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Final event of bobsleigh competition at 2024 Youth Olympic Games (YOG) sees slider from North African nation pick up silver.
The smile on Jonathan Lourimi’s face said it all.
“It’s history, my friend,” the Tunisian said to Olympics.com after winning men’s monobob silver at the Gangwon 2024 Winter Youth Olympic Games (YOG) on Tuesday (23 January). It is his country’s first ever medal at the winter edition of the Youth Olympics.
“I never thought this was possible when I started with this sport one year ago. And now I’m here with a silver medal. It’s crazy. And yeah, I’m just going to enjoy the moment,” he added.
Tunisia had never sent athletes to a Winter Youth Olympics previously, and their small band of fans and officials in the Republic of Korea certainly seemed to be enjoying themselves when his second place finish was confirmed at the Alpensia Sliding Centre,
“It never happened before, so they are very happy. I’m very happy and yeah, just unbelievable.”
Lourimi finished 1.33 seconds behind winner So Kaehwan from the host nation, with Chi Xiangyu (People’s Republic of China) taking bronze.
“Today, just the race, I just didn’t focus on any medals or any times. I just wanted to enjoy the time, as I have been doing in training. Enjoy the runs,” Lourimi told us. “I’ve really had fun. Of course, I’ve been focusing a lot on this race, but meeting a lot of new people from different countries and [got the chance to] enjoy with them.”
The historic first medal for Tunisia came a day after Thailand also made history in the women’s race, with Agnese Campeol taking silver for the Asian nation.
For Tunisia’s Lourimi, the next step in his career is clear: “My goal is to be in the real Olympics, so I’m going to work hard for that, now just enjoy the moment, some weeks, and then keep on the hard work and yeah, hopefully I’m there in the real Olympics.”
source/content: olympics.com (headline edited)
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(Handout image supplied by OIS/IOC. Olympic Information Services OIS.)
By calling for women’s education and freedom, Saida Manoubia was truly a feminist ahead of her time.
Her shrine, located in the governorate of Manouba, west of Tunis, is a historical and cultural landmark of the city. It’s a gathering spot for locals and a venue for musical events. Visitors partake in the eating, conversing, and singing of folk songs praising and singing the saint’s virtues.
When I got inside, I was advised to talk to Aunt Zaziya, an elderly woman who resides in one of the building’s rooms. A long line of people had formed outside her door. I stepped in and sat down while she was having lunch in a small room surrounded by a few bags of gifts from the visitors a short time later.
People bring Aunt Zaziya treats to give away to visitors, as well as meat to cook and eat there, and she sends them away with Lella Saida’s blessings. She told me stories about couples who were able to conceive after years of unsuccessful attempts and women who married at a very advanced age thanks to the saint’s blessings. Aunt Zaziya, on the other hand, refused to continue the conversation when I told her I wanted to learn more about this renowned and revered woman.
I had the opportunity to speak with some of the women present and hear their stories. Amira, 25, described her visits to the shrine as providing her with “interior comfort.” But she didn’t know anything about Lella Saida’s background, her life story, or Sufism in general. Saida Manoubiya was described as a “smart and nice woman who assisted the underprivileged” by other regular visitors. However, the specifics of what made her such a wonderful woman were not widely known.
This lack of understanding runs against to Saida Manoubiya’s own beliefs, as well as how she lived her life and why she is regarded as one of Tunisia’s greatest women.
Education in a Patriarchal Society
Aicha, who grew up in Tunis during the Hafsid reign in the 13th century, possessed outstanding intelligence and intuition. Her father was a religious figure, an Imam or a Quran instructor. In his relationship with Aicha, it’s worth noting that he encouraged her education by teaching her Arabic (her native tongue is Amazigh) and the Quran.
It was evident that Aicha was different; she was a free spirit who refused to conform to the limits put on women at the period, something the villagers did not appreciate. Her behavior was viewed as unconventional or liberal, to the extent where her father was frequently chastised for her conduct.
When Aicha was told she would be married to a relative, she refused and decided to leave, an option that is still frowned upon now in Tunisia, let alone in the 1200s. Aicha was seeking freedom, financial independence, and education when she left Manouba for Tunis and sacrificed her family life. She was leaving behind the confines of a loveless marriage and traditional social constraints, as well as the confines of a loveless marriage and traditional social constraints.
According to historian Abdel Jalil Bouguerra, education was only available to specific women during that time: foreigners from the Mashreq, Al-Andalus, or the ruling family’s elite women. Aicha, on the other hand, was neither of these things.
She began knitting and spinning wool to support herself after settling in Montfleury, and she quickly became a disciple of Abu al-Hasan al-Shadhili, one of the most renowned religious personalities of his time, who was immersed in the Sufi school of Ibn Arabi al-Andalusi. Women and men are equal, according to Ibn Arabi, a controversial yet prominent person in Islamic history. It’s no wonder that Aicha picked this Sufi order as her educational path because he wrote extensively about the different female teachers who molded his spiritual knowledge.
Aicha continued to break social conventions at the time. She studied the Quran and attempted to analyze it attentively in order to comprehend its contents, opting for inquiry as a way to religion. She would leave her house without a male companion and go out to preach and debate with men. Some Sheikhs are said to have called for her stoning as a result of this.
She, on the other hand, worked hard in class, passed multiple exams, and swiftly advanced from student to teacher. Sufi intellectuals and kings were drawn to her arguments with her mentor, al-Shadhili. Continuing her schooling at that time is a remarkable achievement in and of itself. But pursuing and teaching Islamic studies and religion, a field dominated largely by men, is even more impressive.
Prominence & Influence
Aicha rose to prominence as a significant religious person in Tunisia, with connections to the most powerful religious groups. In Sufi societies, accompanying her master to various prayer spots on top of mountains and hills is considered a luxury. She then got close to prince Abou Mouhamad Abdel Wahed and Sultan Abou Zakariyah, and she received access to prayer sites formerly only open to men, such as Mousalla Al-Idayn, erected by Abi Zakariya in 1229.
Aicha’s fluent style and advanced language skills, which were once exclusively expected of prominent male intellectuals, as she preached at the Mosque of Safsafa (the area is now the shrine of Abdallah Chrif), astounded and amazed people.
Aicha was a philanthropist who lived off her earnings and gave the remainder to the underprivileged, especially women, in addition to her scholastic and religious qualities. There is also evidence that she purchased some Tunisian slaves who were being shipped to Italy only to free them six centuries before slavery was abolished in Tunisia in 1846.
In an official ceremony, Al-Shadhili gave Aicha his cloak, ring, and the title of Qutb, and referred to her as a “Imam of men” as he was leaving Tunisia. In Sufism, the highest spiritual position is Qutb (literally “pole”), and Aicha was a pole of knowledge and religion during her lifetime and beyond.
Her spirituality and deeds influenced people’s lives in such a way that she was elevated to the status of a Saint, and her life was surrounded by supernatural and divine legends known in Sunni Islam as “Karamat.” Her father once gave her a bull for agricultural purposes, but she instead gave it all to the impoverished, requesting them to return the bones. The bull came back to life once the bones were retrieved.
What is certain about her life is that she was a strong, independent woman who was able to break free from social constraints and establish herself as an equal and intellectual superior to males of her time. Saida Manoubiya was a feminist ahead of her time, advocating for women’s education and freedom.
The European Centre for Middle East Studies, headquartered in Germany, is organising its third international scientific conference in Tunisia on 25-26 February.
The conference will be held under the title “The Heritage of the Middle East and North Africa: Demise Challenges and Tasks of Preserving Identity.”
Representatives of UNESCO, ICESCO and ALECSO organisations are set to attend the conference.
Sattar Jabbar Rahman, founder and CEO of the European Centre for Middle East Studies and head of the conference, told Ahram Online the conference is meant to not only shed light on heritage but also to find mechanisms to protect it.
He pointed out that heritage, in its tangible and intangible forms, is suffering from neglect. The responsibility of protecting heritage lies not only on the shoulders of official institutions concerned with culture and heritage, but also on organisations concerned with protecting heritage, activists, and research centres, including the European Centre for Middle East Studies, he added.
Rahman confirmed that the heritage of the Middle East and North Africa is under threat, which is why the conference devoted five axes to discuss ways to protect it. These axes are: the impact of struggles and armed conflicts on tangible heritage; the role of civil society and cultural institutions in protecting heritage; national and international legislation to protect heritage; digitisation in the service and preservation of cultural heritage; and the impact of urban expansion on heritage.
Armed conflicts have caused some of the worst disasters on the cultural, urban and architectural fronts, said Hala Asslan, an expert with the International Council on Monuments and Sites and UNESCO and vice chairman of the Scientific Committee at the conference.
Asslan told Ahram Online that several conflicts erupted during the first two decades of the third millennium, causing unprecedented destruction in the region and harming the cultural, architectural, and environmental heritage of several Arab countries, especially those located in the Middle East and North Africa (MENA) region, most notably in Iraq, Syria, Yemen, Lebanon, and Libya. Several sites registered on the World Heritage List were damaged, such as the ancient city of Aleppo, the archaeological site of Palmyra, and the villages of Forgotten Cities in northern Syria, she added.
Chokri Essifi, a researcher in historical and civilisational studies and coordinator of the Office of Academic Relations at the European Centre for Middle East Studies in Germany, told Ahram Online that the local heritage in the Middle East is exposed to several internal and external threats. The most prominent of these is the lack of maintenance, attention, and follow up, their inappropriate use in cultural and tourism development, and the lack of awareness of the importance of this heritage in building national cultural identity.
With regard to external influences on heritage, Essifi revealed that the rapid transformations that the world has been witnessing since the 1990s included a number of influences in the heritage of the Middle East.
The first of these is the continuous attempts to own this heritage. This is in addition to the increase in theft, especially during periods of wars and conflicts that weakened protection measures on heritage and cultural sites.
He stressed that despite the positive aspects of globalisation, the unilateral view in the field of culture and the growing imperialism and one-centric tendency have hindered the trend towards promoting constructive cultural pluralism that does not differentiate between cultures and identities.
Eight Tunisian women have been selected as candidates for the first Tunisian and African female astronaut project. This selection came at Telnet’s Headquarters as Tunisia celebrated Women’s day. It is as a result of a partnership in August 2021 between Tunisia and Roscosmos to launch a Tunisian female citizen to the International Space Station (ISS) in the foreseeable future. As a result, according to Telnet’s Director-General, the ISS mission will be in 2024.
All the selected women are fighter pilots who graduated from the Borj Al-Amri Aviation School. Furthermore, they are Tunisian Air Force Corps members and have extensive experience in several challenging missions as a result. This is because the selection process requires strict conditions in terms of scientific, physiological and physical demands.
Among those names are: Hala Awassa, Ibtihal Youssef, Wafa El-Baldi-El-Yomna Dalali, Olfa Lajnef, Rahma Trabelsi, Hind Safferi and Malika Mabrouk.
During the unveiling, the current occupants of the ISS sent a message to the Tunisian candidates, expressing their support for the project and their expectations to welcome the first Tunisian astronaut in her upcoming mission. The female candidates also expressed their willingness to take up this historic challenge, raise the Tunisian national flag on the ISS and contribute to scientific advances in the service of humanity.
The candidates will subsequently undergo extensive physical and medical tests in Tunisia and abroad, from which two of the candidates will further travel to Russia. The candidates who travel to Russia will then undergo specific space-related training at one of the Russian Space agency’s training centres. This training will last for a year, after which will come the mission to the International Space Station.
Mohamed Frikha noted that all the candidates are the pride of the Tunisian woman and represent her in the best way. He added that their candidacy for this mission is a testament to their courage and willingness to honour the country and make history in a field as complicated as Space. Frikha also added that the astronauts will handle a scientific mission in Physics and Medicine and that the mission will contribute to the service of humanity. Finally, Frikha stated that the project received the support and encouragement of Tunisia at the highest level.
Tunisia is a party to and has ratified the Agreement on the Rescue of Astronauts, the Return of Astronauts and the Return of Objects Launched into Outer Space (Rescue and Return Agreement). The country is also a party to the Outer Space Treaty and the Liability Convention.
Oussama Mellouli became only the fourth swimmer to compete at six Olympic Games when he dived off the pontoon at Odaiba Marine Park on Thursday and then set his sights on Paris 2024 when he will be 40.
The Tunisian made his Olympic debut at Sydney 2000 and has now competed at five subsequent editions to join Therese Alshammar and Lars Frolander – both of Sweden – and Derya Buyukuncu of Turkey in an exclusive club.
The 37-year-old won gold in the 1500 free at Beijing 2008 followed four years later by bronze in the longest event in the pool as well as the open water title at London 2012.
He was 20th at Odaiba Marine Park on Thursday almost eight minutes behind winner Florian Wellbrock who delivered a masterclass in open water swimming.
Mellouli almost didn’t make it to Tokyo at all because of an ongoing dispute with the Tunisian Swimming Federation which saw him announce his retirement last month.
Days later, however, he confirmed he would race in Japan after Tunisian Olympic Committee president Mehrez Boussainpledged to mediate between Mellouli and the federation.
Mellouli though said the dispute had affected his training and subsequent performance, saying:
“I think I could have done a better job. Considering the last five weeks since Setubal (the FINA qualifying race), I’m a bit disappointed about (not being) a bit more in the fight.
“I think I wasn’t in the race for the first three loops and then I was below average in the last four loops.
“I think the poor situation that I’ve been in after my qualifier, I think a lot of extra stuff that’s been happening in my preparation didn’t get me in top form and top condition.
“After the qualifier I was hoping the situation could have been better so I could be in a better condition.”
It seems that Mellouli doesn’t want to end his career on such a note and when asked if he intended to compete in France, Mellouli said:
“I honestly hope so. I think I have more to prove.”
Should he do so, the eight-time world medallist would become the first swimmer to compete in seven Olympics after Alshammar attempted to qualify for the Sweden team in the women’s 4×100 free this year although her bid came to an end at the Sette Colli meet in June.
Thursday’s race saw Wellbrock win by more than 25 seconds ahead of Kristof Rasovszky and European champion Gregorio Paltrinieri and add to his bronze in the 1500m freestyle.
The German now holds the Olympic and world titles and Mellouli said:
“He did an amazing job, congratulations to the German team.
“Florian is a superstar. He has shown tremendous skills in the pool and today dominated the 10k so congrats.”
The first morning of swimming finals at the Tokyo Aquatics Centre featured Mellouli’s fellow Tunisian Ahmed Hafnaoui who won the 400 free from lane eight, prompting an outburst of emotion and unconfined joy.
Hafnaoui described Mellouli as a “legend” and said he aspired to be like him, a legacy of the older man’s success in the pool since he claimed his first global medal with 400IM bronze at the 2013 World Championships in Barcelona.
“I hope so,” said Mellouli.
“I’m very proud of him, words can’t describe how proud I am of him. I know the 400 freestyle is a very tough event, I think my best finish was fifth.
“He is a mature athlete at a young age.”
He added:
“That was great for Tunisian swimming, for Arab swimming, for north African swimming.
“I’m very proud of the kid. He shook the world and did an amazing job, an inspirational job.”
Tunisia’s prestigious industry event enjoys another successful year, helping spread a love of culture across the country.
Another week of movie magic, street art and music has come to an end following the 33rd edition of the International Carthage Film Festival in Tunisia.
Titled “Hel Thneya”, which means “Open the Path” in Tunisian dialect, the festival once again cemented its status as a major cultural attraction for visitors of all ages, who flocked to cinemas and filled the streets en masse.
The festival, one of the eldest and most prestigious in the Mena region, ended on Sunday.
As is tradition, the capital Tuniswas transformed into an open celebration of not only cinema but all forms of arts, with independent young painters getting the chance to show their artworks to the public for the first time and musicians performing every evening to audiences in the middle of Avenue Habib Bourguiba. For many, it was an opportunity to watch films that they don’t usually have the means or the opportunity to see.
Speaking outside the Theatre de Region Cinema, Downtown Tunis, Amina told The National she had been waiting for the festival to introduce her two children to the world of the cinema.
“As a family, we always discuss films together but we never find the time nor age-appropriate films to watch. This is a great opportunity to let them discover the big screen,” Amina said.
Amina’s daughter Ritej, who is in the sixth grade, was grinning with happiness as she prepared to enter the cinema hall. “I’m excited, I’m sure I’m going to enjoy this and tell my friends about it,” Ritej said.
Amina said that she often encourages her children to value the arts, with Ritej currently rehearsing for a school play, and she wishes there were more events like it in Tunisia.
This year’s International festival was an opportunity to revive the city. According to organisers, the festival aimed to showcase both new cinema productions and also timeless films that the younger generations needed to be introduced to.
This year, 72 countries participated with Saudi Arabia being the guest of honour and special emphasis placed on Palestinian and Spanish Cinema — a choice that organisers said highlighted the intersection between north and south, placing migration under an artistic lens.
The festival also paid tribute to Arab filmmakers, both living and dead, namely the Moroccan director Mohamed Abderrahmen Tazi and Egyptian director Daoud Abdel Sayed, as well as the late Algerian director Yamina Chouikh and late Tunisian director Kalthoum Bornaz.
“Through this 33rd edition, we continued to foster cultural decentralisation by bringing new sections to the festival and programming screenings in different parts of the country,” journalist and cinema critic Yosra Chikhaoui told The National.
“This year marks the first edition of JCC for kids. We are bringing more screenings as part of our “street cinema” section as well as continuing the special screenings for prisoners and members of the Tunisian army inside military bases,” Chikhaoui, who is a member of the festival’s media committee, added.
JCC in Prisons, now in its eighth year,is the fruit of a partnership between the Tunisian Ministries of Culture and Justice and the International Organisation Against Torture. This year, 12 films were showcased in three prison facilities, while juvenile detainees were transferred to Tunis for a special showcase in a cinema.
According to Ridha Behi, general director of this year’s festival, film screenings in prisons serve as a reminder of the right all people have to access and experience culture.
Awards, meanwhile, highlighted the multitude and variety on show, with a focus on filmmakers whose work depicts the struggles of their respective societies.
The Tanit d’Or award for best feature film was given to Tug of War, directed by Amil Shivji — marking the first time a film from Tanzania has won the award. Meanwhile, the Tanit d’Argent and Tanit de Bronze were respectively awarded to the films Under the Fig Trees by Erige Sehiri from Tunisia and Sharaf by Samir Nasr from Egypt
The Arab Fashion Council, a non-profit organization representing the fashion industry in the Middle East and North Africa, has named Dubai-based Tunisian model Ameni Esseibi as its new ambassador.
The announcement coincided with the launch of Arab Fashion Week, which includes 28 shows divided into three main programs, namely couture on Thursday and Friday, ready-to-wear from March 26 to 28, and events that will run throughout the five-day gathering.
Esseibi prides herself on being the Arab Fashion Council’s first-ever plus-size ambassador.
She said: “I feel proud. This is a huge step to acknowledge every woman, which is just the first milestone toward a new era for the fashion and retail industries to update the standards boldly and make them more inclusive for every woman. With my new title, I thrive on being a role model for self-confidence.”
The 24-year-old, considered the first plus-size model in the Middle East, is a staunch advocate for inclusivity and diversity in the fashion industry.
Esseibi’s new role marks the first time that the Arab Fashion Council has acknowledged a plus-size model as an envoy, a move it hopes will show its commitment to making a difference in the fashion industry when it comes to inclusivity and tolerance.
Mohammed Aqra, the Arab Fashion Council’s chief strategy officer, said: “It strategically encourages designers to take a step closer to include diverse profiles of the consumers, offering a wider choice for them at offline and online retail.
In addition to being a council ambassador, Esseibi has worked with a number of esteemed brands including Jean Paul Gautier and H&M and has featured in the pages of multiple publications including Vogue Arabia and Elle Arabia.
source/content: arabnews.com
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Ameni Esseibi prides herself on being the Arab Fashion Council’s first-ever plus-size ambassador. Supplied
Tunisian taekwondo player Mohamed Khalil Al-Jandubi won a silver medal at the 2020 Tokyo Olympics after losing the 58kg final to Italy’s Vito Delaquila on Saturday.
The 19-year-old Gindobi in the semi-finals defeated 2019 world champion Jang Joon of Korea and world number one earlier in the day.
This is the first Arab medal at the Tokyo Games to date.
Jendoubi’s medal was Tunisia’s second taekwondo Olympic medal after Oussama Oueslati won bronze in the 80kg category in 2016.
Ons Jabeur makes history. Professional Tennis Player.
Ons Jabeur, the Tunisian 26-year-old became the first Arab woman to win a WTA title defeating Daria Kasatkina 7-5, 6-4 to win the 2021 Viking Classic Birmingham.
Jabeur has crossed Selima Sfar’s career high of No.75 to become the highest-ranked Arab Woman ever.
Few other Records :
First Arab Girl to win a Junior Slam title, Roland Garros, 2011
First Arab to win any Junior Grand title since 1964
First Arab Woman to make a WTA final, Moscow, 2016
