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The National Museum has issued a special edition titled ‘Collection in Marine Science.’
The issue documents the greatness of Omani navigator Ahmed bin Majid Al Saadi, reviving his marine prowess and navigational creativity.
The collection documents the origin of the manuscript titled “Kitab al-Fawa’id fi ‘Ilm al-Bahr wa al-Qawa’id” (Collection of Manuscripts of Benefits in the Science of the Sea and Rules, as well as the abbreviation container in the origins of marine science and Arajiz), which has been on loan from Al Assad National Library in the Syrian Arab Republic to the National Museum since 2019.
In the opening speech of the publication, Jamal Hassan al Moosawi, Secretary General of the National Museum, said, “The display of the original manuscript ‘Collection in the Science of the Seas’ by the author Ahmed bin Majid al Saadi at the National Museum is an affirmation of the Omani identity of this unique scientific and historical personality.
This display comes in the context of the existing cooperation between the National Museum and the Ministry of Culture of the Syrian Arab Republic as part of the cultural diplomacy pursued by the National Museum.”
The Zayed Sustainability Prize, the UAE’s pioneering global sustainability and humanitarian award, has announced this year’s finalists following a deliberation by its esteemed Jury.
The winners will be announced at the Zayed Sustainability Prize Awards Ceremony on 1st December during the 28th Conference of the Parties (COP28) of the UN Framework Convention on Climate Change, to be held from 30th November to 12th December.
The Zayed Sustainability Prize’s Jury elected the 33 finalists from 5,213 entries received across six categories: Health, Food, Energy, Water, Climate Action and Global High Schools – a 15 percent increase in submissions compared to last year. The new Climate Action category, introduced to mark the UAE’s Year of Sustainability and hosting of COP28 UAE, received 3,178 nominations.
From Brazil, Indonesia, Rwanda and 27 other countries, the finalists represent small and medium sized businesses, nonprofit organisations and high schools, and reflect the Prize’s growing mandate to reward innovations that transcend borders and tackle pressing global challenges.
Dr. Sultan bin Ahmed Al Jaber, Minister of Industry and Advanced Technology, COP28 President-Designate and Director-General of the Zayed Sustainability Prize, said the finalists exemplify the remarkable ingenuity and unwavering commitment to shaping a more sustainable and resilient future for our planet.
Dr. Al Jaber added, “The Zayed Sustainability Prize carries forward the enduring legacy of UAE’s visionary leader, Sheikh Zayed, whose commitment to sustainability and humanitarianism continues to inspire us. This legacy remains the guiding light of our nation’s aspirations, propelling us forward in our mission to uplift communities around the globe. Over the past 15 years, the Prize has been a powerful force for positive change, transforming the lives of over 378 million people across 151 countries. We have incentivised solutions that are driving climate and economic progress in some of the world’s most vulnerable regions.
“This cycle, we received a record-breaking number of submissions from every continent. The innovations put forth by the finalists reflect a profound dedication to inclusivity and an unyielding resolve to bridge critical gaps. These solutions directly align with the four pillars of the COP28 UAE agenda: fast-tracking a just and equitable energy transition, fixing climate finance, focusing on people, lives and livelihoods and underpinning everything with full inclusivity. The work of these sustainability pioneers will contribute practical solutions for climate progress that protect the planet, improve livelihoods, and save lives.”
Through the Prize’s 106 winners to date, 11 million people have gained access to safe drinking water, 54 million homes have gained access to reliable energy, 3.5 million people have gained access to more nutritious food, and over 728,000 people have gained access to affordable healthcare.
Ólafur Ragnar Grímsson, Chair of the Prize Jury, said, “As global challenges continue to mount, our newest group of Prize finalists reveal the extraordinary efforts being made worldwide to meet the needs of the moment with purpose and innovation – inspiring hope for a brighter future. Whether it’s restoring the ocean wilderness, using technology to ensure better, more sustainable farm yields, or driving change for individuals without access to affordable healthcare, these innovators are transforming our world.”
The Health finalists are: • Alkion BioInnovations is an SME from France that specialises in supplying cost effective and sustainable active ingredients for large-scale pharmaceuticals and vaccines. • ChildLife Foundation is an NPO from Pakistan that employs an innovative Hub & Spoke healthcare model, linking Emergency Rooms as hubs to telemedicine satellite centres. • doctorSHARE is an NPO from Indonesia dedicated to expanding healthcare access in remote and inaccessible regions using barge-mounted floating hospitals.
The Food finalists are: • Gaza Urban & Peri-urban Agricultural Platform is an NPO from Palestine that empowers female agripreneurs in Gaza to achieve food security in their communities. • Regen Organics is an SME from Kenya that specialises in a municipal-scale manufacturing process that produces insect-based protein for livestock feed and organic fertiliser for horticultural production. • Semilla Nueva is an NPO from Guatemala that specialises in the development of biofortified maize seeds.
The Energy finalists are: • Husk Power Systems is an SME from the United States of America that deploys AI-enabled minigrids that provide 24/7 renewable energy to homes, micro enterprises, health clinics, and schools. • Ignite Power is an SME from Rwanda that specialises in delivering solar powered pay-as-you-go solutions to electrify last mile communities. • Koolboks is an SME from France that provides off-grid solar refrigeration solutions with integrated Internet of Things (IoT) monitoring for last mile communities, through a lease-to-own sales model.
The Water finalists are: • ADADK is an SME from Jordan that employs wireless smart sensors that use machine learning and augmented reality for the detection of both visible and hidden water leaks. • Eau et Vie is an NPO from France that offers individual taps to the homes of impoverished urban residents, ensuring access to clean water in slum areas. • TransForm is an NPO from Denmark that employs innovative soil filter technology for the cost-effective treatment of wastewater, sewage, and sludge without relying on energy or chemicals.
The Climate Action finalists are: • CarbonCure is an SME from Canada that specialises in carbon removal technology. They inject CO₂ into fresh concrete, effectively reducing its carbon footprint while maintaining performance standards. • Foundation for Amazon Sustainability is an NPO from Brazil that is dedicated to implementing projects and programmes that advance environmental conservation and empower indigenous communities to protect their rights. • Kelp Blue is an SME from Namibia that contributes to the restoration of natural ocean wilderness and the mitigation of excess CO₂ by establishing large-scale giant kelp forests in deep waters.
The Global High Schools’ finalists presented project-based, student-led sustainability solutions, with finalists divided into 6 regions. The regional finalistsinclude:
The Americas: Colegio De Alto Rendimiento La Libertad (Peru); Liceo Baldomero Lillo Figueroa (Chile); and New Horizons School (Argentina). Europe and Central Asia: Northfleet Technology College (United Kingdom); Presidential School in Tashkent (Uzbekistan); and Split International School (Croatia). Middle East & North Africa: International School (Morocco); JSS International School (United Arab Emirates); and Obour STEM School (Egypt). Sub-Saharan Africa: Gwani Ibrahim Dan Hajja Academy (Nigeria); Lighthouse Primary and Secondary School (Mauritius); and USAP Community School (Zimbabwe). South Asia: India International Public School (India); KORT Education Complex (Pakistan); and Obhizatrik School (Bangladesh). East Asia and the Pacific: Beijing No. 35 High School (China); Swami Vivekananda College (Fiji); and South Hill School, Inc. (The Philippines).
In the Health, Food, Energy, Water and Climate Action categories, each winner receives US$600,000. Each of the six winning Global High Schools receives up to US$100,000.
source/content: wam.ae (headline edited0
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أبوظبي في 12 سبتمبر /وام/ أعلنت جائزة زايد للاستدامة، الجائزة العالمية الرائدة التي أطلقتها دولة الإمارات لتكريم حلول الاستدامة المبتكرة، عن المرشحين النهائيين لدورتها لهذا العام بعد مداولات أعضاء لجنة التحكيم.
وسيتم الإعلان عن الفائزين في حفل توزيع الجوائز الذي تعقده الجائزة يوم الأول من ديسمبر القادم خلال مؤتمر الدول الأطراف في اتفاقية الأمم المتحدة الإطارية بشأن تغير المناخ “COP28” الذي تستضيفه دولة الإمارات في الفترة الممتدة من 30 نوفمبر إلى 12 ديسمبر المقبلين.
واختارت اللجنة 30 مرشحاً ضمن ست فئات تشمل الصحة والغذاء والطاقة والمياه والعمل المناخي والمدارس الثانوية العالمية.
كانت الجائزة قد تلقت هذا العام 5,213 طلب مشاركة، محققةً بذلك زيادة بنسبة 15 في المائة مقارنة بالدورة الماضية.. واستقطبت فئة العمل المناخي وحدها والتي تم استحداثها مؤخراً تزامناً مع عام الاستدامة في دولة الإمارات والاستعدادات لاستضافة مؤتمر(cop28) حوالي( 3,178) مشاركة.
تضم قائمة المرشحين النهائيين مؤسسات صغيرة ومتوسطة ومنظمات غير ربحية ومدارس ثانوية من البرازيل وإندونيسيا ورواندا و27 دولة أخرى، ما يعكس الانتشار العالمي المتنامي للجائزة وسعيها المستمر لتكريم الابتكارات التي تواجه التحديات العالمية الملحة في مختلف بقاع الأرض.
وبهذه المناسبة، قال معالي الدكتور سلطان بن أحمد الجابر، وزير الصناعة والتكنولوجيا المتقدمة، الرئيس المعيّن لمؤتمر الأطراف (COP28)، مدير عام جائزة زايد للاستدامة: “تواصل الجائزة إحداث تأثير إيجابي ملموس والارتقاء بالمجتمعات حول العالم تماشياً مع رؤية القيادة الرشيدة واستلهاماً لإرث الوالد المؤسس الشيخ زايد بن سلطان آل نهيان، طيب الله ثراه، في مجالات الاستدامة والعمل الإنساني.. وعلى مدار السنوات الخمس عشرة الماضية، أسهمت الجائزة في تحسين حياة أكثر من 378 مليون شخص في 151 دولة، وذلك من خلال تكريم ودعم الحلول المبتكرة القادرة على دفع التنمية الاقتصادية ومواجهة أزمة المناخ، لا سيما في المجتمعات الأكثر تأثراً بتداعيات تغير المناخ”.
وأضاف: “تلقت جائزة زايد للاستدامة في هذه الدورة عدداً قياسياً من المشاركات من كل القارات، وتقدم الابتكارات المقترحة من قبل المرشحين النهائيين حلولاً فعالة لمجموعة من التداعيات الملحة الناجمة عن تغير المناخ، ما يعكس الالتزام الراسخ للجائزة بإحداث تغيير واسع النطاق لبناء مستقبل أكثر استدامة ومرونة لكوكبنا.. وتنسجم الحلول المتأهلة مع الركائز الأربع للأجندة المناخية التي تسعى دولة الإمارات لتحقيقها خلال استضافتها لمؤتمر الأطراف (COP28) والهادفة إلى تسريع تحقيق انتقال منظم ومسؤول وعادل في قطاع الطاقة، وتطوير أداء التمويل المناخي، والحفاظ على البشر وتحسين الحياة وسُبل العيش، وضمان احتواء الجميع بشكل تام”.
وأسهمت الجائزة من خلال الفائزين بدوراتها السابقة، والبالغ عددهم 106 فائزين، في تمكين 11 مليون شخص من الوصول إلى مياه الشرب المأمونة، وإيصال إمدادت الطاقة النظيفة إلى 54 مليون منزل، وحصول 3.5 مليون شخص على الأطعمة المغذية، وتوفير الرعاية الصحية ميسورة التكلفة لأكثر من 728 ألف شخص.
من جانبه، قال فخامة أولافور راغنار غريمسون، رئيس لجنة تحكيم الجائزة: “تعكس الحلول المقدمة من المرشحين النهائيين لهذا العام الجهود الاستثنائية التي يتم بذلها في جميع أنحاء العالم لتسخير الابتكار بهدف تلبية الاحتياجات الراهنة الملحة في ظل تنامي التحديات المناخية، ما يبرهن على الدور المستمر للجائزة في تغيير العالم نحو الأفضل من خلال توفير منصة داعمة لرواد الاستدامة.. وتميزت الحلول بالابتكار والتنوع وشملت مجموعة مختلفة من التحديات بما في ذلك استعادة الحياة البرية في المحيطات، واستخدام التكنولوجيا لزيادة وتعزيز استدامة إنتاجية المحاصيل الزراعية، وتحسين الوصول إلى خدمات الرعاية الصحية ميسورة التكلفة في المجتمعات الأشد حاجة لها”.
وشملت قائمة المرشحين النهائيين عن فئة الصحة كلاً :.
– من “ألكيون بيو إنوفيشنز”، وهي من فئة المؤسسات الصغيرة والمتوسطة في فرنسا متخصصة في إنتاج مكونات نشطة مستدامة وفعالة من حيث التكلفة للأدوية واللقاحات المستخدمة على نطاق واسع.
– “تشايلد لايف فاونديشن”، وهي منظمة غير ربحية في باكستان تستخدم نموذج الرعاية الصحية المبتكر (Hub and Spoke) لربط غرف الطوارئ مع بعضها البعض وبالمراكز التي تقدم خدمات التطبيب عن بعد عبر الأقمار الصناعية.
– مؤسسة الأطباء للرعاية “doctorSHARE”، وهي منظمة غير ربحية في إندونيسيا تعمل على توسيع نطاق خدمات الرعاية الصحية لتصل إلى المناطق النائية باستخدام المستشفيات العائمة المحمولة على السفن.
وشملت قائمة المرشحين النهائيين عن فئة الغذاء كلاً من:.
– منتدى غزة للزراعة الحضرية، وهو منظمة غير ربحية في فلسطين تهدف إلى تمكين رائدات الأعمال في القطاع الزراعي في غزة لتعزيز الأمن الغذائي في مجتمعاتهن.
– “ريجين أورجانيكس”، وهي من فئة المؤسسات الصغيرة والمتوسطة في كينيا وتعمل على إنتاج البروتين المشتق من الحشرات لتغذية الماشية، والأسمدة العضوية لإنتاج المحاصيل البستانية.
– “سيميلا نويفا”، وهي منظمة غير ربحية في غواتيمالا متخصصة في إنتاج بذور الذرة المدعّمة.
شملت قائمة المرشحين النهائيين عن فئة الطاقة كلاً من:.
– “هاسك باور سيستم”، وهي من فئة المؤسسات الصغيرة والمتوسطة في الولايات المتحدة الأمريكية، وتعمل على نشر شبكات صغيرة مدعمة بالذكاء الاصطناعي لتوفير الطاقة المتجددة على مدار الساعة للمنازل والمؤسسات الصغيرة والعيادات الصحية والمدارس.
– “إغنايت باور”، وهي من فئة المؤسسات الصغيرة والمتوسطة في رواندا، وتقدم حلول الشراء بنموذج الدفعات الدورية (go-you-as-pay) بالاعتماد على الطاقة الشمسية لإمداد المجتمعات بطاقة الكهرباء.
– “كولبوكس”، وهي من فئة المؤسسات الصغيرة والمتوسطة في فرنسا، وتوفر من خلال نموذج التأجير المنتهي بالتمليك حلول التبريد بالطاقة الشمسية والمدعومة بنظام مراقبة قائم على تقنية إنترنت الأشياء (IoT) في المجتمعات غير المتصلة بشبكة الكهرباء.
وشملت قائمة المرشحين النهائيين عن فئة المياه كلاً من:.
– “عدادك”، وهي من فئة المؤسسات الصغيرة والمتوسطة في الأردن، وتستخدم أجهزة استشعار ذكية لاسلكية مدعومة بتقنيات “تعلّم الآلة” والواقع المعزز للكشف عن تسربات المياه المرئية والمخفية.
– “الماء والحياة” (Eau et Vie) هي منظمة غير ربحية في فرنسا، توفر صنابير مياه لمنازل الأسر الفقيرة في المناطق الحضرية، لتضمن بذلك إمكانية الوصول إلى المياه النظيفة في الأحياء العشوائية الفقيرة.
– “ترانسفورم” هي منظمة غير ربحية في الدنمارك، تستخدم تقنية ترشيح مبتكرة للتربة لمعالجة مياه الصرف الصحي والمجاري والرواسب الصلبة دون الاعتماد على الطاقة أو المواد الكيميائية.
و شملت قائمة المرشحين النهائيين عن فئة العمل المناخي كلاً من:.
– “كاربون كيور”، وهي من فئة المؤسسات الصغيرة والمتوسطة في كندا، والمتخصصة بتقديم حلول إزالة الكربون.. ويتضمن حلّها حقن ثاني أكسيد الكربون في الخرسانة أثناء مرحلة الإنتاج مما يقلل من حجم الانبعاثات بصورة فعالة دون التأثير على معايير الكفاءة والأداء.
– “مؤسسة استدامة الأمازون” هي منظمة غير ربحية في البرازيل، وتنشط في تنفيذ المشاريع والبرامج التي تسهم في الحفاظ على البيئة وتمكين الأفراد من حماية حقوقهم.
– “كيلب بلو”، وهي من فئة المؤسسات الصغيرة والمتوسطة في ناميبيا، والتي تسهم في استعادة الموائل الطبيعية في المحيطات والحد من فائض ثاني أكسيد الكربون في الغلاف الجوي.
أما المرشحون النهائيون عن فئة المدارس الثانوية العالمية فقد قدموا حلولاً مستدامة قائمة على مشاريع يقودها الطلاب وتم تقسيم المتأهلين إلى 6 مناطق جغرافية.. وشملت قائمة المرشحين النهائيين عن هذه الفئة كلاً من:.
– منطقة الأمريكيتان: مدرسة الحرية للأداء العالي “Colegio De Alto Rendimiento De La Libertad” (بيرو)، مدرسة “ليثيو بالدوميرو ليلو فيغيروا” (تشيلي)، “مؤسسة أوزوريس – مدرسة نيو هورايزنز” (الأرجنتين).
– منطقة أوروبا وآسيا الوسطى: “معهد نورث فليت تكنولوجي” (المملكة المتحدة)، المدرسة الرئاسية في طشقند (أوزبكستان)، مدرسة سبليت الدولية (كرواتيا).
– منطقة الشرق الأوسط وشمال أفريقيا: المدرسة الدولية (المغرب)، “جيه إس إس الدولية” (الإمارات)، مدرسة المتفوقين للعلوم والتكنولوجيا بالعبور (مصر).
– منطقة إفريقيا جنوب الصحراء الكبرى: “أكاديمية جواني ابراهيم دان هاجا” (نيجيريا)، مدرسة “لايت هاوس الابتدائية والثانوية” (موريشيوس)، “مدرسة يوساب المجتمعية” (زيمبابوي).
– منطقة جنوب آسيا: مدرسة الهند الدولية العامة (الهند)، مجمع كورت التعليمي (باكستان)، مدرسة أوبهيزاتريك (بنغلاديش).
– منطقة شرق آسيا والمحيط الهادئ: “مدرسة بكين 35 الثانوية” (الصين)، “كلية سوامي فيفيكاناندا” (فيجي)، “ساوث هيل” (الفلبين).
ويحصل كل فائز ضمن فئات الصحة والغذاء والطاقة والمياه والعمل المناخي على 600 ألف دولار، فيما تحصل كل مدرسة من المدارس الثانوية العالمية الست الفائزة على ما يصل إلى 100 ألف دولار.
Egypt’s Mayar Sherif continued her dominant rise in the tennis world at the BBVA Open Internacional de Valencia in Spain, winning the Women’s Tennis Association (WTA) 125 title and leaping into the Top 35 world singles ranking for the first time.
This is also the tennis champion’s second consecutive WTA 125 title, having clinched the WTA 125 Makarska Open trophy in Croatia on 11 June.
Sherif enjoyed a winning streak throughout the tournament, eventually defeating Spain’s Marina Bassols Ribera 6-3, 6-3. With this victory, Sherif, now ranked 31st in the world, maintained her remarkable record in WTA 125 finals, extending it to 6-0.
“I came into this tournament with great momentum from Makarska, and I wanted to capitalize on it,” expressed Sherif after her dominant display. “Right from the beginning of the tournament, I felt very comfortable, and I believe that reflected in my straight-set victories throughout.”
With an astounding 9-place leap to 31st place in the singles world ranking, Sherif is now the highest-ranked Egyptian tennis player in history – surpassing the legendary Ismail El Shafei’s career-high of 34th place.
Founded in Sweden by emerging creative Haisam Mohammed, fragrance brand UNIFORM is gaining momentum internationally. Here, Mohammed walks us through his creative process.
Haisam Mohammed often found himself drawn to the stairwells of the Swedish high rise buildings he grew up in. It was in these meeting points between homes that the scents from the different households would cascade – from cooking, incense burning, and spices.
The son of immigrants who had escaped the conflict in Eritrea, Mohammed’s upbringing saw him surrounded by many different cultures – inspiring a passion for design, architecture and beauty.
Fast forward to 2018, and he would channel this inspiration into his independent fragrance brand, UNIFORM – a vegan, cruelty-free range of perfume oils produced in France.
Blending the minimalism of Scandinavian design with transportive scents drawn from around the world, the brand recently captured the attention of A-COLD-WALL* founder, Samuel Ross, who selected it to receive a grant from his foundation supporting Black-owned businesses.
We caught up with Mohammed to talk about developing the range, how the beauty industry can become more inclusive, and why the future of luxury is sustainable.
Wallpaper*: How did UNIFORM come about as a brand?
Haisam Mohammed: Throughout my life, I have always sought for new formats to express and communicate different cultural messages, but the one format that always stuck in the back of my head, was scents.
So UNIFORM began as a passion project. My interest in scents started in the stairwells of the high-rises in Sweden. Both the one I grew up in, and the ones that I visited throughout my upbringing. The smell of food cooking, incense being lit and spices being blended used to sip through the cracks of the doors of these families and accumulate in a special scent that I have had with me throughout my life. Hence the name UNIFORM.
Talk us through your three signature scents in the range.
Maghrib, which means sunset in Arabic, is our first creation. It was inspired by the experiences of watching the sunset from the rooftops of the high-rises during summer nights. It has cedarwood and tobacco in it, and is the scent that I most clearly recognize from my childhood home and, as I later came to realise, the homes of many more ethnic families as they were cooking, burning incense, and blending spices in their home.
Limbo is inspired by my personal experience of the conflicting emotions that I experienced while commuting between the city center and its outskirts where I live. You either feel like it is an escape or a refuge – therefore the name Limbo. It’s our most complicated scent, with a combination of rhubarb, hay, and sandalwood.
Cassis is inspired by the first-millisecond of scent you experience when disembarking a plane at a new destination, preferably in the south of France. It’s a fig-scent with elements of sandalwood and coconut.
What was your experience of growing up in Sweden?
My experience growing up was split between two places. A small town in the northern part of Sweden and Stockholm. There were kids from the diaspora in both places, and we managed to build our own culture, way of life, and language to communicate based on our parent’s heritage and the cultures we now resided in.
We were probably the first generation that grew up with the internet, so I managed to discover things within music, arts, and even food that the previous generation could only dream of. During this time I also understood the power of culture and that it sees no geographical borders. I began to understand that a person living 4000 miles away in a city like New York could still be interested in the same things I was.
How does this mix of cultures express itself in your scents?
Not only does the mix of culture express itself in our scents, but also the format that is presented in. Perfume oil is not as big of a deal in the West as it is in some parts of Africa and in Asia. I wanted to introduce the format to a new audience but I have great respect from where it came from. I discovered perfume oil from my father’s collection, which was made up of scents he bought from the mosque and carried with him at all time.
How have architecture and design shaped the vision for UNIFORM?
They are a huge part of the vision. For our first installation display inside the department store NK, we commissioned the designer Simon Skinner to translate our brand into a physical art piece and the outcome became a structure inspired by the high-rises made out of limestone blocks.
In an architectural sense, the brand stands on the idea of the stairwell, not only just being a place where you move between different levels but also a gathering location. A place where great conversations are taking place about everything from art to science to politics.
In Sweden, a defunding of youth centers has been going on for years. Every winter when the youth centres were closed and we had nowhere to go, we always used a random stairwell as our meeting place/office/think centre until we got kicked out.
Redefining what luxury means is a key part of UNIFORM. Is this a shift you see happening in the world right now?
Definitely. In our case, we want to redefine what luxury must look like or where it comes from. In a standard measure, UNIFORM would not be considered luxury based on our background, where our story stems from, and how accessible we want our products to be. But luxury for us means high-quality products that are produced with a lot of care and attention to details. Luxury has nothing to do with heritage or who stands behind the brand.
The shift I see happening is that younger people’s aspiration has gone from wanting to buy luxury products to aspiring to buy sustainable products that they can show off. Sustainability is now the new luxury.
The packaging and design for the scents are very distinctive and minimal. How did you develop these?
UNIFORM was designed to be sleek and a product that you could carry around in your pocket or handbag at any time. It should be so convenient that you pick it up and apply a small amount throughout the day to feel your best. When it came to the bottle – the process was that it needed to be a statement piece to the degree that when you pull out the UNIFORM in public, everyone is intrigued.
Because the bottle draws a lot of focus, I wanted to keep the packaging very minimal and just include the essential information. I enlisted the help of my friend Fredrika Larsson who designed the logo and helped with the packaging.
How do you think the beauty industry can be more representative? Do you feel that any progress is being made?
In two ways. Either we hire people who truly get the need for representation and are going to make a difference. Or we start our own brands like Fenty.
The beauty world has been getting better at showing diversity in front of the camera, but behind the camera there is a long way to go. Directors, photographers, make-up artists, and more important – clients still lack knowledge about why representation is important. I’m starting to think that people who do not work towards more representation, just don’t want to see improvement for under-represented groups. In this day and age, it is no longer about not knowing how to go about it. There is plenty of information online that only requires a Google search. For example, my friend created the platform Afripedia which is a curated database that connects clients and individuals with top African creatives around the world.
To be able to create innovation and further an industry you need more perspective. That is scientifically proven. You need to be open to listening and trying to understand people who don’t come from the same walks of life as you. Inclusivity should not be seen as goodwill or something charitable. It should be seen as a crucial part of an industry or a brand that wants to survive in the future.
You recently received a grant from Samuel Ross and A-Cold-Wall’s foundation to support Black-owned businesses – how do you plan to use this to develop the brand?
I am very grateful to Mr. Ross that he is using not only his platform but also his brand’s capital to inspire and uplift Black-owned businesses. That is admirable. As somebody who has financed this brand solely from my pocket, I plan to use the grant towards the expansion of UNIFORM to different parts of the world.
I said to Samuel that the plan is to pass it forward. My philosophy is that when somebody opens a door for you, you must do the same for the next person. This grant is no different. I plan to give back the same amount to the next creative entrepreneur that I meet in the near future.
What is coming next for UNIFORM? Do you have plans to develop the product range further?
We are excited for UNIFORM to be accessible in new markets and sharing our work with a lot more people across the globe. We are also looking forward to collaborating with cross-disciplinary artists to find ways to experience our perfumes in different contexts that will challenge their perception of scent.
Mohamed Al-Fayed had waged a war of words with the British royal family after his son was killed in a car accident alongside Diana, Princess of Wales.
Mohamed Al-Fayed was an outspoken and successful Egyptian business tycoon. His death comes almost 26 years to the day after the car crash in Paris that killed his eldest son, Dodi, and Diana, Princess of Wales, on August 31, 1997.
Here are five points on the self-made billionaire:
1.Far from being the scion of a dynasty of cotton and shipping barons he made himself out to be, Fayed was the son of a poor Alexandrian schoolteacher who, after an early venture flogging lemonade, set out in business selling sewing machines.
2.He later had the good fortune to start working for the arms dealer Adnan Khashoggi, who recognised his business abilities and employed him in his furniture export business in Saudi Arabia. He became an advisor to the Sultan of Brunei in the mid-1960s and moved to Britain in the 1970s.
3.Fayed lived most of his life in Britain, where for decades he was never far from the headlines. But to his frustration, he was never granted UK citizenship or admitted into the upper echelons of British society.
4.The defining tragedy of Fayed’s life came in August 1997, when Dodi and Princess Diana died when a car driven by one of Fayed’s employees, chauffeur Henri Paul, crashed in a Paris road tunnel. For years afterwards, Fayed refused to accept that the deaths were the result of speeding and intoxication by Paul, who also died. The distraught Fayed accused the royal family of being behind the deaths and commissioned two memorials to the couple at Harrods.
5.According to Forbes list of the world’s billionaires, Fayed was worth $1.9 billion in November 2022. With a business empire encompassing shipping, property, banking, oil, retail, and construction, Fayed was also a philanthropist whose foundation helped children in the UK, Thailand, and Mongolia.
source/content: ndtv.com (headline edited)
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Mohamed Al-Fayed was born in Alexandria and was the son of a schoolteacher.
The work, of which only 30 copies were made, contains paintings drawn by David Roberts in Andalusia in 1832-1833.
King Abdulaziz Public Library in Riyadh has unveiled a 190-year-old book by British artist David Roberts.
The work, of which only 30 copies were made, contains paintings drawn by Roberts in Andalusia in 1832-1833 depicting a number of famous landmarks he visited in Spain.
Roberts used natural colors in the book’s 26 lithograph-printed and hand-colored paintings.
Most of the painting are devoted to Arab-Islamic monuments and palaces in Andalusia, as the book offers splendid and beautiful images of Granada and the Alhambra Palace and the fine details of Islamic architectural inscriptions.
The leather-bound book’s pages are between 38 an 53 cm in size, whereas the spine bears a gilded title and decorations with words printed in black. The covers have geometric drawings, in addition to gilded and polished edges.
The Library acquired the book in 1997 when it obtained it from the library of King Don Carlos I of Portugal.
David Roberts, who lived between 1796 and 1864, was considered one of the most prominent British painters in the 19th century and was one of the few who worked in this art form during his time.
His style of painting was easy to recognize as lithography was the only method during that time to produce accurate, true-to-life images.
Roberts was a scene painter at the Theater Royal in Edinburgh, and produced a group of oil paintings that included scenes from England, Scotland, France, and Belgium.
He toured Egypt and Syria and published a six-volume book, three of which were drawings in Egypt, and three were paintings in Syria, Lebanon, Palestine, and Jordan.
source/content: arabnews.com (headline edited)
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The Library acquired the book in 1997 when it obtained it from the library of King Don Carlos I of Portugal. (SPA)
Moroccan Engineering Lab won two prestigious awards at the International Innovation Salon in Toronto, Canada.
Smarti Lab, a research laboratory affiliated with the Moroccan School of Engineering Sciences (EMSI), claimed two gold medals and two prestigious awards at the iCAN 2023 International Innovation Exhibition held in Toronto, Canada.
The lab’s winning invention is called the “Smart Wastewater Treatment Station” (SGWT), which is a “green, and mobile” wastewater treatment station.
According to a statement from EMSI, the innovation addresses a critical global issue and represents a “significant leap forward” in sustainable water management.
The smart wastewater treatment station was in response to the current global water crisis, EMSI said in the statement.
The second medal went to the “Meat Quality Verification System” (SMT), a system that offers a “simple and rapid solution for assessing the quality of various types of meat.”
The solution relies on mechanisms that analyze meat quality using specialized integrated units. The system addresses critical health and safety concerns related to meat consumption, the statement explains.
Over the years, EMSI secured a number of awards for innovation. The engineering school has won a total of 85 awards and medals on both national and international fronts.
Engineers from the school previously participated in international innovation competitions such as ICAN in Canada, Silicon Valley in the United States, the International Innovation Exhibition in China, ISIF in Turkey, Intarg in Poland, and EuroInvent in Romania, among others.
The Canada exhibition was held from August 23 to 26, and it featured participants from 50 countries with over 800 inventions.
Egypt’s Grand Mosque in the New Administrative Capital
According to the explanation, Egypt’s Grand Mosque obtained three international certificates from the Guinness World Records.
The first was for the largest pulpit in the world with a height of 16.6 meters, handcrafted from the finest types of wood.
The second and third were for the main chandelier of the mosque, being the heaviest chandelier in the world of 50 tons, and it being the largest chandelier with a diameter of 22 meters and four levels.
Egypt’s Islamic Cultural Center in the New Administrative Capital
Egypt’s Islamic Cultural Center in the New Administrative Capital is a great achievement and one of the most important projects established in the New Administrative Capital.
The Islamic Cultural Center was established in the new capital on an area of 15,000 square meters. It has a large place for services, as well as a group of spacious and multi-storey garages, with a capacity of about 4,000 cars.
Last week’s Arabian Flavour Festival in the Dutch capital celebrated Arab culture, cuisine, crafts
‘It’s all about sharing love, identity and culture,’ organizer tells Arab News
The first edition of the Arabian Flavour Festival took place in Amsterdam last Saturday.
In an intimate outdoor setting, the festival celebrated the diversity and richness of Arab culture, cuisine and crafts.
Organizer Shadow, originally from Syria, said his aim is to create a platform for promoting both international and Middle Eastern artists, for people to mingle and to share their cultures through storytelling and arts.
Set in the idyllic Tolhuis garden, a cultural and culinary meeting place in Amsterdam, the one-day event welcomed over 1,000 visitors from different backgrounds.
Organized by The Shadow Projects, the festival featured two stages with performances by dancers, singers and poets, along with a dabke workshop, pop-up food and merchandise, all within an Arabian atmosphere.
“It’s called Arabian Flavour because there’s a flavor of Arabic culture, but at the same time it’s an opportunity for people to integrate,” Shadow told Arab News.
“There’s always a performance other than Arabic to let people understand that this isn’t an Arabic party (but) just an Arabian Flavour.”
The idea started after Shadow starred in the documentary “The Story Won’t Die” about Syrian artists in Europe and America, from award-winning filmmaker David Henry Gerso.
In 2021, because of Shadow’s efforts, the documentary was showcased at the International Documentary Film Festival Amsterdam, whereafter the concept gained more and more traction.
Initially, it began as a gathering showcasing talents at home, but expanded to various stages throughout Amsterdam, and now the Arabian Flavour Festival is the biggest such festival in Europe, according to Shadow.
The organization places significant emphasis on diversity and inclusion. “If you’re an Arabic singer who isn’t well known, you don’t have work anymore if you move to Europe,” he said, adding that Bottom of Form the festival is open to whoever wants to perform.
The organizers state: “It is magical to see people who share their passion, and it is most important that they express themselves authentically.”
Among the performers was DJ Maherrie, a Syrian DJ who amazed the audience with a fusion of Middle Eastern melodies and modern European rhythms to raise awareness of his heritage.
Dutch singer-songwriter Maxine Zain shared her hopes of inspiring people with her heartfelt songs, and specifically highlighted her enjoyment in seeing traditional Arabic music connecting well with the artistry of Dutch artists like herself.
Pauline Koning, a passionate self-taught Dutch musician and belly dancer, made an impact with her performance of her own song “Kefaya Ghyab.”
In her music, she blends Arabic, Western, and Yemeni musical elements, drawing inspiration from her nostalgic love for Umm Kulthum, and praises the language’s poetic nature and rich emotional vocabulary.
The Arab tradition of belly dancing, Koning said, “represents a powerful symbol of empowerment for all women, not only embodying archetypes but also having the power to transfer certain emotions.”
Shadow earned his name for his ability to bring subcultures from the shadow into the light, and the event lived up to this name as confirmed by visitors’ reviews. “I’m very curious about Arab culture. It’s a refreshing perspective opposite Dutch traditions,” said one visitor.
Another visitor attended the festival as an opportunity to connect with language partners and practice Arabic.
Three friends from Yemen were interested to meet Dutch people and exchange stories about their respective cultures.
Aside from the Arabian Flavour Festival, they also host monthly Arabian Flavour Nights. “The dream is to, in the next year or so, organize a three-day festival,” but in the end “it’s all about sharing love, identity and culture,” Shadow said.
All the projects are funded by the Amsterdam Fund for the Arts.
source/content: arabnews.com (headline edited)
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The first edition of the Arabian Flavour Festival took place in Amsterdam last Saturday. (Instagram/@theshadow.amsterdam)