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Prime Minister Mostafa Madbouli attended Tuesday evening the signing of an agreement between the Ministry of Electricity and Renewable Energy and the Abu Dhabi Future Energy Company (Masdar) to allocate a land plot for the establishment of a $10-billion wind farm whose capacity will be 10 gigawatts, making it the world’s largest.
Masdar will operate within a consortium that includes Infinity Power and Hassan Allam Utilities. The project is estimated to save $5 billion in natural gas costs per annum, and reduce carbon emissions by 23.8 million tons, which is nine percent of Egypt’s annual emissions.
The farm will produce 47,790 GWh of clean energy every year contributing in Egyptian efforts aimed at making the share of renewables in the energy mix 42 percent by 2035.
The initial agreement was signed on the sidelines of COP 27 held in Sharm El Sheikh in November, so as the signing was attended by President Abdel Fatah al-Sisi and Emirati counterpart Sheikh Mohamed Bin Zayed.
The event highlighted Moroccan caftan as a key part of Morocco’s cultural identity and diversity.
The UNESCO headquarters in Paris hosted on Tuesday evening a spectacular fashion show displaying the vibrant colors and captivating designs of Moroccan caftan. The show was part of the African Week taking place between June 5 and 9.
The event showcased the work of Moroccan designer Fatima Zahraa Al-Filali Al-Idrisi, the visionary creator behind the renowned brand “Fatim Haute Couture Made In Morocco.” She had been specifically invited to represent Morocco at the show.
With an atmosphere infused with the melodies of Tarabi and Andalusian heritage, the Moroccan designer mesmerized the audience with her unique collection of Moroccan caftans.
She showcased “an original variety of Moroccan caftans resembling historical, vibrant, and pleasant works of art,” indicated a press release.
The statement added that Al-Idrisi’s designs “embodied both the luxury and honor of this traditional national garment, the Moroccan caftan, which has remained an authentic and refined heritage throughout different periods and generations.”
Exuding opulence and prestige, each garment embodied Morocco’s rich cultural, historical, and civilizational legacy.
The fashion event saw a harmonious blend of international, African, and Maghreb presence, convening diplomats, professionals, entrepreneurs, artists, media representatives, and members of the African diaspora residing in France.
With her participation in the event, under the theme “Authentic National Heritage,” Al-Idrisi aimed to highlight and celebrate Morocco’s cultural diversity and bring the international audience closer to the different cultural realms that shape the Moroccan identity.
From the Sahrawi caftan to the Amazigh caftan and the Moroccan Jewish caftan, the Moroccan designer showcased a wide range of styles, incorporating regional dimensions, including the Fassi, Rbati, Atlassi, Shamali (Northern), Sharqi (Eastern), and Janoubi (Southern) designs.
The spectacle also celebrated the craftsmanship and attention to detail involved in the creation of Moroccan caftans. This included the fabrics, textures, and captivating colors used in the caftans varied according to regions, customs, occasions, and seasons.
The event also showcased Moroccans’ mastery of caftan styling techniques, embroidery, and ornamentation, a testament to the creative skills and dedication of the North African country’s artisans.
In line with the African Week’s objective of showcasing the continent’s cultural and artisanal heritage, Al-Idrisi incorporated “prominent authentic accessories that enhanced this elegant garment,” added the statement.
The accessories included hand-women and embroidered pouches, headbands, crowns, belts, woven and metallic trims, traditional brooches, earrings, and necklaces.
Adorned with coral and gemstones, the accessories enhanced the overall charm of the caftan designs.
Avionav managed to export the first Tunisian-made helicopter. The Tunisia-based aircraft manufacturer company is gearing up to deliver more helicopters as it has embarked on the manufacturing of light utility helicopters. The company has been exporting its aircrafts to countries throughout Europe, Africa, the Middle East and the Americas.
Avionav is a Tunisian aircraft manufacturer that produces light aircraft for recreational and training purposes. The company was founded in 2007 in Mateur, Bizerte, by two Italian manufacturers. Later, a group of Tunisian engineers acquired it and relocated its main production facility to Sousse, Tunisia.
Avionav currently produces two models of light aircraft: the AV3 and the AV4. The AV3 is a two-seat, low-wing monoplane designed for training and recreational flying. The AV4 is a four-seat, high-wing monoplane that can be used for a variety of purposes including transportation, agricultural, advertising banner transportation, and surveillance. The company does also offer maintenance, repair, and overhaul services for its own aircraft as well as for other aircraft types.
“Since then, we’ve been doing our utmost to provide total customer satisfaction by providing high-quality, top-of-the-line products at 30% lower prices than our competitors,” Kamel said.
More than 1,300 of its models are currently flying, and roughly 40 light aircrafts (two to four passengers) are produced annually.
The company’s market includes the United States, Europe (Belgium, France, Italy, and Spain), Latin America (Brazil and Argentina), Asia/the Middle East (Pakistan, the United Arab Emirates, and Iran), and Africa (Tunisia, Algeria, Senegal). According to Kamel, new markets such as Costa Rica, the Czech Republic, and Qatar are being explored.
“Africa is an extremely lucrative market. We are presently in negotiations with Senegal and Mauritania,” he stated.
Any of the company’s aircraft can be delivered one month after being ordered. Which is “quite rare” in this industry, Kamel says with pride.
Due to its numerous advantages, the company chose carbon fiber for its Rally aircraft with large wings. It has certifications from ultralight aircraft manufacturers (ULM) and light sport aircraft (LSA).
The fifth general session of the Arab Parliament, under Speaker Adel al Asoomi, kicked off on Saturday at the Arab League’s General Secretariat headquarters in Cairo.
The session is set to discuss a number of issues, including political and security developments in the Arab region.
The session will also debate an economic file on a bill to increase renewable and clean energy investments in the Arab world.
The lawmakers are set to discuss preparations for holding the second edition of the Arab forum on strengthening economic integration among Arab countries.
The parliament will consider a report on the social situation in the Arab world and will discuss enacting a law to counter bullying and family violence in the Arab region.
Al-Samaani and Tabbi will serve in their roles for two years.
Saudi Justice Minister Waleed Al-Samaani has been elected head of the executive office of the Council of Arab Justice Ministers, the Saudi Press Agency reported.
Abdul Rashid Tabbi of Algeria was elected deputy head. Both will serve in their roles for two years.
The announcement came on Wednesday during the 71st session of the executive office, held at the Arab League’s headquarters in Cairo.
source/content: arabnews.com (headline edited)
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Saudi Justice Minister Waleed Al-Samaani attends 71st session of the executive office of the Council of Arab Justice Ministers. (SPA)
During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing”.
When thinking of the oldest universities in the world, probably the first ones that come to most people’s minds are Oxford and Bologna, but according to UNESCO and the Guinness World Records, Al-Qarawiyyin University (also written as Al-Karaouine) is the “oldest existing, and continually operating educational institution in the world.”
Founded in 859 A.D. by Tunisian-born Fatima al-Fihri in Morocco’s Fez, the university is not only the oldest higher education institution on Earth but also the first to be founded by a Muslim woman. Fatima used her inheritance from her merchant father’s wealth to found the university which started as an associated school – known as a madrasa – and a mosque that eventually grew into a place of higher education. It also introduced the system of awarding degrees according to different levels of study in a range of fields, such as religious studies, grammar and rhetoric. Though the university first focused on religious instruction, its fields of study quickly expanded to include logic, medicine, mathematics and astronomy, among many others.
The University of Al Quaraouiyine became a state university in 1963 and now awards degrees in Islamic, religious and legal sciences with an emphasis on classical Arabic grammar and linguistics and law.
Interestingly, teaching is still delivered in a very traditional manner, whereby students are seated in a semi-circle around a Sheikh (Islamic scholar), who prompts them to read sections of particular texts, asks them questions on aspects of grammar, law, or interpretation, and explains difficult points. Education at the University of al-Qarawiyyin concentrates on the Islamic religious and legal sciences with a heavy emphasis on, and particular strengths in, Classical Arabic grammar/linguistics and Maliki Sharia, though lessons on non-Islamic subjects are also offered to students. Teaching is still delivered in the traditional methods. The university is attended by students from all over Morocco and Muslim West Africa, with some also coming from further abroad. Women were first admitted to the institution in the 1940s
Fatima al-Fihri was born in 800 A.D. She was the daughter of Mohammed Bnou Abdullah al-Fihri – a rich merchant who settled in Fez with his family during the reign of Idris II.
Fatima’s family was part of a community called the “Qarawiyyin” (the ones from Qayrawan) whose two thousand families migrated from Qayrawan in Tunisia, to Fez in Morocco which was then under the rule of Idris II, a respected and devout ruler.
After the community was banned by the local ruler. The caravan included Fatima’s father Muhammad bin Abdullah Al-Fihri, and sister Mariam. Fatima was well versed in classical Islamic learning such as fiqh (jurisprudence) and hadith (Islamic traditions based on Prophet’s life). She inherited a large fortune from her merchant father which she used to build the university. She personally supervised the entire gigantic enterprise, from putting up the foundation to the functionalizing of these institutions. When she embarked on her mission, she had lost her father, husband, and brother – all primary sources of support and protection for a woman. Any other woman would have retreated to the backwaters of domestic life. But Fatima appears to have been an extraordinarily inspired and determined woman with steely grooves. All her great achievements came during periods of loneliness and in circumstances when women normally shun the world and seek the company of the home.
During her lifetime, Fatima was called the “mother of boys”. According to historian Mohammed Yasser Hilali, “this nickname probably stems from her charity and the fact she took students under her wing.” Fatima al-Fihri herself is considered a saint and she is much respected among the believers especially in Fez. In 2017, a prize was created in Tunisia in her honor. It rewards initiatives which encourage access to training and professional responsibilities for women. Furthermore, an academic program and a scholarship given to students from Europe and North Africa pay tribute to Fatima al-Fihri.
The University of Al-Qarawiyyin (also Al-Karaouine), which was then just called a madrasa (an institute of religious learning), was 30 m long, with a courtyard, a large library, and several schoolrooms. Although initially only the Qur’an and related religious lessons were taught, many other courses of study, like mathematics, medicine, Arabic grammar, history, geography, astronomy, chemistry, music and logic were soon introduced. Fatima studied there herself, along with her students, and awarded them degrees once they completed the courses: a degree that was chiseled onto a wooden board, which is now displayed in the university’s library. She also conducted debates and symposiums periodically for her students, producing politically-aware individuals.
With these innovative ideas, Fatima al-Fihri had not merely founded the first university but had introduced the concept of awarding degrees that is now an essential part of modern higher education.
In fact, the university produced many celebrated intellectuals and historians who are still known to this day: the Islamic philosopher Ibn Rushd, Andalusi diplomat and geographer, Hassan al-Wazzan and historian and thinker Ibn Khaldun, the famous Jewish philosopher, Moses Ben Maimon and Aka Maimonides.
The Christian scholar, Gerbert of Aurillac, who later became Pope Sylvester II, is believed to have visited the university several times. His visits helped him introduce Arabic numerals and the concept of zero to Europe. The University of Al Qarawiyyin is still considered a leading religious and education institution in the Muslim world. The university has moved away to another part of Fez, but the mosque and the library remain at the ancient complex. The University of Al-Qarawiyyin is the oldest existing, continually operating and the first degree awarding educational institution in the world according to UNESCO and Guinness World Records and is sometimes referred to as the oldest university.
(M Ahmad is a regular writer for this newspaper and can be reached at specialachivers78@gmail.com)
Well-known Egyptian soprano Neveen Allouba will be awarded France’s Ordre des Arts et des Lettres in the grade of Chevalier (Knight) by France’s ambassador to Cairo next week.
Allouba’s award for exceptional achievements in the Egyptian music scene follows decades of work in the many aspects of the country’s cultural scene.
Born in 1955, she is among the best known personalities of the Egyptian music scene, with substantial influence outside the country.
Her career includes working with the Cairo Opera Company, where she has performed in countless operas. She has taught numerous young singers and both founded and directed many successful creative endeavours of the Fabrica musical theatre company.
As a young girl, Allouba had dreams of becoming an actress, but was not supported by her family. Instead, she turned to playing piano and singing, graduating from the Cairo Conservatory in 1978.
She was granted scholarships from the Deutscher Akademischer Austauschdienst (West German Cultural Exchange) and the Friedrich-Naumann Foundation to study opera performance and vocal pedagogy at the Hannover Hochschule fur Music and Theatre where she deepened her singing techniques and eventually obtained a doctorate in 1988.
During her decade-long stay in Germany, Allouba performed as soloist at the Detmold Opera. She also performed in other European operas and theatres and across the Arab world at that time. In 1985, she won the first prize in the female voice category of the competition for young opera singers in Berlin.
Upon her return to Egypt, the soprano became a soloist at the Cairo Opera Company, becoming the first female singer to perform in the newly opened Cairo Opera House. As her singing career progressed, Allouba coupled her performances with her teaching career at the Cairo Conservatory, Cairo Opera Development Centre, University of Alexandria and the American University in Cairo where she is an adjunct professor of voice. She also participated as a jury member in a number of singing competitions.
Some of her students went on to continue their education outside Egypt and thrived as internationally renowned singers.
These include Farrah El-Dibani, a mezzo soprano who performs at the Paris Opera; the Germany-based Rita Sebeih, the lead role of Jasmine in the Disney German production of Aladdin; Nesma Mahgoub, winner of the eighth season of the Star Academy Arab World; Fatma Said, a soprano who was the first Egyptian to join the Academy of Milan’s Teatro alla Scala before launching a big international career.
Fabrica chapter
In mid-2010, Allouba founded the Fabrica musical theatre company, through which she trains, develops and promotes new voices.
Fabrica’s pilot production of Mozart’s opera The Magic Flute in Egyptian Arabic was staged in collaboration with the Bibliotheca Alexandrina in 2011.
In 2013, the company premiered Les Miserables in Egyptian Arabic and even toured in the USA. It experienced an additional boost in popularity when it was promoted by the internationally famous Egyptian comedian Bassem Youssef.
This was only the beginning of many successes of Fabrica and its members. Its successes include performances of Brecht’s Threepenny Opera and adaptations of local shows including El-Leila El-Kebira by Salah Jaheen and Sayed Mekawy, in addition to rock, jazz and Disney concerts.
Fabrica also performed during the inaugural El Gouna Film Festival’s opening ceremony (2017), the SNL Bel Araby’s 50th episode celebration, the Egyptian Media and Production Company’s 20 year anniversary and the Intra-African Trade Fair (2018), among other events. Fabrica was brought to light again, as the company won the award for Best Music Video at the ninth annual MoziMotion festival, held in Hilversum, the Netherlands (October 2019) for Mercury Rising: A Queen Tribute, released in January 2019 (a few months after Bohemian Rhapsody was released in theatres).
Overdue recognition
Allouba’s portfolio and well-established position in the field combines many operatic appearances as well as an unconditional belief in the young generation and a natural – almost motherly – dedication to support and promote young talents, while offering to the Egyptian audiences valuable performances.
It’s worth mentioning that most recently, Allouba was appointed director of the new Arkan Theatre in Sheikh Zayed.
The award comes after Allouba’s decades of perseverance and work that often lacked sufficient limelight. It is an important recognition, if overdue, for an artist whose work has created a strong impact on many singers of more than one Egyptian generation.
The France’s Order of Arts and Letters will be awarded to Allouba during a ceremony held at the French Embassy in Cairo, in the first week of June.
Over the past years, a number of Egyptian figures have also been awarded the Knight of the Order of Arts and Letters in the grade of Chevalier.
They include Egyptian novelist and Nobel laureate Naguib Mahfouz, novelist and journalist Gamal El-Ghitani, visual artist and women’s activist Inji Aflatoun, novelist Alaa al-Aswany, theatre director Ahmed El Ettar , composer and conductor Hisham Gabr , producer and scriptwriter Mohamed Hefzy, mezzo soprano Farrah El-Dibany , artist Karima Mansour , among others.
Also the Tunisian-Egyptian actress Hend Sabry is among the recipients of the award in grade of the Commander.
Egyptian businessman said Rishi Sunak had shown himself to be ‘very capable’.
The Conservative party has received its largest donation in more than two decades from an Egyptian-born, British-based billionaire.
Mohamed Mansour has given the party £5 million ($6.2 million) and thrown his backing behind Prime Minister Rishi Sunak, saying he understands “how growth is generated in the modern economy”.
Writing in The Telegraph on Monday, Mr Mansour, who previously spoke to The National for an Arab Showcase feature, said Mr Sunak had shown himself “to be very capable”.
He wrote: “He gets the importance of technology and innovation. He can make the modern economy work for all UK citizens.”
The £5 million donation is the second largest individual gift on record to a political party, after Lord Sainsbury of Turville gave £8 million to the Liberal Democrats in 2019.
And it matches the £5 million donation to the Conservative Party by Sir Paul Getty in 2001. Mr Mansour’s gift has contributed to one of the party’s most successful first quarters of donations in recent years.
“I believe that this country has a very capable Prime Minister,” he wrote.
“My confidence in the Prime Minister is why I was proud to become a senior treasurer of the Conservative Party last December. I want to give him the best chance of having a full five-year term and so have donated £5 million to the party’s election fighting fund. I look at what he has achieved in his first months in office and think what he could do in five years.”
‘I had to do something in my life’
Mr Mansour has overseen the expansion of his family’s company, which has grown from its early beginnings as a cotton exporter to the global conglomerate it is today, with revenue of more than $7.5 billion.
He told The National in 2021 about how a period of convalescence aged 10 gave him the impetus he needed to go on to succeed in life.
Week after week he lay in plaster recuperating from horrific injuries after a car hit him as he was crossing the street.
The doctors had wanted to amputate his leg, but the headstrong boy refused, vowing to stick it out as long as necessary. It took three years.
Mr Mansour looks back on the episode as a part of his life when his father taught him how to be a good entrepreneur and an honourable man.
“That’s when I developed in me that I had to do something in my life,” he told The National.
The billionaire learnt as a boy the importance of a strong work focus, determination, vision and priorities, but also trust, understanding, empathy and loyalty that goes both ways.
“People who love and respect you will do anything for you, I find, and vice versa,” Mr Mansour said.
They are the qualities he credits for his successful leadership at the helm of the Mansour Group, which has a presence in 100 countries and 60,000 employees.
The Egyptian cotton trading company was founded in 1952 and run by his father, Loutfy Mansour.
“My father always told me: ‘Mohamed, you’re a very special young man because of the strength you showed when everybody was saying that we have to amputate the leg. You’re telling the doctors, ‘No.’
“I said, ‘No’,” Mr Mansour recalls, with an edge to his voice, “and I meant it.”
Family’s home seized
The fortune that his father amassed as a textiles trader was lost in 1963 when the business was nationalised by the Egyptian government.
Mr Mansour’s childhood home, with its 40 rooms and 30 staff was confiscated, and his father went from feted capitalist to persona non grata on a state income of $75 a month.
He explains how his life changed overnight, with his family unable to support him while at university in the US, forcing him to trade in his car and work as a waiter.
Back in Egypt, his father was left trying to support the family on a meagre salary, which left Mr Mansour with a lifelong belief in the importance of political stability, property rights and the rule of law.
Mr Mansour joined the company in 1973 and took it in a new direction, forming a strategic partnership first with the automotive multinational General Motors and then with the construction equipment manufacturer Caterpillar. Other leading brands, such as Philip Morris, Peugeot, MG and McDonald’s would follow.
Mr Mansour and his two brothers continued to steer the company to success after their father’s death in 1976.
In 2005 Mr Mansour stepped back from his business to serve in the Egyptian government, spending almost four years trying to modernise the country’s transport infrastructure.
In the article on Monday he says: “But when I had finished that period of service, I knew there was one country where I wanted to base my business. A place where the rule of law is paramount, property rights are respected and with an enviable record of political stability. This country: the United Kingdom.”
He says he loves and respects the country, which has welcomed himself and his family so warmly.
“It has a proud history and noble traditions. I believe that it has great days ahead of it. I want to do what I can to help this country – the place where I am watching my grandchildren grow up – achieve its great potential,” he adds.
The authority said the forum is an opportunity to learn from regional and global experiences and to share best practices in safeguarding competition and combating monopolistic practices.
Saudi Arabia will host the fourth Arab Competition Forum, organized by the UN Economic and Social Commission for Western Asia, the UN Conference on Trade and Development, and the Organization for Economic Co-operation and Development.
The General Authority for Competition said that Saudi Arabia’s hosting of this forum emanates from its pioneering role in organizing events and forums aimed at upgrading the level of cooperation with other Arab countries to enhance fair competition in the markets, raising the level of consumer welfare in Arab countries, and stimulating enterprises to develop and innovate.
The event will take place from May 23–24 with the involvement of other competition agencies from fellow Arab countries and more than 15 experts and representatives from international agencies and organizations involved in the competition.
The authority said the forum is an opportunity to learn from regional and global experiences and to share best practices in safeguarding competition and combating monopolistic practices.
It focuses on discussing mergers and acquisitions, as well as enhancing the effectiveness of competition authorities in developing countries.
It also examines best practices for planning and conducting market studies as well as concerns arising from abuse of dominance in digital markets.
The forum was first launched in 2020 and aimed at establishing a continual knowledge-sharing platform on competition policy and enforcement for Arab stakeholders.
It advances advocacy and knowledge, builds capacity on best practices in competition across the Arab region, and facilitates coordination and collaboration at the national, regional and international levels.
Founded by Egyptian filmmaker Hayat Aljowaily, ‘Kalam Aflam’ is spotlighting emerging Arab artists in Paris.
As Egyptian and Arab artists continue to explore new mediums and voices around the world, experimenting with themes rooted in their respective local identities, one Egyptian filmmaker in France found herself yearning for a community, and so she became a host for one. With a belief in the power of the collective, Hayat Aljowaily founded ‘Kalam Aflam’, a space for emerging Arab artists in Paris and beyond.
‘Kalam Aflam’ launched its first event this May at Point Ephemere, Paris, under the theme ‘Coming of Age’, which hosted a series of art installations, short films and musical performances centring around the same theme. “This is a project that I was dying to make happen for three years, and so the theme ‘Coming of Age’ felt very fitting for our first event,” Hayat Aljowaily tells CairoScene. “It – or we – are something that is ‘becoming’.”
Like many Arabs in the diaspora, Aljowaily can sometimes feel like her experience isn’t Western enough or Arab enough. Within the folds of ‘Kalam Aflam’, however, she looks to surround herself with artists who share in her experiences.
“As an Arab artist living abroad, one always feels like they’re in between. But when you’re part of a community of people who look like you or have similar experiences, it changes everything,” Aljowaily says. “It was so refreshing to be in a space where I’m not the only Arab woman, my friends had to look around within a sea of familiar faces to spot me.”
Through an upcoming series of public arts and cultural events, ‘Kalam Aflam’ offers up a space for self-expression and a blossoming creative narrative for those on the lookout for a home. Aljowaily and her partners, Palestinian communications specialist Abood Al Bakri and Lebanese art director Katja Kanaan, continue to open doors for emerging voices, carving out a space for themselves while spotlighting stories waiting to be told.
