Tag: Tunisian Records

TUNISIA: Dr. Erij Messadi & Prof. Mounir Bezzarga were Awarded 02 Gold medals at International Exhibition of Inventions Geneva 2023.

This is a new consecration for Tunisia on an international scale. This is the International Exhibition of Inventions Geneva 2023, one of the largest events dedicated to invention organized by the World Intellectual Property Organization and the Swiss government. Two gold medals were awarded to Erij Messadi, researcher, and Mounir Bezzarga, professor, for their inventions.

Tunisia causes a stir with two revolutionary inventions

The two Tunisian winners were distinguished among a total of 1,000 other inventions from 50 different countries, thanks to the gigantic potential of their projects.

Dr. Erij Messadi, representative of the Institut de Pasteur, presented a one-of-a-kind project at this prestigious event. Baptized “Lebecetine, Lectin type C, as an inhibitor of neovascularization”, it was able to capture the attention of the public and was able to win the gold medal with congratulations from the jury. His innovative invention aims to demonstrate the crucial role of Lebecetine in blocking the formation of new blood vessels, which could slow the progression of several diseases such as cancer.

The ImmunoDefender project won in the Q category. Designed and produced by Dr. Mounir Bezzarga to fight against COVID-19, this winning invention continues to receive awards and shine on an international scale. After winning a prize at TICAD and another at the Euro-Mediterranean Intellectual Property Conference, this plant-based project was on the way to winning the gold medal with congratulations from the jury at the Geneva fair.

Beyond the obstacles, Tunisia continues to shine

Despite the turbulent political scene and the difficult economic situation, Tunisia continues to shine thanks to the exploits of its talents. Indeed, the country is always represented on the podium of international events, especially those dedicated to technologies and inventions. Tunisian inventors like Erij Messadi and Mounir Bezzarga are often awarded for their inventions covering several fields. All this bears witness to remarkable innovation and dynamism on the Tunisian scene.

This immense potential can only be an incomparable asset for our Tunisia. The future therefore looks promising in this area.

source/content: yaluna.tn (headline edited)

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pix: themaghrebtimes.com

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TUNISIA

SHARJAH, UAE / LEBANON / TUNISIAN-FRENCH: 19th ‘UNESCO-Sharjah Prize for Arab Culture’ Honours Winners Kassem Istanbouli and Hajer Ben Boubaker in Paris

Kassem Istanbouli, Lebanese actor-director, and Hajer Ben Boubaker, French researcher and sound director, were awarded the 19th UNESCO-Sharjah Prize for Arab Culture at an award ceremony at UNESCO Headquarters in Paris on 26th June 2023.


The event, organised by the Sharjah Department of Culture in collaboration with UNESCO, celebrated the achievements of two winners.


The ceremony was attended by Abdullah bin Mohammed Al Owais, Chairman of the Sharjah Department of Culture; Ernesto Ottone Ramirez, Assistant Director-General for Culture at UNESCO; Mohammed Ibrahim Al Qasir, Director of the Department of Cultural Affairs in Sharjah; Ahmed Al Mulla, Deputy Ambassador of the UAE to France, and Aisha Al Kamali, Representative of the Cultural Attaché at the Embassy of the UAE in France, along with dignitaries, writers, intellectuals and accredited diplomats to the United Nations (UN).


Al Owais and Ramirez presented the 19th edition of the UNESCO-Sharjah Prize for Arab Culture to Istanbouli, winner of the Arab Personality Award, and Ben Boubaker, winner of the Non-Arab Personality Award.

The UNESCO-Sharjah Prize for Arab Culture recognizes recipients’ outstanding artistic achievements celebrating Arab art and culture globally. Core to UNESCO’s anti-racism and anti-discrimination agenda, the Prize promotes peace and dialogue to foster intercultural understanding and celebrate diversity.

For this 19th edition of the Prize, the international jury recognized Mr Istanbouli and Ms Ben Boubaker’s extraordinary contributions to promoting the arts and Arab culture and supporting their local communities.

Kassem Istanbouli is a Lebanese actor and director. Since 2014, he has led the rehabilitation of historical cinemas in Lebanon, including Stars Cinema in Nabatieh, and Al-Hamra and Rivoli in Tyre, abandoned or destroyed during civil war.

Mr Istanbouli is involved with several international projects focused on skills enhancement, youth empowerment and collaborative partnerships. In 2020 he co-founded the Arab Culture and Arts Network (ACAN) to design and implement online cultural activities across the Arab region. The Network includes over 700 organizational and individual members from across the world.

Mr Istanbouli is also director and founder of the Lebanese National Theater in Tyre and the Lebanese National Theater in Tripoli and has been a project manager at the Tiro Association for Arts in Lebanon since 2014.

Hajer Ben Boubaker is a French-Tunisian independent researcher and sound director. Her research focuses on a socio-historical analysis of Arab music and the cultural history of the Maghreb community in France and around the world.

In 2018, she created and self-produced the Vintage Arab podcast, which explores Arabic musical heritage. At the intersection of research and art, the podcast allows her to keep a foot in each sphere.

Ms Ben Boubaker is a producer and documentary director for France Culture, where her work questions the sound and political memory of immigration. As a researcher, she is associated with the Arab and Oriental music collection at the Bibliothèque nationale de France, and continues to write for scientific journals, including “Paris, capitale maghrébine: une histoire Populaire” in October 2023.

Created in 1998 and run by UNESCO at the initiative of the United Arab Emirates, the UNESCO-Sharjah Prize awards two laureates per year — individuals, groups or institutions — in recognition of their contribution to Arab art and culture, or for participating in the dissemination of the latter outside the Arab world.

The initiative contributes towards the Organization’s objective of fostering inclusive, resilient and peaceful societies. The Prize carries a monetary value of USD 60,000, which is equally divided between the two laureates.

source/content: wam.ae (headline edited)

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SHARJAH, UAE / LEBANON / TUNISIAN-FRENCH

TUNISIA : Avionav Exports First Tunisian-Made Helicopter

Avionav managed to export the first Tunisian-made helicopter. The Tunisia-based aircraft manufacturer company is gearing up to deliver more helicopters as it has embarked on the manufacturing of light utility helicopters. The company has been exporting its aircrafts to countries throughout Europe, Africa, the Middle East and the Americas.

Avionav is a Tunisian aircraft manufacturer that produces light aircraft for recreational and training purposes. The company was founded in 2007 in Mateur, Bizerte, by two Italian manufacturers. Later, a group of Tunisian engineers acquired it and relocated its main production facility to Sousse, Tunisia.

Avionav currently produces two models of light aircraft: the AV3 and the AV4. The AV3 is a two-seat, low-wing monoplane designed for training and recreational flying. The AV4 is a four-seat, high-wing monoplane that can be used for a variety of purposes including transportation, agricultural, advertising banner transportation, and surveillance. The company does also offer maintenance, repair, and overhaul services for its own aircraft as well as for other aircraft types.

“Since then, we’ve been doing our utmost to provide total customer satisfaction by providing high-quality, top-of-the-line products at 30% lower prices than our competitors,” Kamel said.

More than 1,300 of its models are currently flying, and roughly 40 light aircrafts (two to four passengers) are produced annually.

The company’s market includes the United States, Europe (Belgium, France, Italy, and Spain), Latin America (Brazil and Argentina), Asia/the Middle East (Pakistan, the United Arab Emirates, and Iran), and Africa (Tunisia, Algeria, Senegal). According to Kamel, new markets such as Costa Rica, the Czech Republic, and Qatar are being explored.

“Africa is an extremely lucrative market. We are presently in negotiations with Senegal and Mauritania,” he stated.

Any of the company’s aircraft can be delivered one month after being ordered. Which is “quite rare” in this industry, Kamel says with pride.

Due to its numerous advantages, the company chose carbon fiber for its Rally aircraft with large wings. It has certifications from ultralight aircraft manufacturers (ULM) and light sport aircraft (LSA).

source/content: carthagemagazine.com (headline edited)

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TUNISIA

TUNISIA: Hedi Nouira: The Architect of Tunisia’s Economic Renewal in Post-Independence

Hedi Amara Nouira was born in Monastir in April 1911 and was trained as a lawyer. In 1934, he assisted Habib Bourguiba establish the Neo-Destour Party, a radical branch of the nationalist Destour Party. In the 1950s, the party campaigned for independence, and Nouira served as its representative in Paris.

After the country gained independence from France in March 1956, he served as Finance Minister and was the first governor of Tunisia’s central bank.

Back then, the newly independent country’s lawmakers appointed Bourguiba prime minister, and he became president after the monarchy was officially abolished the following year. He ruled as a monarch for three decades, securing a 1974 revision of the Constitution that made him president for life and confirmed Nouira as his chosen successor.

Throughout the 1970s, as Habib Bourguiba’s health and mental capacity worsened, he progressively assumed control of the country’s daily operations. Considered the architect of Tunisia’s economic renewal in the 1960s, Nouira was criticized in the 1970s by workers for the government’s harsh labor policies and attacks on labor union headquarters.

During his tenure, the economy thrived, and double-digit growth was achieved, which validated him in his roles and kept him in the prime minister’s office for ten years.

Hédi Nouira was an expert in both international history and modern economics. He had a thorough understanding of the territory and the Tunisians, the vast majority of whom desired central rule and resisted any form of excess. He wanted Tunisia to become the Singapore of Africa. He knew how to build his credibility, his authority, and his leadership. He was rationally liberal, socially-minded, pragmatic, and realistic in his perspective.

He restored confidence in the coutnry economy by his speeches, way of action, and personal commitment.   State, employers, and UGTT initiate a session of social discussions every three years in order to provide greater visibility and less uncertainty for businesses and ensure social peace. Salaries and productivity go hand in hand. That was the policy.

Hédi Nouira knew where to lead the country and how to lead reform. He said what he did and did what he said, despite the danger of alienating strong supporters of social and economic progress. It revived the economy in so few years and put it on an Asian-style growth orbit, with yearly growth peaks exceeding 17%. His ten years in office will be remembered as the “ten glorious ones” in the country’s history. He rebuilt the state’s coffers and created more jobs and income than in the previous decade. He sought to bring Tunisia to the top of Africa. This ambition inspired the birth of the Tunisian dream.

After El Hedi Nouira’s stroke in February 1980, he was replaced by then-Education Minister Mohammed Mzali, who practically became the President’s heir apparent. In November 1987, however, Interior Minister Zine al-Abidine Ben Ali overthrew Bourguiba in a coup and claimed the presidency.

source/content: carthagemagazine.com (headline edited)

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TUNISIA

TUNISIA: Phoenix Mecano Elcom Wins Tunisian Kaizen Award

“Phoenix Mecano Elcom,” a Tunisian company specializing in the manufacture and assembly of electromechanical components has just won the Tunisian Kaizen Prize in the “large-Scale Business” category.

The Kaizen prize, awarded at a ceremony in Tunis on Wednesday, is an initiative organized by the Ministry of Industry, Mines and Energy and the Japan International Cooperation Agency (JICA).

Its aim is to reward Tunisian companies operating in the industrial or industry-related services sector that have distinguished themselves through exemplary implementation of the “Kaizen” approach, a concept that promotes a culture of continuous learning, integration and innovation.

“Phoenix Mecano Elcom had already won the African Kaizen Award last October in Yaoundé, Cameroon.

In the large-scale businesses category, international manufacturing company Asteel Flash and the Arab Society for Pharmaceutical Industries (SAIPH) also won awards.

Plastic packaging company Azur Pack also received an award in the Small and Medium Businesses category.

During the ceremony, the Minister of Industry, Neila Gongi, said that there was potential for improvement through the spread of Kaizen in Tunisia.

For his part, the Resident Representative of the JICA Office in Tunisia, Shunei Ueno, stressed that, more than a year after the end of the “Quality and Productivity Improvement Project” in December 2002, this second edition of the Tunisian Kaizen Awards “testifies to the continuity of the momentum of the dissemination of the Kaizen concept in Tunisia, which was initiated within the framework of this project”.

The Kaizen concept offers a systematic approach to improvement that results in cost reduction, improved quality and productivity, and shorter delivery times, JICA said. In 2006, Tunisia became the first country in Africa where JICA introduced the Kaizen approach.

source/content: africanmanager.com (headline edited)

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TUNISIA

TUNISIA: Egypt’s Aswan International Women Film Festival to Honor Renowned Tunisian Director Selma Baccar

The seventh edition of Aswan International Women Film Festival ( AIWFF) will honor the great Tunisian director, producer and politician Selma Baccar for her tremendous influence in the cinematic field being the first female Tunisian director who directed a feature-length film.

Her works include Fatma 76 (1976), The Fire Dance (1995), Flower of Oblivion (2005), El Jaida (2017), among others.

The seventh edition of AIWFF will kick off from March 5-10, 2023.

Dr Azza Kamel, Vice Chairman of the Board of Trustees of  Aswan International Women Film Festival said that Selma Baccar is a great filmmaker not only in Tunisian cinema, but also in Arab cinema, as her films conveyed the concerns of Tunisian women in different historical stages, in addition to her historical postion as the first Tunisian director to present a feature film.

Kamel stressed that the festival decided to honor Baccar as it seeks to honor creative women who have contributed to the portrayal of women’s issues from all over the world.

Kamel pointed out that Baccar’s struggle for women’s issues wasn’t limited to cinema screen, as a director or as a producer, but she was strongly present in the Tunisian political scene, as a member of the National Constituent Assembly to draft the constitution after the Tunisian Revolution, in addition to her work as a member in the Tunisian parliament defending rights and freedoms, stressing that honoring Baccar  is a tribute to Tunisian cinema, which in recent years has achieved great successes at the international level by producing acclaimed films that support women.

The  seventh edition of Aswan International Women Film Festival ( AIWFF) announced that it will honor veteran Egyptian actress dubbed Egypt’s first star Nabila Ebeid, acclaimed TV presenter Dorria Sharaf Eldin and the award-winning Dutch director, screenwriter and producer Mijke De Jong.

source/content: egypttoday.com (headline edited)

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File: Selma Baccar.

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TUNISIA

TUNISIA: Trailblazers: Safia Farhat — Tunisian Artist, Educator and Activist now gaining global renown 

Tunisian artist Safia Farhat was not only a dynamic tapestry creator, but had an impressive resumé including ceramicist, educator, women’s rights activist, and publishing pioneer. She was a woman who accumulated a list of historic firsts in her lifetime. 

She contributed to the growth of visual culture in independent Tunisia under the progressive leadership of President Habib Bourguiba. Farhat designed national stamps, had her fiber art displayed in the country’s banks, hotels, and schools, and worked with expert weavers and artisans in her studio.  

Farhat was born in the harbor city of Rades in 1924 and raised in a well-to-do family. It was her maternal aunt, who was skilled in knitting and crochet, who cultivated Farhat’s love of art. She went on to study at the Tunis Institute of Fine Arts and was reportedly just the third Tunisian woman to enroll there.  

She later became the institute’s first female director in 1966 — remaining in the role for more than a decade. She encouraged female students to take part in the institute’s programming. Farhat also founded Tunisia’s first magazine for women, “Faiza,” delving into feminism and decolonization, among other social issues.  

Her colorful, thickly lined tapestries depict animals, plants, and men and women wearing traditional clothing. “When I saw her work, I was really fascinated by its sculptural elements, the color, the various techniques that were embedded in it — and by their stories,” Jessica Gerschultz, a professor of African studies at the University of Kansas, told Arab News.  

“She seems to really play on self-referentiality,” she continued. “Her works are referring to her other works, so there are many symbols — lots of triangles and zigzags — integrated into her weavings and other works that she did in ceramics and iron.”     

Farhat, who died in 2004, is a name still recognized by some older people in her homeland, but she has been generally overlooked, ironically, by young art students in Tunisia. “At the institute, maybe students know her name, but they’re not very familiar with her,” noted Gerschultz. “Maybe they don’t know her at all.” 

International interest in Farhat, however, was boosted last year as a result of her works being showcased at the Venice Biennale. “It’s wonderful to see her contributions now being viewed more widely,” said Gerschultz.  

source/content: arabnews.com (headline edited)

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TUNISIA

TUNISIA: Tunisia’s Harissa Gets UNESCO Heritage Status

UNESCO added Tunisia’s spicy and most famous national condiment Harissa to its list of intangible cultural heritage, saying it was part of the North African country’s identity.


UNESCO placed the Tunisian condiment Harissa to its list of intangible cultural heritage, citing its significance to the identity of the North African nation.

The cultural agency of the United Nations is meeting in Morocco to consider proposals for its list of Intangible Cultural Heritage, which strives to safeguard cultural traditions, practices, and knowledge.

It tweeted “Just inscribed on the #IntangibleHeritage List: Harissa, knowledge, skills, and culinary and social practices.”

Tunisia’s Spicy Harissa

Harissa is a paste made from sun-dried hot peppers, freshly prepared spices, and olive oil, which preserves and slightly tones down its intensity. It is served in nearly every restaurant in Tunisia and is also exported internationally.

The condiment is wonderfully spicy, smoky, and packed with rich, deep flavors. It’s also extremely versatile, as it pairs well with sandwiches, different dishes, and even plain olive oil.

Harissa is “an integral part of domestic provisioning and the everyday culinary and dietary traditions of Tunisian culture,” according to Tunisia’s application for the status. It is typically cooked by families and communities.

“Harissa is used as a condiment, an ingredient, and even as a dish in its own right, and is well-known throughout Tunisia, where it is consumed and manufactured, particularly in the regions where chilli peppers are farmed,” the source explained.

It is regarded as a distinguishing part of national culinary heritage and a role in social cohesiveness.

The 2003 Convention for the Safeguarding of the Intangible Cultural Legacy seeks to protect and increase awareness of the “intangible cultural heritage of the communities, groups, and individuals involved.”

UNESCO emphasizes that the list recognizes traditions, practices, and knowledge as “human treasures” that must be safeguarded.

Wednesday, the organization also recognized French baguettes, bringing the total number of goods on the list to over 530.

source/content: carthagemagazine.com (headline edited)

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TUNISA

Tunisian-French Nadia Dhouib is Paco Rabanne’s New General Manager

Tunisian-French Nadia Dhouib has been named the new General Manager of Paco Rabanne. The former Galeries Lafayette Champs-Elysees managing director succeeds Bastien Daguzan, who served in the role for five years.

Dhouib will report to Vincent Thilloy, chief brands officer of Paco Rabanne and Jean Paul Gaultier, another fragrance brand owned by Spanish firm Puig.

Dhouib, founder of RethinkRetail Advisory, has aided designers in their shift from Galeries to RethinkRetail.Advisory. “Retail isn’t dead – it’s boring,” she explained to Vogue Arabia at her Galeries appointment, saying that she wanted to create an experience for clients. Keep an eye on this place to observe the transformation she brings to Paco Rabanne’s property.

The maison was founded in 1966 and rapidly developed an avant-garde and current identity. Its Spanish founder, Francisco Rabaneda y Cuervo, was the son of Balenciaga’s head seamstress. He fled Spain’s Civil War for France, where he took the name Paco Rabanne. He began his career as an architect before transitioning to avant-garde accessory design and creating one-of-a-kind pieces for haute couture houses. In 1966, he started his eponymous label, which featured outfits comprised of moulded plastics, hammered metal, aluminum jersey, and knitted fur. His eponymous chainmail gowns—as worn by Françoise Hardy—remain emblematic of the house to this day.

source/content: carthagemagazine.com (headline edited)

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FRANCE / TUNISIA

ARABS ABROAD: The Libyan Pharmacologist Mohamed Irhuma and the Tunisian Scientist Mohamed Kheireddine Aroua

A Libyan pharmacologist treating HIV patients in South Africa and a Tunisian scientist purifying water in Malaysia.

This is the story of two world-renowned scientists who left their homelands of Libya and Tunisia and went on to achieve great success in South Africa and Malaysia.

Libyan pharmacologist Mohamed Irhuma studied in South Africa but faced a range of challenges when his home country went through its 2011 revolution. He’s achieved success in South African HIV AIDS pharmacology, including award-winning work on drug treatments.

Tunisian chemical engineer Mohamed Kheireddine Aroua is a world expert in material separation, inventing a life-changing water purification machine which benefits remote villages.

Both stories illustrate some of the complexities of being an Arab abroad, and the journeys of two remarkable scientists.

source/content: aljazeera.com (headline edited)

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LIBYA / TUNISIA