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Launched in 2003 and with more than 186 countries participating, the prestigious WSAs are held biennially and recognize impactful digital initiatives.
The Saudi Ministry of Hajj and Umrah is the sole Saudi participant to win a 2024 World Summit Award in the Culture and Heritage category, thanks to its “Nusuk” platform.
The project competed against over 900 technical submissions from 160 countries.
Launched in 2003 and with more than 186 countries participating, the prestigious WSAs are held biennially and recognize impactful digital initiatives. They seek to bridge the global digital divide by honoring smart applications and creative online content. The WSAs are a key UN initiative, supported by the International Telecommunication Union.
The award reflects the Kingdom’s pioneering strategy in developing innovative technological solutions aimed at enhancing pilgrims’ experiences and highlighting cultural and heritage values.
FASTFACT
‘Nusuk’ is a suite of innovative technological solutions which facilitate the performance of pilgrimage rituals, address challenges and enhance operational efficiency.
It underlines the Saudi Ministry of Hajj and Umrah’s efforts to drive comprehensive digital transformation, in alignment with the goals of Saudi Vision 2030.
“Nusuk” is a suite of innovative technological solutions which facilitate the performance of pilgrimage rituals, address challenges and enhance operational efficiency.
It has already advanced significantly with the development of pioneering systems such as the Nusuk Card, Nusuk Masar and crowd management systems.
It also focuses on highlighting the Prophet’s biography and cultural landmarks in Makkah and Madinah, featuring more than 150 museums, monuments, restaurants, cafes and tourist destinations, among other notable sites that enrich the user’s experience.
Over 400 licensed guides are affiliated with the platform, offering customized excursions throughout the Kingdom to pilgrims.
The Ministry of Hajj and Umrah has said it is very proud of its achievement and reaffirmed its ongoing commitment to developing technological solutions that ensured the sustainability of the Hajj and Umrah sectors, facilitating easy access to smart services and ensuring a smooth and tranquil performance of the rituals.
source/content: arabnews.com (headline edited)
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nusuk application / Over 400 licensed guides are affiliated with the platform, offering customized excursions throughout the Kingdom to pilgrims. (Supplied)
After weeks of speculation, Marmoush agrees to a deal with the Premier League champions that runs until 2029.
Manchester City have announced the signing of Eintracht Frankfurt forward Omar Marmoush for a reported initial fee of about $72.6m.
“The 25-year-old Egyptian striker has completed a move to the Etihad Stadium on a four-and-a-half-year deal, meaning he will remain at the Club until the summer of 2029,” City said in a statement on Thursday.
“This is a day I will never forget,” Marmoush said after signing up with the English Premier League champions.
“To sign for Manchester City – one of the best teams in the world – is an amazing feeling. I am delighted, my family are so proud, and we are all very happy to be here in Manchester.
“With Pep, his technical staff and the world-class facilities here, players have everything they need to improve. That was really enticing for me when I had the chance to come here.”
Marmoush is City’s third signing of the January transfer window following the arrivals of defenders Abdukodir Khusanov and Vitor Reis.
The former Bundesliga star’s contract is understood to include a potential further $5m in add-ons.
Born in Cairo in 1999, Marmoush stood out early in the academy of club Wadi Degla in the Egyptian Premier League. At just 17, he was promoted to the first team and joined Wolfsburg’s reserves a year later.
At Wolfsburg, Marmoush initially struggled for consistency and game time, resulting in loans to St Pauli and Stuttgart.
The striker moved to Frankfurt on a free transfer before the 2023-2024 season and scored 12 goals in 29 league games.
Marmoush’s development has drawn inevitable comparisons to his compatriot Mohamed Salah, but the Liverpool superstar warned against such correlations.
“Omar has great potential and is an important player for his team and the national team currently, but I hope we stay away from the idea of comparisons because it will put him under pressure,” Salah said in November.
“Do not compare him to me. Do not say the ‘new Mohamed Salah’. Let him live his career. Comparing a player at the beginning of his career with another who has achieved a lot over many years does not help him.”
City’s director of football Txiki Begiristain said Marmoush was an “accomplished and exciting forward”.
“He’s had an outstanding season, and every time we have watched him, he has influenced matches,” he said.
“He has all the attributes a top-class attacker requires. He has outstanding pace and awareness, and he is exceptional in front of goal. He can also play a number of different positions, which is a really valuable asset.”
His arrival at the Etihad Stadium comes during a frustrating season for City.
City, champions for the past four seasons, are currently fifth in the Premier League, 12 points behind leaders Liverpool having played a game more.
Defeat at Paris Saint-Germain on Wednesday has also left Pep Guardiola’s side in danger of missing out on the Champions League knockout stages.
source/content: aljazeera.com/sports (Al Jazeera and News Agencies) / (headline edited)
Minneapolis poet Muna Abdulahi talks strategy, community and leveraging cultural stereotypes in Netflix’s season two of “The Mole,” where she competed for a $154,000 prize.
Who is the mole?
For Somali American poet Muna Abdulahi, that question loomed large during her first day on season two of Netflix’s reality game show, “The Mole,” which was filmed in the napier grass fields of western Malaysia. Abdulahi had to figure out who to trust among the other 11 players while aware that one of them might be secretly sabotaging the game, and while navigating cultural differences and working to stay under the radar herself during the six-week filming.
The premise of “The Mole” is simple: contestants work together to build a pot of prize money that only one player will win in the end. Among them is “the mole,” a player tasked with working against the group. After each mental or physical challenge, players take a quiz to identify the mole and the contestant with the lowest score is eliminated. If the mole remains undetected until the end, they win, but if the last player uncovers their identity, that player takes the prize.
In a game where everyone is out to deceive each other, moments of genuine connection feel like dangerous territory. Off-camera, players share meals, tell stories and laugh together — but beneath the camaraderie, the question remains: Who can you trust when everyone might be lying?
Abdulahi, who grew up in Willmar, Minnesota, and now lives in Minneapolis, approached the game with a calculated strategy: lean into being underestimated.
“When people first meet me, they see the hijab,” Abdulahi said in a confessional in the first episode. “They see a Muslim woman, somebody who follows other people’s orders, and I’m going to use that to every single advantage.”
Did Abdulahi’s strategy pay off? Watch “The Mole” on Netflix to see how far she goes.
In an interview with Sahan Journal, Abdulahi reflected on her life as a poet and shared her experience filming the show in July 2023. She discussed what it was like being a Muslim woman in a high-stakes competition balancing trust and suspicion.
The interview has been edited for length and clarity.
Can you share a bit about your journey as a poet in the Twin Cities? What inspired you to start writing?
I started writing poetry when I was 14. Somalia is known as the nation of poets, so I have family members who are poets, like my grandmother. Being born and raised in the U.S., language was still a barrier because I understood Somali when it was spoken to me but speaking it was a whole other conversation. So, when I was young, there was a part of me that really wanted to find something that connected me to my culture and poetry was it.
The issue was, I went to predominantly white schools my whole entire life, so a lot of the authors I would read would be old white men. I’m like, “Okay, I have absolutely no ties to these people,” but then I started getting into spoken word poetry and that scene is predominantly BIPOC stories and narratives that I never got to hear growing up. It inspired me to write, and I just never stopped.
How do your experiences as a Muslim woman influence the subjects you write about?
That’s a really good question. I mean, I think everything ties back to our inner child. For me, I never really got to hear BIPOC stories. I still remember the first BIPOC story I read. It was “The Kite Runner.”
I think when you are not represented in stories, it makes you feel unimportant and as if your experiences are not worthy of being shared. It’s also the media in general. So, my mission when I started writing was to not only give space to our stories, but to give space to the stories that were devalued or silenced or not seen as worthy.
It feels like there’s two sides of the coin — either our stories are not being shared or, when it is, it’s these perfect stories where Black and brown girls become tokenized and don’t feel worthy unless they’re exceptional. I want to give space to the in-between.
What drew you to “The Mole”? How did you get involved with the show?
I’m a big, big fan of reality TV, specifically reality competition shows like “Big Brother” and “Survivor,” so I’ve always wanted to be a part of it, but I never saw any Muslim people. I remember writing down in my notebook the shows that I want to be a part of, and I had to check off every single one because the structure of the game itself would not meet the necessities and the needs of being a Muslim woman.
In “Survivor,” you’re stranded on this random island and — let’s say you just did a swimming challenge — you’re going to be wet all day, all night. Maybe you have an extra hijab but how would you be able to preserve your values and at the same time play this game?
It’s the same thing with “Big Brother,” where you’re being filmed 24/7, even when you shower. Even though I love the game, I can’t really do it. What I loved about “The Mole” is that the structure of the game itself is accessible to Muslim women.
What was it like communicating with producers about what you needed?
So the first thing is prayers. We pray five times a day. The way that these games work is completely fast-paced, so I basically had to tell them, “Hey, I need 10 minutes.” We met in the middle where I was able to move to the side and do my prayers, but that also meant that I was praying in a lot of different places.
We also didn’t have our phones, but I usually use it to pray at specific times and toward a specific direction to Mecca. I also needed water to make wudu (a cleansing ritual), so there was somebody who literally carried my prayer mat, bottled water and checked the times for me. That was really helpful. It also helped that we were in a Muslim country. There were a lot of prayer rooms already within the city.
How did you mentally and physically prepare for the show?
I rewatched a lot of the seasons, and not just the U.S. seasons. I’m also a big fan of the international seasons, so I was watching Netherlands, Belgium and Australia. I wanted to make sure that my game plan was set, but at the same time give myself room to adapt, because that’s the name of the game.
We don’t really know what we’re getting into. I also prepared by memorizing things, because the objective of the game is, “Who is the mole,” right? We have to remember as much as possible about them: What are they wearing? What color are their shoes? Which car did they get in?
Those little details would be on the quiz.
What was your strategy going into the game?
Originally, my strategy was to play into this stereotype that people have for Muslim women — very timid, shy, quiet, observational, not taking up too much space — so they underestimate me. It worked for that first episode but after that, I had to switch up my game.
I can’t hide. It’s so much more difficult to hide who you are when you’re with these people all day, but it still worked to my advantage because people still underestimated me. Well, until mid-game when you see them start to question if I was the mole.
In the first episode, you talked about how people often perceive Muslim women as obedient or timid. As you entered the game and interacted with contestants, did you feel that they had a specific perception of you?
Off the bat, yeah. It was exactly what I thought. I don’t think a lot of people on the show had close Muslim women friends, so I think a lot of the time, people perceive groups of people based on what they see on TV.
I remember Q [Quaylyn Carter] was like, “Oh my gosh, I thought you were going to be so quiet,” so, I really could have played into that. But Andy (Mintzer) had a lot of knowledge about Muslim culture. Muslim women and men are not supposed to touch the opposite gender’s hand, so I knew that first meeting was going to be so awkward because a lot of people don’t know that, but Andy knew right away.
How did you manage building friendships with contestants while, in the back of your mind, knowing that one of them is sabotaging the game?
To be honest, I came in there like, “I’m not here for friends; I’m here to win,” but a lot of these people are just so likable and so lovely. The mole lies throughout the whole thing, but off-camera, the stress and tension is gone. We’re eating together or driving to the next location and sharing stories about who we are.
The core of me is centered around community, and even though I wanted to shut it off, those in-between moments really got to me. Some of these friendships are so real. Hannah (Burns), for example, was somebody who I saw as competition or as an enemy, but outside of the game, we were friends, so it was this weird, funny tension where it’s like, “I adore you, but in the game, I’m lying to you up and down.”
I had such a beautiful friendship with Jenn (Jennifer Dasilva-Hassiman), too, and it sucked so bad because she left first. She has such a beautiful spirit. In the beginning, it was difficult coming into this as a minority.
I know who I am, but I’m also shifting myself a little bit for this game, and as someone who grew up in predominantly white spaces, code switching becomes this mechanism. It was lovely to see Jenn be exactly who she is — this bold, beautiful personality and unapologetically herself.
One of the key moments from the season was episode five, when you guys had an auction and contestant Neesh Riaz bid the entire pot of $59,500 for an exemption from the quiz.
What was it like watching all of that money you guys worked for drain from the pot?
It was so tense, and it’s funny watching it back from an outside perspective, because it’s been so long. I’m just laughing at my reaction, because it was so serious. What’s so unique about this game is that they take your phone away so you’re truly, one-hundred percent engulfed in this experience. Like, this is your life, and we’re at the halfway point.
When he took all that money, it just hit me that somebody’s full year of work was gone just like that.
Honestly, everybody was so mad. There’s so many moments that were not shown. We were outside and we were just like, “What are we doing here?” Even the host had to remind us that there’s still a lot of money coming in, but I think at this point, people were just so tired of losing money and you’re realizing not only are we competing against the mole, we’re competing against other players. So you’re like, “Okay, what are my actual odds here? If I was to win, am I going to be winning a dollar? Is that right?”
How did it feel to get as far as you did?
It felt so good. A big part of that whole experience ties to the very beginning of our conversation where I didn’t want to come on the show to prove that I’m smart or exceptional. I just wanted to be myself and show all of the complexities that make up a human.
I’m smart, but I’m also a big personality. I’m a little funny and a little quirky. I don’t have to compromise anything and I can still get to the end. Even though I didn’t win, I still proved that it had nothing to do with who I was or my capabilities and, for that, I feel like my purpose was met. Money would have been amazing but the experience was more fulfilling than I could have imagined.
What was the reaction from your friends and family after the show aired?
It was really beautiful. My family is my biggest support system and my sisters, especially. It was like a sports game, the way they were cheering for me.
What about the response from viewers?
Watching the show back was such a healing experience, and then to see the outpour of love in my DMs — that was something I wasn’t prepared for. And to see all these Muslim women come into my messages — it meant so much to me, and I didn’t know how much I needed it.
It just reaffirmed exactly what I was meant to do. Coming into this next era, I want to continue paving the path so others could walk with me and hopefully, it’ll be easier for the next one, and the next one, and the next one.
Poet Muna Abdulahi (center) gives a spoken word tribute during the January 9, 2024, inauguration of St. Paul’s historic all-female City Council. The new council sits behind her. Credit: Aaron Nesheim | Sahan Journal
In a momentous acknowledgment of his pivotal contributions to the global entrepreneurial landscape, Yacine El-Mahdi Walid, Algeria’s Minister of Vocational Training and Apprenticeship, was named the “2024 Startup Ecosystem Star.” This honor was conferred by the International Chamber of Commerce and the renowned innovation organization “Mind the Bridge” during the ninth edition of the celebrated award ceremony.
Celebrating Leadership in Innovation
The accolade recognizes El-Mahdi Walid’s instrumental role in driving innovation and nurturing startup ecosystems not only in Algeria but across the African continent. The minister’s efforts have been hailed as transformative, positioning Algeria as a rising hub for technology and entrepreneurship.
In a statement on his official Facebook page, Minister El-Mahdi Walid expressed his gratitude, emphasizing the significance of the award in celebrating individuals who make substantial global impacts within startup ecosystems.
“This recognition,” he remarked, “although awarded individually, is truly a testament to the extraordinary efforts of my former team at the Ministry of Knowledge Economy, Startups, and Small Enterprises.”
A Visionary Path for Algerian Startups
Acknowledging the collaborative spirit behind the honor, the minister reaffirmed his confidence in Algeria’s continued trajectory towards innovation under the stewardship of his successor, Noureddine Ouadah. “I am certain,” he added, “that this outstanding work will persist and that Algeria’s startup ecosystem will rise to meet the aspirations and hopes of its people.”
A Global Celebration of Innovation
The 2024 Startup Ecosystem Star event is an annual celebration that recognizes individuals who have made an indelible mark on the global entrepreneurial landscape. By highlighting exceptional contributions, it inspires collaboration and innovation worldwide.
The British magazine The Telegraph published its annual list titled “Travel’s 50 Biggest Winners and Losers in 2024.” Topping the list of winners was the Grand Egyptian Museum.
The British magazine wrote that the Grand Egyptian Museum has finally opened on a trial basis for visitors. It spans an area of 490,000 square meters and, once fully operational, will house over 100,000 artifacts, with the most notable being the complete collection of items discovered in Tutankhamun’s tomb.
The list also included other places, such as the UAE and Notre Dame Cathedral following its reopening.
The Grand Egyptian Museum (GEM) project continues to achieve international milestones, winning the 2024 Project of the Year Award for users of FIDIC (International Federation of Consulting Engineers).
The award was presented during the 6th Annual FIDIC Contract Users Awards ceremony held in London.
GEM is the first Egyptian project that win this prestigious award.
Egypt’s Minister of Tourism and Antiquities, Sherif Fathy, highlighted President Abdel Fattah El-Sisi’s unwavering support for the Grand Egyptian Museum, recognizing its importance as one of the most significant cultural and heritage projects in Egypt and globally.
President Sisi has consistently followed every stage of its implementation, ensuring the removal of obstacles to deliver a museum that reflects the grandeur and legacy of ancient Egyptian civilization.
The minister emphasized that this remarkable achievement would not have been possible without the President’s ongoing support and interest.
The President’s chairmanship of the museum’s Board of Trustees further demonstrates his commitment to developing the museum as a global hub for heritage and culture.
The Minister also praised this award, which is the second international recognition for GEM this month.
Last week, the museum won the Prix Versailles, ranking among the seven most beautiful museums in the world for 2024.
He expressed his gratitude to everyone who contributed to the completion of this monumental project over the years, and to the extensive efforts of all state agencies and entities that helped elevate the museum to its prestigious global status.
What does it take to become an American? In 2015, This American Life told the story of a Somali refugee who was finally issued a visa to come and live in the United States. “This big smile was on my face. I’ve never had such a big smile,” Abdi Nor Iftin said at the time.
Iftin’s long road to the US began when he was only a child in Mogadishu, watching American movies and teaching himself English, while brutality and war raged around him. In his new memoir, Call Me American, he tells his story from the beginning: with his nomadic parents and their now-unimaginably peaceful, pastoral life.
“She had no idea that the country she was living in was called Somalia,” Iftin says of his mother. “She had always told me, ‘You know, Abdi, there’s only two days: The day that you’re born and the day that you die. Everything else is just grazing and hanging out with the animals.'” Life was so easy, he says, before drought and famine wiped everything out.
Interview Highlights
On his first memories of Somalia’s long-running civil war
I was six years old when the civil war started, militias started pouring into the city, and death and killings and torture, and I just cried. The smell of Mogadishu, it was just the smell of gunpowder. And that had been sticking with me forever … I think this is the most touching memory that I can remember, to have our youngest sister die, and we said, “Good. That is so easy for her,” and then I was jealous. I was jealous because that was the time when our feet were swollen, our bellies were empty. It was a feeling that you could die any time … and I looked at my other sister, and she was just eating sand. And I think that’s the stories that people don’t hear about.
On his encounters with Marines in Mogadishu
I still say they stole my heart, because it was the very first time that I saw people with guns, and the guns were pointed up in the air, not in my face. Then they were coming and giving us sweets — I wanted these people to stick around, I wanted these people to be part of my life.
On being targeted by Islamists because of his nickname, “Abdi the American”
Unfortunately, I still believe that Islamists were born out of the American involvement somewhere in the Middle East, and the phrases that they had used to attract young men of my age was just “America.” They said, “They are the enemies of Islam” … surprisingly, I was out on the streets, defending President Bush, I don’t even know why I did that. But I was defending him, and blaming Osama bin Laden for all the problems. But I thought, to me it was just expressing myself, but then it got me into trouble, and I received a phone call saying, “You got to stop and drop that nickname, or we’re going to kill you.”
On whether Americans know how hard it is to get a visa to come here
I don’t think they do! You know, Americans take so many things for granted. For example, I came to the U.S. through the diversity immigrant visa lottery, which [President Trump] would like to cancel. But if it was not the diversity lottery, I would have never come to America, never. I had been an American since I saw those Marines, and my nickname is going to be my nationality, very soon … When I wake up in the morning, I say, oh, I’m so lucky — I have arrived here before America had turned its back against the rest of the world. If this had happened when I was hiding myself from Islamic terrorists, just trying to come to America and become an American and all that, it would be a disappointment, it would be a betrayal by the United States. Because the way I understand is that America is open to the rest of the world. And I am here to make America great. I did not come here to take anything. I came here to contribute, and to offer and to give.
Khadija Jallouli, a young Tunisian entrepreneur with a disability, has called for redoubling international efforts aimed at integrating people with disabilities and involving them in decisions related to finding solutions to the challenges they face.
She is the co-founder and CEO of HawKar, a start-up specialising in manufacturing electric vehicules for people with disabilities with the aim of improving their lives by providing convenient, accessible and sustainable mobility solutions.
Ms. Jalouli spoked about her experience from the podium in the iconic General Assembly Hall at the opening session of the activities of the 17th session of the Conference of States Parties to the Convention on the Rights of Persons with Disabilities (COSP17), which began on Tuesday and continues until June 13, under the theme Rethinking disability inclusion in the current international juncture and ahead of the Summit of the Future, which is taking place at UN Headquarters in September.
In an interview with UN News, Ms. Jallouli said she is participating in COSP17 to shed light on the challenges facing people in motion and how to find solutions to them to create a more inclusive world as well as to inspire participants to take action to find solutions and involve everyone.
Bouayech praised Morocco’s efforts in promoting human rights including recently proposed changes to the country’s family code.
Amina Bouayach, the President of Morocco’s National Human Rights Council (CNDH), has been awarded the 2025 Mediterranean Foundation Award for her contributions to promoting human rights in Morocco and internationally.
The award, presented to her on Friday in Naples, Italy, recognizes individuals or organizations dedicated to upholding the values of human dignity and freedom.
Established by Italian sculptor Mario Molinari, the Mediterranean Prize is a symbol of peace and coexistence between countries. It recognized Bouayach’s work in advancing equality, justice, and fundamental freedoms, the foundation said in a statement.
During the ceremony, President of the foundation, Michael Capasso, along with international jury members and Professor Abdelhak Azouzi, praised Bouayach for her extensive work in human rights.
Bouayach was born in Tetouan, a small city in northern Morocco. For decades, she has been a tireless advocate for women’s and children’s rights, often speaking out against the injustices they face. She has also worked to improve the rights of marginalized groups around the world.
In recognition of her dedication and leadership, King Mohammed VI appointed her as president of CNDH in 2018.
She has also held significant positions in global human rights organizations, including Vice-President of the Global Alliance of National Human Rights Institutions and Vice-President of the International Federation for Human Rights.
In addition to her work in human rights, Bouayach has had a career in diplomacy, having served as Morocco’s Ambassador to Sweden and Latvia.
In her acceptance speech, Bouayach expressed gratitude for the recognition and praised Morocco’s efforts in promoting human rights. She particularly mentioned recent reforms like the vote in favor of a universal moratorium on the death penalty.
“This distinction, while touching me as a woman and activist, is primarily a tribute to my country, Morocco, for its unwavering commitment to the universal values of dignity, justice, and equality,” Bouayech said.
She also mentioned the proposed reforms to Morocco’s family code and they recognize women’s contributions in the household when distributing marital property. “These ambitious reforms, full of hope, aim to strengthen the rights of women and children, bringing significant advancements,” Bouayach said.
CNDH President also noted that the Mediterranean is more than just a geographic area; it is a place rich with shared history, where different cultures have come together to build a common heritage.
She acknowledged the challenges the region faces, such as conflicts and climate change, but stressed that the Mediterranean’s heritage of humanity and diversity offers hope and the potential for renewed dialogue.
In addition, she noted the important role of women in driving social and political change in the Mediterranean, especially in Morocco.
“I dedicate this award to all Mediterranean women who, every day, build bridges between cultures and generations,” she concluded.
KSU professors, Canadian and Japanese scientists achieving breakthroughs in cellular therapy and carbon nanotubes win coveted prize
Selection committees held meetings at King Faisal Prize headquarters to select winners in Islamic studies, Arabic language and literature, medicine, and science
The King Faisal Prize 2025 laureates were announced at a ceremony in Riyadh on Wednesday night.
Two King Saud University professors, a Canadian scientist who achieved a breakthrough in cellular therapy and a Japanese scientist doing pioneering work in carbon nanotubes were winners of the most coveted prize in the Arab world.
Announcing the KFP 2025 winners, Dr. Abdulaziz Alsebail, secretary-general of the King Faisal Prize said: “The selection committees of the King Faisal Prize 2025, after meticulous deliberations that were held from Monday to Wednesday, have reached decisions for the prize’s four categories: Islamic studies, Arabic language and literature, medicine, and science. As for the fifth category, the King Faisal Prize for Service to Islam, the announcement will be made at the end of this month.”
The King Faisal Prize for Islamic Studies for 2025 (Topic: Studies of Archaeology in the Arabian Peninsula), was awarded jointly to Professor Saad Abdulaziz Alrashid and Professor Said Faiz Alsaid. Both are Saudi nationals and professors at King Saud University.
Alrashid was awarded the prize for his contribution to the study of Islamic archaeological sites and inscriptions of the Arabian Peninsula, which laid the scientific and methodological groundwork for scholars in this field. His work has enriched scientific knowledge about Islamic civilization and has become an empirical source for future generations of researchers.
Alsaid was awarded the prize for the originality of his scientific studies, which are based on rich literature and published in several languages. His adaptation of a comparative methodology in studies of inscriptions and ancient writings of the Arabian Peninsula has had a profound impact on understanding the history of the Arabian Peninsula’s civilizations before Islam. His studies are an important scientific reference for scholars of the history of the Arabian Peninsula and the ancient Near East.
The King Faisal Prize for Arabic Language and Literature (Topic: Studies of Identity in Arabic Literature), was withheld due to the nominated works not reaching the criteria for the prize.
The King Faisal Prize for Medicine (Topic: Cellular Therapy), has been awarded to Michel Sadelain (Canada), Stephen and Barbara Friedman chair and director, Center for Cell Engineering at Memorial Sloan Kettering Cancer Center.
Sadelain has been awarded the prize for his pioneering work in cellular therapy, and in particular for the genetic engineering of immune cells with “chimeric antigen receptors” (CAR-T). Dr. Sadelain led the team that designed and tested clinically effective and novel CAR-T agents for the treatment of blood cancers. His group identified CD19 as an effective CAR target and included a CD28 domain in the CAR construct, resulting in strikingly effective clinical responses. Dr. Sadelain continues to improve CAR-T cell efficacy by devising strategies to overcome treatment resistance. This approach also shows promise in the treatment of autoimmune diseases and solid tumors.
The King Faisal Prize for Science for this year was awarded in physics to Sumio Iijima, a professor at Meijo University, Japan.
Iijima has been awarded the prize for establishing the field of carbon nanotubes, following his pioneering discovery of carbon nanotubes using electron microscopy. This new class of one-dimensional carbon materials has had a powerful impact on fundamental solid-state physics and material science. His work has opened new avenues for developing wide-ranging, practical applications in nanotechnology, ranging from electronics to energy storage systems and biomedicine.
The General Secretariat of the King Faisal Prize commended the 2025 laureates and offered thanks to the distinguished members of the selection committees and the experts for their valued contributions.
The selection committees for the prize’s four categories — Islamic studies, Arabic language and literature, medicine, and science — convened at the prize’s headquarters from Monday to Wednesday.
The selection committees included prominent experts, scholars and specialists from 16 countries.
The KFP was established in 1977, and was awarded for the first time in 1979 in three categories — service to Islam, Islamic studies, and Arabic language and literature. Two additional categories were introduced in 1981 — medicine and science. The first medicine prize was awarded in 1982, and in science two years later.
Since 1979, the KFP in its different categories has awarded about 300 laureates to those who have made distinguished contributions to different sciences and causes. Each prize laureate is endowed with $200,000, a 24-carat gold medal weighing 200 grams, and a certificate inscribed with the laureate’s name and a summary of the work that qualified them for the prize.
The 1 Billion Followers Summit, the world’s first and largest event dedicated to shaping the content creator economy, organised by the UAE Government Media Office, will convene over 125 prominent CEOs from major global firms, as it returns for its third edition, organised by the UAE Government Media Office and hosted in the UAE from 11 to 13 January 2025 at Dubai’s Emirates Towers, DIFC and the Museum of the Future, under the theme “Content for Good.”
These CEOs will join a prestigious lineup of content creators and influencers from around the world, sharing their expertise during panels, interactive discussions, workshops and roundtables. These sessions will explore the latest trends in business, economy, investment, and content creation, empowering aspiring talents and fostering innovation within the industry.
The list of speakers at the third edition of the 1 Billion Followers Summit include Maye Musk, mother of Elon Musk, the world’s richest man. A 76-year-old millionaire and model, Musk’s career began in 1969 as a Miss South Africa finalist. She became a prominent model, representing numerous major brands, and continues to work today. Despite her busy schedule, she earned two degrees in dietetics and nutritional science and founded her own nutrition company.
Musk, who enjoys an active social media presence with over 3.35 million followers, will share her parenting journey at the 1 Billion Followers Summit, discussing how she raised three children, including Elon, and the parenting style that contributed to his success.
Leading Egyptian businessman and global entrepreneur Naguib Sawiris, who has over 10.6 million social media followers, will share his insights at the Summit. He leads global companies in various sectors, including mining, real estate, financial services, telecom, investment, and media. Naguib Sawiris is the owner of Orascom Telecom, launched the first mobile network in North Korea in 2008 and founded ONTV network. He also owns 88% of EuroNews shares, and is the founder of Egypt’s El Gouna Film Festival.
Andre Le Masurier, Senior Director and Global Head of brand and Creative at Skyscanner, will share his experience of over 20 years in brand vision, marketing and product design, as he held leadership roles in leading companies and contributed award-winning work that spanned major brands.
Andrew Graham, Head of Digital Corporate Advisory & Partnerships at the Creative Artists Agency (CAA), will share his experience in cultivating and monetizing digital-native talent, and his work in developing digital strategies for A-list celebrities.
Ben Relles, who leads Content Strategy at the Office of entrepreneur and LinkedIn Co-founder Reid Hoffman, will address the topic of AI and its utilization in social media content creation.
Cayman Rojas, Community Manager at LinkedIn, will discuss how he works with, and supports prominent voices on the platform. He works closely with influencers with an outsized impact on the community, from CEOs and content creators to musicians, actors, and celebrities.
Joining the speakers lineup is Chris Williams, who founded and leads Pocket Watch, a studio specializing in kids and family entertainment through digital-first content and lifestyle products. Williams will share his experience of 20 years in developing online video content.
Emma Harman, President, EMEA at Whalar Group, will share her experience of over 25 years blending entertainment, music, and social marketing, and applying this experience in brand-talent collaborations. Harman will also highlight the importance of impactful content and supporting the Creator growth Economy.
Grigory Lavrov, VP Marketing, Local Brands & Franchise Management in CEE & MENAT at Warner Bros. Discovery, is also speaking at the Summit. In addition to his publishing experience, Lavrov oversees brands like TLC, DMAX, and Fatafeat.
Kate Ward & Zach Honarvar will share their experience as Founders of Creator Now, a platform that aims to build a film school reimagined for creators to help the next generation turn their creative passions into a full-time career.
The list includes Lewis Crosbie, Co-founder and CEO of Komi, which is a software platform and “one-stop-shop” for creators, bringing features found on Shopify, Patreon, and Linktree into one place to help creators engage with their fans around the world.
Paul Bakaus, Executive Vice President of Product and Creator Tools at Spotter, will showcase the platform’s efforts in empowering content creators everywhere to accelerate their workflow and unlock their creative potential.
Also joining the lineup of prominent speakers at the Summit are Brittany Brown, Director of Digital Communications & Strategy at NASA, sharing insights into impactful visual storytelling; Aliana Miller, Director of Influencer Marketing at Roblox, discussing strategies for building authentic creator relationships and achieving record-breaking results; Elise Swopes, Sr. Adobe Express Evangelist & Community, offering her perspective on mobile creativity and the intersection of art and technology; Sherry Wong, CEO at Roster, focusing on building strong support teams for creators; Ahad Khan, CEO at Kajabi, sharing insights into scaling online businesses using creator-focused platforms; and Jonathan Chanti, President of Talent at Viral Nation & CGO of Viral Nation Group, who will share insights into leveraging data-driven strategies and emerging technologies for influencer collaborations and brand growth.
