sara Chraibi Fall/Winter 2023 couture collection. I will also launch an e-commerce site later in the year.

What can you tell us about your brand in the Middle East and can we expect to see you here soon?

I plan to do some trunk shows in the Middle East over the coming months. The Middle East is an important market for my brand and It’s very important to establish long-term commercial partnerships there.

source/content: aeworld.com (headline edited) / Lindsay Judge

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MOROCCO: Forbes 50 Over 50 Spotlights Moroccan Scientist Rajaa Cherkaoui El Moursli

Rajaa Cherkaoui El Moursli was part of the research team that made the groundbreaking discovery of the Higgs Boson particle.

Moroccan prominent nuclear physicist Rajaa Cherkaoui El Moursli was featured this year on the list of Forbes 50 Over 50 for the Middle East and Africa (MENA) in recognition of her outstanding scientific contributions.

El Moursli’s research has helped prove the existence of the Higgs Boson, which is the particle responsible for the creation of mass. 

“While her almost 30-year-long career in science has been filled with achievements, it’s a career that would not have existed had she not convinced her father to let her seek out a graduate degree in France in the early 1980s,” Forbes wrote. This was a time when Moroccan women were “expected to leave home to marry and not pursue a vocation.” 

After earning her Ph.D in Nuclear Physics from the University of Joseph Fourier in Grenoble, France, El Moursli returned to Morocco in 1982.  There, she joined the Faculty of Sciences at the University Mohammed V in Rabat. 

Early in her career, she took the helm as the head of the Laboratory of Nuclear Physics in Rabat.  El Moursli’s research focuses on the applications of nuclear physics, medical physics, and high-energy physics. 

A pivotal moment in her career occurred in 1996 when she became an integral part of Morocco’s participation in the international ATLAS collaboration at the European Organization for Nuclear Research (CERN). The event marked her entry into one of the world’s most prestigious scientific research centers, located in Geneva.

El Moursli’s contributions have extended beyond the laboratory giving her membership with international organizations such ATLAS, KM3NET, and ANTARES. 

Within these roles, she has been vital in creating and implementing master’s degree programs at her university, notably creating Morocco’s first master’s program in medical physics. Currently, over thirty graduates from her program hold crucial positions as radio physicists in Moroccan hospitals.

Throughout her career, she has supervised numerous doctoral and master’s students and has played a crucial role in building and strengthening academic programs.

In 2015, she became the first Moroccan to receive the L’Oreal-UNESCO award for Women in Science, representing Africa and the Arab States. 

El Moursli served as VP of Research, Innovation, Cooperation, and Partnership at Mohammed V University.  She also chaired the competition program “My Thesis in 180 Seconds.” 

Her accolades include being a fellow of the World Academy of Sciences (TWAS) and serving on the “For Women in Science” international jury. 

In 2017, she was honored by the Organization of Islamic Cooperation for her outstanding contributions to science and technology in the Islamic world.

Now in 2024, El Moursli continues to play a pivotal role in shaping the global scientific landscape and showcasing Moroccan achievements to the world. 

source/content: moroccoworldnews.com (headline edited)

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Moroccan nuclear physicist Rajaa Cherkaoui El Moursli

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MOROCCO

ARAB-AMERICAN: Meet the Arab-American Women Tech Leaders shaping the future

Three entrepreneurs share their stories as well as tips to succeed, regardless of background

Steve Jobs, Tony Fadell of iPod and Nest thermostat fame, and Taher Elgamal, the father of SSL technology, may be some of the most successful Arab Americans the global tech world has seen – but bit by bit, that picture is starting to change.

An emerging group of Arab-American women is increasingly taking up the tech mantle in a host of diverse fields.

A year spent in Kansas as a cultural exchange student at the age of 17 led to Morocco native Yasmine El Baggari feeling a profound need to help people connect.

“Most people [in Kansas] had never met someone from Morocco before. It felt like I was a cultural ambassador for Morocco at every opportunity,” she says.

The experience morphed into something more: a road trip to all 50 US states, during which she stayed with families and taught French and Arabic to get by, and later, a career that has seen her visit more than 45 countries – while securing a degree from Harvard University along the way.

All this led Ms El Baggari to found Voyaj, an online platform that fosters connections between people from diverse backgrounds in all corners of the globe.

“Once you build a human connection with someone, they’re more open to considering different perspectives … which is the basis of the work I continue to do: building and facilitating connections with people around the world,” she says.

Voyaj has collaborated with organisations to bring dozens of students from Africa to California for cultural exchange trips.

In March, Ms El Baggari raised more than $50,000 through a crowdfunding campaign involving more than 260 people from 40 countries to help fund the app.

Recently, Voyaj started working with non-profit Alight to help connect Afghan refugees recently arrived in Minnesota with local residents.

With the number of immigrants from the Middle East and North Africa in the US doubling over the past 20 years to 1.2 million, Arab-American women are set to play an increasing role in the tech and entrepreneurial landscape.

But getting to the top is not easy – just ask serial achiever Sherien Youssef.

Born and raised in Cairo, she emigrated to the US aged 11.

“My parents gave up a lot in Egypt to come here. They were comfortable there, but wanted a better life for their children,” she says.

Now living in a suburb of Washington, Ms Youssef is a senior executive and vice president at CGI, a major IT and consulting multinational that employs more than 90,000 people in about 40 countries.

It has taken serious determination to get to where she is.

“Growing up, being Arab American and being a Muslim, it wasn’t easy to find a person that looked like me [in this industry],” she says.

“It wasn’t very prevalent in my field. When you come as an immigrant, you have a desire to be constantly working harder and proving yourself over and over again.”

Today, her professional life consists of speaking at conferences, working closely with chief executives at partner companies and mentoring staff.

Having raised a family, grown her career and secured an MBA, she says there is still room for change.

“This is still a male-dominated field. We don’t see as many women in the C suites in the IT field,” she says.

Health and wellness is another area Arab-American women are making inroads.

For 12 years, Megan Moslimani was a dedicated public servant, working as a lawyer for the city of Detroit and serving as a board member of the Detroit Bar Association.

But a trip to Los Angeles in 2016 made her realise health care and wellness were industries on the up, and that IV drip therapy could be a game-changer.

“We visited different medical spas for fun and to enjoy the luxury experience. I was impressed with the way you could feel instantly better and hydrated [from using the drips],” she says.

Last spring, Ms Moslimani, whose family arrived in the US from Lebanon in the early 19th century, and her colleague, Biane Bazzy, dove headfirst into their passion, opening the House of Drip & Wellness in Dearborn, Michigan.

American designer brings hijabs to the high street

Made popular by celebrities such as the Kardashians and Hailey Bieber, and appearing in popular TV shows such as Billions, restorative IV drip therapy is a way to get vitamins, electrolytes and other nutrients into the bloodstream quickly.

It is believed to help people recover more quickly from illnesses, jet lag, fatigue and other ailments.

“Clients feel results instantaneously as the drip directly enters the bloodstream, bypassing the digestive tract,” she says.

“People love instant gratification, and I knew all could benefit – athletes, tired mums, overworked professionals.”

Restorative IV drip therapy spas or “drip bars” are springing up in strip malls and neighbourhoods across the US. With the global wellness industry estimated to be worth about $1.5 trillion and expected to grow by 5 per cent to 10 per cent per year, IV drip therapy is set to become an important health recovery tool.

For Arab-American women thinking about starting out in the tech and entrepreneurial worlds, the trio have tips to share.

Ms Moslimani says it is important to be prepared to spend money on the right things to grow your business.

“Look for attorneys offering pro bono hours and get real business law advice,” she says.

Ms El Baggari says getting past the stigma of asking for help is essential to succeeding as an entrepreneur.

“Don’t be afraid to ask for what you need – if people say no, that’s OK,” she says. “You want a clear sense of mission. Understand your ‘why?’”

For Ms Youssef, investing in yourself is key, “whether it’s in degrees and certificates, or in networks”.

“Oftentimes it’s the relationships and connections that you make will be the reason that you get to the next step in your career,” she says.

source/content: thenationalnews.com (headline edited)

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Last spring, Megan Moslimani and a colleague launched the House of Drip & Wellness in Dearborn, Michigan. Photo: Megan Moslimani

Yasmine El Baggari is the founder of Voyaj, an online platform that fosters connections between people from diverse backgrounds. Photo: Yasmine El Baggari

For Sherien Youssef, investing in yourself is key, ‘whether it’s in degrees and certificates, or in networks’. Photo: Sherien Youssef

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AMERICAN / ARAB / EGYPT / LEBANON / MOROCCO

JORDANIAN-AMERICAN: Farah Abu Adeela Crowned Miss Arab USA in Arizona Beauty Pageant

US Jordanian contestant Farah Abu Adeela from the state of Illinois was crowned Miss Arab USA at the beauty pageant’s finale in Arizona over the weekend.

The new Miss Arab USA, who is a model, takes over from 2022’s winner, Moroccan American Marwa Lahlou.

The annual pageant, which returned in 2022 after a two-year hiatus due to the COVID-19 pandemic, was held in Arizona this year. Produced by The Arab American Organization (AAO), the pageant is “founded on the basis of advancing the cause of young ladies of Arab descent,” according to its website.

The swimsuit category does not feature in the pageant, with the stated aim of organizers being to “select an honorable Arab young lady to represent our culture in the US and worldwide for one year.”

This year’s ceremony featured a performance by dance troupe Zeffa of Phoenix.

source/content: arabnews.com (headline edited)

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Farah Abu Adeela nabbed the coveted tiara at the 2023 Miss Arab USA pageant. (Instagram)

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AMERICAN / JORDANIAN

MOROCCAN Women shake up the world of Gnaoua Music

Young Moroccan women are bringing new and inclusive energy to the centuries-old art of Gnaoua, a spiritual musical repertoire traditionally reserved for men.

Also known as “tagnaouite”, it gained worldwide recognition after it was listed by UNESCO as intangible cultural heritage in 2019.

“Why shouldn’t women be part of this dynamic?” asked Asma Hamzaoui at the Gnaoua World Music Festival in Essaouira, a southern coastal city steeped in the musical tradition.

The 26-year-old Casablanca native is one of the first women to perform Gnaoua, which blends African rhythms with spiritual chants and poetry.

Her father, a Gnaoua master, initiated her into the artform at a young age.

“I’ve accompanied him to his evening gatherings since I was seven years old,” recounted the young woman, who in 2012 formed the group “Bnat Timbouktou”, or The Girls of Timbuktu.

“I gradually learned to play the guembri, a three-stringed lute made of camel skin. My father made sure that I learned as much as possible before I flew solo.”

The all-female ensemble wowed the festival-goers — with Hamzaoui on vocals and the guembri, and four musicians on qraqeb steel castanets.

They played alongside the Amazones d’Afrique, another all-female group, from Mali.

‘Feeds the spirit’

“It’s exceptional to have women playing Gnaoua music, which shouldn’t be reserved for men,” said Hamza Tahir, a member of the audience. “They bring fresh air into this music.”

Inspired by Bnat Timbouktou’s success, rising star Hind Ennaira developed her passion for tagnaouite in her hometown of Essaouira.

Its fortified citadel on the Atlantic coast is a breeding ground for the mystical musical tradition, in which religious hymns invoke ancestors and spirits.

Originally practised by enslaved people and dating back at least to the 16th century, Gnaoua has gone from being practised largely in private gatherings, where therapeutic rituals accompanied the music, to public events such as concerts and festivals.

“The city of Essaouira is the cradle of tagnaouite,” said Ennaira, who was taught to play the guembri by friends. “It is beautiful heritage that feeds the spirit. It is important for young people to value it.”

Ennaira put her own touch on the tradition by bringing in a guitarist and drummer to accompany the traditional ensemble.

“At first, there were some differences because they were not used to working with a woman,” she said. “But after some challenging exercises, they adapted to me and we became complementary.”

‘Jimi Hendrix’ style

Yousra Mansour — the front woman of the band Bab L’bluz (“The Blues Gate”), which fuses Gnaoua, rock and blues — also encountered challenges entering the music scene.

“There were two constraints for me: first, the fact that this field is usually reserved for men, but also how we interpret traditional music,” the musician told AFP.

“It is not very accepted or even tolerated by some of the stricter individuals.

“We replaced the bass with the guembri and the guitar with the awisha (a small guembri) and created a kind of ‘power trio’ in the style of Jimi Hendrix with reimagined traditional instruments,” explained Mansour.

The 32-year-old vocalist passionately defends women’s freedoms, saying that “as a woman, I have not had an easy life”.

“There was a lack of women in this field. When I see Asma Hamzaoui or Hind Ennaira, they are magnificent,” she said.

“It is not easy to evolve in a predominantly male universe, but we see changes emerging.”

source/content: english.ahram.org.eg (headline edited)

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Friends taught Moroccan Gnaoua artist Hind Ennaira to play the guembri, a three-stringed lute made of camel skin (Photo: AFP)

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MOROCCO