EGYPTIAN-AMERICAN: Cambridge University shaped Mohamed El-Erian’s illustrious career and now he’s giving back

In our continuing series of inspiring life stories across continents, we hear about the Egyptian-American economist’s battle to overcome institutional prejudice.

It was speech day in the last week of secondary school when Mohamed El-Erian might have been forgiven for thinking that all lessons had come to an end, but there was one more in store for the unsuspecting student.

Seated in the audience, flush with the thrill of winning a scholarship to read economics at Queens’ College, Cambridge, Mohamed was listening as the roll call of the cohort’s achievements was read out.

The teenager, an Egyptian-American, was the only foreign pupil at St John’s, Leatherhead, then a private boys’ boarding school in a leafy town just south of London, and one of two in the year to have gained entry to Oxbridge, the duopoly of grand ancient seats of learning in the cities of Oxford and Cambridge.

The feeling of being about to go up to Cambridge was “incredible, absolutely incredible”, yet when the headmaster wrapped up the announcements there had been no mention made of any El-Erian. Nor was his honour logged, like that of the other successful applicant, on the school record.

Mr El-Erian, now 62, known to millions as a globe-trotting economist who has shaped thinking about historic twists in the world’s fortunes, was recently elected as president at his alma mater at the University of Cambridge, the place that equipped him so well for his stellar future.

But back in the 1970s, the struggle for recognition with his old school was to last almost the entirety of his undergraduate degree and would inadvertently serve “as an indication of the institutional racism that was still ripe at that time” in England.

To this day, Mr El-Erian, credits one of his masters at St John’s School, Bill Chubb, for not only inspiring him to succeed but for taking up the three-year fight to have the school and its headteacher recognise that triumph.

Fast forward more than four decades and the circle has completed in proper order. “Our congratulations to Dr Mohamed El-Erian (West 1973-1976) on his election as the 42nd president of Queens’ College, Cambridge,” announced a recent issue of the school’s The Old Johnian publication. “He will take up office from October 2020. Mr El-Erian won a scholarship from St John’s to read economics at Queens’ College.”

The new president of the college founded in 1448 arrived in post six months after the pandemic hit. His social media feeds are filled with scenes from across the picturesque city, whether of the Mathematical Bridge, the 270-year-old wooden structure he wanders over to reach the half-timbered lodge where he now lives, or the surrounding countryside he walks in with his beloved dog Bosa.

Unsurprisingly, one of the key objectives he aims to deliver on is expanding access to the college to more people from diverse and less advantaged backgrounds.

He also wants to encourage students “to do even better what they already do well”, which he himself learnt after arriving at Cambridge full of worries about being able to keep up academically, making friends or fitting in.

“It took me some time to get over this ‘imposter syndrome’ and, returning for my second year, I had a noticeable bounce in my step,” Mr El-Erian tells The National.

However, when he went to the customary beginning of term meeting with his director of studies in economics, Andy Cosh, he was asked how he thought it had gone so far.

“When I responded ‘great’ to his question about my first year, he immediately said: ‘You could and should do so much better.’ That remark had a notable impact on me. And I took it to heart.

‘With a mix of renewed determination and nervous excitement, I tried to do both more and better. I was fortunate enough to end up getting a first class honours degree, captain of the football team, on the squash team, and making amazing friendships that have lasted to this day. Moreover, every year was more fun than the previous one.”

Mr El-Erian, though, credits the entire experience of studying at the revered institution for broadening his horizon, exposing him to robust academic discussions, providing key analytical tools, and introducing him to interdisciplinary approaches.

Knowledge gains such as these propelled him on to the world stage. His career began at the International Monetary Fund in 1983, straight after a doctorate in economics at the University of Oxford.

Joining the Washington-based lender had never been part of his initial plan, though. “I had intended to be an academic,” he says.

When his father died suddenly, Mr El-Erian felt an imperative to find a higher-paying job than one in academia to help his “amazing mother” support his seven-year-old sister.

“The IMF ended up being an outstanding experience, exposing me to remarkable economic and financial policy issues at a relatively young age,” he says.

After 15 years, he moved into the private sector with Salomon Smith Barney/Citibank in London, where he wanted to understand how finance and “the plumbing of the international economy” worked.

It was not long before the axiom “when El-Erian speaks, Wall Street listens” was coined.

From there, he joined the global investment management company Pimco in 1999 as head of emerging markets portfolio management, latterly becoming chief executive and co-chief investment officer of the then $2 trillion investment fund.

Until, that is, the father of two got an unexpected memo, received after telling his 10-year-old daughter to brush her teeth. “She asked me to wait a minute, went to her room and came back with a piece of paper. It was a list that she had compiled of her important events and activities that I had missed due to work commitments,” he said in a 2014 interview. Jotted down were 22 milestones for which he had been absent: her first day of school, first football game, Halloween parades, several recitals.

“Talk about a wake-up call … my work-life balance had gotten way out of whack, and the imbalance was hurting my very special relationship with my daughter.”

Famously, he quit. Afterwards, he invested more time in his family and became economic adviser to the management board at financial services company Allianz, a role he still holds part-time today.

He also wrote The Only Game in Town, his second New York Times best-seller, on the protracted policy over-reliance on central banks. His first book, the award-winning When Markets Collide, which highlighted the growing fragilities and the likelihood of major meltdown, was published just before the 2008 global financial crisis.

Writing – books and economic analysis articles for media organisations – helps expose gaps in his knowledge and discipline his thinking process.

It is a personal philosophy inspired by his father, who gained a doctorate on scholarship to Columbia University, was a professor at Cairo University and later joined the diplomatic service with postings to the United Nations mission in New York and the embassies in France and Switzerland. He was then elected judge of the International Court of Justice in The Hague.

As a consequence, Mr El-Erian’s upbringing was very international. He was born in New York and schooled there as well as in Cairo, Paris and St John’s, where his Egyptian parents hoped to give him the stability of learning one academic curriculum in one language – he speaks four: English, French, Arabic and Spanish – and the chance to make friends.

There was a particular interaction with his father that stands out in Mr El-Erian’s memory. Every morning, El-Erian Snr read the five newspapers delivered to the ambassadorial residence in France. Occasionally, he would check if his teenage son had read them, too.

“I asked him what was the point of having so many newspapers as, after all, ‘the news is the news’.

“‘Wrong’, he responded and explained that through the range of newspapers we were receiving, I had access to a range of political perspectives.”

The message was clear that unless the young El-Erian was regularly exposed to different opinions, he would not have sufficient awareness to make sound decisions.

“This emphasis on what we call today ‘cognitive diversity’ has been a major driver of my life since,” he says. “I often feel that I operate at intersections – or, as my daughter says, ‘in the in-between’. And it is why I feel so strongly about promoting diversity and inclusion.”

The issues surrounding diversity and inclusion crop up at many points during the conversation, as they have in Mr El-Erian’s life, something he largely attributes to his Arab roots, which have had a great influence on him.

He believes that the West does not fully understand the Middle East and North Africa, primarily because the conditions in Arab countries vary so widely.

“The result is either excessive generalisation and over-dramatisation or, worse, a sense that the region has lost its way and is too unpredictable to deal with,” he says.

“Looking forward, and this is not just highly desirable but also very feasible, the critical requirement is to unleash the incredible potential of the youth. The region is full of talented young people with massive upside, and with some who have already done amazing things when placed in an enabling environment.”

Mr El-Erian, of course, knows about this first hand. He has encountered prejudice many times and still does even all these years after that speech day snub.

“I have learnt to deal with this and, more generally, am committed to ensure that biases, conscious and unconscious, do not get in the way of people with amazing potential,” he says.

It is the kind of input he wants to have at Queens’ College – despite residing in the Tudor-style President’s Lodge among the older buildings known affectionately but somewhat ominously by the students as the “dark” side. As opposed to the “light” side represented by the newer buildings on the opposite bank of the River Cam.

“I love being back, and for many reasons,” Mr El-Erian says. “One of them includes the ability to walk in a beautiful town with inspiring scenery and surrounded by smart people, many of whom are trying to solve complex problems and make the world better.

“I am not thinking beyond Cambridge,” he says. “I am delighted to be here and have a lot to do working with colleagues to continue to enable current and future generations to contribute to society in multi-faceted ways.”

The professional aspirations are ever-present, as much as Mr El-Erian is enjoying the simple pleasures of the university city once again. He and Bosa can regularly be spotted tramping across fields early on a foggy morning. It is, he says, an invaluable time spent listening to podcasts and radio shows, envisaging forthcoming articles, gathering his thoughts.

He is living a new phase of his life back at the heart of Queens’, no longer the awkward undergraduate with imposter syndrome but a global powerhouse returned to right the wrongs of the past.

source/content: thenationalnews.com (headline edited)

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Mohamed El-Erian, economist: ‘It is my hope that, through visionary leadership and better coordination, 2022 will be remembered proudly as the year we both won the war against Covid and secured the foundation for a fulfilling, prosperous, and durable peace for all.’ Bloomberg via Getty Images

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AMERICAN / EGYPTIAN

EGYPT: UK, Egypt Celebrate 7 years of Science Partnership under Newton-Mosharafa Fund

British and Egyptian government officials celebrated on Monday seven years of cooperation between the two countries under the Newton-Mosharafa Fund, which supports research and innovation programmes to advance economic development and social welfare, tackle global challenges and develop talent and careers.

Participating in the celebration were the British Embassy in Cairo, the British Council, together with the Egyptian Ministry of Higher Education and Scientific Research’s Science, Technology and Innovation Funding Authority (STDF) and the Central Department of Missions (CDM).

The fund is named after British mathematician and physicist Sir Isaac Newton, one of the most influential scientists in history, and the Egyptian theoretical physicist Doctor Ali Mustafa Mosharafa, who contributed to the development of quantum theory.

It is the largest science and innovation partnership between Egypt and the UK in history.

The ceremony started with speeches by the British Ambassador to Egypt Gareth Bayley, British Council Country Director Elizabeth White, and Deputy Minister of Higher Education and Scientific Research Yasser Refaat

It was followed by a panel discussion on the role of international collaboration in science and research.

The discussion involved professor Guy Daly, provost and senior vice-president of the British University in Egypt; Shaimaa Lazem, international collaboration programme manager at STDF; Dr Marco Zaki, lecturer of biochemistry and cell biology and founder of the NILE CAN research laboratory at Minia University; and Irene Gabriel, director of the Smart Engineering Systems Research Centre at Nile University.

At the ceremony, the British ambassador expressed his pride in celebrating the alumni from the joint British-Egyptian programme.

“These outstanding scientists are the leaders of tomorrow, and today’s event pays tribute to them and to the legacy of the Newton Mosharafa Fund, one of the largest science and innovation partnerships between Egypt and any country,” he said.

He went on to note that the alumni are working to make the world a better place everyday through their research into curing cancer, achieving food and water security and “making the earth a safer, healthier and more sustainable place to live in.”

During her speech, British Council Egypt Director Elizabeth White observed that the fund has supported her country’s long-term approach by “building the next generation of scientists”

“For seven years, we have worked with our partners to enable the exchange of learning and ideas between scientists in the UK and Egypt,” she added.

She concluded by saying that the British Council will remain committed to opening up access to science and research to support UK-Egypt priorities.

Funding Egypt’s long-term sustainable development

The fund is valued at £55 million over seven years; the cost is shared between the UK and Egyptian governments.

It focuses on five main areas identified by the Egyptian government as priorities for their long-term sustainable development: water management, renewable energy, food production, archaeological and cultural heritage and affordable and inclusive healthcare.

These priorities are closely related to Egypt’s Vision 2030 sustainable development strategy, as well as the UN’s Sustainable Development Goals (SDGs).

Since its launch in 2014, the Newton-Mosharafa Fund has provided 282 scholarships to Egyptian researchers to obtain a doctoral degree, in addition to funding 69 research partnerships between Egyptian and UK universities. Research related to health care had a significant share of it, amounting to about 69 percent of doctoral scholarships and about 22 percent of research partnerships.

Notable alumni

Some of the outstanding Newton-Mosharafa alumni who attended the ceremony include: Dr Marco Zaki, winner of the Newton Prize for his research on treating liver cancer, and Dr Irene Gabriel, who is a Newton Mosharafa grant holder. She lead a research team at Nile University together with Nottingham University to turn dried shrimp shells into thin films of biodegradable plastic that can be used to make eco-friendly grocery bags and packaging.

Shaimaa Lazem, who is an associate research professor at the City of Scientific Research and Technology Applications (SRTA-City), was awarded Newton-Mosharafa grants three times. Her work focuses on designing prototypes for technologies that serve the rural communities in Egypt. She is currently working with artificial intelligence (AI) start-ups in Africa as part of a Google Research for Inclusion and Google AI Awards.

Also in attendance was Yasser Shabana, who developed adaptation strategies to mitigate the impacts of climate change on wheat, maize and food production in Egypt.

source/content: english.ahram.org.eg (headline edited)

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BUE Provost Guy Daly with Newton-Mosharafa alumni Irene Gabriel, Marco Zaki, and Shaimaa Lazem

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EGYPT

MOROCCO’s Khadija El Mardi Crowned Boxing World Champion, Winning Gold at the Women’s World Amateur Boxing Championships, New Delhi, India

Moroccan boxer Khadija El Mardi won the gold medal on Sunday in New Delhi, India, during the Women’s World Amateur Boxing Championships.

The national champion El Mardi, who competed in the heavyweight division (Over 81kgs), won the women’s world boxing championship by defeating the Kazakh Kungeibayeva Lazzat.

El Mardi has achieved a number of victories over the years, including the title of African champion in 2022, a victory at the African Games in Rabat in 2019, a silver medal at the World Championships in 2022, and this year’s Mohammed VI Trophy gold medal.

Born in Casablanca in 1991, El Mardi’s everlasting commitment and heroic efforts to achieve success have made her name stand out.

source/content: northafricapost.com (headline edited)

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MOROCCO

EGYPT: Zamalek Exhibit Pays Tribute to Works of Illustrator Atteyat Elsayed

Elsayed’s family spent a year curating her works, as well as that of her husband El Dessouki Fahmi, from between 1960 and 1970.

When art becomes a family affair, each member with their own medium and distinct style, keeping legacies alive becomes a personal and collective mission, in which each of them pays tribute to loved ones while reviving a piece of modern art history. ‘Press Illustrations and Other Works’ is an exhibition in Zamalek’s Picasso Art Gallery that has been curated by graphic designer and filmmaker Alia Ibrahim and her father Ibrahim El Dessouki, who sought to honour the works of his late mother and father, painter and illustrator Attayat Elsayed and El Dessouki Fahmi.

Elsayed and Fahmi were both professional illustrators at the prominent Egyptian newspaper El Masa in the 1960s and 1970s, with Elsayed also contributing to Al Joumhouria newspaper. The family spent a year curating the exhibition, navigating the late painter’s extensive archive with a focus on her press illustrations.

“Our main objective was to exhibit the press illustrations, and then we added a selection of their paintings as well,” Alia Ibrahim tells CairoScene. “The process of finding the sketches for the illustrations, and copies of the newspapers they were published in was extremely difficult, and there are still countless sketches to be found and documented.”

Upon entering the gallery, visitors are met with two halls, one dedicated to Elsayed’s work and the other to Fahmi’s (which includes a portrait of Elsayed herself). Elsayed’s pieces reflect a progressive focus on the mundane, capturing movement through her intricate brush strokes. With the ‘Swing Machine’ and ‘Fan’ pieces – her granddaughter’s favourites – Elsayed spotlights the overlooked items and their constant flow in everyday life.

As an artist herself, Alia credits her late grandmother’s presence and talent to her ability to look at the world from a different perspective, with her abstract paintings becoming an inspiration and lens through which she views her own artistic endeavours. The exhibition is currently running at Zamalek’s Picasso Art Gallery until February 27th.

source/content: cairoscene.com (headline edited)

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EGYPT

ALGERIA: The Battle of Algiers: an iconic film whose message of hope still resonates today

Saadi Yacef, the Algerian revolutionary leader who fought for his country’s liberation from French colonial rule, died on 10 September 2021. Yacef is perhaps one of the better known of Algeria’s resistance fighters because of the role he played in the creation of the film The Battle of Algiers , directed by the renowned Italian film maker Gillo Pontecorvo.

The Battle of Algiers was filmed in 1965 as a co-production between an Italian creative team and the new Algerian FLN (Front de Libération Nationale) government, whose representative Yacef produced the film and stars as the character of Jaffar.

One of the most extraordinary films ever made, The Battle of Algiers is an emotionally devastating account of the anticolonial struggle of the Algerian people and a brutally candid exposé of the French colonial mindset. Many French people were unhappy with the representation of their army and country in the film. It was not officially censored in France , but the general public and all cinemas boycotted it. It was seen as anti-French propaganda.

In later years, the film was screened to groups classed as revolutionaries and terrorists, apparently becoming a “documentary guidebook” in the Palestinian struggle, and for organisations such as the Irish Republican Army and the Black Panthers, who examined its detailed representation of guerrilla tactics.

It was also shown in the Pentagon in 2003, in the middle of the Iraq War. US Counterterrorism experts Richard Clarke and Mike Sheehan suggest that the film showed how a country can win militarily, but still lose the battle for “hearts and minds”.

What relevance does The Battle of Algiers hold today, 55 years after it was first released?

The message of the film is ultimately one of hope: the oppressed multitude will eventually triumph because their cause is just. The images of revolutionary crowds in the film recall the jerky, grainy footage that has emerged from a wave of recent protests in the last decade, from the Black Lives Matter movement to Extinction Rebellion . Pontecorvo thrillingly captures the power and possibility of large gatherings of citizens, who come together to demand rights, putting their bodies at risk to create social and political change.

Additionally, the film refuses to condemn any of the agents in this conflict. As Pontecorvo has stated

in a war, even if from a historical standpoint, one side is proven right, and the other wrong, both do horrendous things when they are in battle.

A film of contrasts

Shot in black and white, the film is difficult to classify in terms of style. Its military action sequences and tactical montages remind us of films like Zero Dark Thirty and The Eye in the Sky; indeed, it is almost impossible to film a scene of politically-motivated torture without having The Battle of Algiers as an implicit or explicit point of reference.

The collective aspect of the film’s creation, and the socialist ideals that inspired it, link it to what’s called Third Cinema. This was a kind of revolutionary cinema, a cinema of the “Third World”, that was designed to overthrow the systems of colonialism and capitalism.

The Battle of Algiers is also an example of Italian neorealism, a major film movement coming out of mid-twentieth century Italy. The neorealists made films that opposed Mussolini’s fascist regime, and they focused on the hardships of the working class in Italy. Neorealism was a moral and aesthetic system: it brought art and politics together to expose the ills of society and bring about social change.

The Battle of Algiers was shot entirely on location in Algiers, and Colonel Mathieu was the only professional on set. Pontocorvo selected the other actors from the local population based on their faces and expressions.

Other elements of the neorealist style was the use of techniques that create a documentary aesthetic such as the hand-held camera. Pontecorvo also uses extracts from real-life FLN and police communiqués, letters, and title cards. And he used newsreel stock, which was cheaper, but also added to the sense of verisimilitude in the film.

Although he believed the Algerians cause to be just, Pontecorvo wanted to create a nuanced and fair account of the war. Therefore, he sets up a series of contrasts to reflect this opposition between French and Algerian. This is present in the original musical score by Ennio Morricone: while groups of French soldiers rampage through the Casbah to the sound of jaunty military drums and horns, a haunting flute theme accompanies sequences which feature Algerian civilians.

Contrast is also evident in the use of light and shadow: there are strong chiaroscuro effects, perhaps reflecting the themes of right and wrong in the film. Pontecorvo also uses shadow to highlight the covert operations of the Algerians: Ali La Pointe’s face is filmed with deep shadows, and the face of Colonel Mathieu is always brightly lit.

Space provides another important contrast in the film. Frantz Fanon, a famous theorist of the Algerian revolution, describes the colonial world as a world “cut in two” because of the stark divide between the coloniser and the colonised. In The Battle of Algiers, the wide boulevards of the European quarter are juxtaposed to the narrow, winding, labyrinthine alleyways of the Casbah. Space is also divided vertically and horizontally – the European quarter is flat, while the Casbah is steep and sloping.

This opposition of space highlights the gap between rich and poor, coloniser and colonised.

The question of bias

The biggest contrast in the film is of course between the French and Algerians. The embodiment of French and European values in the film is Colonel Mathieu. He is a suave figure, confident and controlled in army fatigues, stylish sunglasses and slick speech – he has more dialogue than other characters in the film. A number of critics have argued that Mathieu is far ‘too cool’, given that he is a practitioner and a proponent of torture.

Yet Colonel Mathieu is not depicted as an ogre: above all, he embodies reason. We see this in his statements about the use of torture, when he uses solid rhetorical devices to justify it. He says:

…do you think France should stay in Algeria? If you do, you have to accept the necessary consequences.

This is persuasive as a logical argument – if you want French Algeria, you have to accept the actions that result in this outcome – torture.

If Mathieu and the French have reason, what do the Algerians have?

Firstly, they have raw, visceral emotion and the power of the group. The victory at the end of the film is a victory of the masses, embodied in two figures – the martyr Ali La Pointe, the illiterate everyman who becomes a hero for the revolution, and the gyrating, anonymous Algerian women, whose gaze outwards to the future closes the film.

This takes me to the final point about what the Algerians have on their side – the power of historical right. We see this through Pontecorvo’s use of chronology – the narrative proceeds as a flashback, until we leap forward in time to the euphoria and mania of the end of the war and the triumph of the revolutionaries. Pontecorvo here glosses over the fact that the real Battle of Algiers was lost by the Algerians, and jumps into a future of eventual victory in the war.

This is how he views the process of history – the masses, with moral right on their side, will eventually win.

source/content: theconversation.com (headline edited)

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Yacef Saadi (R), military leader of the FLN National Liberation Front networks of the autonomous zone of Algiers, poses after being captured at the end of the “Battle of Algiers”. Photo by -/AFP via Getty Images

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ALGERIA

MOROCCO Outperforms US to Become 4th Largest Blueberry Exporter Worldwide

Morocco’s berry production is one of the country’s key contributors to the agricultural sector.

Morocco has outperformed the US becoming the fourth largest blueberry exporter in the world.

Data from East Fruit said that Morocco exported 53,000 tonnes of blueberries in 2022. Peru was the largest exporter of fresh blueberries last year, with 277,000 tonnes, followed by Chile (105,000 tonnes) and Spain (87,000).

Despite Morocco’s leading position in blueberry exports, the Netherlands exported more blueberries than the North African country in  11 months of last year, the same source said.

“It should be noted that the exports from the Netherlands in 11 months of last year were higher than that of Morocco, having amounted to 104 000 tonnes,” East Fruit reported.

Elaborating on the data, the news outlet said: “However, if we take into account the volume of re-exports, the real result of the Netherlands will be much lower since it imported 130 000 tonnes of fresh blueberries during this period.”

East Fruit also recalled that Morocco ranked seventh place among the largest exporters of cultivated blueberries in 2017.

Berry production in Morocco has contributed to the country’s agricultural sector significantly.

Morocco’s revenues from strawberry exports to the international market are estimated between $40 and $70 million annually.

According to previous data from East Fruit strawberry products are one of the top 10 most exported goods from Morocco.

According to estimates,  Morocco exported 22,400 tonnes of fresh strawberries globally in 2022, representing an increase of 17% compared to a year earlier.

Countries like the UAE, Qatar were key buyers of Moroccan goods. In Europe, the US is one of Morocco’s strawberry importers. In 2022, the US imported almost half of Morocco’s strawberry export supply.

source/content: moroccoworldnews.com (headline edited)

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MOROCCO

EGYPT: Anwar Ibrahim First Arab to Receive Dostoyevsky Medal

Russian ambassador to Egypt Georgiy Borisenko has awarded the Dostoyevsky Medal to Anwar Ibrahim – the under-secretary of the Ministry of Culture and former head of the ministry’s Foreign Cultural Relations Department – for his work in translating Russian literature into Arabic.

The honouring ceremony took place at the headquarters of the Russian Embassy in Cairo on 6 March. It was attended by a delegation from the Egyptian Association of Graduates of Russian and Soviet Universities headed by Sherif Gad.

Ambassador Borisenko expressed appreciation for Ibrahim’s efforts in translating classic and contemporary Russian literature into Arabic, thereby promoting Russian culture.

“The Arab reader is lucky when he reads translated Russian literature through creative translators like Anwar Ibrahim,” Borisenko said.

Borisenko wished Ibrahim continued success in his literary career, which he described as part of the soft power between Russia and the Arab peoples.

The Dostoyevsky Medal was established by the Russian Writers Union to be awarded to translators on the occasion of the 200th anniversary of the birth of the great Russian writer Fyodor Dostoyevsky, who is one of the most iconic writers of the Russian literary canon.

For his part, Ibrahim said that “this honour is a new birth for me, and I am extremely proud of receiving the Dostoyevsky Medal.”

Toghan, Secretary-General of the Association of Graduates, affirmed that the award for Ibrahim is a tribute to all graduates of the association, especially since Anwar is the first Arab to receive the prestigious medal.

Dostoyevsky, who was born in 1821 in Moscow and died in 1881 in St. Petersburg, gave up an engineering career early in order to write.

In 1849, he was arrested for belonging to a radical discussion group and was sentenced to be shot. He was reprieved at the last moment and sentenced to four years of hard labour in Siberia, where he developed epilepsy and experienced a deepening of his religious faith.

Dostoyevsky’s novels are especially concerned with faith, suffering, and the meaning of life; they are famous for their psychological depth and insight and their near-prophetic treatment of issues in philosophy and politics.

By the end of his life, he was acclaimed as one of his country’s greatest writers, and his works had a profound influence on 20th-century literature.

source/content: english.ahram.org.eg (headline edited)

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Marat Gatin, Sherif Gad, Professor Anwar Ibrahim receives his medal from Russian ambassador Georgiy Borisenko, Fathy Toghan

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EGYPT

JORDANIAN BRITISH: The Accidental Pharmacist and Scientist: How the trail-blazing Dr Atheer Awad found her Calling in the Laboratory

Trailblazing Jordanian-British research fellow reveals that her prescription for success requires dispensing – but only with tradition.

Most Damascene moments are dramatic by definition but few occur, as Atheer Awad’s did, on an actual road that leads to the Syrian capital.

Her own turning point came when the vehicle she was travelling in with her family to register for university in Amman blew a tyre, hit an electricity pole and flipped several times.

The accident meant that Awad ended up in hospital and missed the window to sign up to study medicine. By the time she was discharged, the only degree option still open to her was pharmacy.

Though bitterly disappointed at the time, she has come to believe that there were greater forces at work on the day of the crash on Jordan Street.

“Let’s just say we put our car to the test,” Awad tells The National. “It was a complete wreck. We are lucky to be alive.

“But it wasn’t meant to be that I should study medicine. I took the car accident as a sign that the future held better things for me.”

As a result, she was steered into an unexpected career in which the eventual research fellow at University College London would amass numerous accolades: the Journal of Clinical Medicine‘s 2021 PhD Thesis award; an appearance on the Forbes 30 Under 30 list for Europe; reaching the finals in the Women of the Future awards 2022 in the science category; named as an International Pharmaceutical Federation FIPWise Rising Star for 2022 as well as one of the top 15 outstanding innovators under the age of 35 by the MIT Technology Review.

Her groundbreaking research is paving the way towards the creation of personalised medication that can be 3D-printed in patients’ homes via smartphone — a potentially transformative innovation for those who find it hard to gain access to health care or don’t suit a one-size-fits-all service.

Born in Abu Dhabi and raised in Dubai by Jordanian parents, her hand was always first in the air in class when volunteers were sought to dissect animals at Al Mawakeb School in Garhoud.

It was an early display of Awad’s enthusiasm for the sciences, particularly biology, and a prelude to her ambition of becoming a heart surgeon.

“I was so determined to make a difference and medicine is one of those industries that has a greater impact when it comes to changing people’s lives,” she says.

“There is never a boring day with science because every day is a new learning experience.

“You come across things that you haven’t discovered before or create new stuff by just playing around with things in the lab and mixing them together. It’s that sort of curiosity that motivates me.”

Back then, holidays were regularly spent visiting Jordan — trips that Awad still makes annually to catch up with extended family, go to weddings and indulge a soft spot for the local food.

“I love those traditional connections,” she says, “and still follow as many of these practices as I can, wherever I am.

“My faith helps a lot. But it isn’t easy trying to keep a balance between sticking to faith and being able to live in a foreign country.”

Moving to England wasn’t as daunting as it might have been without the unwavering support of her parents and four older siblings — a pharmacist, a consultant with whom she lived until recently, an IT specialist and a doctor.

“It is rare for all of us to be in the same country at the same time,” she says, laughing. “We travel between the three countries and there is always at least one of us living in each of the three. That makes it interesting for my parents, who get to travel everywhere.”

Awad herself, now 29, is a keen traveller and has put on her bucket list the wish to visit every country in Europe before turning her sights to other continents.

She fell in love with Turkey after a trip to Cappadocia, the semi-arid central region known for its “fairy chimney” rock formations, and particularly enjoys explorations on foot.

London, however, holds a special place in her heart, where there is, she points out, a big Jordanian community.

“I have a lot of friends I consider my second family. They’re a mixture of scientists, people outside work, and others with Jordanian or Arab heritage. That keeps me connected to my roots and it is one of the beauties of London — it’s international.”

But she calls Dubai home and makes many happy returns to Living Legends, a newly developed 14 million-square-foot community on the outskirts of the city where her parents still live.

Part of the appeal of the emirate, it should be said, is the chance to hit the luxury shops. Dior and Prada are favourites — her handbag collection alone extends to “about 40 or 50 … I’ve lost count” — and the Swarovski-encrusted mobile phone she takes everywhere is a particularly prized purchase.

Invariably, though, one of the first stops is to fill up on luqaimat, known as awama in the Levant. She has sampled the sugary doughnuts wherever she finds them but maintains that the ones whipped up for as long as Awad can remember by her mum, Hanan Swais, “are the best”.

They were an abiding taste of a childhood in which the extroverted Awad, left to explore her own interests by her father, Jamal, an electronics retailer, and Hanan, a homemaker, played the piano exuberantly if not with any notable proficiency and went on Scouting expeditions.

There was never an expectation that she would follow in the footsteps of any of her siblings but the desire to pursue medicine was strong nonetheless.

“It wasn’t until we were discharged from hospital [after the car accident] that I realised I had missed the deadline,” she says. “There was no going back in time. I just thought: ‘What’s the next best option?’

“That’s why I always say I did not choose pharmacy — it chose me.”

Despite a reluctant start, Awad’s enthusiasm grew throughout a five-year degree at the private Applied Science University in Amman as she gained insight into the extent of what pharmacists could actually do.

“I started looking at pharmacy as having a bigger impact than I had previously thought,” she says.

“People sometimes look at pharmacists as if they are beneath or less important than doctors when, in fact, they do most of the work behind the scenes.”

Little by little, with the consolidation of hours of satisfying sessions spent researching in laboratories or learning about the differences in the properties of various drugs, it dawned on Awad that she had stumbled across her calling.

Which is not to say that she appreciated being treated as little more than a saleswoman while doing work experience in a community pharmacy during the degree course.

“People assume that the pharmacist just takes the prescription and gets the medication without doing anything else,” she says. “There is a misconception.”

The experience hardened Awad’s resolve to focus on research rather than the direct, community-facing side of the profession.

After graduation in 2015, she embarked on a master’s in pharmaceutics and drug design at UCL, where she learnt about 3D printing during an end-of-year project with her professor, Abdul Basit.

She was inspired to keep working with the Basit Research Group within the School of Pharmacy to undertake a doctorate specialising in using the drug-delivery technology in the manufacture of medicines.

“I’ve always been interested in technology so it grabbed my interest immediately,” says Awad, who is still a research fellow with the group.

Weekends when she is not working are spent dining with friends, indulging her obsession for Harry Potter — “I’ve watched all the films multiple times” — and baking. Coffee cake is her speciality and made a well-received appearance at her professor’s 50th birthday.

“I do like experimenting with baking and cooking. I think there are similarities between baking and science.”

She doesn’t rule out applying to appear on The Great British Bake Off television show but, for now, Awad’s ambitions are confined to the lab.

“I want to make a change,” she says. “I don’t want 3D printing to stay a theory. I want to see it being implemented and taken up by healthcare agencies.”

Most recently, Awad has been printing tablets with Braille and moon patterns on their surfaces for visually impaired patients, or changing their shape, size and colour so that children or those with limited capacity find them easier to take. She has also been researching how to combine several medications into a single pill.

One of her team’s successes has been in creating tablets that can be swallowed without water. Manufactured in partnership with pharmaceutical 3D-printing specialist FabRx by melting powder particles with a laser beam and using heat, the porous product dissolves on the tongue.

She talks about how 3D printing allows alterations of a fraction of a milligram, making medication much more tailored and precise than the standard variety available off the shelf.

“Every person is different and our bodies do not react the same,” Awad says. “The requirements when it comes to medication differ, and sometimes they differ within the same person, depending on the disease progression.

“We can also take patients’ preferences into consideration. That’s important when it comes to children or elderly patients. Often children refuse to take medicine because they don’t like the taste, the shape isn’t appealing or the pill might be too big.”

While 3D printing for customised pharmaceuticals has yet to be introduced commercially in the UK, Awad’s UCL team has managed to convert a smartphone into an on-demand 3D drug printer with an app that could be used in remote GP surgeries and even at home.

“We’re not far from the industry adopting 3D printing, probably in the next two to five years,” she says. “Approval will have to be on a medication-by-medication basis because each medicine could behave differently to the same technology, depending on its properties, and the 3D-printing technologies themselves differ.”

Awad’s passion for her work is tangible. The British-American analytics company Clarivate clearly thought so when last month listing her on its influential Highly Cited 2022. It was a remarkable achievement for such a young scientist to appear among fewer than 0.1 per cent of the world’s researchers across 21 fields.

Such recognition is welcome but, she says, the many “titles are more of an assurance that I am on the right track and that my work is important”.

“That’s the driving force to keep me moving forward and become even more ambitious to try new things,” she says.

One of her guiding principles is that researchers should be brave and adopt different approaches because even the most “ridiculous” ideas can be turned into brilliant inventions or innovations.

As she has been known to opine, not all scientific breakthroughs happen through planned research: “Sometimes, you come across things by accident.”

Given the route into her career in pharmaceuticals, it could be said that Awad started very much as she meant to continue.

source/content: thenationalnews.com (headline edited)

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Dr Awad’s groundbreaking research is paving the way towards personalised medication being 3D-printed at home. Photo: Dr Atheer Awad

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BRITAIN / JORDAN

TUNISIA: Tunisia’s Harissa Gets UNESCO Heritage Status

UNESCO added Tunisia’s spicy and most famous national condiment Harissa to its list of intangible cultural heritage, saying it was part of the North African country’s identity.


UNESCO placed the Tunisian condiment Harissa to its list of intangible cultural heritage, citing its significance to the identity of the North African nation.

The cultural agency of the United Nations is meeting in Morocco to consider proposals for its list of Intangible Cultural Heritage, which strives to safeguard cultural traditions, practices, and knowledge.

It tweeted “Just inscribed on the #IntangibleHeritage List: Harissa, knowledge, skills, and culinary and social practices.”

Tunisia’s Spicy Harissa

Harissa is a paste made from sun-dried hot peppers, freshly prepared spices, and olive oil, which preserves and slightly tones down its intensity. It is served in nearly every restaurant in Tunisia and is also exported internationally.

The condiment is wonderfully spicy, smoky, and packed with rich, deep flavors. It’s also extremely versatile, as it pairs well with sandwiches, different dishes, and even plain olive oil.

Harissa is “an integral part of domestic provisioning and the everyday culinary and dietary traditions of Tunisian culture,” according to Tunisia’s application for the status. It is typically cooked by families and communities.

“Harissa is used as a condiment, an ingredient, and even as a dish in its own right, and is well-known throughout Tunisia, where it is consumed and manufactured, particularly in the regions where chilli peppers are farmed,” the source explained.

It is regarded as a distinguishing part of national culinary heritage and a role in social cohesiveness.

The 2003 Convention for the Safeguarding of the Intangible Cultural Legacy seeks to protect and increase awareness of the “intangible cultural heritage of the communities, groups, and individuals involved.”

UNESCO emphasizes that the list recognizes traditions, practices, and knowledge as “human treasures” that must be safeguarded.

Wednesday, the organization also recognized French baguettes, bringing the total number of goods on the list to over 530.

source/content: carthagemagazine.com (headline edited)

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TUNISA


EGYPT: Award-Winning Filmmaker Ayten Amin Joins Berlin Film Festival Jury

Award-winning Egyptian filmmaker Ayten Amin will be part of the GWFF Best First Feature Award’s three-person jury.

Award-winning Egyptian filmmaker Ayten Amin will be a part of the jury line-up during the Berlin Film Festival. Amin is the only Arab and Egyptian artist participating in the acclaimed festival’s jury, and will be one of three people on the panel for the GWFF Best First Feature Award, which was founded in 2006 to support emerging filmmakers.

Ayten Amin is best known for her feminist cinematic works, and for tackling controversial social issues through her storytelling. Her Egyptian series ‘Sabea Gar’ (2017), which she wrote and directed alongside Heba Youssry and Nadine Khan, was praised for its authentic representation of Egyptian family dynamics and its diverse, multidimensional female characters.

More recently, her feature film ‘Souad’ (2020), a coming-of-age story that explored womanhood, social media performance and suicide, won multiple awards and was part of the Cannes Film Festival’s official selection, as well as the Tribeca Film Festival’s International Competition. ‘Souad’ also won the best feature film award at IndieLisboa International Independent Film Festival, and was selected for Berlin Film Festival’s Panorama section.

source/content: cairoscene.com (headline edited)

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EGYPT