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Well-known Egyptian soprano Neveen Allouba will be awarded France’s Ordre des Arts et des Lettres in the grade of Chevalier (Knight) by France’s ambassador to Cairo next week.
Allouba’s award for exceptional achievements in the Egyptian music scene follows decades of work in the many aspects of the country’s cultural scene.
Born in 1955, she is among the best known personalities of the Egyptian music scene, with substantial influence outside the country.
Her career includes working with the Cairo Opera Company, where she has performed in countless operas. She has taught numerous young singers and both founded and directed many successful creative endeavours of the Fabrica musical theatre company.
As a young girl, Allouba had dreams of becoming an actress, but was not supported by her family. Instead, she turned to playing piano and singing, graduating from the Cairo Conservatory in 1978.
She was granted scholarships from the Deutscher Akademischer Austauschdienst (West German Cultural Exchange) and the Friedrich-Naumann Foundation to study opera performance and vocal pedagogy at the Hannover Hochschule fur Music and Theatre where she deepened her singing techniques and eventually obtained a doctorate in 1988.
During her decade-long stay in Germany, Allouba performed as soloist at the Detmold Opera. She also performed in other European operas and theatres and across the Arab world at that time. In 1985, she won the first prize in the female voice category of the competition for young opera singers in Berlin.
Upon her return to Egypt, the soprano became a soloist at the Cairo Opera Company, becoming the first female singer to perform in the newly opened Cairo Opera House. As her singing career progressed, Allouba coupled her performances with her teaching career at the Cairo Conservatory, Cairo Opera Development Centre, University of Alexandria and the American University in Cairo where she is an adjunct professor of voice. She also participated as a jury member in a number of singing competitions.
Some of her students went on to continue their education outside Egypt and thrived as internationally renowned singers.
These include Farrah El-Dibani, a mezzo soprano who performs at the Paris Opera; the Germany-based Rita Sebeih, the lead role of Jasmine in the Disney German production of Aladdin; Nesma Mahgoub, winner of the eighth season of the Star Academy Arab World; Fatma Said, a soprano who was the first Egyptian to join the Academy of Milan’s Teatro alla Scala before launching a big international career.
Fabrica chapter
In mid-2010, Allouba founded the Fabrica musical theatre company, through which she trains, develops and promotes new voices.
Fabrica’s pilot production of Mozart’s opera The Magic Flute in Egyptian Arabic was staged in collaboration with the Bibliotheca Alexandrina in 2011.
In 2013, the company premiered Les Miserables in Egyptian Arabic and even toured in the USA. It experienced an additional boost in popularity when it was promoted by the internationally famous Egyptian comedian Bassem Youssef.
This was only the beginning of many successes of Fabrica and its members. Its successes include performances of Brecht’s Threepenny Opera and adaptations of local shows including El-Leila El-Kebira by Salah Jaheen and Sayed Mekawy, in addition to rock, jazz and Disney concerts.
Fabrica also performed during the inaugural El Gouna Film Festival’s opening ceremony (2017), the SNL Bel Araby’s 50th episode celebration, the Egyptian Media and Production Company’s 20 year anniversary and the Intra-African Trade Fair (2018), among other events. Fabrica was brought to light again, as the company won the award for Best Music Video at the ninth annual MoziMotion festival, held in Hilversum, the Netherlands (October 2019) for Mercury Rising: A Queen Tribute, released in January 2019 (a few months after Bohemian Rhapsody was released in theatres).
Overdue recognition
Allouba’s portfolio and well-established position in the field combines many operatic appearances as well as an unconditional belief in the young generation and a natural – almost motherly – dedication to support and promote young talents, while offering to the Egyptian audiences valuable performances.
It’s worth mentioning that most recently, Allouba was appointed director of the new Arkan Theatre in Sheikh Zayed.
The award comes after Allouba’s decades of perseverance and work that often lacked sufficient limelight. It is an important recognition, if overdue, for an artist whose work has created a strong impact on many singers of more than one Egyptian generation.
The France’s Order of Arts and Letters will be awarded to Allouba during a ceremony held at the French Embassy in Cairo, in the first week of June.
Over the past years, a number of Egyptian figures have also been awarded the Knight of the Order of Arts and Letters in the grade of Chevalier.
They include Egyptian novelist and Nobel laureate Naguib Mahfouz, novelist and journalist Gamal El-Ghitani, visual artist and women’s activist Inji Aflatoun, novelist Alaa al-Aswany, theatre director Ahmed El Ettar , composer and conductor Hisham Gabr , producer and scriptwriter Mohamed Hefzy, mezzo soprano Farrah El-Dibany , artist Karima Mansour , among others.
Also the Tunisian-Egyptian actress Hend Sabry is among the recipients of the award in grade of the Commander.
Founded by Egyptian filmmaker Hayat Aljowaily, ‘Kalam Aflam’ is spotlighting emerging Arab artists in Paris.
As Egyptian and Arab artists continue to explore new mediums and voices around the world, experimenting with themes rooted in their respective local identities, one Egyptian filmmaker in France found herself yearning for a community, and so she became a host for one. With a belief in the power of the collective, Hayat Aljowaily founded ‘Kalam Aflam’, a space for emerging Arab artists in Paris and beyond.
‘Kalam Aflam’ launched its first event this May at Point Ephemere, Paris, under the theme ‘Coming of Age’, which hosted a series of art installations, short films and musical performances centring around the same theme. “This is a project that I was dying to make happen for three years, and so the theme ‘Coming of Age’ felt very fitting for our first event,” Hayat Aljowaily tells CairoScene. “It – or we – are something that is ‘becoming’.”
Like many Arabs in the diaspora, Aljowaily can sometimes feel like her experience isn’t Western enough or Arab enough. Within the folds of ‘Kalam Aflam’, however, she looks to surround herself with artists who share in her experiences.
“As an Arab artist living abroad, one always feels like they’re in between. But when you’re part of a community of people who look like you or have similar experiences, it changes everything,” Aljowaily says. “It was so refreshing to be in a space where I’m not the only Arab woman, my friends had to look around within a sea of familiar faces to spot me.”
Through an upcoming series of public arts and cultural events, ‘Kalam Aflam’ offers up a space for self-expression and a blossoming creative narrative for those on the lookout for a home. Aljowaily and her partners, Palestinian communications specialist Abood Al Bakri and Lebanese art director Katja Kanaan, continue to open doors for emerging voices, carving out a space for themselves while spotlighting stories waiting to be told.
Egyptian acclaimed composer Omar Khairat has been selected as the Cultural Personality of the Year by the organizers of the UAE’s 17th edition of the Sheikh Zayed Book Award (SZBA).
Omar Khairat will be awarded “in honour of an illustrious, decades-long career of timeless musical creations that have contributed to shaping the collective cultural consciousness of the Arab region,” as stated by the SZBA’s official website.
“The SZBA’s Board of Trustees endorsed the Scientific Committee’s decision to choose Khairat as the Cultural Personality of the Year in recognition of his remarkable talent and artistic turnout, which has been tremendously popular in the Arab world and has been featured in musical introductions to films and many dramas.”
The SZBA is organized by the Abu Dhabi Arabic Language Centre (ALC); part of the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi).
Winners of this year’s SZBA also include Iraqi poet Ali Jaafar Alallaq; French author Mathieu Tillier; Algerian author Said Khatibi; Tunisian translator Chokri Al Saadi; Tunisian critic Jalila Al Tritarm, and Egyptian publishing house Dar ElAin.
Excellence and Innovation
Each year, the Cultural Personality of the Year award is given to “a prominent figure who has contributed to the advancement of Arabic culture and promoted peaceful coexistence.”
“This year, we are proud to select Omar Khairat, one of the most renowned and celebrated musicians in the Arab world,” stated Undersecretary of DCT Abu Dhabi Saood Abdulaziz Al Hosani.
“His constant striving for excellence and innovation has seen the artist make an incalculable impact on the music industry and the wider cultural landscape, as well as foster important cross-cultural dialogue. His passion reflects Abu Dhabi’s vision to nurture creativity and harness the power of the arts to build bridges and transcend borders,” he added.
Considerable Career
Born in 1947, the multi-awarded Omar Khairat is one of the top musicians of the Arab world with hundreds of memorized compositions in his repertoire.
Throughout his long successful career, he has written scores for numerous films and television series, including The Sixth Day (1984); The Terrorist (1993); Mafia (2002); Girl’s Love (2003); The Embassy in the Building (2005), and Deer’s Blood (2006), to name but a few.
His concerts are usually fully-booked weeks ahead of time with his wide fan base singing along and humming with compositions like Heya Di El-Hayah; Fi Hawid El Leil; Arabian Rhapsody; Fiha Haga Helwa; Eadam Mayet; El-Khawaga Abdel-Kader; Giran El-Hana; Saber; Arfa; Qadeyet Am Ahmed; Khali Balak Men Aklak, and other classic hits of time-honoured TV and films themes.
Among his upcoming performances is the 3rd of June’s large concert at the Sound and Light Theatre at the Pyramids and Sphinx site in Giza, where half of the tickets have already been sold-out.
Egyptian duo Nour El Sherbini and Ali Farag retained their respective world titles in Chicago with straight-game wins over Nouran Gohar and Karim Abdel-Gawad early on Friday.
World No.1 Sherbini needed 38 minutes to beat Nouran Gohar 3-0 (11-6, 11-4, 12-10) and clinch her seventh World Championship title.
“I am over the moon to win my seventh World Championship,” El Sherbini was quoted as saying on PSA World Tour after the game.
The 27-year-old El Sherbini was in superb form in Chicago, winning her third World Championship title. She is now just one short of the current women’s record of eight, held by Malaysian legend Nicol David.
Her streak of five women’s World Championship titles in a row is matched only by David.
“It is huge and special for me and I cannot believe I did it, I am so happy,” the Egyptian squash star said.
I am happy that I am closer to Nicol’s [David] record. She is a legend and what she did was amazing and unbelievable,” El-Sherbini said, adding “I have always been looking up to her, so to put my name beside her is something special and huge for me.”
The men’s final saw World No.4 Ali Farag become the second Egyptian ever after Amr Shabana to win four men’s World Championship trophies.
The 31-year-old Farag needed 44 minutes to beat Karim Abdel Gawad 3-0 (12-10, 11-6, 11-6).
“The emotions are so raw, it is so hard to put it into words,” Farag said. “It is so special. No matter how many times you go through it, it is even more special than the time before. Especially against such a champion like Karim, I am super relieved and super happy,” he added.
“Two months ago, we played a practice match and we were limping, and the standard would not have even earned us a place in the World Championship, let alone the final. To come all the way through to reach the final is a very proud achievement for the two of us.”
Farag – like El Sherbini before him – has now won all three World Championships held in Chicago.
The PSA World Championships is the most prestigious tournament in squash, with $1,000,000 in total player compensation split equally between the male and female athletes.
Five other coders win $50,000 each in awards presented by Dubai Crown Prince for top apps.
A Syrian coder on Wednesday won $1 million (around Dh3.67 million) in the ‘One Million Arab Coders’ contest during an award ceremony in Dubai facilitated by Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai, Chairman of The Executive Council and Chairman of the Board of Trustees of the Dubai Future Foundation.
Six software projects developed by Arab youth from around the world competed for the grand prize, thanks to the programming skills they acquired during their participation in the initiative’s courses.
On Wednesday, during the closing ceremony held at the Museum of the Future in Dubai, Sheikh Hamdan presented the awards to winners, with Mahmoud Shahoud, a Syrian coder who lives in Turkey, taking home the $1 million top prize.
Sheikh Hamdan tweeted: “Today, we honoured the winners of the ‘One Million Arab Coders’ Challenge, the UAE’s initiative to nurture the development of technology skills among Arab youth. 1.85 million Arab participants from 80 countries took part in the initiative along with 3,600 certified trainers.”
He added: “The Challenge opens fresh opportunities for Arab youth and offers a new path for them to achieve their dreams… Congratulations.”
Sheikh Hamdan added: “The ‘One Million Arab Coders’ initiative provided the opportunity for one million Arabs to enter the digital world. It fulfilled the dreams of tens of thousands of Arab programmers from all over the world. Its outcomes and successes will be the basis for many upcoming Arab achievements in the world of technology and coding. One Million Arab Coders’ has paved the way for Arab youth to broaden their horizons and sparked their innovation and creativity in the field of advanced technology.”
He added that the ‘One Million Arab Coders’ initiative, which was launched in 2017 by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, has succeeded in becoming a gateway for many Arab youth to use their programming skills to realise their dreams and aspirations.
“We look forward to our Arab coders continuing their pioneering innovations and expanding their achievements. We expect their names and future accomplishments to light up the sky worldwide.
“His Highness Sheikh Mohammed bin Rashid Al Maktoum’s vision for the region’s future is based on investing in the development of the Arab people. The language of programming is one of the pillars of the knowledge economy and a major bridge to a future in which those who possess scientific excellence will have the upper hand,” Sheikh Hamdan concluded.
Shahoud was adjudged winner for his ‘Habit360’ app that helps users create and maintain good habits, allowing them to achieve long-term goals. Shahoud said half of the prize winning will go towards helping Syrian refugees. The rest will be invested in Dubai as Shahoud plans to shift his base to the emirate and start his own business.
Sahoud is a software engineer from Syria who developed Habit360 that helps people build new habits, track their progress and stay motivated. The application has served more than 200,000 users from around the world.
Beside Shahoud, there were five other winners announced on Wednesday.
About the initiative
The ‘One Million Arab Coders’ initiative is supervised by the Dubai Future Foundation and organised under the umbrella of the Mohammed bin Rashid Al Maktoum Global Initiatives.
The closing ceremony held at Dubai’s Museum of the Future on Wednesday was to honour the best Arab talents in coding, and highlight best coding projects developed by graduates of the initiative to serve their communities and create a better future for humanity.
A total of $1.35 million was given away in prizes during the ceremony.
Mohammed Abdullah Al Gergawi, Minister of Cabinet Affairs, Vice Chairman of the Board of Trustees and Managing Director of the Dubai Future Foundation, said: “The ‘One Million Arab Coders’ initiative embodies the vision of His Highness Sheikh Mohammed bin Rashid Al Maktoum [Vice President and Prime Minister of the UAE and Ruler of Dubai] , to provide new opportunities for Arab youth, empowering their contributions to the advancement of technologies globally, and to put a clear Arab footprint in the future of humanity.”
Aimed at youth
He said the initiative aimed mainly at empowering Arab youth around the world with the tools of the future, and providing them with the opportunity to gain new experiences and skills that would help them turn their dreams into successful projects that benefit their societies and have a positive impact on their lives.
“The initiative was a glimmer of hope for Arab youth around the globe that success is not bound by place, age, or obstacles. Rather, success requires insistence on acquiring the experiences and skills that will be needed in the future,” Al Gergawi said.
He pointed out that the initiative was a cornerstone for countless success stories where coding helped create a positive impact on the future of humanity, and spread hope in the Arab region.
Al Gergawi stressed the importance of the initiative’s role in encouraging Arab coders to innovate and start developing software projects that not only meet the needs of their societies, but also foresee and adapt to its future requirements and changes, pointing to the initiative’s success in developing a leading global experience to teach coding skills in an effective manner, which was adopted in Jordan and Uzbekistan.
Saeed Mohammad Al Gergawi, Director, Dubai Future Academy, said: “We have 400 million Arabs and that is a lot of talent. Our criteria is that they had to be impactful, ready to be implemented and creative.”
Other winners
In addition to the grand prize for the ‘One Million Arab Coders’ challenge, the five best projects will receive prizes of $50,000 each, and four of the best trainers participating in the initiative will be honoured with prizes of $25,000 each. The finalists were chosen by a specialised jury that comprises many experts in the fields of entrepreneurship and future technologies.
Egyptian–Canadian Andrew Makram won $50,000 for his app called ‘Najeeb’, a platform for exams, tests and quizzes. “It is a cross-platform tool for teachers and educators to create and share paperless quizzes online. What the app does is that it allows students to access the quiz remotely, submit answers and receive the result instantly. Realtime submitted data are available to educators for revision and evaluation purposes,” he said.
Makram added that it took him a month to develop the app and it is in prototype form.
Egyptian entrepreuner Eman Magdy was another winner who has developed an app for the benefit of working women in Egypt. She won a prize for her initiative to ease the burden of working women in Egypt.
“The app is called 3lfraza. It is a platform to support homestay women in Egypt. Basically homestay women help working women to prepare vegetable and meat cuts and meals. Currently 9,000 women are registered from Egypt. We hope more women for all over the world use this to help one another. The app supports small vendors, helping busy mums in their day to day lives,” she said.
Meanwhile Mohamed ElEskandarany developed an app called ‘Muaahal’ to help youth to develop new skills. “It is a platform that aims to qualify Arab youth and prepare them well in the fields of their choice to work in suitable jobs or to start their own business. In addition, helping companies to find qualified employees, and to solve the problem of unemployment and increase the productivity of youth,” he said.
Another winner, Ammar Salim, won in the initiative for his app called Qeraaty Alnateqa which helps in speaking-reading program for the deaf and mute. “It is a speaking program to teach reading and writing to deaf and mute children. With a new sign language system and tool for converting the sign of only two fingers from the fingers of the hand to spoken letters and words,” said Salim.
Last but not the least, Hasan Mohamed won the prize for his ‘Chat translation app’.
“It is a mobile app that provides a textual and vocal chat for people of different languages in different places around the world ,to convert people’s speech in different languages into written texts, translate texts from one language to another, and convert translated texts into spoken speech again,” said Mohamed.
Software expertise
Sheikh Mohammed launched the ‘One Million Arab Coders’ challenge in July 2021 with the aim of recognising and honouring the achievements of Arab talents in the field of programming and creating an opportunity for participants in the initiative to showcase their innovative projects, developed using programming skills and the experience gained during their participation.
The challenge saw a total of 257 projects submitted by the initiative’s graduates from 50 different countries in various sectors related to programming, technology and entrepreneurship in the areas of website and mobile application development. In order to qualify for the final stage and compete for the million-dollar prize, the nominees were selected according to a set of main criteria, including the project idea, the innovation quality, and ease of use.
Jury
The jury for the final round included Fadi Ghandour, Chairman of Wamda Capital; Bashar Kilani, Managing Director of Accenture Middle East; Dr. Abdul Latif Al Shamsi, Director of the Higher Colleges of Technology; and Ronaldo Mouchawar, Vice President of Amazon Middle East.
Supervised by the Dubai Future Foundation, the ‘One Million Arab Coders’ initiative has seen 1,058,265 people from around the world participate virtually in millions of hours of study and work, as well as tens of thousands of training workshops. Since its launch, 1,500 “Nano Degree” certificates have been awarded to distinguished participants and promising talents. The initiative featured more than 3,600 certified trainers from around the world.
Serving humanity
Led by the Dubai Future Foundation (DFF) and organised under the umbrella of the Mohammed Bin Rashid Al Maktoum Global Initiatives (MBRGI), ‘One Million Arab Coders’ is the largest initiative of its kind in the world. The initiative aims to teach one million young people from the Arab world to code and enable them to launch exceptional projects and programmes that serve Arab societies, drawing on the science and skills gained from their training.
The initiative embodies Sheikh Mohammed’s vision to empower Arab youth with the tools of the future to serve humanity and build a brighter future for the region. The challenge forms part of the UAE’s continuous efforts make a positive impact on the world.
Partnerships
The ‘One Million Arab Coders’ initiative is supported by the Hussein Sajwani – DAMAC Foundation, which focuses on supporting learning opportunities and developing skills to stimulate profitable social and economic participation, and empowering societies in the Arab world to achieve a sustainable future. The Udacity digital learning platform also supported the initiative by offering educational content and training in necessary skills for future jobs. The list of partners of the initiative also included many international technology companies, including Microsoft, Facebook, Oracle, Careem and others.
The initiative also provides the world with a pioneering model for promoting the development of programming skills. It was adopted in the Hashemite Kingdom of Jordan, which launched the ‘One Million Jordanian Coders’ initiative in May 2019. The initiative was introduced with the aim of making Jordan a world leader in the field of programming. The ‘One Million Uzbek Coders’ initiative, launched through a partnership between the governments of the UAE and the Republic of Uzbekistan, was announced in November 2019, with the aim of providing Uzbek youth with an opportunity to acquire skills in programming, artificial intelligence and emerging technologies, to contribute to the development of innovative technology-based solutions and services.
source/content: gulfnews.com (headline edited)
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Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum (centre) with the winners / Image Credit: Supplied
May Elghety, the talented Egyptian actress, has announced her upcoming role in Disney’s animated series “Kizazi Moto: Generation Fire”. This sci-fi series, inspired by Africa’s diverse cultures and histories, promises to bring viewers thrilling stories of advanced technology, aliens, spirits, and monsters from a uniquely African perspective.
Elghety, who has won critical acclaim for her performances in several TV series and films, took to Instagram to express her excitement and honor at being part of the project. The 24-year-old actress is currently filming for the British movie “Due Dating,” which is directed by Daniel Pacquette and written by Jade Asha.
Born to renowned TV presenters and writers Mohamed Elghety and Mona Barouma, May Elghety began her acting career as a child artist. Her outstanding performance in the controversial TV series “El-Kaserat” earned her the Best Upcoming Actress award at the Arab Drama Festival in 2013.
Since then, Elghety has starred in several successful productions, including “Clash” in 2016, “Taye’a” in 2018, and “Every Week Has A Friday” in 2020. Her most recent film, “MAMA,” premiered at the Cairo International Film Festival in 2022.
“Kizazi Moto: Generation Fire” is a 10-part anthology that promises to bring together rising animation talents from six African nations. The series features an impressive production team, with Oscar-winning director Peter Ramsey serving as executive producer and Cape Town-based animation house Triggerfish leading the studio. Egyptian director Ahmed Teilab has also joined the writing and directing team for the series.
The show is set to premiere on Disney+ this year and is sure to delight audiences with its captivating storytelling and stunning visuals. “Kizazi Moto: Generation Fire” is yet another feather in the cap of May Elghety, who continues to prove herself as one of the most talented and versatile actresses of her generation.
Three recent titles on the life and history of the Copts reflect on elements of a complex story.
Mozakerat Aaela Masseihiya bein Ras Ghareb wal Qahera (Memoirs of a Christian family between Ras Ghareb and Cairo), by Elia Mahfouz Bashir, Cairo: Al-Arabi Publishing. pp. 196.
“At that time there was a [spontaneous] acceptance of the other; actually, the concept of this other was not really there – not as a fully defined concept any way”.
This is one of very few lines that evokes the “Christian” in the title of the pleasant-to-read 196-page text.
Elia Mahfouz Bashir, now a 65-year-old pathologist, recalls memories of his easy-going and uninhibited childhood in the Red Sea city of Ras Ghareb where his father worked for an oil company.
This is the interesting thing about the choice of the title. It offers a contrast to a sequel of articles where Bashir offers accounts from his time in this city in the late 1950s and early 1960s prior to the retirement of his father that forced the family away from its Red Sea haven to Cairo. Those are accounts of the city, the sea, playmates, school, family gatherings, comparisons between the Red Sea and the Mediterranean and so on.
So, for a while, the reader is left to wonder about the significance of the “Christian” reference. And this is exactly the point. In the childhood of Elia Mahfouz Bashir, his faith and that of his family was not an issue. It only comes up across when he refers to a trip to his maternal family in Upper Egypt where he was escorted by his mother to one of the moulids of the Coptic saints or when he talks about the prayers for healing that a priest performed for he and a playmate of his, who happened to be a Muslim.
As Bashir put it in one of the articles, both the mosque and the church of Ras Ghareb were part of a wider communal ownership. He is attributing this state of mind to the norms that prevailed during the rule of Gamal Abdel-Nasser when the focus was on Egyptian identity and not the affiliation of faith as it later became under the rule of Anwar Sadat.
Bashir had originally started sharing his reflections on his childhood in Ras Ghareb on Facebook before he decided to assemble the pieces into a book that stands as a testimony for his experience.
Abkareit Al-Massih: AlMaaraka AlMaghoula bein AlAqbat wa Al-Akkad – Watheiq Tarikheyah (The Genius of Jesus: The Unknown Battle Between Copts and Al-Akkad – archival documents), by Robert Al-Fares: Rawafd Publishing, 2023. pp. 172.
In line with his head-on and mince-no-words approach, Robert Al-Fares, journalist and author of several titles on Coptic social history, is putting out a book that addresses the strongly established but often averted conflict between the Christian and Muslim creeds over the nature of Jesus Christ. For Christians, Jesus is as divine as human, and as such there is no point in trying to argue his genius as Al-Akkad did in his book that came out in 1953, under the title of “The Genius of Jesus,” to the dismay of the Copts of Egypt and particularly that of the Coptic Church of Egypt. For Muslims, however, Jesus is a prophet just like any other prophet that God had sent prior to Muhammad.
In this 172-page book, El-Farres digs out the archival details of a confrontation that took place when the book was put out by Akhbar Al-Youm Publishing, at the end of a sequel that Al-Akkad dedicated to argue the genius of Prophet Muhammad and the four early rulers of the Muslim state that followed him.
Those include letters and remarks from Coptic commentators and clergy, including Father Sergius, the prominent preacher of 1919 Revolution, who was put under house arrest by the Free Officers regime “for worry over his public influence.”
He also included the remarks and views of Muslim scholars who defended or disagreed with Al-Akkad.
The book also includes the replies that Al-Akkad offered and the remarks he added to the second edition of the book that came out in 1958 under the new title of “The Life of Jesus.”
While zooming in on this particular account of Al-Akkad “The genius of Jesus”, Al-Fares is being open in his criticism of the attempt of some Coptic and Muslim figures to overlook this difference instead of simply accepting ‘the other’ – given that as much as for Muslims, Christ is just a prophet, for Christians, Muhammad is not a prophet.
“We just need to acknowledge that we have different creeds; this is the core of coexistence,” he wrote.
Nossous wa Kerat hawla tarikh Al-Qapt min Al-Qarn Al-Aasher Hattah Al-Qarn Al-Tassaeiaashr (Texts and Narratives on the History of Copts – From the 10thCentury to the 19thCentury), by Magdi Girgus: Al-Maraya Publishing, 2023. pp. 273.
This book is part of the ambitious and really interesting work of historian Magdi Girgis who has been digging out accounts on the history of Copts from the archives to assemble a comprehensive and solid narrative on the lives of Copts in Egypt under the Muslim rule. As Girgus put it in the introduction to his most recent 273-page volume, it is “a free stroll across the history of Copts [during 10 consecutive centuries] through the text of some archival documents.”
The selection of documents, Girgus writes, is designed to address some significant points of Coptic history, and that of Egypt. He notes that his purpose is not just to share and analyse the content of these documents but to put the accounts they address within the wider context of social and political contexts.
Throughout his 10 chapters, with documents and with narratives on the context of the documents, Girgus goes through some of the most interesting accounts of the history of Copts.
These accounts include history of the Coptic Church and the Arabisation of the language of the church.
They also include a history of the sources used to chronicle the Coptic history and the archiving of documents on the Coptic history.
He also examines the relation between Church and State and the Islamic judiciary system as well as relations between Coptic clergy and Coptic notables and the state.
Moreover, he also examines the role of Coptic clergy in the rural areas.
A most controversial part of this book might relate to the argument Girgus offers on the issue of Arabisation.
Traditionally, many Coptic intellectuals have often argued that this was the outcome of the pressure of the Arab rulers of Egypt.
However, according to Girgus, the ‘choice’ of the Coptic Church to adopt the Arabic language was not necessarily about the pressure from Arab rulers but rather about the ‘choice’ of the Church of Egypt to embrace a national line away from the influences of the Church of Rome.
It was also, he argued, about the wish of the clergy to go along with the notables who had been trying to go along with culture of the new rulers in so many ways, including the most peculiar practice of polygamy by some Coptic notables despite the fact that polygamy is strictly forbidden in Christianity.
Actually, the evolution of relations between Church and State is perhaps one of the best explained issues in this book.
Americans born in or with ancestral ties to Arab-speaking countries have made countless significant scientific, medical and engineering contributions.
While Americans born in or with ancestral ties to Arab countries have made countless significant scientific, medical and engineering contributions, most have never made it into record books. From cryptography, to the artificial heart, to the iPod, here are a few examples of some of the major advancements by Arab Americans.
1. Television Transmission and LCD Screens
Born in Nabatieh, Lebanon in 1895, Hassan Kamel Al-Sabbah studied and then taught mathematics at the American University of Beirut before immigrating to the United States in 1921. After a brief stint studying at the Massachusetts Institute of Technology (MIT), Al-Sabbah earned a master’s degree in engineering sciences from the University of Illinois, says Lujine Nasralla, communications specialist at the Arab American National Museum in Dearborn, Michigan.
“In 1923, General Electric (GE) hired him to work in its Engineering Laboratory under a contract that awarded him a dollar for each of his patents,” Nasralla explains, noting that between 1927 and 1935, he applied for patents for 52 of his inventions while working at GE. Some of the patents Al-Sabbah was awarded during his time at GE include three for innovations in television transmission technology (granted between 1928 and 1930), and two for cathode ray tubes (1935).
Though Al-Sabbah died in a car accident 1935, GE engineers continued to rely on the technology he invented, including developing the liquid crystal display (LCD) based on one of his patents. Al-Sabbah made numerous other significant contributions to science, technology and engineering, especially in the field of solar energy.
2. Emotion Recognition Technology
RANA EL KALIOUBY, CO-FOUNDER AND CHIEF EXECUTIVE OFFICER OF AFFECTIVA, SPEAKING DURING THE NEW WORK SUMMIT, CALIFORNIA, 2019. / DAVID PAUL MORRIS/BLOOMBERG VIA GETTY IMAGES
While Rana El Kaliouby was completing her doctoral research at the University of Cambridge in England in the early 2000s, she never felt as though she could ever truly connect with her loved ones back home. “Away from her family and friends in Egypt, El Kaliouby wished her computer could better convey her emotional state,” Nasralla says. That’s when she decided to find a way to make more emotionally intelligent technology.
After earning her doctorate, El Kaliouby took a position as a research scientist in the Affective Computing group in the MIT Media Lab. There, she was part of a team that developed an “emotional hearing aid,” as well as a pair of eyeglasses that could read emotions, along with social cues. Officially known as “the Emotional-Social Intelligence Prosthesis,” El Kaliouby and a colleague created the wearable technology in 2006 for people living with autism who have difficulty identifying and processing other people’s emotions as they communicate.
In 2009, El Kaliouby and the same MIT colleague co-founded a company called Affectiva, which used deep learning, computer vision, speech science and vast amounts of real-world data to develop emotion recognition technology. “Her pioneering technology accurately reads minute changes in facial expressions that convey emotions,” Nasralla says, adding that El Kaliouby is a member of the Women in Engineering Hall of Fame.
3. The iPod and iPhone
TONY FADELL, WHO OVERSAW THE DESIGN OF THE IPOD AND IPHONE, PHOTOGRAPHED IN SINGAPORE, 2019 / WEI LENG TAY/BLOOMBERG VIA GETTY IMAGES
There was a time in the not-so-distant past when listening to music outside of your home meant bringing the physical album with you on a record, audio cassette or compact disc. And while portable MP3 players existed before 2001, none were popular enough to make the device the standard way of listening to music on the go. That is, until Apple CEO Steve Jobs hired Arab American inventor Anthony “Tony” Fadell and put him in charge of a new special projects group within the company tasked with doing exactly that.
The result was the iPod, which launched in 2001. Fadell, who is now known as “ the father of iPod,” went on to oversee the first 18 iterations of the device before Jobs gave him his next assignment: to create a mobile phone with many of the same features as the iPod.
This time, the end product was the iPhone, which essentially allowed people to carry a highly compact computer with internet capability around at all times, and, in the process, changing the way people access information. Fadell was involved with developing the first three generations of the iPhone.
4. Developments in Surgery
HEART SPECIALIST DR. MICHAEL DEBAKEY, C. 1994. / F. CARTER SMITH/SYGMA/GETTY IMAGES
Born in Lake Charles, Louisiana in 1908 to Lebanese immigrants, Michael DeBakey (the Anglicized form of Debaghi) grew up spending time in his father’s pharmacy and enjoyed sewing, gardening and learning how motors and other machinery work. He earned his medical degree in 1932 and served in the Surgical Consultants Division of the Army Surgeon General’s Office from 1942 to 1946.
It was during this time that DeBakey and his colleagues developed special units dedicated to providing surgical care to soldiers wounded near the front lines. They were first deployed in 1943, though are best known for their work during the Korean and Vietnam conflicts, when they were known as the Mobile Auxiliary Surgical Hospital (MASH) units.
DeBakey’s surgical contributions continued for the next several decades and included performing the first successful removal of a blockage of the carotid artery (1953), developing the concept behind coronary bypass surgery (1963), pioneering the field of telemedicine with the first demonstration of open-heart surgery transmitted overseas via satellite (1965), and being the first to use a partial artificial heart (1966).
5. Internet Security
While internet security is top-of-mind now, that wasn’t the case when Egyptian-born cryptographer Taher Elgamal began his pioneering work in the field in the 1980s. “Elgamal published a paper in 1984, ‘A Public Key Cryptosystem and a Signature Scheme based on Discrete Logarithms,’ which became the basis of the Elgamal Digital Signature algorithm,” says Richard Gardner, a software developer and CEO of Modulus. This work was then utilized in the development of the Digital Signature Algorithm (DSA).”
Elgamal’s work became even more influential after the National Institute of Standards and Technology (NIST) adopted it as the Digital Signature Standard (DSS). “Like the name implies, it became the standard for electronic signatures,” Gardner explains.
And according to Abdulrahman Henedy, an Arab American entrepreneur and founder of Financeive , Elgamal’s invention of the discrete logarithm was also an important milestone in cryptography. “His work inspired other encryption variations and paved the way to create more advanced algorithms, like Advanced Encryption Standard,” he explains.
In addition, Elgamal was the driving force behind the Secure Sockets Layer (SSL), a protocol that keeps online communications like email and instant messaging secure. Because of this major technological development, he is known as the “father of SSL.”
6. The Waffle Cone
Though it may not be the most high-tech invention on the list, the waffle cone stands out not only because it’s delicious, but because not one, but four different Arab Americans claimed to have invented it. And what’s perhaps even more bizarre, is that in an origin story with so many inconsistencies, all four of the men contend that their ice cream innovation was born at the 1904 Louisiana Purchase Exposition—better known as the Saint Louis World’s Fair.
According to Nasralla, Ernest Hamwi, Nick Kabbaz, Abe Doumar and Leon B. Holwey each had their own story about how they came up with the waffle cone in 1904. “We give credit to all four of them, but we don’t recognize any of the stories as more plausible than the others,” she explains. “It remains a mystery to this day!”
But that mystery extends beyond which of the Arab American vendors (if any) deserves credit for the waffle cone. That’s because on top of these four narratives, there are several other origin stories , including some that took place prior to 1904. And though we may never know who first devised a handheld edible ice cream container, it’s safe to say that the 1904 World Fair and its Arab American dessert vendors did have a hand in popularizing what we now know as the waffle cone.
source/content: history.com (headline edited) / Elizabeth Yuko
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HEART SURGEON DR. MICHAEL DEBAKEY. CREDIT: BETTMANN ARCHIVE/GETTY IMAGES
In the heart of Islamic Cairo, Souq Al Khayamiya has been continuing a tradition in textiles dating back to the pharaohs.
Amidst the vibrant alleys, the scent of exotic spices and the insistent clamour of haggling merchants that so readily defines Islamic Cairo’s marketplace lies Souq Al Khayamiya. There, the rhythmic tapping of hammers against fabrics leads you to the heart of the souq, where skilled artisans create breathtaking Khayamiya textiles – a craft and art form that dates back to the time of the pharaohs.
Consisting of elaborately patterned and colourful appliques applied to the interior of tents, the decorative textile art form serves simultaneously as shelter and ornamentation.
Khayamiya possesses the three layers typical of quilts – a heavy “back”, a background “top”, and elaborate appliqué over the “top”. Khayamiya has been an integral part of Egypt’s cultural heritage for centuries, with a rich history that reflects the country’s artistic and cultural diversity. The art form has survived centuries of changes in Egypt’s political, social, and economic landscape and is still practised today.
The souq is a testament to the enduring legacy of this ancient art form and the craftsmanship of the artisans who keep it alive. Through its intricate patterns and vibrant colours, Khayamiya showcases the beauty and richness of Egypt’s artistic heritage. It serves as a reminder of the country’s past and the vibrant artistic traditions that have been passed down through generations.
Today, Khayamiya is not only an important cultural artefact but also an expression of contemporary Egyptian art, with many artists and fashion designers incorporating these ancient techniques and motifs into their work.
A record-setting night sees the Egyptian striker secure his place in history.
Mohamed Salah secured his place in Liverpool (and Premier League) history with a remarkable performance on a very special night as his side beat rivals Manchester United 7-0.
With two second half goals the talismanic Egyptian striker became Liverpool’s all-time top goalscorer English Premier League, with his 129th and 130th goals putting him on top of the list above club legends Robbie Fowler (128), Steven Gerrard (120) and Michael Owen (118).
“This record was in my mind since I came here, I think after my first year I was always chasing that record, so to break it today, against United, with that result, was unbelievable,” Mo Salah told Sky Sports after the game. “I’m going home to celebrate with the family, have a chamomile tea and sleep!”
However, the record was not the only one that Salah secured in the game, as his double also made him Liverpool’s leading scorer against United in the Premier League era, with 10 goals.
Manchester United is one of Liverpool’s biggest rivals – if not the biggest – and the scoreline was its largest ever victory against United in any competition.
“I have some good records at Liverpool. To be fair, as long as we achieve something with the team that’s the most important thing for me,” Mo Salah said to the Liverpool Echo.
“I’m so happy and proud to break records and win trophies in a team like Liverpool. I don’t want to be in a smaller team and I’m the only one breaking records and that’s it.”
source/content: esquireme.com / Matthew Priest (headline edited)
